This week I scored big. In addition to finishing off a pint of burnt caramel ice cream I found a dusty but still strongly bound first edition of Laughter on the Hill, a book about a young woman who moved to San Francisco alone in the winter of 1940.

(Grandmothers, 1955. Courtesy of San Francisco Public Library.

For others who have adopted this city as their home, who have looked over the Bay and its bridges with awe, lived in a drafty dump of a flat that's very well stocked with wine, or danced in the streets with strangers, this memoir will also strike a chord. It reminded me of other books that capture a special, specific time in the City's history.

For a taste of San Francisco in years past...

Recollections of California: 1846-1881
by General William T. Sherman

During the spring of 1848, as reports of gold began transforming the City, young William Tecumseh Sherman was still stationed under General Kearny in California. Later in his life, he remembered accompanying Governor Mason from San Francisco to Santa Cruz on one particularly difficult journey.

The house was of adobe, with a long range of adobe-huts occupied by semi-civilized Indians, who at that time did all the labor of a ranch, the herding and marking of cattle, breaking of horses, and cultivating the little patches of wheat and vegetables which constituted all the farming of that day. Every thing about the house looked deserted, and, seeing a small Indian boy leaning up against a post, I approached him and asked in Spanish, "Where is the master?" "Gone to the Presidio" (Monterey). "Is anybody in the house?" "No." "Is it locked up?" "Yes." "Is no one about who can get in?" "No." "Do you have any meat?" "No." "Any flour or grain?" "No." "Any chickens?" "No." "Any eggs?" "No." "What do you live on?" "Nada" (nothing). The utter indifference of this boy and the tone of his "Nada" attracted the attention of Colonel Mason, who had been listening to our conversation, and who knew enough of Spanish to catch the meaning, and he exclaimed with some feeling, "So we get nada for breakfast." I felt mortified, for I had held out the prospect of a splendid breakfast of meat and tortillas with rice, chicken, eggs, etc., at the ranch of my friend Jose Antonio, as a justification for taking the Governor, a man of sixty years of age, more than twenty miles at a full canter for his breakfast. But there was no help for it, and we accordingly went a short distance to a pond, where we unpacked our mules and made a slim breakfast on scraps of hard bread and a bone of pork that remained in our alforjas.

Joe Tilden's Recipes for Epicures
by Major Joseph Tilden (Sequoia Press, 1907)

Back when celery was a rare and refined delicacy, displaying its long green stalks in a crystal celery vase was a mark of high society. The tenderest, palest stalks would appear in a creamy soup. This version comes from the kitchen of San Francisco's self-proclaimed Bohemian and epicurean, Joe Tilden.

Celery Soup

Boil one small cupful of rice in three pints of milk, or two pints of milk and one of cream, until it is tender. Then rub it through a sieve and add one quart of veal stock, salt, cayenne, and three heads of celery (the white stalks only) which have been previously grated. Boil until the celery is tender.

Laughter on the Hill: A San Francisco Interlude
by Margaret Parton (McGraw-Hill, 1945)

This slim volume recounts the quintessential San Francisco experience: the ripeness of youth, rebellion amidst soul-searching, parties with poets and much, much red wine. Before she became a reporter and correspondent for the New York Herald Tribune, Parton lived for a year in a tiny, walk-up on Telegraph Hill.

It was autumn now in San Francisco, and wine-making time on the Hill. As I walked down Union Street toward the streetcar I could smell the purple grapes hanging rich and heavy in the hidden arbors behind the bare white fronts of the Italian flats. Great wooden barrels, scoured for the wine to come, began to appear in front of every doorstep, and one day there was the stained old wine press starting its yearly journey from the houses at the top of the Hill down to the late harvesters at the bottom. Each day as I passed it would be moved a little farther down, its heady smell mingling with the warm air from the basement bakeries, the odors of Provolone, salami, and black olives from the dim Italian groceries, the acid reek of the dark, male-frequented alleys, the salt wind from the Pacific.

This is San Francisco: A Classic Portrait of the City
by Robert O'Brien (Whittlesey House, 1948)

For catching the City in its many moods, there's no better than Robert O'Brien's street-by-street study. He trained his eyes and ears onto the quirky characters who flocked to the "City of Second Chances," and his book, recently reprinted, remains one of the best portraits we have of the City.

Cross Broadway, and you leave behind the kingdom of chow mein and jow won ton and jasmine tea, and enter the realm of ravioli. The vowels you hear now are soft and liquid, and the music is something from La Tosca.

In fact, a step from the corner of Grant Avenue and Broadway is a cafe called "La Tosca." Scenes from the opera are painted on the walls; Caruso sings from the juke box, and you drink a cappuccino, gray, like the robe of a capuchin monk, and made of chocolate that is laced with brandy or rum, and heated by steam forced through coffee.

This is a world of round brovolette cheeses hanging in store windows, and garlic sausage, and capretti at Easter time. Of the lovely smells of baking bread coming from ovens beneath the sidewalk, of picturesque and brightly colored family washings on clotheslines strung high over narrow alleys, of flowers in window boxes and canaries singing. Of Tony's Shaving Parlor, and the Panama Canal Tagliarini and Noodle Factory and the Roma Macaroni Factory. Of steep lanes on the side of Telegraph Hill, and fat Italian housewives leaning on the their window sills and laughing in the sunshine, and wiry Italian boys playing ball in the street.

The Alice B. Toklas Cookbook
by Alice B. Toklas (Harper & Row, 1954)

After settling comfortably for years in France, Gertrude Stein and Alice B. Toklas returned to the U.S. for a lecture tour that stretched from New York to California. They weren't impressed with what they ate during much of their journey across the nation but were delighted at last to reach the West Coast. (I've been searching for the tarte Chambord recipe for years, so if anyone knows how to make it, drop me a line!)

In San Francisco, we indulged in gastronomic orgies--sand dabs meuniere, rainbow trout in aspic, grilled soft-shell crabs, paupieres of roast fillets of pork, eggs Rossini and tarte Chambord. The tarte Chambord had been a specialty of one of the three great French bakers before the San Francisco fire. To my surprise in Paris no one had ever heard of it.

At Fisherman's Wharf we waited for two enormous crabs to be cooked in a cauldron on the side-walk, and they were still quite warm when we ate them at lunch in Napa Country. Gertrude Atherton took us to lunch at a restaurant were the menu consisted entirely of the most perfectly cooked shell-fish, to her club where the cooking was incredibly good, and to dinner at a club of writers where conversation excelled.

The Silent Traveler in San Francisco
by Chiang Yee (W.W. Norton, 1964)

This is one in a long series of books written and illustrated by Yee as he explored cities throughout Europe and the U.S.

The crab-sellers of San Francisco's Fishermen's Wharf offer a sharp contrast to my mind from the lobster-seller in Bar Harbor and all the coastal towns of the State of Maine. There every lobster is kept alive as long as possible and there is no sign of any being cooked on the spot. It is the general belief that a lobster should be eaten straight after being cooked, for it tastes best then. Does not this belief extend to crabs? Or perhaps crabs cannot live out of the sea for long? The most puzzling point for me is that Crabdom seems to lie in the bottom of the Pacific around the west coast covering San Francisco while Lobsterdom (if any) is in that part of the Atlantic covering the New England States. The Chinese proverb "Pai wen pu yu yi chien" or "Hearing (about a thing) a hundred times is not better than seeing it once" proves true. Had I not been in both places I should not have realised the existence of these separate kingdoms. Crabdom and Lobsterdom!

...

Eating a whole freshly-cooked lobster or crab, though some small forks are usually provided, involves some action with the fingers from time to time, which in turns involves "table manners." This brings to my mind many little problems concerning Chinese eating manners....We Chinese have two definite styles of eating: formal eating and eating for pleasure. At a banquet it is all formality and good manners; at other times we just enjoy ourselves, and then there is no question of etiquette. That is why some of the typically Chinese restaurants in San Francisco have a number of partitioned rooms, unlike the modern fashionable restaurant with many tables neatly arranged all together. Within these partitions, one can enjoy a meal with one's friends, and eat as unconventionally as one likes without being criticized. Unfortunately this kind of typical Chinese restaurant with partitioned rooms is beginning to disappear even in San Francisco.

I have a love/hate relationship with wine bars.

On the one hand, I love a good one. Give me a glass of something silky and bold, a plate of nibbles, and a comfy seat where I don't have to read lips to hold a conversation, and I'm as happy as a paparazzo outside the LA courthouse.

But these days, the term "wine bar" is bandied about so frequently, it's lost its meaning. Too often it's just a marketing ploy to encourage folks to frequent the bar of a restaurant that doesn't have a liquor license.

So when Nua opened as a restaurant and wine bar, I was suspicious. And rightfully so: though the wine list is long and esoteric, it's more restaurant than wine bar (and they've since dropped the term from their website). But I've forgiven them for hopping on the bandwagon because the food is utterly superb.

Chef Anna Bautista takes her cues from the Mediterranean, hopscotching from Provence to Andalucia to Italy, and the laidback charm those places are famous for has rubbed off on the four-month-old restaurant. On two of our visits, we made a reservation at the last minute -- I'm talking 4:30 pm on Saturday for a 7:30 table that night -- and on the third we changed the time. (Twice. What can I say? I'm indecisive.) Every time they were accommodating, and even sat us early.

Nua is clearly cultivating a neighborhood vibe, and when the weather permits, they fling open the front windows accordion-style to better channel the energy of their North Beach surroundings. The comfortable interior is what I'd call retro-modern, with color-blocked orange and cream leather banquettes, and shades of cool blue, orange, and honey-brown throughout. The staff is friendly, they split plates and glasses of wine without being asked if they know you plan to share, and they're knowledgeable about the wine list. On each visit, we enjoyed unfamiliar wines, like a Spanish Crianza from Bierzo to a white wine from Greece. My only quibble with the wine service is that the pours were on the small side our first two visits, but by the third they'd normalized.

The food, however, is outstanding, and it's why Nua has become my new favorite restaurant. Each meal began with a small plate of foccacia bread and a pool of golden-green olive oil. The menu is loosely divided into small and large plates so you can go the appetizer-entree route, or graze on a series of small plates (though the waitstaff doesn't explicitly advertise that option).

We ordered the sardines escabeche ($10) twice. Two meaty slabs of fish were arranged on a landscape of crisp Blue Lake green beans, miniature cauliflower florets, sweet pickled shallots, and currants. The sardines tasted light and fresh, and the dish teetered pleasantly between crisp and soft, tart and sweet, surf and earth.

We also ordered the side of roasted cauliflower with capers, pine nuts, and parsley ($5) each time. If you aren't a cauliflower fan, a bowl of this will change your mind. Roasting caramelizes and crisps up the tiny white florets, and the zesty dressing of olive oil, capers, and parsley makes them positively addictive.

Initially I balked at ordering the endive salad with white peaches, blue cheese, and hazelnuts ($9); it just sounded humdrum. But one bite changed my mind. The peaches were Platonic examples of their species -- sweet, juicy, floral, and full-flavored. There was just enough champagne-tarragon vinaigrette to match the bracing blue cheese and bitter endive.

The piquillo peppers ($9) we ordered on visit two were stuffed with a whipped salt cod and potato brandade, flash-fried, and served with a sauce of garlic, shallots, and parsley as well as some frilly frisee fronds. They were good, but they didn't get my tail wagging as much as other things did.

The Parisian herbed gnocchi ($14) melted in my mouth, and the baby artichokes and mushrooms created an earthy stew around them. The best part about the gambas al ajillo ($11) weren't the plump shrimp, but the fiery broth they were bathed in. When the prawns were gone, I used the foccacia fingers to soak up the robust juices.

Housemade merquez sausage offset with a cucumber, fennel, and tomato salad ($13) tempted us on the first visit, and I loved the contrast of hot and cold layered within the dish. But the veal and pork albondigas ($8) may have edged it out as my favorite meat dish. The meatballs were soft but held their shape, and the flavor was so clean and subtle that I could almost taste the milk fed to the little calf. The almond bread sauce was a revelation -- no tomato to strongarm the delicate morsels.

Like the small plates, entrees are lighter than they are heavy, and bursting with flavor. A recent seafood risotto with corn ($20) tasted of summer, while the quail
was accented with a plucky plum sauce and crisp green beans. Though portions were generous, neither left us feeling like we'd overeaten.

The blueberry fromage blanc tart ($7.50) was a light, fresh way to end the meal, but it was the butterscotch pot de creme ($7.50) we found ourselves oohing and aahing over time after time. Unlike its beloved Zuni cousin, this is a plain pot de creme, flecked with vanilla and covered in a layer of rich, supple butterscotch sauce. The creaminess of the custard is the perfect canvas for sweet butterscotch, though they ought to think carefully about the cookies served alongside. The almond cookie complimented the butterscotch beautifully, but the rich chocolate brownie battled the sweeter pot de creme all the way.

At Nua, the food isn't flagrantly experimental, but it is flawless. The wine list is full of surprises, the staff is easy-going, and the atmosphere is pleasant. No matter what you call it, that's my favorite kind of place.

Note: This review was based on 3 anonymous visits.

Nua
550 Green Street at Columbus
San Francisco
(415) 433-4000
Open 7 nights a week