The other night at work, I watched as a fellow server carried a tray of cocktails to one of his tables. On that tray were three beverages known as Shirley Temples.

As he passed me, I commented with mock indignance, "Poor Jane Withers, no one ever named a drink after her. It's always Shirley, Shirley, Shirley."

Which was exactly what was happening as I spoke the words. One Shirley, two Shirley, three Shirleys down...

So I resolved then and there to create a drink in Jane Withers' honor to make up for nearly seven decades-worth of slight.

For those of you not well-versed in Depression-Era (the 1930's version, not the present one) pop culture, Jane Withers gained fame as Shirley Temple's nemesis in a film or two, most notably in Bright Eyes. Meaner, bigger, and less endearing, she was still entertaining enough to hold her own against Miss Temple. And if I have to explain to you who Shirley Temple is, I am going to cry.

Just watch and you'll see what I mean:

When I got home, I thought about what to make and came up blank. Who even remembers Jane Withers anymore, except me, I mean? Should I just simply do a take-off of a Shirley Temple? Would I add bitters? Make it taller? I was frustrated. There is little pay-off in naming anything after a child who lived her early years in Miss Temple's enormous career shadow.

I needed a drink.

And, suddenly, there was the answer. I decided then and there to forget all about Miss Withers and create an adult beverage in honor of the infinitely more famous Miss Temple. I know what you're thinking-- I'm a star-(expletive)er.

Well, I guess you're right. I am a star-(expletive)er (never, mind you, in a literal sense). And why not? Shirley Temple the mega-child star transitioned successfully into adulthood as Shirley Temple Black-- wife, mother, representative to the United Nations General Assembly (Nixon), the first female Chief of Protocol of the United States (Carter), and U.S. Ambassador to both Ghana (Ford) and Czechoslovakia (Bush the Elder). If anyone has earned a good, stiff drink, it is she.

Shirley Temple Black

The Shirley Temple is far-and-away the most popular "kiddie cocktail" in the world-- fitting that it was named for the most popular child actor to have ever existed.

The original Shirley Temple drink was, as one rumor has it, created by a bartender at The Royal Hawaiian Hotel in Honolulu in the 1930's-- a place Miss Temple visited with her family many times.

It is a non-alcoholic beverage made with ginger ale or some sort of lemon-lime soda, grenadine syrup, a garnish of maraschino cherries and a slice of orange. The Canadians love to add a splash of orange juice, and so do I-- it just makes the thing that much more wholesome, which is something Canadians know all about. After all, they did send us the original America's Sweetheart, Mary Pickford. Miss Pickford, if you didn't know, served as the hairstyle inspiration for Miss Temple. No Pickford, no Curly Top.

The whole notion of kiddie cocktails centers around their ability to allow children to participate somewhat benignly in adult cocktail culture-- preparing them in a sense for their futures as alcohol-swigging grown-ups to whom they look up, both physically and morally.

Maybe they're not so benign, after all.

The idea of the Shirley Temple Black is entirely upside down. It is a drink that allows me to mix and mingle with the wee 'uns from time to time without having them point at my Manhattan and ask what's in it. With an innocent-looking, yet boozy Shirley Temple Black, I can gently tone down those shrieks of bouncy castle delight, or steel myself for the twenty-seventh consecutive screening of Thomas the Tank Engine more or less unnoticed.

At the next children's party I am obliged to attend, when the host or hostess asks me what I'm having, you know my answer's going to be:

"I'll have a Shirley Temple, and make it Black."

Makes One Deceptive Little Cocktail

Ingredients

1 ounce white rum

1/2 ounce Maraschino liqueur

A splash of grenadine

A splash of fresh orange juice

Ginger Beer

Crushed ice

Orange zest or a slice of orange for garnish.

Preparation:

Fill a highball or double old fashioned glass with crushed ice. Pour in rum, maraschino liqueur, grenadine, and splash of orange juice. Fill to near the top, but not brimming (remember, there are children present whose motor skills aren't yet finely tuned) with Ginger Beer and garnish with orange.

Drink immediately to bring your own motor skills closer the the level of the precious little ones.

Variation: The Jane Withers

Just like a Roy Rogers is the classic cola-based alter ego of a Shirley Temple, I felt the Shirley Temple Black was in need of a foil. Feeling guilty that I was turning away from the woman I had originally intended to honor, my friend Rebecca suggested this drink might be delicious with a slug of rye instead of rum.

Of course she would say that-- her boyfriend is an amazing mixologist.

So here you go, Miss Withers-- a drink created especially for you:

The Jane Withers

It's kickier than a Shirley Temple Black, and guaranteed to unclog your pipes faster than Josephine the Plumber.

To make a Jane Withers, simply substitute rye for rum.

And we're done. I hope everybody's happy.

When I was twelve, my father took me to see a little film called Evil Under the Sun-- the last in a trio of tony Agatha Christie whodunit films that somewhat shaped the person I am today. The first, Murder on the Orient Express, cemented my passion for train travel and smart suits; the second, Death on the Nile, ignited a fondness for women in floppy sun hats and beautiful, wee handguns. It was Evil Under the Sun, however, that really stayed with me. Some would understandably think the reason was Diana Rigg having a field day being a classic, haughty, soon-to-be-murdered bitch, or getting to see Roddy McDowall in a never-ending series of sailor suits, but they would be wrong. Not too far off, but wrong, all the same.

It was Maggie Smith. Maggie Smith and her cocktail parties. I don't think my father had any idea what he was getting me into when he took me to see that picture.

It was a simple scene, really-- almost a throw-away, apart from firming up the tension between Diana Rigg's Arlena Marshall and just about everyone else residing at an exclusive, Mediterranean island resort. While passing around a tray of hors d'oeuvres to her guests, Smith asks the world-famous detective Hercule Poirot (Peter Ustinov) if he would care for a cocktail. "Care for a cocktail, Monsieur Poirot? A White Lady, Sidecar, Mainbrace, or Between the Sheets?" Poirot rejects them all and asks instead for either crème de cassis or sirop de banane. With a bit of a sigh, she acquiesces, only to move on to offering Diana Rigg a sausage-- the one thing of which one would think she had had enough, given her proclivities.

And that was it. I followed the murder well enough, and the inevitable, intricate unveiling of who-done-what. But I kept thinking about those cocktails. As I sat in that theater, I decided that I was going to be the sort of chap who drank Sidecars and Between the Sheets while Cole Porter tunes were played somewhere out of sight on a piano. I filed their names away in my memory and bided my time.

When the appropriately legal time finally came nine years later, I unleashed my inner Maggie Smith, marched into a very (to me) upper, upper lounge in Los Angeles, and ordered a Between the Sheets from the bartender.

"I'm sorry," he said, "You're going to have to tell me what's in it." When I recovered sufficiently from the shock, I next asked for a Sidecar. "Can you tell me what's in a Sidecar? Maybe if you knew what you were asking for, I could help you." Devastated, I settled for a martini to drown my nine years-worth of disappointment. How on earth could a bartender at the Atlas Bar & Grille-- a place decorated in the luxe fashion of a 1930's Supper Club, a venue that showed old films from that era on a giant screen, no less-- not know how to make a Between the Sheets? Given its Hollywood location, I should have realized that everything, maybe even my beloved fantasy cocktail, was an illusion.

Perhaps he was right-- I should have done a little research. I bought a book of classic cocktail recipes, just to make sure the screenwriters hadn't made up the names.

They did not.

Very much relieved and filled with renewed hope, I made my way back to the bar the following week-- this time armed with the recipe. I called out the ingredients in a voice that was only vaguely Smith-like, and finally got what I'd been waiting for. I got my Between the Sheets.

Between the Sheets

Like most cocktails, the origin of the Between the Sheets is murky. Some people believe it was created at Harry's New York Bar in Paris (the place, incidentally, where George Gershwin partly composed An American in Paris) in the 1930's. Others hold fast to the notion that it was the brainchild of a bartender at the Berkeley Hotel in London in 1921. It doesn't matter much to me. I'm just grateful that someone created it.

The Between the Sheets is a very close cousin to the Sidecar-- a drink most bartenders now know, thanks to the surge of interest in classic cocktails. Made of white rum, brandy, and Cointreau, it even comes with a sugared rim. It is a tart, refreshing member of the sour family of alcoholic beverages.

The following recipe is not the classic one. While white rum is well and good in its place, I think it has a bit of trouble competing with the brandy and other flavorings. I have substituted my favorite dark rum instead, which makes its own, indelible impression without overpowering the other players.

Not unlike Dame Maggie Smith herself, if you ask me. I know you didn't ask me, but if you did, that is what I would tell you.

Ingredients

1 ounce dark rum. My personal preference is Zaya (thank you, Shannon).

1 ounce brandy

1/2 ounce Cointreau

1/2 ounce lemon juice

1/2 ounce simple syrup

Ice

A twist of lemon or orange peel for garnish, which is purely optional. Or sausage, if you are feeling saucy enough and think you can pull it off.

Preparation:

In a cocktail shaker, insert ice. Pour all liquid ingredient over ice. Close lid of shaker. Shake vigorously and pour into an awaiting martini glass. Garnish, if that pleases you.

At gala events you expect to see top chefs preparing bite-sized nibbles for guests. But at StarChefs events working chefs are not just preparing the food, they are the ones being celebrated. StarChefs is all about the chefs of today, and the rising star events are a great way to get a taste of what's hot at the moment.

If you're not a chef, it's possible you've never visited StarChefs. The web site offers recipes, community features, publications and articles that are geared for the restaurant professional. Roughly every other year, they also hold an event in our neck of the woods. For the first time, this year they held a Rising Stars Revue™ in Napa and toasted the up and coming chefs of Napa and Sonoma at the historic Charles Krug winery in St. Helena.

Fifteen chefs, sommeliers and a mixologist were honored with food, wine and prizes to boot. Interestingly there were several husband and wife teams, one of whom had to close their restaurant in order to attend. Some favorite dishes from the evening were:

Ubuntu Fregola in Caramelized Vegetable Juices with Salsa Maro from Jeremy Fox of Ubuntu

Poached Poussin with Summer Vegetables from Christopher Kostow of The Restaurant At Meadowood

Ricotta Gnocchi, Salsa di Pomodoro della Nonna and Pecorino from Nick Ritchie of Bottega

Chicken Fried Sweetbreads with Green Bean and Mushroom Casserole from Matt Spector of Jolē

Sauteed Maryland Wild Striped Bass, Ragout of Salsify, Black Trumpet Mushrooms, Bloomsdale Spinach and Spinach Vin Blanc from Restaurateur Award winner John Toulze the girl & the fig, fig café, Estate

Lemon Verbena Parfait with Summer Stone Fruit from Pastry Chef Deanie Hickox-Fox of Ubuntu

Long Ranch Goat Two Ways: Grilled and Braised with Rancho Gordo Beans and Salsa Verde from Host Chef Richard Haake of Winery Chefs

At the event guests got a chance to vote for their favorite dish. I had a hard time choosing between intensely herbal and fragrant fregola dish and the delicate yet crisp striped bass but in the end, the winner was Matt Spector and his decadent sweetbread dish. Looking at the recipes that were in the program, it's clear why we love eating out. With complicated techniques, multiple preparations and long ingredient lists, these were not dishes you would likely make at home!

One of the most beautiful dishes was this plated dessert from Deanie Hickox-Fox. Basically an unconstructed tart, it featured a bit of crunchy crust, sweet apricot with lemon verbena cream accented with a fruit puree, and garnished with edible flowers and a thin wafer cookie.

To make at home, I'd recommend the cocktail presented by Scott Beattie, the Bella Ruffina, a pretty rose colored cocktail perfect for warm Summer days or nights...

Bella Ruffina
4 ounces Braquetto di Aqui
1 ounce Carpano Antico Vermouth
1 dash orange bitters
1 Amarena cherry, for garnish

Combine the sparkling wine, vermouth and bitters in a champagne flute and stir gently. Drop the cherry in the bottom of the glass to serve.

Recipe reprinted from Artisanal Cocktails by Scott Beattie, published by Tenspeed.

There has always been a special place in my heart for the Negroni. Not always. I stayed away from them in elementary school, naturally. I don't think I even tried my first until well into my twenties. And I'm not quite certain I liked it then.

But I liked the idea of the Negroni. It was and is a sophisticated, world-weary drink-- one with Italian origins and bitter complexity, yet remarkably, charmingly straight forward. It is not a drink that should be knocked back like whiskey, nor can it be co-opted or diluted with other ingredients and still be called by its proper name. It is the sum of its equal, co-dependent parts: gin, sweet vermouth, and Campari. It must be savored and considered.

If a person could model one's self after a cocktail, I knew that the Negroni was exactly what I wanted to be when I grew up, so I kept trying. So far, so good, and with minimal damage to my liver.

The Negroni doesn't have the wide appeal of the Martini or even the Manhattan, which is, in my case, precisely the point. It isn't necessarily an exclusive drink, but it does attract discriminating drinkers. They know who they are.

Or, at least, quickly find out who they are not.

For example, several years ago, some co-workers and I took a new server out one afternoon for a drink at a place around the corner from our restaurant. It was a warm day, so we decided to sit outside at some little tables on the sidewalk, have a smoke, and get to know our new little friend over a drink or two.

My friend Greg was managing that day, so he came around to have a chat and took our drink order while he was at it. We, all of us, called for Negronis. When he asked the new girl if she would like one as well, she spoke these precious words:

"Um, sure. I'll have a nigg--oni, too."

Then came the long, extremely uncomfortable silence made all the worse by the fact that she said this to a black man. If looks were hunting knives, she would have been flayed alive by everyone present. What made it all the more surprising was that she hadn't the slightest idea what she had just said. Greg generously attributed her utterance to poor Italian pronunciation, which is more than the rest of us allowed her.

And, after all that discomfort, she told us she didn't like her Negroni and sent it back to be replaced by a sweet, vodka-based drink. When she got up to use the restroom, one of our party re-christened her "Chili's" because he felt she might be much more at home working there than with us. The name stuck around for about as long as she did. That drink we bought her as a welcome ended up being her departing gift, too, since that's precisely what she did shortly after.

Apart from its cachet of clique, what I love most about the Negroni is that it is deliciously louche. It hints at danger and moral decay more precisely than any other drink, save Absinthe. Just ask Tennessee Williams. Or don't, since he's dead. Rather, watch Lotte Lenya*, Warren Beatty, and Vivien Leigh drink them in The Roman Spring of Mrs. Stone and enjoy the ensuing destruction. They weren't exactly good for Mrs. Stone, nor were they especially good for Mr. Beatty's awful Italian accent, but they certainly helped to lubricate the plot. (*After searching for a video clip from the film, I stumbled upon an article by Toby Cecchini in the New York Times referring to Lotte Lenya as, well, louche. It must be true. For a wonderful description of the drink and its components, read the article Shaken And Stirred; Dressing Italian.)

There is a time and a place for the Negroni. Swank apartments at midnight, dimly lit trysting places at any time of day, on the sly in a toney sanitarium-- appropriate situations, all of them. Never, under any circumstances are they to be drunk over a quick lunch with your parents or-- and I speak from personal experience-- are they to be ordered in the jungle borderlands between Brazil and Argentina. Especially if there is a strong language barrier between you and the bartender who only knows caipirinhas. I don't care if there is a casino on the premises, it is to be avoided.

The Classic Negroni

The cocktail owes its name and its existence to one Count Camillo Negroni of Florence, Italy. According to Eric Felten's enjoyable read, How's Your Drink?, Negroni's preferred drink at the Caffé Casoni was the Americano, an admixture of Campari, Cinzano, and club soda. One day, he asked the bartender, Fosco Scarselli, to fortify his drink with gin. The cocktail was an unqualified success and its intake spread first around the city, then the world.

Ingredients:

Makes one Negroni

1 ounce good gin. Please do not stint.

1 ounce Cinzano Rosso vermouth

1 ounce Campari.

Ice cubes, preferably made from Italian spring water. Or tap, depending.

Orange peel or slice for garnish

Preparation:

Into a cocktail shaker, add all ingredients except the orange. Shake or stir, according to your own preference. Strain into chilled cocktail class. Garnish with orange.

Sit back, and enjoy the ensuing existential train wreck.

As an added bonus, while I'm on the topic of train wrecks, enjoy a clip from a famous television personality I would never in a million years expect to see drinking a Negroni. In my opinion, she doesn't get it quite right, just pouring everything over the rocks without proper mixing as she does. Then again, she does only have 30 minutes to make an entire meal.

Enjoy.

It's always an honor to be asked to be part of or contribute to a wedding, but it's even more flattering when your culinary skills are called upon for said wedding.

In October, Kim specifically requested I bring my "famous potato salad" to her post-Scotland wedding reception, and last weekend, Catherine, Jeff, and all of us wedding guests toasted their happiness with my Lady in Red at the Mandarin Oriental Hotel.

Over the summer, Catherine -- for whom I once designed a simple birthday cocktail to go along with her gift of St. Germain elderflower liqueur -- asked if I would shake up a special wedding cocktail. Her only request: it had to be red to match her dress.

After first assessing what the Mandarin Oriental stocked in their bar, I set about to concocting the cocktail. Aside from staining its cheeks crimson, I wanted this cocktail to be three things: seasonal, celebratory, and reflective of the bride's tastes. Well, not all of that happened.

Ignoring sangria and all other wine-based cocktails of that ilk, I knew that the red hue was going to come from cranberry or pomegranate juice (seasonal!), and after a few (read: nine) attempts, I ditched the cranberry juice. It was too easily diluted in both color and flavor. I also had to ditch my idea of including both bourbon and ginger ale in this cocktail (the bride's signature drink) because no matter what I did, the bourbon came out too...bourbon-y.

A few weeks later, I started with a whole new plan and a whole new red. Now working with the stronger, tarter pomegranate juice, I cried, "Eureka" after three passes and then set to refining the flavors.

Victorious and hung-over, I presented the recipe to the bride along with a list of potential names: Ruby Slipper, Scarlet 75 (the drink is an adaptation of the classic French 75), Red Letter Day, and Lady in Red. (She chose "Lady in Red," so if you now have Chris de Burgh in your head, it's not my fault.)

(Okay, maybe it is.)

On my reserve list of names was Study in Scarlet, Red-dy or Knot (my husband's contribution), The Red Menace, The Scarlet Letter, The Cat's Meow, My Love is Like a Red, Red Rose, and Redrum. (I will be saving that last one for a blood-soaked mojito or daiquiri in case Stephen King ever wants me to design a wedding cocktail for him.)

Lady in Red

2 oz. pomegranate juice
1 1/2 oz. gin
4 oz. ginger ale (preferably very spicy ginger ale)
Sparkling rosé
2-3 dashes Angostura bitters
Pomegranate seeds

Shake pomegranate juice and gin with ice; strain into a cocktail glass. Add ginger ale and top off with sparkling rose. Finish with bitters. Garnish with four pomegranate seeds for health, happiness, love, and laughter.

I am pleased and relieved to report that the drink was extremely well received. Even my French friend, who I thought preferred champagne to everything, was seen drinking more than one Lady in Red. Additionally, the bartender told someone else that he's seen a lot of guest-created cocktails pass through his shaker, but he had never seen one reordered so many times. Finally -- and most importantly -- the bride, the groom, and all my cocktailing friends loved it.

I hope you do, too.