SF Chefs. Food. Wine. Ribbon Cutting: Linda Lim, Mayor Gavin Newsom, Kevin Westlye, Tyler Florence

To quote Mayor Gavin Newsom, "Aspen, eat your heart out."

An epic event 2 ½ years in the making, SF Chefs. Food. Wine. was like a food-lover's Disneyland with over 200 of the Bay Area's finest chefs, 450 wineries, and mixologists aplenty strutting their stuff.

Over the past four days, Union Square was transformed into a playground of tastings, seminars, and demonstrations from a who's who list of culinary legends, rising stars, artisans, and experts.

View from the top: Charles Phan, Thomas Keller, Douglas Keane

Sara Moulton and Cindy Pawlcyn

Martin Yan, Yan Can Cook

Top Cheftestants Jennifer Biesty and Ryan Scott

It sometimes feel like a blessing and a curse to live in a city with so many amazing restaurants to try because let's face it, who can afford to try them all? One can read about them, drool over descriptions and photos of them, and then place them on an ever-growing bucket list of places to try. The Grand Tasting Tent at SF Chefs provided the rare opportunity to hone that list, allowing participants to really taste, touch, see, and feel for themselves, a sliver of what some of these heralded restaurants are all about. The air was electric and the excitement palpable, as the wine flowed and the bites were dished out.

Monterey Squid, Chef Justin Simoneaux, Moss Room

Thai Wrap, Chef Toi Sawatdee, Lemongrass Thai Cuisine

It was interesting to see the chefs do riffs on many of the same ingredients that are in peak season right now: corn, heirloom tomatoes, melons, figs, and refreshing preparations like gazpachos and ceviches.

Bruleed Fig with Kaffir Lime Oil and Vanilla Salt, Chef Jenn Puccio, Cortez

And, there was no shortage of parties…all benefiting good causes of course: the Golden Gate Restaurant Association Scholarship Foundation, Meals on Wheels, Project Open Hand, and the San Francisco Food Bank (a member of Feeding America).

Thursday night reunited Rising Star Chefs and Bar Stars named by the San Francisco Chronicle, and a special dinner prepared by Arnold Eric Wong (E&O Trading Co.), Charles Phan (The Slanted Door/Heaven's Dog), and Martin Yan (Yan Can Cook).

Friday night honored America's Culinary Pioneers, Emily Luchetti (Farallon/Waterbar), Judy Rodgers (Zuni Café), Patricia Unterman (Hayes Street Grill), Joyce Goldstein (author and restaurateur), and Chuck Williams (Williams-Sonoma). There was also Out in the Fog, a celebration of the diverse LGBT community, at Elizabeth Falkner's Orson. It was chic, it was sexy, and it had a giant projection of Julia baking a cake on the wall.

Party time went strong through Saturday night, and the tasting tent was bumping with DJ Chef Hubert Keller laying down some beats at the Urban BBQ. Rock Star.

DJ Chef Hubert Keller

God forbid that dancing put anyone in a negative calorie count. The night continued at a Chocolate Enchantment after-party, complete with a floor to ceiling spinning display of chocolate decadence.

SF Chefs chocolate enchantment

This weekend's festivities were a true celebration of the unique culinary spirit of San Francisco, bringing together a community of both industry and non-industry people through a common love of food. It was a treat to have executive chefs live and in person, serving their dishes and chatting about their food, or seeing them interact with one another and catching a glimpse of that intriguing "chef's world" that has captured our imagination. We are a city that loves our food, and by direct association, honors the craftsmen and -women who bring joy through food.

SF Chefs. Food. Wine. hit on a winning combination of accessibility to hometown celeb-status chefs, utterly delicious food, fine wine, education, and awareness of important issues in food politics. It was fun, multi-faceted, and full of passion. It was, in a nutshell, San Francisco.

Ding-ding

10:30 a.m. on a weekday morning is not my usual cocktail hour. But with a cheerful SF Chefs. Food. Wine volunteer saying "Breakfast is served!" as he placed a cute pink drink in front of me, well, what could I do?

It was, after all, educational. The drink was a raspberry rum daisy, made with white rum, lemon, and raspberries, an olden-days cocktail made artisanally up-to-date through the use of small-batch Caribbean-style Baptiste rum and a locally made fruit syrup sweetened with raw cane sugar and thickened with gum arabic, that secret weapon of molecular gastronomy. And the occasion was Cocktails Get Into the Mix , an exploration of the past and present state of West Coast cocktail culture, moderated by Alcademics editor Camper English. In conversation with English was Duggan McDonnell of Cantina and Thad Vogler of the upcoming Bar Agricole.

Drawing a contrast between the technique-obsessed, traditionalist, authenticity-driven New York style of places like Milk and Honey, Death & Co. and the more free-wheeling, flavor-inspired California vibe, Duggan laughed, admitting, "We're more of a hot mess behind the bar." But both Vogler and McDonnell gave New York City its props, saying they'd both learned a tremendous amount about how even the simplest decisions--what sort of ice to use, whether to double-strain (using a cocktail strainer first, a fine tea strainer second)--can make a dramatic difference in the final result.

But, much like our restaurants, the current West Coast cocktail scene is driven by the extensive, year-round availability of amazing produce. "We eat and drink incredibly well here, we're tasting things constantly," noted McDonnell, who connects this vibrant, terrior-driven food culture with the rise in inventive, market-driven cocktail menus.

These drinks may look simple, but much of the work happens after hours, with bartenders simmering their own herb- or spice-infused syrups, amassing collections of quirky amari (the bitter digestive liqueurs beloved by true cocktail geeks), even growing (or bartering for) herbs, fruits, or seasonings. For bartenders less interested in getting in touch with their inner chef, there's Small Hand Foods run by Jennifer Colliau, a bartender at the Slanted Door, whose Berkeley-based company creates "classic ingredients for pre-prohibition cocktails," including grenadine, gum syrup, orgeat, and pineapple and raspberry syrups. All are made in small batches using raw cane sugar (no corn syrup) and no artificial ingredients.

As the group of us sipped our rosy daisies (flavored with Colliau's raspberry gum syrup), Vogler pointed out the difficulty of sourcing spirits that haven't come though the big industrial distillers. Even small-batch labels often buy their base spirit--neutral alcohols usually derived from grain--from big producers, then redistill, infuse and flavor it to their own specifications. This, he noted, was behind the simple but surprisingly inflammatory decision of Oakland's Camino restaurant to yank vodka from their bar menu, instead carrying only a small selection of spirits and seasonal ingredients. (They've since found a small distillery that meets their standards.) When California-grown limes weren't available, the bar used lemons. This caused quite a stir in the press and blogosphere around town, as diners happy to dig into free-range rabbit and sustainable sardines were incensed at not being able to order their usual vodka tonic.

"You have to throw out a lot of stuff if you decide not use anything with artificial flavors or colors, or high-fructose corn syrup," said Vogler, who worked on Camino's cocktail program. That meant no Campari, no maraschino cherries, almost none of the usual fizzy mixers. It's annoying sometimes, admits Vogler, but also fun, more like being a pastry chef with 5 or 6 creations a day than a typical bartender.

Another difference in the East Coast/West Coast throwdown: the pervasive Latin and Asian influences here, and the predominance of tequila, sake, soju and other similar liquors here in lieu of the whiskeys, bourbons, port and sherries more popular in New York. At Cantina, McDonnell noted, the two most popular cocktails are Asian-Latin mashups: the 5-Spice Margarita, and the Latin Buddha, which blends Buddha's Hand citrus vodka with serrano chiles and ginger beer.

A lengthy cocktail competition during the midday food-and-wine tasting seemed to prove nearly all these points. In an Iron-Chef-styled move, the 3 bartenders had to whip up, on the spot, an original cocktail featuring a secret ingredient. The ingredient? Fresh herbs, from dill and rosemary to purple basil and fennel flowers and sage. The winner, Nick Varacalli's "Pass me the lemon, honey" matched lemon thyme with honey-sweetened bourbon, a bit of Canton ginger liqueur, fresh lemon, sweet vermouth, and bitters. A little fresh, a little sweet, a little bitter, and some herb to top it off: what could be more Californian?

Today's food-scape is a rich tapestry woven from a multitude of little ideas and small stories: tradition, history, science, art, and human ingenuity colliding on plates at the intersection of major political and social issues. The individual strands of this loom-y metaphor are people. They aren't always clearly visible until you look closely. People need food to survive, and in ancient times, communities were endlessly preoccupied with finding things to eat and figuring out how to cook them. Civilizations would form and thrive around the domestication of a single species of animal. Proud eating traditions have sprung from time-honed preparation techniques born of necessity. Great celebrations still honor the harvest and hunt. For evidence, look no further than Thanksgiving and the Gilroy Garlic Festival. There's a gulf between pounding poi in Polynesia and nudging a grocery cart through Whole Foods, but the parallels persist even amid changing times and circumstance: we have always been defined by how we eat -- as individuals, families, neighborhoods, cities, states, and countries. Food used to be seen as fuel; now, it's a mirror, and everything we stuff down our face-holes shows us more about ourselves and the way we live.

The view of Guerrero from inside 18 Reasons

18 Reasons, the Bi Rite-affiliated gallery space on Guerrero near 18th Street, has made such conscious, well-examined consumption its mission, offering exhibitions, lectures, tastings, and classes to draw clear bright lines between food, people, and place, existing essentially as the embodiment of its intention, as a local meeting spot for people who love food and want to talk about it, share what they know, and learn from others. The gallery has received some local press love but this summer's offerings deserve special mention.

Morgan Maki starting on the lamb

Last week, I attended the second part of a Lamb Butchery and Sausage Making class taught by Bi Rite butcher Morgan Maki, the same guy who schooled folks in Stock Theory and Knife Skills a few months ago. The first session saw a 5-foot-long 45 pound lamb broken down and whittled into chops, roasts, and other cuts for cookery. I missed that one due to illness but the pictures tell enough of the story for you to get the basic idea. It came in whole and left in chunks. Maki dropped some anatomy knowledge. Everyone ate cheese and drank wine. When I arrived at the second session, the students were chopping the trimmings from that depleted carcass, sleeves rolled up, ties tucked, and jewelry removed. It was a Tuesday night, and most had clearly come straight from work and were dutifully taxing the bottles of merlot making the rounds. The gallery's clean white walls were bare, awaiting the summer show (Julie Duffoo's semi-gristly Meatpaper photographs of local butchers). The only exhibit on display was the whirl of activity, something like a party happening around the sturdy wooden table in the center of the room: sausage as social sculpture.

Gathering around the grinder

As Maki spoke, some of the attendees frantically scribbled on yellow legal pads. A few people hung back against the walls, silent, literally watching others watch and talk. Most crowded around the table for a shot at slicing, or volunteered to help grind once the ingredients were assembled. "This is probably used in extreme interrogation techniques," quipped one dude as he eyed the sausage stuffing apparatus.

The sausage, ground

People capable of paying 60 dollars to learn how Bi Rite butchers make sausages using $2000 grinders can afford to buy sausage at Bi Rite any time they want. They don't need to learn how to make sausage at home in order to save money or make their lives easier. Prussian statesman Otto Von Bismarck (an abundantly mustached practitioner of Realpolitik who probably put away many many sausages in his day) famously compared the crafting of laws to the processing of sausages. There was once the idea that people wouldn't want to eat sausage if they saw how it was made. Now, people want to know where they can find fresh pork blood and a good deal on a professional grinder.

Those who show up at 18 Reasons for something like this aren't just amassing knowledge for themselves. They're making a personal investment in an enduring artisanal tradition and, by extension, a community. "The more people that use this space the healthier it will be," said Maki when I asked him what he wanted out of the gallery. The neighborhood has definitely taken notice. Every person walking past with laundry and grocery bags stops to peer in. Maybe they all won't shell out the ducats for a class but they'll maybe come to a free event, or at least read up on something they saw posted on the board outside.

If you want to get involved, now is a good time. Classes on the horizon promise to please. On Tuesday, July 7, Maki will teach the first section of a two-part course on Pig Butchery and Curing, in which participants will learn the basics of swine disassembly as well as several principles and techniques of curing in preparation for smoking or curing. The cost is $60 for non-members. Buy your tickets here.

Photos by Michael V. Chopko

Mostaccioli with pork shoulder ragu

I've been making meat sauces for years, but only now -- after two months as an apprentice at Oliveto -- have I learned some of the secrets behind a superlative ragu.

A ragu is a basic meat sauce for pasta. The first authentic version I tried was years ago, in Emilia-Romagna, the region of Italy that invented the classic Bolognese sauce.

That first ragu was bold and brooding -- much like a Pavarotti opera. The sauce was entangled in a nest of perfectly cooked tagliatelle, with the flavor infused into the noodle.

Numerous cookbooks offer suggestions on making a Bolognese sauce and other forms of ragu. Yet nearly all of these recipes, in my opinion, are flawed. Most suggest cooking a mixture of diced onion, carrots and celery before adding your meat to brown it. The sauce that results tends to be lifeless or, even worse, infused with chunks of burnt vegetables.

Vegetables sweating on top of meat as the meat brown

At Oliveto, the chefs have reversed the sequence. First they brown the meat and then allow the vegetables to steam, or "sweat," on top of the meat. This process produces a dark layer of caramelized meat solids at the bottom of the pan -- a foundation of flavor. This foundation, or "fond" as the chefs call it, is then deglazed by the natural juices of the vegetables when added on top. This is allowed to cook down so the fond is rebuilt and deglazed two or three times.

Paul Bertolli, the former head chef at Oliveto, describes the technique in his 2003 book, "Cooking By Hand." Bertolli's successor, Paul Canales, who had a role in developing this technique, has continued to refine and perfect it since becoming executive chef.

Cooking a ragu in this manner is not difficult, but it cannot be whipped out in an hour or two. A ragu is truly slow food -- time-tested and refined by Italian grandmothers over many centuries.

Ragu ready for a long simmer, after broth and tomato paste have been added

Ragu for pasta

Makes: 8-10 servings of sauce

Ingredients:
2 pounds ground meat (Beef, pork or equal amounts of both. For beef, try ground chuck or get adventurous with ground hanger steak, beef cheeks, etc. For the pig, try ground pork shoulder.)
4 medium yellow onions
5 stalks celery
5 carrots
4 tablespoons finely chopped fresh sage
2 tablespoons finely chopped fresh oregano
6 cups dark chicken or veal stock
½ cup white wine
½ cup high-quality tomato paste
1 cup cream (optional)
Salt and pepper to taste

Preparation:

1. Dice the onions, celery and carrots into a mirepoix -- cubes smaller than 1/4 inch in size. As you are dicing the vegetables and mincing the fresh herbs, start cooking your meat. Use a heavy bottomed Dutch oven or stew pot. This is essential. The bottom of the pan has to be thick and heavy enough to brown the meat, without scorching it.

2. Use high heat to start your browning process. But keep an eye on it, and adjust the flame accordingly. It’s okay for the meat to stick and brown, but you don't want it to blacken or burn.

3. After you have built an even layer of fond on the bottom, toss your vegetables on top of the meat. Leave them there for at least 15 minutes, allowing them to release their juices to the bottom of the pan.

4. Give your meat and vegetable a rigorous stir with a wooden spoon, and scrape up the fond layer that has now been deglazed by the vegetables.

5. Turn up heat slightly, and allow this to cook down and brown again, then add a shot of wine -- no more than a cup. Stir and scrape.

6. Allow this to cook down again. When browned, add a cup of stock. Repeat the process and add your tomato paste, diluted with a half cup of stock.

7. Watch your ragu carefully at this point. The addition of tomato paste could lead to scorching. Keep the heat up, but stir it regularly as the fond starts to reform. When it is nice and brown, but not scorched, add two or three cups of stock -- enough to make it slightly more soupy than you'd want for a sauce.

8. At this point, your ragu should have a lovely, brownish-red color. Bring it to a boil and then turn down to a simmer. Allow it to simmer for two to four hours, stirring occasionally and adding more stock, if necessary.

9. Before serving, you have the option of adding cream -- as much or as little as you want. Too much cream will dilute the intensity of the sauce, so be judicious at first.

10. You can take this basic sauce in many different directions. Add minced porcini mushrooms early in the cooking for an earthier flavor, or cinnamon or nutmeg to give it a spicy edge. Use different combinations of fresh herbs.

11. The final step, of course, is marrying the ragu with the pasta. Don't just ladle it on top. Cook your pasta just short of al dente, then mix it thoroughly in a skillet with an appropriate amount of sauce and then serve it immediately. Sprinkle some Parmesan cheese on top, and you will be ready to sing.

This is what ragu should look like when finished

It's 4 p.m. on a typical afternoon at Oliveto, and chefs and interns are hurriedly chopping vegetables, stirring pots, de-boning fish and preparing for that night's dinner service, which starts in 90 minutes.
Service people are rushing through the kitchen, carrying glassware or trays of olives. Dishwashers are trying to return saucepans to overhead hooks, without dropping one on someone's head.

It's a frenetic dance that occurs daily at the Oakland restaurant, and to add to the frenzy, it comes with a soundtrack. Many afternoons, Chef Paul Canales blasts acid jazz from the boom box. Nothing like some mind-bending music to sharpen your focus.

For the last two months, I've been part of this dinner troupe, as a stagehand -- a chef apprentice. Starting in April, I took a leave from my job as an editorial writer and columnist for The Sacramento Bee to intern at Oliveto, an Italian restaurant in Rockridge.

It's been a humbling transition. Until April, I worked in a cushy office and shadowed the power players in California's capitol. Now I'm on my feet all day in a hot, windowless kitchen, taking orders from young sous chefs.

Yet in the realm of unpaid sabbaticals, this one can't be beat. Anyone with an interest in food and cooking needs to work in a restaurant, particularly one like Oliveto. Concepts that once seemed so exotic and unattainable -- curing salami, turning out trays of handmade ravioli -- now seem within my grasp.

In recent weeks, I've filleted fresh mackerel, prepared soft shell crabs, cut up and cured pork belly for pancetta and braised porcini mushrooms for cannelloni, which I later rolled by hand.

I've also improved my knife skills. Dicing dozens of onions and carrots, day after day, helps in that regard.
That said, my initial performance was far from stellar. In one of his first assignments -- a test, perhaps? -- Chef Canales asked me to "turn" a potato. This involved peeling a small spud with a sharp paring knife, turning the potato with my left hand.

Within a few minutes, I had managed to insert the knife tip into my left thumb. Blood was running out. As I moved to the sink to wash and bandage the wound, I noticed a faded photocopy on the wall that offered instructions on dealing with an amputated finger.

"Reattachment is always possible," the sheet said. "Stop the bleeding and place the lonely piece in a wet towel..."

Yes, it was one of those "What am I doing here?" moments. But I hung in there. Before starting my apprenticeship, I had read Bill Buford's book "Heat," and recalled that Buford had stabbed himself within days of starting at one of Mario Batali's restaurants.

Oliveto, founded more than 20 years ago, has a long history of training interns, even those who are initially inept. Like other high-end kitchens, the restaurant's menu is labor intensive, especially in the spring and summer months, when farmers and suppliers deliver boxes of artichokes, beans and other produce to the kitchen.

Interns provide this labor for free. In exchange, they pick up tips, training and contacts they'll never get at culinary school. And if they work hard and show promise, they may get a shot at a paying job in the kitchen, should one open up.

People ask me: Is this just a temporary gig? Are you contemplating a career change?

I don't know. My presumption is that I will return to my newspaper job when my six-month stint is over. But I have to admit, the life of a chef is alluring, even with the absurdly low pay. "It gets under your skin," says Canales, who started interning at Oliveto 15 years ago after leaving a corporate telecom job.

Since April, I've been keeping a personal blog, which is largely focused on my day-to-day experience as a kitchen apprentice. For "Bay Area Bites," my posts will be more focused on classic techniques of Italian cooking, and tips and recipes I’ve picked up from working at Oliveto.

Here is one thing I've learned: There is no "magic" to preparing superlative food. The artistry that arrives on your plate at the best restaurants is not prepared by Houdini.

What separates great chefs from good ones is training, practice, creativity, attention to detail and a passion for the food they are preparing. All of these are within reach of home chefs -- those who prefer to do their cooking in more sedate settings, without a soundtrack.

Photo of a mackerel, from the Monterey Bay, right before I filleted it for that night's dinner menu. Photo by Stuart Leavenworth

How do you grow a farmer? You start with dirt and seeds and water, of course. But just like good vegetables also need mulch and worms and pollinators and beneficial bugs to chase off the pests, a farmer learns not just through her own experience but through the hard-won experiences of other farmers, a whole long bloodline of observation through years of harvests and springtimes, of rain slicing down into mud and hot sun swelling the tomatoes sweet, of aphids clumping up inside the broccoli and leaf miners boring wiggle tracks across the chard.

That's great if you come from a heritage of family farmers. But what if the closest you have to a back forty is a pot of basil on steps? Or what if your family's farm is corn and soybeans, and you want to grow organic lettuce? If you're young and hardy, you can rent yourself out as an unpaid intern or WOOFer, and hope you get to do more than just water and weed.

Or you can dig into a hands-on, intensive program like the one at the Center for Agroecology and Sustainable Food Systems at UC Santa Cruz. For a six-month growing season, you'll live, learn, eat, sleep, and farm on a beautiful 30-acre spread of organic educational farmland.

Graduates of this program, which has been running for over 40 years, are the farmers feeding you now. They're the ones building school gardens and working on food justice and sustainability issues all around California and beyond. For a program that graduates just 35 to 40 farmers a year, its impact on the organic movement has been both broad and deep. As a graduate myself, I've met countless farmers and food people over the past couple of years, only to find out that they, too, are former "farmies."

And now it's time to help the farm grow its farmers. What the program needs is housing. After several decades of letting apprentices live rent-free in tents (and before that, teepees) while in the program, UCSC is now demanding that proper temporary housing be built on the farm. The result? Some $250,000 needs to be raised by mid-summer, or the program will have to go on hiatus next year.

Hence, the campaign to Grow a Farmer Campaign. Throughout May, participating restaurants and businesses around the Bay Area are donating 10% or more of their sales on a particular day to the campaign. If you're a chef or restauranteur, you can sign up here. If you're a happy eater, check out the list of events for this month.

Because who will grow your food if you don't help grow your farmers?

The Asian Culinary Forum is hosting a panel discussion with a group of celebrated San Francisco chefs. They'll share how they developed their signature styles and how their personal and professional experiences have shaped their vision of Asian cuisine. Learn about Asian flavors and how local chefs successfully challenge public expectations.

The panelists are:
Kelly Degala, executive chef, Pres a Vi and Va de Vis
Eric Gower, personal chef and author Breakaway Cook
Michelle Mah, formerly executive chef, Ponzu
Kirti Pant, executive chef, Junnoon
Charles Phan, executive chef, Slanted Door Slanted Door
Linda Carucci (moderator), chef director, International Culinary School at The Art Institute of California -- San Francisco

What: Are You What You Cook Panel discussion and wine reception. Slanted Door and Va de Vi will provide a light buffet of savory appetizers. Elaine Villamin, Eden Canyon Vineyards’ owner and winemaker, will be pouring tastes of her family’s fine Cabernet blend. Cookbooks written by the chefs will be available for purchase on-site from Book Passage, and the chefs will be happy to sign copies following the evening’s discussion.
Where: One Ferry Building, 2nd Floor, San Francisco
When: 6:00pm-8:30pm, Monday, July 21, 2008
How: $35 general admission, $25 restaurant trade or full-time student (with ID) Register to attend.
Why: What's particularly compelling about the panel is the amazing diversity of their backgrounds and styles of cooking. For example, consider Eric Gower, a chef we interviewed on Bay Area Bites last year. We also reviewed his latest book, the Breakaway Cook. His experience living in Japan and curiosity about Asian ingredients have inspired a unique perspective and cuisine.

Here's an example of his style of cooking. This recipe comes from The Breakaway Cook and is perfect for Summer.

Moroccan Morokyu

2 (or more) fresh cucumbers, peeled, seeded, and sliced into spears about 3 inces long and 1/2 inch thick
1 Tablespoon yellow miso
1 teaspoon pomegranate molasses

Arrange the cucumber spears on a plate. Mix together the miso and pomegranate molasses in a small bowl and place the bowl on the plate to serve.

Sake is a popular beverage but how it pairs with food is still a mystery to most of us. While many people first encounter sake on sushi menus, where sake really shines is with izakaya or tavern style Japanese small plates. Izakaya is getting more and more popular in San Francisco. Great places to try izakaya dishes include Hime, Oyaji and O Izakaya Lounge.

Here's another great opportunity to try izakaya style cuisine paired and sake. The Japan Society of Northern California, in cooperation with Sozai Restaurant and Sake Lounge and True Sake, presents its next Japanese Language & Cultural Experience Workshop: Sake Appreciation.

Matching food and sake is just like matching food and wine. It's a fun, imprecise process that largely depends on your own unique taste buds. What's a perfect match to one may be the ultimate mismatch to another. The important thing is what's delicious to you!

What: Sake Appreciation
Where: Sozai Restaurant and Sake Lounge, 1500 Irving St., San Francisco
When: 6:00pm-8:00pm, Tuesday, July 15, 2008
How: $30 Japan Society Language Students, $35 Japan Society Members, $45 Non-Members, Space is limited; please RSVP by Friday, July 10th.
Why: This informative tasting workshop will detail different types of sake and answer questions about the intricacies of food pairing. A variety of seasonal delicacies will be served during the tasting, pairing each sake with traditional and contemporary Japanese tapas, all created by Chef Mari.
Note: Although this is a language workshop and some sake-related vocabulary will be introduced, all Japanese language levels are welcome to participate.

The CCA's Carême Room served its last grand buffet this past Friday. Anyone who has recently driven by that familiar corner of Polk and Turk, with its clumps of white-clad culinary students smoking on the sidewalk, would have suspected as much, what with that huge sign advertising "Building for Lease."

With only 300 students enrolled -- down from a peak of over 2,000 -- it became untenable to sustain two separate facilities. The SF Weekly's exposé last year about the institution's "burnt chefs" is old news. For years already, chefs and kitchen managers (myself included) had banned CCA interns from our kitchens because of their abysmal lack of skills. Still, few of us expected to hear that the grand Polk Street location would be abandoned in favor of the Potrero Hill's cold, unwelcoming space.

Going out in style, the academy hosted a multi-course buffet representing the culinary trends of each decade since their Polk Street kitchens opened. We moved from Salmon Coulibiac to blackened fish, through gooey macaroni and cheese to the "mo-ga" of present fascination (molecular gastronomy, the woman in front of me in line explained).

My husband, gesturing toward one particularly complex and well-executed ballontine, asked me "Is that a turducken?" Even I, with my 12-inch, dimpled-blade slicing knife that I haven't used since my final garde manger class in 1996, had to laugh. There were the usual glistening ice sculpture, two red-meat carving stations, and the ever popular and elaborate dessert table.

Standing before the deeply sculpted, soaring columns of the main dining room, current CCA president, Jennifer White, tried to put a positive spin on the evening. She reminded us that the heart and spirit of the school resides not in the building but rather in those gathered in the room.

The indomitable Chef Hervé Le Biavant, former executive chef (booted out a couple of years ago by the same administrators responsible for the academy's overeager expansion) returned for the evening. Several of us didn't recognize him at first, as he was wearing decidedly civilian clothes rather than his usual spotless whites, but seeing him helped stoke the nostalgic embers.

Every alum has a Chef Hervé story. Mine involves a fingertip cut off in butchery class, and his assurance, in his surprisingly un-gruff school nurse role, that I didn't need to go to the emergency room. He wrapped an extra Band-aid then a finger cot around my forefinger, advised me to be more careful when scraping around chicken bones with a flexible blade, and then told me to get back to class. Amazingly, my fingertip grew back, though there's a bit of a dent in the nail to remind me of my deboning lesson: a fancy knife is only as good as the person who uses it.

Next Course
Their new restaurant, Carême 350, opens on Wednesday, May 28. Enjoy 25% off if you bring one guest, 50% off if you bring two guests, and 75% off if you bring three or more guests. Discount is only valid on Wednesday, May 28, only between the hours of 11:30-am and 1 pm. Discount will be deducted from the total bill.

On Thursday, June 5 they'll be serving a special lunch and dinner menu: 3 1/2 courses for $3.50. Not sure what half a course is, but if anyone can deliver half of what's expected, the CCA certainly can.

Carême 350
350 Rhode Island (at 16th Street)
San Francisco, CA
(415) 216-4329
Lunch: 11:30 am – 1:00 pm
Dinner: 6:00 pm – 8 pm
Grand buffet every Friday

The Culinary Institute of America recently published the third edition of Techniques of Healthy Cooking. It's a massive tome, almost 600 pages long and provides a broad overview of nutritional basics such as current dietary guidelines, recipes planning, and recommendations for minimizing fat, salt, sugar and even alcohol in recipes. There are nearly 150 photographs and over 400 recipes, which yield between ten and twenty servings.

Not only is this a book for professional chefs but the recipes sound more like what you might find in a restaurant than a hospital dining room. Some examples include Grilled Veal with Blackberries and Vanilla, Rabbit and Oyster Etouffee, Duck Breast Crepinette, and Strawberry and Rhubarb Strudel. You can see excerpts from the book here.

I was curious how a culinary school might address nutrition, so I got in touch with Certified Executive Chef Eve Felder, Associate Dean for Culinary Arts at The Culinary Institute of America.

Felder has been a chef at Chez Panisse Cafe in Berkeley and has held just about every other role in the kitchen from Pastry Line Cook at the Quilted Giraffe in New York to Executive Chef at V. Mertz Restaurant in Omaha, Nebraska. She has traveled throughout Europe, the Far East, and North Africa studying the historical connection between the culinary traditions and agricultural practices of different cultures. She also won the first ever educator of the year award from Women Chefs and Restauranteurs, just last year.

Are healthy cooking techniques generally part of a CIA education?
Yes, The Culinary Institute of America approaches healthy food from various perspectives. The first is from the standpoint of ingredients. Are the ingredients sound? Are they seasonal? Have they been treated with care in terms of growing, receiving  and preparing them for a meal.

The second is from the perspective of deliciousness. What do we do to ensure that a meal is delicious and healthy? What techniques can we use in cooking to enhance flavor? What ingredients from the global pantry are healthy and at the same time delicious?

Third, what is the responsibility, as a professional in the food service industry, to provide food that is healthy and good for you? This is much more of a philosophical discussion that we address not only in the college's kitchen and bakeshop classes but in our academic classes as well. Students at the CIA will ultimately be the leaders of the food service industry need to think about their social responsibilities.

What prompted the CIA to revise this book now?
The college's commitment to leading and providing the industry with a text that will elevate the way in which we think about food.

How is this book different from all the other healthy eating books out in the market?
All of The Culinary Institute of America's texts are written to address the needs of the chef, maitre d' and leaders in the foodservice business. The CIA's audience is not only the professional, but also food afficionados who have a curiosity that goes beyond simple recipes.

Chefs don't often have the healthiest diet, in part because of their career. Any tips specifically for chefs trying to live a more healthy lifestyle?
Come to the CIA! We not only address healthy cuisine in our curriculum but have a 52,000-square-foot recreation center.

Seriously, there are health liabilities to being a chef and it is vitally important that we embrace a balanced life that includes a commitment to exercising, reasonable work hours, and being aware of the long term consequences of eating poorly. Eating healthy is part of the discipline of cooking.

Usually, people have come to cooking because they have a passion for sharing the table and food. Once we've become a chef we have to reach back to what it means to sit down, enjoy a meal and enjoy the company of people.