Black Tart

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Black Tart

Oh, you modern Americans, what is wrong with you? Why do you recoil, as if from a snake, from the very muttered hint of mincemeat? Pie may be sneaking back into the spotlight, weary of being upstaged by all those pink cupcakes beehived with frosting, but still, you could look far and wide here and find nary a scrap of mince on our menus.

Once, mincemeat was our heritage, our honor guard, the leading light of American pie fillings. It was exalted at holiday time but consumed with gusto year-round, at Automats and church suppers, carried on Formica trays through cafeterias and paraded on gold-rimmed china in the dining rooms of downtown hotels.

The history was, of course, a British one, but the legacy of the dense, sweet-spiced, citrusy-raisiny-almondy filling stretches back at least a handful of centuries, when the line between sweet and savory was a much more porous one. Originally, mincemeat was made with both beef and beef fat, added to a rich mixture of dried fruits, spices, candied citrus peels, and almonds, preserved with a hefty dose of spirits. Over the years, the meat receded, although the fat (typically suet, the particularly pure fat taken from around the kidneys) remained, to give an unmistakable richness to the mixture.

You may think you’d hate it—prunes? suet?—but not so. This holiday season I passed around many of these tarts, filled with Delia Smith’s unbeatable recipe for Homemade Christmas Mincemeat. Served up small and warm, in the late, lowering afternoon with a cup of steaming tea or after dinner with a glass of port, naught but lard-and-butter crust crumbs came back on the plate. (A word of advice, though: halve Delia’s recipe, and you’ll still have more than enough mincemeat to feed everyone you know.)

But now that the indulgence of the holidays has passed, mincemeat might be a tougher sell. Enter Black Tart, a lovely winter dessert based on a 17th-century recipe for “black tart stuff,” which the eminent British food writer Elizabeth David praises in An Omelette and a Glass of Wine as “rich and dark without the cloying and heavy qualities of mincemeat.” She also recommends it as having “a certain originality which provides a small surprise at the end of the meal.”

Leafing through cookbooks heaped from shelves to floor, I can trace the roots of my own Black Tart to several recipes: David’s 1969 recipe, itself a modern interpretation of Robert May’s recipe from The Accomplisht Cook (1660); the Harvest Tart from the The Silver Palate Cookbook (1982); and the Winter Fruit Tart from the Bay Wolf Restaurant Cookbook (2001).

Mostly, though, it came from messing around with the memories of all these things in a friend’s kitchen on a raw, gray afternoon, when we both wanted something sweet to eat without having to leave the house.

What was on hand in the winter pantry? Dried fruit and nuts, candied fruit peel left over from holiday baking, and plenty of liquor, likewise left over from holiday parties. Thus, Black Tart, a lazy-day sort of dessert that will warm the kitchen and perfume the house with a deep medieval scent of winter at bay–a whiff of whiskey, a breath of ginger and cinnamon, a Mediterranean sparkle of fresh tangerine.

The dried fruits aren’t poached so much as steeped. After a slow warming, they sit on the back of the stove for an hour or so, soaking up the wine and spices, swelling up soft and plump as they absorb nearly all the liquid.

A cookie-like tart dough, a little sweeter and richer than regular pie crust, works particularly well here. To make it, sift together two and a half cups of flour, a quarter cup sugar, and a half-teaspoon salt. Using a pastry blender, cut in 12 tablespoons (one and a half sticks, 6 oz) of chilled butter, until mixture looks sandy and flaky, like dry oatmeal. Then, instead of the usual ice water, moisten the flour with two egg yolks, one teaspoon vanilla, and three to four teaspoons of water to form a soft dough. Chill for several hours while the filling is cooking and cooling.

Black Tart

This tastes best on the day it’s made, but will last for several days if well wrapped. The recipe can also be used to made small individual-sized tarts. For the prettiest crust on small tarts, brush tart crust with milk and sprinkle with sugar before baking.

Ingredients
1 large apple, peeled, cored, and diced
1 cup dried apricots, chopped
1 cup pitted prunes, chopped
1/2 cup raisins
2-3 tbsp candied orange peel
1 cup red wine OR 1/2 cup port and 1/2 cup water
1/4 cup whiskey or brandy
1/8 tsp EACH cinnamon, cardamon, nutmeg, and ginger
Big pinch of freshly ground pepper
1/2 cup brown sugar
1/2 cup white sugar, or to taste
Zest and juice of 1 tangerine
1/2 cup toasted walnuts or almonds, chopped
Dough for two-crust tart (see above)
Whipped cream for serving

Preparation
1. In a heavy-bottomed pot, mix all filling ingredients except for walnuts. Warm over low heat, stirring occasionally, for 15 minutes. Turn off heat and let fruit absorb the rest of the liquid for an hour or so.

2. Divide the tart dough into two rounds and roll out. Line an 8-inch or 9-inch tart pan with first round.

3. Stir walnuts into filling. Cut remaining dough into 1-inch wide strips. Lay strips in a criss-cross lattice pattern to cover most of the filling. Cover entire tart with foil or waxed paper and chill in the fridge for an hour or so.

4. Preheat oven to 400 degrees F. Unwrap tart and bake until crust in golden brown and filling is bubbling, 30-35 minutes. Cool on a rack. Serve with whipped cream.

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Category: baking and bakeries, Bay Area Bites Food + Drink, food history and celebrities, holidays and traditions, recipes

About the Author ()

Stephanie Rosenbaum Klassen is a longtime local food writer, author, and cook. Her books include The Art of Vintage Cocktails (Egg & Dart Press), World of Doughnuts (Egg & Dart Press); Kids in the Kitchen: Fun Food (Williams Sonoma); Honey from Flower to Table (Chronicle Books) and The Astrology Cookbook: A Cosmic Guide to Feasts of Love (Manic D Press). She has studied organic farming at UCSC and holds a certificate in Ecological Horticulture from the Center for Agroecology and Sustainable Food Systems. She does frequent cooking demonstrations at local farmers’ markets and has taught food writing at Media Alliance in San Francisco and the Continuing Education program at Stanford University. She has been the lead restaurant critic for the San Francisco Bay Guardian as well as for San Francisco magazine. She has been an assistant chef at the Headlands Center for the Arts, an artists' residency program located in the Marin Headlands, and a production cook at the Marin Sun Farms Cafe in Pt Reyes Station. After some 20 years in San Francisco interspersed with stints in Oakland, Santa Cruz, Brooklyn, and Manhattan, she recently moved to Sonoma county but still writes in San Francisco several days a week.
  • http://fortefat.blogspot.com/ §~John~§

    Ohhhhhh….you brought be back to my childhood. Still love mincemeat. Always have. Always Will. Thank you!

  • http://www.rogerwilliams.eu Roger Williams

    Just to let you know that there is a new, revised, e-book edition of “Lunch with Elizabeth David”. The novel involving David and her mentor, Norman Douglas, originally published by Little Brown, is available in all e-book formats and can be sampled at http://www.smashwords.com/books/view/29680
    It is also in the Amazon Kindle store.