Why Argo Might Win the Oscar for Best Picture (for All the Wrong Reasons)
Yet Another Reason to Love Jennifer Lawrence
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Something happened around the Golden Globes when the culture turned against the actress. That first major win of the awards season settled it: her excitement at her victory and laundry list of thank you acknowledgements made us see her as an \u003ca href=\"http://www.hollywood.com/news/celebrities/55000498/why-do-people-hate-anne-hathaway?page=1\" target=\"_blank\">over eager teacher’s pet\u003c/a> that was out to make the rest of us look bad. I’m saying this equally to both sexes so listen up guys that complain about her haircut making her less “bang-able” and girls that vaguely have some feeling that she’s kind of stuck-up. Why can’t we be happy for her when she was so recently in our collective good graces?\u003c/p>\n\u003cp>The \u003ca href=\"http://www.buzzfeed.com/louispeitzman/why-do-people-hate-anne-hathaway\" target=\"_blank\">snark on the blogosphere\u003c/a> has been epic with each win, culminating Sunday night at the Academy Awards when she took home the Best Supporting Actress Oscar for her performance in \u003cem>Les Miserable\u003c/em>. The complaints all season that her acceptance speeches were too earnest and gushy continued as did the criticism that she was too \u003ca href=\"https://twitter.com/Ali_Star/statuses/295772991399292928\" target=\"_blank\">\"actressy”\u003c/a> and overeager. No wonder there’s \u003ca href=\"http://www.usmagazine.com/celebrity-news/news/anne-hathaway-practiced-her-oscar-speech-a-lot-to-be-more-likable-2013262\" target=\"_blank\">rumors she practiced the speech\u003c/a> in the days leading up to the ceremony. It wasn’t the most polished speech of the night but was the universal eye roll on Twitter to her remarks (even the reference to the tragedy of prostitution) really necessary? Even her BREATHING was critiqued as being asthmatic and labored. Then there were the wardrobe critiques. On the topic of her pink Prada gown I'll be the first to say it: the dress had problems. I don’t know if those were actually darts making an unfortunately nippular effect on her dress like the official story goes or an unexpected Beverly Hills cold front as was speculated but let’s put the blame on the stylist where it belongs.\u003c/p>\n\u003cp>The nastiness over the unfortunate effect was one of the evening’s social media low points. What is this moment in our culture where we seem to be universally gunning for an actress we’ve kept employed in films for a decade? Remember how we all rushed to her defense after the James Franco hosting debacle at the Academy Awards two years ago? We enjoyed her as recently as the summer when she was restoring our vision of Catwoman in \u003cem>The Dark Knight Rises\u003c/em>, what happened?\u003c/p>\n\u003cp>Is it the Best Supporting Actress Curse? It has been noted, for certain winners, the Best Supporting Actress Oscar brings an ill career wind. Sure, the Cate Blanchetts and Judi Denchs don’t seem to have suffered but for every Penelope Cruz there’s a Marissa Tomei whose career stalled for much of the '90s after a backlash against her win for \u003cem>My Cousin Vinnie\u003c/em>. There’s also Mira Sorvino, last seen on Lifetime, and speaking of “last seen” where did Melissa Leo and her maligned potty-mouth go? Let’s not forgot Mo’Nique (although feature films seem to) and other than those Weight Watchers commercials, her song from \u003cem>Dreamgirls\u003c/em> on Sunday was the first time we’ve seen Jennifer Hudson in a while. With her win seen as an inevitability, did the bad best supporting actress juju hit early?\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Over the years we’ve watched Hathaway make the transition from Disney royalty in the \u003cem>Princess Diaries\u003c/em> movies to an actress entrusted with prestige projects. There was no snark when she was nominated in 2009 for Best Actress for her performance in \u003cem>Rachel Getting Married\u003c/em> but Rachel was a small independent feature with a relatively low profile. Besides, in 2009 Hathaway was seen as a long-shot against winner Kate Winslet in \u003cem>The Reader\u003c/em>; it’s easy to be happy for someone you’re pretty sure isn’t going to win. Has the Everygirl’s success alienated her? Since Anne Hathaway came to us first in the guise of a high school girl perhaps we see her in the same light as our high school friends: we want her to be happy, but not too happy. It’s okay if she’s successful but she shouldn’t be so successful that our faces are rubbed in it. There’s nothing wrong with the kid voted “most likely to succeed” fulfilling that prophecy but it sure does piss us off.\u003c/p>\n\u003cp>Some are complaining of Hathaway Fatigue due to overexposure. She has had a benchmark year between \u003cem>The Dark Knight Rises\u003c/em>, her autumn wedding, \u003cem>Les Miserables\u003c/em> and her near sweep of award season and yet she seems no more exposed than best actress winner Jennifer Lawrence, who’s also starring in two blockbuster franchises (the \u003cem>X-Men\u003c/em> reboot and \u003cem>The Hunger Games\u003c/em>) in addition to her role in \u003cem>Silver Linings Playbook\u003c/em>. Hathaway’s media presence is hardly Kardashian in scale; before we complain about her very real accomplishments making news, can’t we think first of anyone on a show with Housewives in the title? Speaking of Lawrence, she and Hathaway have had almost polar opposite experiences with the fans this award season. Lawrence is seen as casual and good humored in her red carpet persona and acceptance speeches: Hathaway is damned if she seems surprised and damned if she seems too rehearsed. Lawrence’s \u003ca href=\"http://popwatch.ew.com/2013/01/16/jennifer-lawrence-i-beat-meryl/\" target=\"_blank\">“I beat Meryl”\u003c/a> comment at the Golden Globes went by mostly without critique (although it struck us as one of the evening’s less gracious moments): Hathaway’s “it came true” remark on Sunday was seen as cutesy and another sign of the actress’s artificiality. In the award season dynamic Lawrence got to play the girl we love to love: Hathaway was cast as the girl we love to loathe.\u003c/p>\n\u003cp>It’s one of the uglier parts of the American cycle: building to tear down. Hathaway has been accused of having a quality of needing to win approval and be liked: do we need to deny her that approval as payback for her success? Whether she succumbs to any best supporting actress curse or our collective schadenfreude remains to be seen. What is known is that our griping will not take away any of her accomplishments of this past year.\u003c/p>\n\u003cp>Whatever unnameable quality of annoyance we’ve found in her was not shared by her peers in Hollywood who rewarded her work. Guys, her hair will grow out and girls, if she seems a little stuck up maybe it’s because she just won an Oscar, not a Twitter war. No matter how many people complain that her shock when her name was called by Christopher Plummer as best supporting actress on Sunday looked fake she still gets to keep her Oscar. I promise you: you’ll get over being mad at her for those reasons you can’t quite explain. Anne Hathaway will continue to work and you’ll find someone else to be the object of your snark. We will get over our Hathaway hate when another target presents itself.\u003ca href=\"http://blogs.kqed.org/pop/2013/02/27/whats-our-problem-with-anne-hathaway/2013-acting-winners/\" rel=\"attachment wp-att-1905\">\u003cbr>\n\u003c/a>\u003c/p>\n\u003cp>For example, you may love Jennifer Lawrence this award season but what are you going to do in a year when she starts to seem a little too big for her britches?\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp> \u003c/p>\n\n","blocks":[],"excerpt":"Why, after a decade in Hollywood, is the Best Supporting Actress winner suddenly rubbing us the wrong way?","status":"publish","parent":0,"modified":1362005844,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":12,"wordCount":1248},"headData":{"title":"What’s Our Problem with Anne Hathaway? | KQED","description":"Why, after a decade in Hollywood, is the Best Supporting Actress winner suddenly rubbing us the wrong way?","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"disqusIdentifier":"1904 http://blogs.kqed.org/pop/?p=1904","disqusUrl":"https://ww2.kqed.org/pop/2013/02/27/whats-our-problem-with-anne-hathaway/","disqusTitle":"What’s Our Problem with Anne Hathaway?","path":"/pop/1904/whats-our-problem-with-anne-hathaway","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_1905\" class=\"wp-caption aligncenter\" style=\"max-width: 974px\">\u003ca href=\"http://blogs.kqed.org/pop/2013/02/27/whats-our-problem-with-anne-hathaway/2013-acting-winners/\" rel=\"attachment wp-att-1905\">\u003cimg class=\"size-full wp-image-1905\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/02/2013-acting-winners.jpg\" alt=\"Jason Merritt/Getty Images\" width=\"974\" height=\"943\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2013/02/2013-acting-winners.jpg 974w, https://ww2.kqed.org/app/uploads/sites/12/2013/02/2013-acting-winners-400x387.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2013/02/2013-acting-winners-800x774.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2013/02/2013-acting-winners-32x32.jpg 32w\" sizes=\"(max-width: 974px) 100vw, 974px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Jason Merritt/Getty Images\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>\u003cstrong>\u003cem>By guest contributor \u003ca href=\"http://www.thebolditalic.com/contributors/tonybravo\">Tony Bravo\u003c/a>\u003c/em>\u003c/strong>\u003c/strong>\u003c/p>\n\u003cp>What’s our problem with Anne Hathaway? Something happened around the Golden Globes when the culture turned against the actress. That first major win of the awards season settled it: her excitement at her victory and laundry list of thank you acknowledgements made us see her as an \u003ca href=\"http://www.hollywood.com/news/celebrities/55000498/why-do-people-hate-anne-hathaway?page=1\" target=\"_blank\">over eager teacher’s pet\u003c/a> that was out to make the rest of us look bad. I’m saying this equally to both sexes so listen up guys that complain about her haircut making her less “bang-able” and girls that vaguely have some feeling that she’s kind of stuck-up. Why can’t we be happy for her when she was so recently in our collective good graces?\u003c/p>\n\u003cp>The \u003ca href=\"http://www.buzzfeed.com/louispeitzman/why-do-people-hate-anne-hathaway\" target=\"_blank\">snark on the blogosphere\u003c/a> has been epic with each win, culminating Sunday night at the Academy Awards when she took home the Best Supporting Actress Oscar for her performance in \u003cem>Les Miserable\u003c/em>. The complaints all season that her acceptance speeches were too earnest and gushy continued as did the criticism that she was too \u003ca href=\"https://twitter.com/Ali_Star/statuses/295772991399292928\" target=\"_blank\">\"actressy”\u003c/a> and overeager. No wonder there’s \u003ca href=\"http://www.usmagazine.com/celebrity-news/news/anne-hathaway-practiced-her-oscar-speech-a-lot-to-be-more-likable-2013262\" target=\"_blank\">rumors she practiced the speech\u003c/a> in the days leading up to the ceremony. It wasn’t the most polished speech of the night but was the universal eye roll on Twitter to her remarks (even the reference to the tragedy of prostitution) really necessary? Even her BREATHING was critiqued as being asthmatic and labored. Then there were the wardrobe critiques. On the topic of her pink Prada gown I'll be the first to say it: the dress had problems. I don’t know if those were actually darts making an unfortunately nippular effect on her dress like the official story goes or an unexpected Beverly Hills cold front as was speculated but let’s put the blame on the stylist where it belongs.\u003c/p>\n\u003cp>The nastiness over the unfortunate effect was one of the evening’s social media low points. What is this moment in our culture where we seem to be universally gunning for an actress we’ve kept employed in films for a decade? Remember how we all rushed to her defense after the James Franco hosting debacle at the Academy Awards two years ago? We enjoyed her as recently as the summer when she was restoring our vision of Catwoman in \u003cem>The Dark Knight Rises\u003c/em>, what happened?\u003c/p>\n\u003cp>Is it the Best Supporting Actress Curse? It has been noted, for certain winners, the Best Supporting Actress Oscar brings an ill career wind. Sure, the Cate Blanchetts and Judi Denchs don’t seem to have suffered but for every Penelope Cruz there’s a Marissa Tomei whose career stalled for much of the '90s after a backlash against her win for \u003cem>My Cousin Vinnie\u003c/em>. There’s also Mira Sorvino, last seen on Lifetime, and speaking of “last seen” where did Melissa Leo and her maligned potty-mouth go? Let’s not forgot Mo’Nique (although feature films seem to) and other than those Weight Watchers commercials, her song from \u003cem>Dreamgirls\u003c/em> on Sunday was the first time we’ve seen Jennifer Hudson in a while. With her win seen as an inevitability, did the bad best supporting actress juju hit early?\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Over the years we’ve watched Hathaway make the transition from Disney royalty in the \u003cem>Princess Diaries\u003c/em> movies to an actress entrusted with prestige projects. There was no snark when she was nominated in 2009 for Best Actress for her performance in \u003cem>Rachel Getting Married\u003c/em> but Rachel was a small independent feature with a relatively low profile. Besides, in 2009 Hathaway was seen as a long-shot against winner Kate Winslet in \u003cem>The Reader\u003c/em>; it’s easy to be happy for someone you’re pretty sure isn’t going to win. Has the Everygirl’s success alienated her? Since Anne Hathaway came to us first in the guise of a high school girl perhaps we see her in the same light as our high school friends: we want her to be happy, but not too happy. It’s okay if she’s successful but she shouldn’t be so successful that our faces are rubbed in it. There’s nothing wrong with the kid voted “most likely to succeed” fulfilling that prophecy but it sure does piss us off.\u003c/p>\n\u003cp>Some are complaining of Hathaway Fatigue due to overexposure. She has had a benchmark year between \u003cem>The Dark Knight Rises\u003c/em>, her autumn wedding, \u003cem>Les Miserables\u003c/em> and her near sweep of award season and yet she seems no more exposed than best actress winner Jennifer Lawrence, who’s also starring in two blockbuster franchises (the \u003cem>X-Men\u003c/em> reboot and \u003cem>The Hunger Games\u003c/em>) in addition to her role in \u003cem>Silver Linings Playbook\u003c/em>. Hathaway’s media presence is hardly Kardashian in scale; before we complain about her very real accomplishments making news, can’t we think first of anyone on a show with Housewives in the title? Speaking of Lawrence, she and Hathaway have had almost polar opposite experiences with the fans this award season. Lawrence is seen as casual and good humored in her red carpet persona and acceptance speeches: Hathaway is damned if she seems surprised and damned if she seems too rehearsed. Lawrence’s \u003ca href=\"http://popwatch.ew.com/2013/01/16/jennifer-lawrence-i-beat-meryl/\" target=\"_blank\">“I beat Meryl”\u003c/a> comment at the Golden Globes went by mostly without critique (although it struck us as one of the evening’s less gracious moments): Hathaway’s “it came true” remark on Sunday was seen as cutesy and another sign of the actress’s artificiality. In the award season dynamic Lawrence got to play the girl we love to love: Hathaway was cast as the girl we love to loathe.\u003c/p>\n\u003cp>It’s one of the uglier parts of the American cycle: building to tear down. Hathaway has been accused of having a quality of needing to win approval and be liked: do we need to deny her that approval as payback for her success? Whether she succumbs to any best supporting actress curse or our collective schadenfreude remains to be seen. What is known is that our griping will not take away any of her accomplishments of this past year.\u003c/p>\n\u003cp>Whatever unnameable quality of annoyance we’ve found in her was not shared by her peers in Hollywood who rewarded her work. Guys, her hair will grow out and girls, if she seems a little stuck up maybe it’s because she just won an Oscar, not a Twitter war. No matter how many people complain that her shock when her name was called by Christopher Plummer as best supporting actress on Sunday looked fake she still gets to keep her Oscar. I promise you: you’ll get over being mad at her for those reasons you can’t quite explain. Anne Hathaway will continue to work and you’ll find someone else to be the object of your snark. We will get over our Hathaway hate when another target presents itself.\u003ca href=\"http://blogs.kqed.org/pop/2013/02/27/whats-our-problem-with-anne-hathaway/2013-acting-winners/\" rel=\"attachment wp-att-1905\">\u003cbr>\n\u003c/a>\u003c/p>\n\u003cp>For example, you may love Jennifer Lawrence this award season but what are you going to do in a year when she starts to seem a little too big for her britches?\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/pop/1904/whats-our-problem-with-anne-hathaway","authors":["2421"],"categories":["pop_7","pop_6","pop_56","pop_51","pop_5","pop_3"],"tags":["pop_226","pop_47","pop_225","pop_211","pop_50"],"featImg":"pop_1908","label":"pop"},"pop_1589":{"type":"posts","id":"pop_1589","meta":{"index":"posts_1591205157","site":"pop","id":"1589","score":null,"sort":[1361394303000]},"guestAuthors":[],"slug":"why-argo-might-win-an-academy-award-for-all-the-wrong-reasons","title":"Why Argo Might Win the Oscar for Best Picture (for All the Wrong Reasons)","publishDate":1361394303,"format":"aside","headTitle":"KQED Pop | KQED Arts","labelTerm":{"site":"pop"},"content":"\u003cp>\u003ca href=\"http://blogs.kqed.org/pop/2013/02/20/why-argo-might-win-an-academy-award-for-all-the-wrong-reasons/argo-title-real/\" rel=\"attachment wp-att-1608\">\u003cimg class=\"aligncenter size-full wp-image-1608\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/02/argo-title-real.jpeg\" alt=\"argo title real\" width=\"642\" height=\"398\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2013/02/argo-title-real.jpeg 642w, https://ww2.kqed.org/app/uploads/sites/12/2013/02/argo-title-real-400x247.jpeg 400w\" sizes=\"(max-width: 642px) 100vw, 642px\">\u003c/a>Well fellow cinephiles, this could be 2006 all over again. Has it been seven years since (that \u003ca href=\"http://www.youtube.com/watch?v=tfQs7WbVse8\">train wreck\u003c/a> of a movie) \u003cem>Crash\u003c/em> beat out the elegant favorite \u003cem>Brokeback Mountain\u003c/em>? Each week up until about mid-January the Oscar race for Best Picture flip-flopped from movie to movie. Before \u003cem>Les Miserables\u003c/em> even hit the screen, it was hailed as the movie to beat and then everyone went to see it on Christmas and walked out of the theatre confused and pretty sure they could \u003ca href=\"http://www.cinemablend.com/new/Your-Consideration-Les-Miserables-Lost-Best-Picture-Moment-Russell-Crowe-Opened-His-Mouth-35824.html\">sing better\u003c/a> than Russell Crowe. Now \u003cem>Argo\u003c/em>, the Ben Affleck-director-political-suspense-thriller-based-on-a-true story is the front-runner that’s here to stay. In a race where the other eight nominated films have the honest qualities of a true winner, it could all end up in the hands of \u003cem>Argo\u003c/em>. Here are a few potential reasons why \u003cem>Argo\u003c/em> might end up taking home that little golden dude:\u003c/p>\n\u003cp>\u003ca href=\"http://blogs.kqed.org/pop/2013/02/20/why-argo-might-win-an-academy-award-for-all-the-wrong-reasons/argo-1-edit/\" rel=\"attachment wp-att-1597\">\u003cimg class=\"aligncenter size-full wp-image-1597\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/02/argo-1-edit.jpeg\" alt=\"argo 1 edit\" width=\"600\" height=\"366\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2013/02/argo-1-edit.jpeg 600w, https://ww2.kqed.org/app/uploads/sites/12/2013/02/argo-1-edit-400x244.jpeg 400w\" sizes=\"(max-width: 600px) 100vw, 600px\">\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>1. Because it’s a bro’s bro.\u003c/strong>\u003cbr>\n“So, have you seen \u003cem>Argo\u003c/em> yet?” the frat dude says as he leans into her at the bar, his breath smelling of Red Bull and disdain. As if! \u003cem>Zero Dark Thirty\u003c/em> has quite the package: suspense, action, foreign intrigue, even torture, but what it’s lacking is, of course, a strong male lead like Ben Affleck. It’s a shame the strength and competence of \u003ca href=\"http://25.media.tumblr.com/tumblr_lxvwq8cKaT1qz9xvjo1_r4_500.gif\">Jessica Chastain\u003c/a>’s character Maya cannot compete with Affleck’s Tony Mendez, otherwise \u003cem>ZDT\u003c/em> would be a shoe-in for the boys of \u003ca href=\"http://1.bp.blogspot.com/_vY8I5HvOvk8/SZCgRYVhgvI/AAAAAAAACfQ/LaijRaIYR54/s320/revenge-of-the-nerds.jpg\">Alpha Beta\u003c/a>.\u003c/p>\n\u003cp>\u003ca href=\"http://blogs.kqed.org/pop/2013/02/20/why-argo-might-win-an-academy-award-for-all-the-wrong-reasons/argo-2/\" rel=\"attachment wp-att-1598\">\u003cimg class=\"aligncenter size-full wp-image-1598\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/02/argo-2.jpeg\" alt=\"argo 2\" width=\"702\" height=\"435\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2013/02/argo-2.jpeg 702w, https://ww2.kqed.org/app/uploads/sites/12/2013/02/argo-2-400x247.jpeg 400w\" sizes=\"(max-width: 702px) 100vw, 702px\">\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>2. Because it’s like \u003cem>The DaVinci Code\u003c/em> the book version.\u003c/strong>\u003cbr>\nDisclaimer: I have never read \u003cem>The DaVinci Code\u003c/em> nor have I seen the movie. However, I have paged through the book and what I do know is that it is compiled of very short, easy-to-read chapters that leave the reader wanting more. It is unlikely a film like \u003cem>Amour\u003c/em> can hold a candle. In \u003cem>Amour,\u003c/em> we glide through Georges and Anne’s home listlessly unearthing layers of wood and light: lives lived and love had. \u003cem>Argo\u003c/em> is the pleasure principle in its finest form, like a great pop song or the Kardashians (I still think \u003ca href=\"http://25.media.tumblr.com/tumblr_lv2zigvVNX1qzb62zo1_500.gif\">Kourtney\u003c/a> and Khloe have yet to really \u003cem>take\u003c/em> Miami); you want bubblegum and it delivers.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003ca href=\"http://blogs.kqed.org/pop/2013/02/20/why-argo-might-win-an-academy-award-for-all-the-wrong-reasons/argo-3-2/\" rel=\"attachment wp-att-1600\">\u003cimg class=\"aligncenter size-full wp-image-1600\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/02/argo-31.jpeg\" alt=\"argo 3\" width=\"600\" height=\"348\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2013/02/argo-31.jpeg 600w, https://ww2.kqed.org/app/uploads/sites/12/2013/02/argo-31-400x232.jpeg 400w\" sizes=\"(max-width: 600px) 100vw, 600px\">\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>3. Because it’s Hollywood talking about Hollywood.\u003c/strong>\u003cbr>\n\u003cem>The Artist \u003c/em>took the award last year and deservedly so. The Academy might be on a streak. In \u003cem>Argo, \u003c/em>Affleck has made a movie within a movie. It’s all very meta but done in a very conventional manner. Instead of showing us what Hollywood can do, we are given \u003cem>Argo\u003c/em>, a movie showing us what Hollywood already does. \u003cem>Life of Pi\u003c/em> would be the perfect example of what it’s like to take cinema to an ultra-cinematic level. The shots are breathtaking: aerial views that \u003ca href=\"http://cdn1.screenrant.com/wp-content/uploads/Life-of-Pi-Ending-Explained.jpg\">isolate the ship \u003c/a>from our main character and a horizon where it is impossible to distinguish where the sky ends and the water begins. \u003cem>Life of Pi\u003c/em> is a truly lavish cinematic experience. The closest we get in \u003cem>Argo\u003c/em> is when scenes from the movie are set side-by-side with actual archival footage as though Affleck is saying: Look at how perfectly I recreated this, not a hair out of place!\u003c/p>\n\u003cp>\u003ca href=\"http://blogs.kqed.org/pop/2013/02/20/why-argo-might-win-an-academy-award-for-all-the-wrong-reasons/django-real/\" rel=\"attachment wp-att-1609\">\u003cimg class=\"aligncenter size-full wp-image-1609\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/02/django-real.jpeg\" alt=\"django real\" width=\"650\" height=\"437\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2013/02/django-real.jpeg 650w, https://ww2.kqed.org/app/uploads/sites/12/2013/02/django-real-400x268.jpeg 400w\" sizes=\"(max-width: 650px) 100vw, 650px\">\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>4. Because it’s already nabbed the Golden Globe and the BAFTA.\u003c/strong>\u003cbr>\nThe past four years the \u003ca href=\"https://www.youtube.com/watch?v=nf8uDTUVx3Y\">BAFTA\u003c/a> has predicted the winner but the past four years there have been arguably clear winners. The Golden Globes are notorious for surprises and lucky for last year’s \u003cem>The Descendants\u003c/em>, the Globes split their best films into comedy and drama categories. But let’s jump back to another one of the \u003ca href=\"http://www.youtube.com/watch?v=3VKK2mskvtg\">biggest snubs\u003c/a> of Oscar history, \u003cem>Forrest Gump\u003c/em> winning over \u003cem>Pulp Fiction\u003c/em>. Tom Hanks and Ben Affleck are basically \u003ca href=\"http://25.media.tumblr.com/tumblr_lfan3psl611qb6180o1_500.jpg\">the same person\u003c/a>, handsome and likeable. Quentin did not win with \u003cem>Pulp Fiction\u003c/em> and will not win for \u003cem>Django Unchained\u003c/em>: too much witty dialogue, too much violence, too much outstanding acting.\u003c/p>\n\u003cp>\u003ca href=\"http://blogs.kqed.org/pop/2013/02/20/why-argo-might-win-an-academy-award-for-all-the-wrong-reasons/argo-5/\" rel=\"attachment wp-att-1602\">\u003cimg class=\"aligncenter size-full wp-image-1602\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/02/argo-5.jpeg\" alt=\"argo 5\" width=\"600\" height=\"401\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2013/02/argo-5.jpeg 600w, https://ww2.kqed.org/app/uploads/sites/12/2013/02/argo-5-400x267.jpeg 400w\" sizes=\"(max-width: 600px) 100vw, 600px\">\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>5. Because Ben Affleck somehow turned into The Little Engine That Could.\u003c/strong>\u003cbr>\nWe all remember when he and Matt Damon jumped on the stage way back in 1997 and thanked Southie or whatever. It was cute and we were happy and they were Hollywood nobodies that became \u003ca href=\"http://www.youtube.com/watch?v=d8RIS5GJqAg\">Hollywood somebodies\u003c/a> at that very moment. But that was like thirteen years ago and now Affleck has been denied a Best Director nomination and the world is in mourning. (I will not mention Kathryn Bigelow here.) Turn to \u003cem>Beasts of the Southern Wild\u003c/em>, note the modest budget, the non-actor actors, the no-name filmmakers, the huge courage.\u003c/p>\n\u003cp>\u003ca href=\"http://blogs.kqed.org/pop/2013/02/20/why-argo-might-win-an-academy-award-for-all-the-wrong-reasons/argo-6/\" rel=\"attachment wp-att-1603\">\u003cimg class=\"aligncenter size-full wp-image-1603\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/02/argo-6.jpeg\" alt=\"argo 6\" width=\"620\" height=\"400\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2013/02/argo-6.jpeg 620w, https://ww2.kqed.org/app/uploads/sites/12/2013/02/argo-6-400x258.jpeg 400w\" sizes=\"(max-width: 620px) 100vw, 620px\">\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>6. Because it tackles a declassified government secret and that’s exciting.\u003c/strong>\u003cbr>\nWhat a caper! One of the most exciting things about \u003cem>Argo\u003c/em> is that while you’re watching it, you feel like you’re privy to this huge secret that the rest of world (in the movie) doesn’t know about. It was a secret and now it’s \u003ca href=\"http://www.slate.com/blogs/browbeat/2012/10/12/argo_true_story_the_facts_and_fiction_behind_the_ben_affleck_movie.html\">talked about\u003c/a> but only after government permission. That’s not going to bode well for \u003cem>Silver Linings Playbook\u003c/em> where they deal with the still very taboo topic of mental illness in a charming and funny way. And not since \u003ca href=\"http://www.youtube.com/watch?v=OpIYz8tfGjY\">\u003cem>Annie Hall\u003c/em>\u003c/a> has a true and nervous comedy won Best Picture and it has since become epic, in a subtle and graceful way. Perhaps they are hoping the same for \u003cem>Argo\u003c/em>, but like epic in more of a humdrum sort of way.\u003c/p>\n\u003cp>\u003ca href=\"http://blogs.kqed.org/pop/2013/02/20/why-argo-might-win-an-academy-award-for-all-the-wrong-reasons/argo-7/\" rel=\"attachment wp-att-1604\">\u003cimg class=\"aligncenter size-full wp-image-1604\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/02/argo-7.jpeg\" alt=\"argo 7\" width=\"743\" height=\"387\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2013/02/argo-7.jpeg 743w, https://ww2.kqed.org/app/uploads/sites/12/2013/02/argo-7-400x208.jpeg 400w\" sizes=\"(max-width: 743px) 100vw, 743px\">\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>7. Because it makes you proud to be an American.\u003c/strong>\u003cbr>\n“This is the best bad idea we have, sir,” Tony Mendez tells his superior in \u003cem>Argo. \u003c/em>To disguise the hostages as filmmakers scouting locations for an upcoming sci-fi flick might just be crazy enough to work. It’s an out-of-the-box scheme that leaves you feeling happy you live in a country whose government allows for such creativity. The past two years have been somewhat Euro-centric with \u003cem>The King’s Speech\u003c/em> and \u003cem>The Artist \u003c/em>taking home the top prize, it’s about time the Academy picks a good-ole-fashioned stars-and-stripes-waving \u003ca href=\"http://a57.foxnews.com/global.fncstatic.com/static/managed/img/Entertainment/0/371/Armageddon.JPG\">piece of our history\u003c/a>. But what about \u003cem>Lincoln\u003c/em> you ask? Perhaps it is too well known a story or perhaps the plan is to dole out awards to Daniel Day Lewis, Stephen Spielberg, and Tony Kushner, leaving room for \u003cem>Argo\u003c/em>, cozy American \u003cem>Argo\u003c/em>.\u003c/p>\n\u003cp>\u003ca href=\"http://blogs.kqed.org/pop/2013/02/20/why-argo-might-win-an-academy-award-for-all-the-wrong-reasons/argo-8/\" rel=\"attachment wp-att-1605\">\u003cimg class=\"aligncenter size-full wp-image-1605\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/02/argo-8.jpeg\" alt=\"argo 8\" width=\"650\" height=\"450\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2013/02/argo-8.jpeg 650w, https://ww2.kqed.org/app/uploads/sites/12/2013/02/argo-8-400x276.jpeg 400w\" sizes=\"(max-width: 650px) 100vw, 650px\">\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>8. Because its flame is still burning hot.\u003c/strong>\u003cbr>\nThere’s no denying \u003cem>Argo’s\u003c/em> momentum. \u003cem>Les Miserables \u003c/em>was just as hot to trot (they’re singing live! \u003ca href=\"http://www.youtube.com/watch?feature=player_embedded&v=y4yxsRRnvkE\">Anne Hathaway\u003c/a> is brilliant!) in December but fizzled out by January. It’s a classic case of backlash and then backlash to the backlash and so on and so forth. Meanwhile \u003cem>Argo\u003c/em> quietly held its ground. No one has had very many issues with the actual content of the film, where movies like \u003cem>ZDT\u003c/em> and \u003cem>Django\u003c/em> made the news on a daily basis. Perhaps controversy will get you attention but won’t win you awards.\u003c/p>\n\u003cp>*\u003c/p>\n\u003cp>Look, \u003cem>Argo\u003c/em> is the huge favorite and I’ve accepted that. I’m not saying I will denounce the Oscars or award shows if \u003cem>Argo\u003c/em> wins. I mean, I’ll probably throw my hands in the air and give a big eye roll while shoving hummus into my mouth. But I suppose what’s oddly great about the Oscars is that no one was expecting \u003cem>Crash \u003c/em>to win in 2006, and it did.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp> \u003c/p>\n\n","blocks":[],"excerpt":"In a race where the other eight nominated films have the honest qualities of a true winner, the Academy Award for Best Picture will probably go to Argo.","status":"publish","parent":0,"modified":1361394529,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":21,"wordCount":1277},"headData":{"title":"Why Argo Might Win the Oscar for Best Picture (for All the Wrong Reasons) | KQED","description":"In a race where the other eight nominated films have the honest qualities of a true winner, the Academy Award for Best Picture will probably go to Argo.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"disqusIdentifier":"1589 http://blogs.kqed.org/pop/?p=1589","disqusUrl":"https://ww2.kqed.org/pop/2013/02/20/why-argo-might-win-an-academy-award-for-all-the-wrong-reasons/","disqusTitle":"Why Argo Might Win the Oscar for Best Picture (for All the Wrong Reasons)","path":"/pop/1589/why-argo-might-win-an-academy-award-for-all-the-wrong-reasons","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ca href=\"http://blogs.kqed.org/pop/2013/02/20/why-argo-might-win-an-academy-award-for-all-the-wrong-reasons/argo-title-real/\" rel=\"attachment wp-att-1608\">\u003cimg class=\"aligncenter size-full wp-image-1608\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/02/argo-title-real.jpeg\" alt=\"argo title real\" width=\"642\" height=\"398\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2013/02/argo-title-real.jpeg 642w, https://ww2.kqed.org/app/uploads/sites/12/2013/02/argo-title-real-400x247.jpeg 400w\" sizes=\"(max-width: 642px) 100vw, 642px\">\u003c/a>Well fellow cinephiles, this could be 2006 all over again. Has it been seven years since (that \u003ca href=\"http://www.youtube.com/watch?v=tfQs7WbVse8\">train wreck\u003c/a> of a movie) \u003cem>Crash\u003c/em> beat out the elegant favorite \u003cem>Brokeback Mountain\u003c/em>? Each week up until about mid-January the Oscar race for Best Picture flip-flopped from movie to movie. Before \u003cem>Les Miserables\u003c/em> even hit the screen, it was hailed as the movie to beat and then everyone went to see it on Christmas and walked out of the theatre confused and pretty sure they could \u003ca href=\"http://www.cinemablend.com/new/Your-Consideration-Les-Miserables-Lost-Best-Picture-Moment-Russell-Crowe-Opened-His-Mouth-35824.html\">sing better\u003c/a> than Russell Crowe. Now \u003cem>Argo\u003c/em>, the Ben Affleck-director-political-suspense-thriller-based-on-a-true story is the front-runner that’s here to stay. In a race where the other eight nominated films have the honest qualities of a true winner, it could all end up in the hands of \u003cem>Argo\u003c/em>. Here are a few potential reasons why \u003cem>Argo\u003c/em> might end up taking home that little golden dude:\u003c/p>\n\u003cp>\u003ca href=\"http://blogs.kqed.org/pop/2013/02/20/why-argo-might-win-an-academy-award-for-all-the-wrong-reasons/argo-1-edit/\" rel=\"attachment wp-att-1597\">\u003cimg class=\"aligncenter size-full wp-image-1597\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/02/argo-1-edit.jpeg\" alt=\"argo 1 edit\" width=\"600\" height=\"366\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2013/02/argo-1-edit.jpeg 600w, https://ww2.kqed.org/app/uploads/sites/12/2013/02/argo-1-edit-400x244.jpeg 400w\" sizes=\"(max-width: 600px) 100vw, 600px\">\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>1. Because it’s a bro’s bro.\u003c/strong>\u003cbr>\n“So, have you seen \u003cem>Argo\u003c/em> yet?” the frat dude says as he leans into her at the bar, his breath smelling of Red Bull and disdain. As if! \u003cem>Zero Dark Thirty\u003c/em> has quite the package: suspense, action, foreign intrigue, even torture, but what it’s lacking is, of course, a strong male lead like Ben Affleck. It’s a shame the strength and competence of \u003ca href=\"http://25.media.tumblr.com/tumblr_lxvwq8cKaT1qz9xvjo1_r4_500.gif\">Jessica Chastain\u003c/a>’s character Maya cannot compete with Affleck’s Tony Mendez, otherwise \u003cem>ZDT\u003c/em> would be a shoe-in for the boys of \u003ca href=\"http://1.bp.blogspot.com/_vY8I5HvOvk8/SZCgRYVhgvI/AAAAAAAACfQ/LaijRaIYR54/s320/revenge-of-the-nerds.jpg\">Alpha Beta\u003c/a>.\u003c/p>\n\u003cp>\u003ca href=\"http://blogs.kqed.org/pop/2013/02/20/why-argo-might-win-an-academy-award-for-all-the-wrong-reasons/argo-2/\" rel=\"attachment wp-att-1598\">\u003cimg class=\"aligncenter size-full wp-image-1598\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/02/argo-2.jpeg\" alt=\"argo 2\" width=\"702\" height=\"435\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2013/02/argo-2.jpeg 702w, https://ww2.kqed.org/app/uploads/sites/12/2013/02/argo-2-400x247.jpeg 400w\" sizes=\"(max-width: 702px) 100vw, 702px\">\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>2. Because it’s like \u003cem>The DaVinci Code\u003c/em> the book version.\u003c/strong>\u003cbr>\nDisclaimer: I have never read \u003cem>The DaVinci Code\u003c/em> nor have I seen the movie. However, I have paged through the book and what I do know is that it is compiled of very short, easy-to-read chapters that leave the reader wanting more. It is unlikely a film like \u003cem>Amour\u003c/em> can hold a candle. In \u003cem>Amour,\u003c/em> we glide through Georges and Anne’s home listlessly unearthing layers of wood and light: lives lived and love had. \u003cem>Argo\u003c/em> is the pleasure principle in its finest form, like a great pop song or the Kardashians (I still think \u003ca href=\"http://25.media.tumblr.com/tumblr_lv2zigvVNX1qzb62zo1_500.gif\">Kourtney\u003c/a> and Khloe have yet to really \u003cem>take\u003c/em> Miami); you want bubblegum and it delivers.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"http://blogs.kqed.org/pop/2013/02/20/why-argo-might-win-an-academy-award-for-all-the-wrong-reasons/argo-3-2/\" rel=\"attachment wp-att-1600\">\u003cimg class=\"aligncenter size-full wp-image-1600\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/02/argo-31.jpeg\" alt=\"argo 3\" width=\"600\" height=\"348\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2013/02/argo-31.jpeg 600w, https://ww2.kqed.org/app/uploads/sites/12/2013/02/argo-31-400x232.jpeg 400w\" sizes=\"(max-width: 600px) 100vw, 600px\">\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>3. Because it’s Hollywood talking about Hollywood.\u003c/strong>\u003cbr>\n\u003cem>The Artist \u003c/em>took the award last year and deservedly so. The Academy might be on a streak. In \u003cem>Argo, \u003c/em>Affleck has made a movie within a movie. It’s all very meta but done in a very conventional manner. Instead of showing us what Hollywood can do, we are given \u003cem>Argo\u003c/em>, a movie showing us what Hollywood already does. \u003cem>Life of Pi\u003c/em> would be the perfect example of what it’s like to take cinema to an ultra-cinematic level. The shots are breathtaking: aerial views that \u003ca href=\"http://cdn1.screenrant.com/wp-content/uploads/Life-of-Pi-Ending-Explained.jpg\">isolate the ship \u003c/a>from our main character and a horizon where it is impossible to distinguish where the sky ends and the water begins. \u003cem>Life of Pi\u003c/em> is a truly lavish cinematic experience. The closest we get in \u003cem>Argo\u003c/em> is when scenes from the movie are set side-by-side with actual archival footage as though Affleck is saying: Look at how perfectly I recreated this, not a hair out of place!\u003c/p>\n\u003cp>\u003ca href=\"http://blogs.kqed.org/pop/2013/02/20/why-argo-might-win-an-academy-award-for-all-the-wrong-reasons/django-real/\" rel=\"attachment wp-att-1609\">\u003cimg class=\"aligncenter size-full wp-image-1609\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/02/django-real.jpeg\" alt=\"django real\" width=\"650\" height=\"437\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2013/02/django-real.jpeg 650w, https://ww2.kqed.org/app/uploads/sites/12/2013/02/django-real-400x268.jpeg 400w\" sizes=\"(max-width: 650px) 100vw, 650px\">\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>4. Because it’s already nabbed the Golden Globe and the BAFTA.\u003c/strong>\u003cbr>\nThe past four years the \u003ca href=\"https://www.youtube.com/watch?v=nf8uDTUVx3Y\">BAFTA\u003c/a> has predicted the winner but the past four years there have been arguably clear winners. The Golden Globes are notorious for surprises and lucky for last year’s \u003cem>The Descendants\u003c/em>, the Globes split their best films into comedy and drama categories. But let’s jump back to another one of the \u003ca href=\"http://www.youtube.com/watch?v=3VKK2mskvtg\">biggest snubs\u003c/a> of Oscar history, \u003cem>Forrest Gump\u003c/em> winning over \u003cem>Pulp Fiction\u003c/em>. Tom Hanks and Ben Affleck are basically \u003ca href=\"http://25.media.tumblr.com/tumblr_lfan3psl611qb6180o1_500.jpg\">the same person\u003c/a>, handsome and likeable. Quentin did not win with \u003cem>Pulp Fiction\u003c/em> and will not win for \u003cem>Django Unchained\u003c/em>: too much witty dialogue, too much violence, too much outstanding acting.\u003c/p>\n\u003cp>\u003ca href=\"http://blogs.kqed.org/pop/2013/02/20/why-argo-might-win-an-academy-award-for-all-the-wrong-reasons/argo-5/\" rel=\"attachment wp-att-1602\">\u003cimg class=\"aligncenter size-full wp-image-1602\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/02/argo-5.jpeg\" alt=\"argo 5\" width=\"600\" height=\"401\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2013/02/argo-5.jpeg 600w, https://ww2.kqed.org/app/uploads/sites/12/2013/02/argo-5-400x267.jpeg 400w\" sizes=\"(max-width: 600px) 100vw, 600px\">\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>5. Because Ben Affleck somehow turned into The Little Engine That Could.\u003c/strong>\u003cbr>\nWe all remember when he and Matt Damon jumped on the stage way back in 1997 and thanked Southie or whatever. It was cute and we were happy and they were Hollywood nobodies that became \u003ca href=\"http://www.youtube.com/watch?v=d8RIS5GJqAg\">Hollywood somebodies\u003c/a> at that very moment. But that was like thirteen years ago and now Affleck has been denied a Best Director nomination and the world is in mourning. (I will not mention Kathryn Bigelow here.) Turn to \u003cem>Beasts of the Southern Wild\u003c/em>, note the modest budget, the non-actor actors, the no-name filmmakers, the huge courage.\u003c/p>\n\u003cp>\u003ca href=\"http://blogs.kqed.org/pop/2013/02/20/why-argo-might-win-an-academy-award-for-all-the-wrong-reasons/argo-6/\" rel=\"attachment wp-att-1603\">\u003cimg class=\"aligncenter size-full wp-image-1603\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/02/argo-6.jpeg\" alt=\"argo 6\" width=\"620\" height=\"400\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2013/02/argo-6.jpeg 620w, https://ww2.kqed.org/app/uploads/sites/12/2013/02/argo-6-400x258.jpeg 400w\" sizes=\"(max-width: 620px) 100vw, 620px\">\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>6. Because it tackles a declassified government secret and that’s exciting.\u003c/strong>\u003cbr>\nWhat a caper! One of the most exciting things about \u003cem>Argo\u003c/em> is that while you’re watching it, you feel like you’re privy to this huge secret that the rest of world (in the movie) doesn’t know about. It was a secret and now it’s \u003ca href=\"http://www.slate.com/blogs/browbeat/2012/10/12/argo_true_story_the_facts_and_fiction_behind_the_ben_affleck_movie.html\">talked about\u003c/a> but only after government permission. That’s not going to bode well for \u003cem>Silver Linings Playbook\u003c/em> where they deal with the still very taboo topic of mental illness in a charming and funny way. And not since \u003ca href=\"http://www.youtube.com/watch?v=OpIYz8tfGjY\">\u003cem>Annie Hall\u003c/em>\u003c/a> has a true and nervous comedy won Best Picture and it has since become epic, in a subtle and graceful way. Perhaps they are hoping the same for \u003cem>Argo\u003c/em>, but like epic in more of a humdrum sort of way.\u003c/p>\n\u003cp>\u003ca href=\"http://blogs.kqed.org/pop/2013/02/20/why-argo-might-win-an-academy-award-for-all-the-wrong-reasons/argo-7/\" rel=\"attachment wp-att-1604\">\u003cimg class=\"aligncenter size-full wp-image-1604\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/02/argo-7.jpeg\" alt=\"argo 7\" width=\"743\" height=\"387\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2013/02/argo-7.jpeg 743w, https://ww2.kqed.org/app/uploads/sites/12/2013/02/argo-7-400x208.jpeg 400w\" sizes=\"(max-width: 743px) 100vw, 743px\">\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>7. Because it makes you proud to be an American.\u003c/strong>\u003cbr>\n“This is the best bad idea we have, sir,” Tony Mendez tells his superior in \u003cem>Argo. \u003c/em>To disguise the hostages as filmmakers scouting locations for an upcoming sci-fi flick might just be crazy enough to work. It’s an out-of-the-box scheme that leaves you feeling happy you live in a country whose government allows for such creativity. The past two years have been somewhat Euro-centric with \u003cem>The King’s Speech\u003c/em> and \u003cem>The Artist \u003c/em>taking home the top prize, it’s about time the Academy picks a good-ole-fashioned stars-and-stripes-waving \u003ca href=\"http://a57.foxnews.com/global.fncstatic.com/static/managed/img/Entertainment/0/371/Armageddon.JPG\">piece of our history\u003c/a>. But what about \u003cem>Lincoln\u003c/em> you ask? Perhaps it is too well known a story or perhaps the plan is to dole out awards to Daniel Day Lewis, Stephen Spielberg, and Tony Kushner, leaving room for \u003cem>Argo\u003c/em>, cozy American \u003cem>Argo\u003c/em>.\u003c/p>\n\u003cp>\u003ca href=\"http://blogs.kqed.org/pop/2013/02/20/why-argo-might-win-an-academy-award-for-all-the-wrong-reasons/argo-8/\" rel=\"attachment wp-att-1605\">\u003cimg class=\"aligncenter size-full wp-image-1605\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/02/argo-8.jpeg\" alt=\"argo 8\" width=\"650\" height=\"450\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2013/02/argo-8.jpeg 650w, https://ww2.kqed.org/app/uploads/sites/12/2013/02/argo-8-400x276.jpeg 400w\" sizes=\"(max-width: 650px) 100vw, 650px\">\u003c/a>\u003c/p>\n\u003cp>\u003cstrong>8. Because its flame is still burning hot.\u003c/strong>\u003cbr>\nThere’s no denying \u003cem>Argo’s\u003c/em> momentum. \u003cem>Les Miserables \u003c/em>was just as hot to trot (they’re singing live! \u003ca href=\"http://www.youtube.com/watch?feature=player_embedded&v=y4yxsRRnvkE\">Anne Hathaway\u003c/a> is brilliant!) in December but fizzled out by January. It’s a classic case of backlash and then backlash to the backlash and so on and so forth. Meanwhile \u003cem>Argo\u003c/em> quietly held its ground. No one has had very many issues with the actual content of the film, where movies like \u003cem>ZDT\u003c/em> and \u003cem>Django\u003c/em> made the news on a daily basis. Perhaps controversy will get you attention but won’t win you awards.\u003c/p>\n\u003cp>*\u003c/p>\n\u003cp>Look, \u003cem>Argo\u003c/em> is the huge favorite and I’ve accepted that. I’m not saying I will denounce the Oscars or award shows if \u003cem>Argo\u003c/em> wins. I mean, I’ll probably throw my hands in the air and give a big eye roll while shoving hummus into my mouth. But I suppose what’s oddly great about the Oscars is that no one was expecting \u003cem>Crash \u003c/em>to win in 2006, and it did.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/pop/1589/why-argo-might-win-an-academy-award-for-all-the-wrong-reasons","authors":["2416"],"categories":["pop_6","pop_51","pop_3"],"tags":["pop_208","pop_226","pop_223","pop_207","pop_212","pop_217","pop_216","pop_220","pop_213","pop_225","pop_215","pop_224","pop_222","pop_211","pop_219","pop_50","pop_210","pop_214","pop_218","pop_221","pop_209"],"featImg":"pop_1608","label":"pop"},"pop_212":{"type":"posts","id":"pop_212","meta":{"index":"posts_1591205157","site":"pop","id":"212","score":null,"sort":[1359415173000]},"guestAuthors":[],"slug":"yet-another-reason-to-love-jennifer-lawrence","title":"Yet Another Reason to Love Jennifer Lawrence","publishDate":1359415173,"format":"aside","headTitle":"KQED Pop | KQED Arts","labelTerm":{"site":"pop"},"content":"\u003cdiv class=\"single-video\">\u003c/div>\n\u003cp>I was beginning to think that there was nothing that could make me love Jennifer Lawrence more than I already do. I was wrong. Last night at the SAG Awards, J. La received the Best Female Actor award for her work in the \u003cem>Silver Linings Playbook\u003c/em> and first thanked MTV. Say what? She clarified: \"I'll explain that. I earned my SAG card when I was 14, I did an MTV promo for \u003cem>My Super Sweet 16\u003c/em>. And I remember getting it in the mail and it being the best day in my entire life, because it officially made me a professional actor.\" And now that very promo has surfaced on the internets!\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=TWRKQGSLfN4\u003c/p>\n\u003cp>She was right under our noses all this time! (For the unindoctrinated, start with \u003ca href=\"http://youtu.be/ouYgxHQPceY\">this beyond charming Letterman interview\u003c/a>.)\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n","blocks":[],"excerpt":"I was beginning to think that there was nothing that could make me love Jennifer Lawrence more than I already do. 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