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Or that time you attended Lilith Fair and found your lager took on notes of female empowerment?\u003c/p>\n\u003cp>Okay, so I've never had either of these experiences; sometimes at large stadium shows I think my beer tastes bitter, but I'm pretty sure that's because \u003cem>I'm\u003c/em> bitter at having paid $12 for it.\u003c/p>\n\u003cp>According to a recent study, however, the music a person is listening to can affect his or her perception of taste. \u003ca href=\"http://www.etro.vub.ac.be/Publications/ShowPurePub.asp?PubID=5493\" target=\"_blank\">The study\u003c/a>, conducted by scientists at Vrije University in Brussels, Belgium, found that participants who were given the same beer while listening to different kinds of music actually transferred their \"experience and feelings about the music to the beer\" that they were tasting. Volunteers' ratings of the same beer varied in terms of perception of alcohol by volume, sweetness, bitterness and more.\u003c/p>\n\u003cp>Said findings support\u003ca href=\"http://blogs.scientificamerican.com/food-matters/pitchfork-the-relationship-between-sound-and-taste/\" target=\"_blank\"> previous research\u003c/a> that showed volunteers rated toffee they consumed while listening to piano music as \"sweet,\" while toffee they ate while listening to lower-pitched music were perceived as bitter. And some of the researchers from the beer study are out to investigate similar effects on \u003ca href=\"http://make.brussels/fr/projects/the-sound-of-chocolate-fr/\" target=\"_blank\">the taste of chocolate\u003c/a>.\u003c/p>\n\u003cp>Obviously, part of any experiment like this is subjective -- music that sounds sweet to one person's ear might be excruciating to another, which is, after all, how we account for a human like Justin Bieber.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Regardless: If you know what music makes you think happy, sonorific thoughts, that could be something to keep in mind next time you're trying to force yourself to eat your broccoli.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=KmjLqddPqZQ\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n","blocks":[],"excerpt":"Looking to spruce up that watery light beer's flavor profile? Maybe check what's on your radio dial. ","status":"publish","parent":0,"modified":1466554029,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":8,"wordCount":296},"headData":{"title":"Study: Music Can Affect the Way Beer Tastes | KQED","description":"Looking to spruce up that watery light beer's flavor profile? Maybe check what's on your radio dial. ","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Study: Music Can Affect the Way Beer Tastes","datePublished":"2016-06-21T22:00:44.000Z","dateModified":"2016-06-22T00:07:09.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"disqusIdentifier":"27399 http://ww2.kqed.org/pop/?p=27399","disqusUrl":"https://ww2.kqed.org/pop/2016/06/21/study-music-can-affect-the-way-beer-tastes/","disqusTitle":"Study: Music Can Affect the Way Beer Tastes","path":"/pop/27399/study-music-can-affect-the-way-beer-tastes","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003chr>\n\u003cp>Remember the last time you were at a death metal show, and that cold brew you were sipping on had a distinctly loud, bitter flavor? Or that time you attended Lilith Fair and found your lager took on notes of female empowerment?\u003c/p>\n\u003cp>Okay, so I've never had either of these experiences; sometimes at large stadium shows I think my beer tastes bitter, but I'm pretty sure that's because \u003cem>I'm\u003c/em> bitter at having paid $12 for it.\u003c/p>\n\u003cp>According to a recent study, however, the music a person is listening to can affect his or her perception of taste. \u003ca href=\"http://www.etro.vub.ac.be/Publications/ShowPurePub.asp?PubID=5493\" target=\"_blank\">The study\u003c/a>, conducted by scientists at Vrije University in Brussels, Belgium, found that participants who were given the same beer while listening to different kinds of music actually transferred their \"experience and feelings about the music to the beer\" that they were tasting. Volunteers' ratings of the same beer varied in terms of perception of alcohol by volume, sweetness, bitterness and more.\u003c/p>\n\u003cp>Said findings support\u003ca href=\"http://blogs.scientificamerican.com/food-matters/pitchfork-the-relationship-between-sound-and-taste/\" target=\"_blank\"> previous research\u003c/a> that showed volunteers rated toffee they consumed while listening to piano music as \"sweet,\" while toffee they ate while listening to lower-pitched music were perceived as bitter. And some of the researchers from the beer study are out to investigate similar effects on \u003ca href=\"http://make.brussels/fr/projects/the-sound-of-chocolate-fr/\" target=\"_blank\">the taste of chocolate\u003c/a>.\u003c/p>\n\u003cp>Obviously, part of any experiment like this is subjective -- music that sounds sweet to one person's ear might be excruciating to another, which is, after all, how we account for a human like Justin Bieber.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Regardless: If you know what music makes you think happy, sonorific thoughts, that could be something to keep in mind next time you're trying to force yourself to eat your broccoli.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/KmjLqddPqZQ'\n title='//www.youtube.com/embed/KmjLqddPqZQ'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp> \u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/pop/27399/study-music-can-affect-the-way-beer-tastes","authors":["7237"],"categories":["pop_4"],"tags":["pop_2865","pop_601","pop_2849","pop_274","pop_2866"],"featImg":"pop_27451","label":"pop"},"pop_14418":{"type":"posts","id":"pop_14418","meta":{"index":"posts_1591205157","site":"pop","id":"14418","score":null,"sort":[1432040564000]},"guestAuthors":[],"slug":"when-science-fiction-becomes-reality-writers-predictions-that-came-true","title":"When Science Fiction Becomes Reality: Writers' Predictions That Came True","publishDate":1432040564,"format":"standard","headTitle":"KQED Pop | KQED Arts","labelTerm":{"site":"pop"},"content":"\u003cp>The illustrious science fiction writer Ray Bradbury loved to tell a certain story during interviews: when he was in his 30s and lived in New York, all his contemporaries liked to laugh at him at their fancy dinner parties over his seemingly far-fetched ideas. Bradbury kept all their phone numbers and, after the first moon landing, he called many of them, laughed and hung up, happy that his fantasy of space exploration had finally become a reality.\u003c/p>\n\u003cp>This is just one instance of a science fiction writer anticipating future technology or lifestyle changes here on Earth, both large and small. The following authors are a testament to the power of human imagination and how it can help inspire a whole new way of doing things.\u003c/p>\n\u003cp>\u003cstrong>Early Advancements:\u003c/strong>\u003c/p>\n\u003cp>\u003cimg class=\"alignright wp-image-16393\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/05/From_the_Earth_to_the_Moon_Jules_Verne-400x574.jpg\" alt=\"\" width=\"300\" height=\"431\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2015/05/From_the_Earth_to_the_Moon_Jules_Verne-400x574.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2015/05/From_the_Earth_to_the_Moon_Jules_Verne.jpg 713w\" sizes=\"(max-width: 300px) 100vw, 300px\">\u003c/p>\n\u003cp>• Edward Bellamy: It’s hard to imagine that someone in 1888 was wondering how modern society would spend their money. But Bellamy’s popular novel \u003cem>Looking Backward\u003c/em> introduced the idea of “universal credit” and paved the way for advancements in shopping…and millions of people in credit card debt.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>• H.G. Wells: Often called the “father of science fiction,” Wells is known for coining the term “atomic bomb,” anticipating the creation of tank warfare, laser weapons, and more ordinary items like the automatic door and pest-resistant plants.\u003c/p>\n\u003cp>• Jules Verne: Sure, he’s best known for his classics – \u003cem>Journey to the Center of the Earth, Twenty Thousand Leagues Under the Sea\u003c/em>, and \u003cem>Around the World in Eighty Days\u003c/em>, but some of his other works like \u003cem>From the Earth to the Moon\u003c/em> and \u003cem>Paris in the Twentieth Century\u003c/em> predicted such advancements as the submarine and the lunar landing.\u003c/p>\n\u003cp>\u003cstrong>Popular Electronics:\u003c/strong>\u003c/p>\n\u003cp>• Ray Bradbury: There’s a reason he’s a legend of the genre. In his seminal novel, \u003cem>Fahrenheit 451\u003c/em>, Bradbury’s description of “little seashells….thimble radios” which were responsible for an “electronic ocean of sound, of music and talk” certainly seemed to anticipate one of the most used technologies of the 2000s: the earbud. \u003cem>The Martian Chronicles\u003c/em> also warned against some of the repercussions of nuclear warfare.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=FxYgdX2PxyQ\u003c/p>\n\u003cp>• Arthur C. Clarke: Not just a popular film, \u003cem>2001: A Space Odyssey\u003c/em> is also a fascinating book, which offers a description of a device called a “newspad” that is eerily similar to a modern tablet. Other Clarke\u003ca href=\"https://www.youtube.com/watch?v=FxYgdX2PxyQ\"> predictions\u003c/a>: mass transit and remote surgery (see video above). Additionally, a shorter manuscript was said to imagine a vast telecommunications satellite array that helped with television signals.\u003c/p>\n\u003cp>• William Gibson: Gibson coined the word “cyberspace” in an early short story, “Burning Chrome,” more than a decade before the World Wide Web was even invented. His seminal work, \u003cem>Neuromancer,\u003c/em> offered a further glimpse into the world of the Internet and guessed, rightly, that there would be computer hackers in the future.\u003c/p>\n\u003cp>• David Brin: His 1990 book \u003cem>EARTH\u003c/em> describes “21st-century characters using screen displays filled with clickable links—in other words, Web pages.” More than that, there’s an \u003ca href=\"http://earthbydavidbrin.pbworks.com/w/page/15607643/FrontPage\">entire website \u003c/a>devoted to the other aspects of life that Brin’s text got right.\u003c/p>\n\u003cp>\u003cstrong>Social Implications:\u003c/strong>\u003c/p>\n\u003cp>\u003cimg class=\"alignleft wp-image-16396\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/05/Stand-on-Zanzibar-cover-3.jpg\" alt=\"Stand+on+Zanzibar+cover+3\" width=\"250\" height=\"420\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2015/05/Stand-on-Zanzibar-cover-3.jpg 609w, https://ww2.kqed.org/app/uploads/sites/12/2015/05/Stand-on-Zanzibar-cover-3-400x673.jpg 400w\" sizes=\"(max-width: 250px) 100vw, 250px\">• Aldous Huxley: Although published in 1930, \u003cem>Brave New World\u003c/em> still feels like a modern text thanks to details like soma, a mood-altering medication in widespread use by Londoners of the future that sounds remarkably like our current societal reliance on antidepressants.\u003c/p>\n\u003cp>• George Orwell: While \u003cem>1984\u003c/em> was published back in 1949, adaptations of the text are very relevant today as we continue to worry about privacy, surveillance and the presence of Big Brother-esque technology.\u003c/p>\n\u003cp>• John Brunner: His 1969 novel \u003cem>Stand on Zanzibar\u003c/em> is often cited as an eerily accurate depiction of life in 2010. The novel depicts a President Obomi in a country where terrorist attacks and school violence are sadly routine. Brunner also predicted an acceptance of gays, satellite TV and electric cars.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>So what will the authors of today anticipate? Only time will tell.\u003c/p>\n\n","blocks":[],"excerpt":"Everything from tank warfare and the lunar landing to earbuds and automatic doors were predicted by sci-fi writers.","status":"publish","parent":0,"modified":1431765419,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":19,"wordCount":705},"headData":{"title":"When Science Fiction Becomes Reality: Writers' Predictions That Came True | KQED","description":"Everything from tank warfare and the lunar landing to earbuds and automatic doors were predicted by sci-fi writers.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"When Science Fiction Becomes Reality: Writers' Predictions That Came True","datePublished":"2015-05-19T13:02:44.000Z","dateModified":"2015-05-16T08:36:59.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"disqusIdentifier":"14418 http://ww2.kqed.org/pop/?p=14418","disqusUrl":"https://ww2.kqed.org/pop/2015/05/19/when-science-fiction-becomes-reality-writers-predictions-that-came-true/","disqusTitle":"When Science Fiction Becomes Reality: Writers' Predictions That Came True","path":"/pop/14418/when-science-fiction-becomes-reality-writers-predictions-that-came-true","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>The illustrious science fiction writer Ray Bradbury loved to tell a certain story during interviews: when he was in his 30s and lived in New York, all his contemporaries liked to laugh at him at their fancy dinner parties over his seemingly far-fetched ideas. Bradbury kept all their phone numbers and, after the first moon landing, he called many of them, laughed and hung up, happy that his fantasy of space exploration had finally become a reality.\u003c/p>\n\u003cp>This is just one instance of a science fiction writer anticipating future technology or lifestyle changes here on Earth, both large and small. The following authors are a testament to the power of human imagination and how it can help inspire a whole new way of doing things.\u003c/p>\n\u003cp>\u003cstrong>Early Advancements:\u003c/strong>\u003c/p>\n\u003cp>\u003cimg class=\"alignright wp-image-16393\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/05/From_the_Earth_to_the_Moon_Jules_Verne-400x574.jpg\" alt=\"\" width=\"300\" height=\"431\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2015/05/From_the_Earth_to_the_Moon_Jules_Verne-400x574.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2015/05/From_the_Earth_to_the_Moon_Jules_Verne.jpg 713w\" sizes=\"(max-width: 300px) 100vw, 300px\">\u003c/p>\n\u003cp>• Edward Bellamy: It’s hard to imagine that someone in 1888 was wondering how modern society would spend their money. But Bellamy’s popular novel \u003cem>Looking Backward\u003c/em> introduced the idea of “universal credit” and paved the way for advancements in shopping…and millions of people in credit card debt.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>• H.G. Wells: Often called the “father of science fiction,” Wells is known for coining the term “atomic bomb,” anticipating the creation of tank warfare, laser weapons, and more ordinary items like the automatic door and pest-resistant plants.\u003c/p>\n\u003cp>• Jules Verne: Sure, he’s best known for his classics – \u003cem>Journey to the Center of the Earth, Twenty Thousand Leagues Under the Sea\u003c/em>, and \u003cem>Around the World in Eighty Days\u003c/em>, but some of his other works like \u003cem>From the Earth to the Moon\u003c/em> and \u003cem>Paris in the Twentieth Century\u003c/em> predicted such advancements as the submarine and the lunar landing.\u003c/p>\n\u003cp>\u003cstrong>Popular Electronics:\u003c/strong>\u003c/p>\n\u003cp>• Ray Bradbury: There’s a reason he’s a legend of the genre. In his seminal novel, \u003cem>Fahrenheit 451\u003c/em>, Bradbury’s description of “little seashells….thimble radios” which were responsible for an “electronic ocean of sound, of music and talk” certainly seemed to anticipate one of the most used technologies of the 2000s: the earbud. \u003cem>The Martian Chronicles\u003c/em> also warned against some of the repercussions of nuclear warfare.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/FxYgdX2PxyQ'\n title='//www.youtube.com/embed/FxYgdX2PxyQ'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>• Arthur C. Clarke: Not just a popular film, \u003cem>2001: A Space Odyssey\u003c/em> is also a fascinating book, which offers a description of a device called a “newspad” that is eerily similar to a modern tablet. Other Clarke\u003ca href=\"https://www.youtube.com/watch?v=FxYgdX2PxyQ\"> predictions\u003c/a>: mass transit and remote surgery (see video above). Additionally, a shorter manuscript was said to imagine a vast telecommunications satellite array that helped with television signals.\u003c/p>\n\u003cp>• William Gibson: Gibson coined the word “cyberspace” in an early short story, “Burning Chrome,” more than a decade before the World Wide Web was even invented. His seminal work, \u003cem>Neuromancer,\u003c/em> offered a further glimpse into the world of the Internet and guessed, rightly, that there would be computer hackers in the future.\u003c/p>\n\u003cp>• David Brin: His 1990 book \u003cem>EARTH\u003c/em> describes “21st-century characters using screen displays filled with clickable links—in other words, Web pages.” More than that, there’s an \u003ca href=\"http://earthbydavidbrin.pbworks.com/w/page/15607643/FrontPage\">entire website \u003c/a>devoted to the other aspects of life that Brin’s text got right.\u003c/p>\n\u003cp>\u003cstrong>Social Implications:\u003c/strong>\u003c/p>\n\u003cp>\u003cimg class=\"alignleft wp-image-16396\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/05/Stand-on-Zanzibar-cover-3.jpg\" alt=\"Stand+on+Zanzibar+cover+3\" width=\"250\" height=\"420\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2015/05/Stand-on-Zanzibar-cover-3.jpg 609w, https://ww2.kqed.org/app/uploads/sites/12/2015/05/Stand-on-Zanzibar-cover-3-400x673.jpg 400w\" sizes=\"(max-width: 250px) 100vw, 250px\">• Aldous Huxley: Although published in 1930, \u003cem>Brave New World\u003c/em> still feels like a modern text thanks to details like soma, a mood-altering medication in widespread use by Londoners of the future that sounds remarkably like our current societal reliance on antidepressants.\u003c/p>\n\u003cp>• George Orwell: While \u003cem>1984\u003c/em> was published back in 1949, adaptations of the text are very relevant today as we continue to worry about privacy, surveillance and the presence of Big Brother-esque technology.\u003c/p>\n\u003cp>• John Brunner: His 1969 novel \u003cem>Stand on Zanzibar\u003c/em> is often cited as an eerily accurate depiction of life in 2010. The novel depicts a President Obomi in a country where terrorist attacks and school violence are sadly routine. Brunner also predicted an acceptance of gays, satellite TV and electric cars.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>So what will the authors of today anticipate? Only time will tell.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/pop/14418/when-science-fiction-becomes-reality-writers-predictions-that-came-true","authors":["3218"],"categories":["pop_1548"],"tags":["pop_274","pop_648"],"featImg":"pop_16395","label":"pop"},"pop_14138":{"type":"posts","id":"pop_14138","meta":{"index":"posts_1591205157","site":"pop","id":"14138","score":null,"sort":[1416578445000]},"guestAuthors":[],"slug":"from-interstellar-to-world-war-z-how-much-does-scientific-accuracy-matter","title":"From Interstellar to World War Z: How Much Does Scientific Accuracy Matter?","publishDate":1416578445,"format":"standard","headTitle":"KQED Pop | KQED Arts","labelTerm":{"site":"pop"},"content":"\u003cp>Maybe it started with \u003ca href=\"http://en.wikipedia.org/wiki/Jaws_%28film%29\">\u003cem>Jaws\u003c/em>\u003c/a>.\u003c/p>\n\u003cp>Released in 1975, \u003cem>Jaws\u003c/em> was Stephen Spielberg’s breakout feature, and it’s widely regarded as creating the summer blockbuster model. It made a lot of money, it’s excellently structured, and it’s an efficient machine of repeatable dialogue (\"We’re gonna need a bigger boat.\" \"That’s some bad hat, Harry.\" \"Here’s to swimmin’ with bow-legged women.\" \"\u003ca href=\"http://youtu.be/_oFl_2p_LHU?t=29s\">Smile, you son of a -- EXPLOSION\u003c/a>.\").\u003c/p>\n\u003cp>But the most enduring legacy of \u003cem>Jaws\u003c/em> is the Spielbergian trope of marrying family drama -- most often the husband/father who wants to protect or reunite with his kids -- with sci-fi adventure. \"I have to save the world\" is a hard thing to grasp. But \"I made a promise to my daughter\"? That’s a feeling you can understand.\u003c/p>\n\u003cp>Much of the initial conversation about \u003ca href=\"http://en.wikipedia.org/wiki/Interstellar_%28film%29\">\u003cem>Interstellar\u003c/em>\u003c/a> has focused on: Is it good science, or bad science? Real-life conversations don’t sound like they do in most movies, real-life humans don’t \u003cem>look\u003c/em> like they do in most movies, so why is there a “___________ is bad science” headline whenever a movie like \u003cem>Interstellar \u003c/em>comes out?\u003c/p>\n\u003cp>http://youtu.be/Rt2LHkSwdPQ?t=1m15s\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>(Before we go any further, be warned there are spoilers below. Casual spoilers for \u003cem>Interstellar, Contagion, World War Z, \u003c/em>and for \u003cem>Back to the Future\u003c/em>. I respect your time. It can be hard to get to the movies, but sometimes you have to just say a thing in order to talk about a thing.)\u003c/p>\n\u003cp>\u003cem>Interstellar’s \u003c/em>director is Christopher Nolan, best known for \u003ca href=\"http://amzn.com/B009JBZH54\">the Dark Knight trilogy\u003c/a>. He also wrote and directed \u003ca href=\"https://en.wikipedia.org/wiki/Inception\">\u003cem>Inception\u003c/em>\u003c/a> in 2010, which is about the decidedly non-scientific idea of stepping into someone else’s dream. But discussing “\u003ca href=\"http://www.wired.com/2014/11/metaphysics-of-interstellar/\">The Metaphysics of \u003cem>Interstellar\u003c/em>\u003c/a>” with \u003cem>\u003ca href=\"http://wired.com\">Wired\u003c/a>\u003c/em>, Nolan said “\u003cem>Inception\u003c/em> had a lot of science in it: A rigid set of rules, mathematical and geometrical in their nature, define that script. That took a very long time to work out. They’re not real science, but they have that quality. You always have to cheat in cinematic narrative, but you try to do it as little as possible and in a way that doesn’t violate the pact with the audience. In \u003cem>Inception,\u003c/em> the geometry’s pretty solid.”\u003c/p>\n\u003cp>Which is to say, \u003cem>Inception\u003c/em> establishes the laws of its fake science, and it abides by them. A rigid set of rules.\u003c/p>\n\u003cp>There are two recent science fiction movies that have similar premises that explore science (and relationships) in different ways: \u003ca href=\"http://en.wikipedia.org/wiki/Contagion_%28film%29\">\u003cem>Contagion\u003c/em>\u003c/a> (released in 2011, directed by Steven Soderbergh and written by Scott Z. Burns) and \u003ca href=\"http://en.wikipedia.org/wiki/World_War_Z_%28film%29\">\u003cem>World War Z\u003c/em>\u003c/a> (released in 2013, directed by Marc Forster, written by … well, written by a whole lot of people, frankly, and based on the book by Max Brooks).\u003c/p>\n\u003cp>\u003cem>Contagion’s\u003c/em> trailer begins with relationships, and then it starts to look like an action-thriller. And I call it science fiction because, in the simplest sense, it is. Not to go all term paper on you, but Webster’s says sci-fi is a story “\u003ca href=\"http://www.merriam-webster.com/dictionary/science+fiction\">about how people and societies are affected by imaginary scientific developments in the future\u003c/a>.” \u003cem>Contagion\u003c/em> is a day-after-tomorrow kind of future, but a 21\u003csup>st\u003c/sup> century global pandemic remains (thankfully) science fiction.\u003c/p>\n\u003cp>http://youtu.be/4sYSyuuLk5g\u003c/p>\n\u003cp>\u003cem>World War Z’s \u003c/em>trailer plays out similarly, with a family in their SUV playing 20 questions (and Brad Pitt is there playing himself? Because what other dad has hair like that), but it quickly turns into…\u003c/p>\n\u003cp>http://youtu.be/HcwTxRuq-uk\u003c/p>\n\u003cp>…yup, an action-thriller. Both \u003cem>Contagion\u003c/em> and \u003cem>World War Z\u003c/em> are movies about global pandemics and a virus spread through basic human contact. \u003cem>WWZ’s\u003c/em> virus is anthropomorphized as actual zombies coming to get you, but the social unrest that ensues is similar. Governments go into lockdown and teams of scientists race to find a cure or a vaccine.\u003c/p>\n\u003cp>But the science of the movies are very different. \u003cem>WWZ’s \u003c/em>zombie virus transforms victims in twelve seconds exactly, and late in the film our heroes discover that an injectable vaccine-of-sorts will trick the zombies into thinking you’re already infected, making them ignore you. The question of how the zombies -- or more specifically, the virus that has taken over the human bodies -- can tell if someone has been infected or not is unclear.\u003c/p>\n\u003cp>http://youtu.be/vt2HfDqiuWM\u003c/p>\n\u003cp>There’s a lot of sniffing. A little minor jaw snapping. There is not a lot of expository dialogue, except for the incredibly unhelpful, “He just walked right past him!” Over at \u003ca href=\"http://www.vulture.com/\">Vulture\u003c/a>, biophysicist and post-doctoral fellow Scott Forth \u003ca href=\"http://www.vulture.com/2013/06/biophysicist-assesses-world-war-z.html\">offers a quick fact-checking of the science of \u003cem>World War Z\u003c/em>\u003c/a>\u003cem>,\u003c/em> saying, “It’s completely unclear how they are able to sense an individual that is infected with some sort of illness. Smell? We see the zombie sniffing intensely at Brad Pitt, but the human olfactory system isn’t terribly sensitive. Maybe the zombies have rapidly developed super-smell abilities? Any other form of sensing the presence of infected prey, unless they just kind of know it preternaturally or something, would require methods we're not currently aware of.”\u003c/p>\n\u003cp>The science of \u003cem>Contagion\u003c/em> got a warmer reception because it was closer to actual science. Yes, there is a scene where a researcher tries out a potential vaccine on herself, but the context is very different, and the film itself is concerned with how actual viruses travel the globe, how they are found and researched by the scientific community, and how the scientific process is the best (and maybe only) hope for stopping a future pandemic. \u003ca href=\"http://www.theguardian.com/science/2011/oct/22/contagion-film-truth-viral-pandemic\">Screenwriter Burns worked with Dr. Ian Lipkin\u003c/a>, a professor of epidemiology, neurology, and pathology, to consider how that process could contribute to plot, as opposed to how an action/adventure plot might work a little science into it.\u003c/p>\n\u003cp>http://youtu.be/GibtO8lMTnU\u003c/p>\n\u003cp>\u003cem>Contagion\u003c/em> isn’t very action-based at all, but boy, it is absolutely terrifying. Every hand that lingers on a metal surface transferring possible germs, every cough and sneeze, is scarier than any of the snorting zombies chasing Brad Pitt.\u003c/p>\n\u003cp>How each movie treats relationships is different too. In \u003cem>WWZ\u003c/em>, the only relationship that really matters is between Brad Pitt and his family -- he, too, promises to return to them -- and solving the worldwide zombie war is simply the thing he has to do before getting back to his wife and kids. There are plenty of other characters in the movie, including a young soldier who plays the role of surrogate daughter for the movie’s middle act (\u003ca href=\"http://i.imgur.com/wN9Obkx.png\">also \u003cem>Doctor Who’s\u003c/em> Peter Capaldi, playing a W.H.O. Doctor … !\u003c/a>), but they barely have names, much less motivations beyond \u003cem>don’t become a zombie. \u003c/em>The stakes are high in \u003cem>Contagion, \u003c/em>but, with fully realized characters like these, it would be just as interesting to watch what happens to them one year (or one decade) before or after the virus spreads.\u003c/p>\n\u003cfigure id=\"attachment_14139\" class=\"wp-caption alignright\" style=\"max-width: 400px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/11/02_interstellar.jpeg\">\u003cimg class=\"size-thumbnail wp-image-14139\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/11/02_interstellar-400x266.jpeg\" alt=\"Photo: Paramount Pictures\" width=\"400\" height=\"266\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/11/02_interstellar-400x266.jpeg 400w, https://ww2.kqed.org/app/uploads/sites/12/2014/11/02_interstellar-800x533.jpeg 800w, https://ww2.kqed.org/app/uploads/sites/12/2014/11/02_interstellar-1440x960.jpeg 1440w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: Paramount Pictures\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cem>Interstellar\u003c/em> comes from a similar place. Theoretical physicist \u003ca href=\"http://www.its.caltech.edu/~kip/\">Kip Thorne\u003c/a> has been interviewed and mentioned nearly as much as Christopher Nolan and co-screenwriter Jonathan Nolan when it comes to the movie, and with good reason. As Dr. Lipkin helped shape \u003cem>Contagion\u003c/em>, so did Dr. Thorne help shape \u003cem>Interstellar\u003c/em>, if not moreso. Thorne worked with Jonathan Nolan on the screenplay for several years before Christopher came on to direct, and he was on set to discuss the science with actors Matthew McConaughey, Anne Hathaway, and Michael Caine.\u003c/p>\n\u003cp>In the same \u003cem>Wired\u003c/em> article mentioned above, Christopher Nolan related that his brother “says that through working with Kip, he finally grasped relativity for a couple of weeks, and then the writers’ strike happened and he had to stop writing, and it was gone. I know exactly what he means. It’s like a little window opening up. That’s why the relationship between storytelling and the scientific method fascinates me. It wasn’t really about an intellectual understanding. It was a feeling of grasping something.”\u003c/p>\n\u003cp>\u003cem>A feeling of grasping something\u003c/em>. That’s what it is. Good science -- operating within the realm of what we understand, consistent logic and rules -- engaging relationships, good storytelling. More than convey truth or an accurate understanding of physics, good science allows the audience to feel like they’ve grasped something, even if it slips away after. \u003cem>Jaws\u003c/em> isn’t great because sharks are terrifying. \u003cem>Jaws \u003c/em>is great because sometimes you’re out in the ocean before you realize, \u003cem>We’re gonna need a bigger boat.\u003c/em>\u003c/p>\n\u003cp>Cooper tries to tell himself to stay both early and late in \u003cem>Interstellar’s\u003c/em> story, and it’s consistent with how the movie presents time travel. \u003ca href=\"http://youtu.be/waojxR20oRk?t=41s\">When Marty McFly starts to fade away in \u003cem>Back to the Future\u003c/em>\u003c/a>, it’s not good science -- not even in a time travel movie. But the moment when George dances with Lorraine and Marty springs back to existence? That’s \u003cem>a feeling of grasping something\u003c/em>.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>Grasping a feeling is hard to quantify or explain with science. But when it’s done right, you know it. That’s why they call it movie magic.\u003c/p>\n\n","blocks":[],"excerpt":"We take a look at how accurate the science in Interstellar, Contagion, and World War Z is, and how much it matters.","status":"publish","parent":0,"modified":1421195360,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":23,"wordCount":1584},"headData":{"title":"From Interstellar to World War Z: How Much Does Scientific Accuracy Matter? | KQED","description":"We take a look at how accurate the science in Interstellar, Contagion, and World War Z is, and how much it matters.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"From Interstellar to World War Z: How Much Does Scientific Accuracy Matter?","datePublished":"2014-11-21T14:00:45.000Z","dateModified":"2015-01-14T00:29:20.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"disqusIdentifier":"14138 http://ww2.kqed.org/pop/?p=14138","disqusUrl":"https://ww2.kqed.org/pop/2014/11/21/from-interstellar-to-world-war-z-how-much-does-scientific-accuracy-matter/","disqusTitle":"From Interstellar to World War Z: How Much Does Scientific Accuracy Matter?","customPermalink":"from-interstellar-to-world-war-z-how-much-does-scientific-accuracy-matter-science","path":"/pop/14138/from-interstellar-to-world-war-z-how-much-does-scientific-accuracy-matter","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Maybe it started with \u003ca href=\"http://en.wikipedia.org/wiki/Jaws_%28film%29\">\u003cem>Jaws\u003c/em>\u003c/a>.\u003c/p>\n\u003cp>Released in 1975, \u003cem>Jaws\u003c/em> was Stephen Spielberg’s breakout feature, and it’s widely regarded as creating the summer blockbuster model. It made a lot of money, it’s excellently structured, and it’s an efficient machine of repeatable dialogue (\"We’re gonna need a bigger boat.\" \"That’s some bad hat, Harry.\" \"Here’s to swimmin’ with bow-legged women.\" \"\u003ca href=\"http://youtu.be/_oFl_2p_LHU?t=29s\">Smile, you son of a -- EXPLOSION\u003c/a>.\").\u003c/p>\n\u003cp>But the most enduring legacy of \u003cem>Jaws\u003c/em> is the Spielbergian trope of marrying family drama -- most often the husband/father who wants to protect or reunite with his kids -- with sci-fi adventure. \"I have to save the world\" is a hard thing to grasp. But \"I made a promise to my daughter\"? That’s a feeling you can understand.\u003c/p>\n\u003cp>Much of the initial conversation about \u003ca href=\"http://en.wikipedia.org/wiki/Interstellar_%28film%29\">\u003cem>Interstellar\u003c/em>\u003c/a> has focused on: Is it good science, or bad science? Real-life conversations don’t sound like they do in most movies, real-life humans don’t \u003cem>look\u003c/em> like they do in most movies, so why is there a “___________ is bad science” headline whenever a movie like \u003cem>Interstellar \u003c/em>comes out?\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/Rt2LHkSwdPQ'\n title='//www.youtube.com/embed/Rt2LHkSwdPQ'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>(Before we go any further, be warned there are spoilers below. Casual spoilers for \u003cem>Interstellar, Contagion, World War Z, \u003c/em>and for \u003cem>Back to the Future\u003c/em>. I respect your time. It can be hard to get to the movies, but sometimes you have to just say a thing in order to talk about a thing.)\u003c/p>\n\u003cp>\u003cem>Interstellar’s \u003c/em>director is Christopher Nolan, best known for \u003ca href=\"http://amzn.com/B009JBZH54\">the Dark Knight trilogy\u003c/a>. He also wrote and directed \u003ca href=\"https://en.wikipedia.org/wiki/Inception\">\u003cem>Inception\u003c/em>\u003c/a> in 2010, which is about the decidedly non-scientific idea of stepping into someone else’s dream. But discussing “\u003ca href=\"http://www.wired.com/2014/11/metaphysics-of-interstellar/\">The Metaphysics of \u003cem>Interstellar\u003c/em>\u003c/a>” with \u003cem>\u003ca href=\"http://wired.com\">Wired\u003c/a>\u003c/em>, Nolan said “\u003cem>Inception\u003c/em> had a lot of science in it: A rigid set of rules, mathematical and geometrical in their nature, define that script. That took a very long time to work out. They’re not real science, but they have that quality. You always have to cheat in cinematic narrative, but you try to do it as little as possible and in a way that doesn’t violate the pact with the audience. In \u003cem>Inception,\u003c/em> the geometry’s pretty solid.”\u003c/p>\n\u003cp>Which is to say, \u003cem>Inception\u003c/em> establishes the laws of its fake science, and it abides by them. A rigid set of rules.\u003c/p>\n\u003cp>There are two recent science fiction movies that have similar premises that explore science (and relationships) in different ways: \u003ca href=\"http://en.wikipedia.org/wiki/Contagion_%28film%29\">\u003cem>Contagion\u003c/em>\u003c/a> (released in 2011, directed by Steven Soderbergh and written by Scott Z. Burns) and \u003ca href=\"http://en.wikipedia.org/wiki/World_War_Z_%28film%29\">\u003cem>World War Z\u003c/em>\u003c/a> (released in 2013, directed by Marc Forster, written by … well, written by a whole lot of people, frankly, and based on the book by Max Brooks).\u003c/p>\n\u003cp>\u003cem>Contagion’s\u003c/em> trailer begins with relationships, and then it starts to look like an action-thriller. And I call it science fiction because, in the simplest sense, it is. Not to go all term paper on you, but Webster’s says sci-fi is a story “\u003ca href=\"http://www.merriam-webster.com/dictionary/science+fiction\">about how people and societies are affected by imaginary scientific developments in the future\u003c/a>.” \u003cem>Contagion\u003c/em> is a day-after-tomorrow kind of future, but a 21\u003csup>st\u003c/sup> century global pandemic remains (thankfully) science fiction.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/4sYSyuuLk5g'\n title='//www.youtube.com/embed/4sYSyuuLk5g'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cem>World War Z’s \u003c/em>trailer plays out similarly, with a family in their SUV playing 20 questions (and Brad Pitt is there playing himself? Because what other dad has hair like that), but it quickly turns into…\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/HcwTxRuq-uk'\n title='//www.youtube.com/embed/HcwTxRuq-uk'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>…yup, an action-thriller. Both \u003cem>Contagion\u003c/em> and \u003cem>World War Z\u003c/em> are movies about global pandemics and a virus spread through basic human contact. \u003cem>WWZ’s\u003c/em> virus is anthropomorphized as actual zombies coming to get you, but the social unrest that ensues is similar. Governments go into lockdown and teams of scientists race to find a cure or a vaccine.\u003c/p>\n\u003cp>But the science of the movies are very different. \u003cem>WWZ’s \u003c/em>zombie virus transforms victims in twelve seconds exactly, and late in the film our heroes discover that an injectable vaccine-of-sorts will trick the zombies into thinking you’re already infected, making them ignore you. The question of how the zombies -- or more specifically, the virus that has taken over the human bodies -- can tell if someone has been infected or not is unclear.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/vt2HfDqiuWM'\n title='//www.youtube.com/embed/vt2HfDqiuWM'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>There’s a lot of sniffing. A little minor jaw snapping. There is not a lot of expository dialogue, except for the incredibly unhelpful, “He just walked right past him!” Over at \u003ca href=\"http://www.vulture.com/\">Vulture\u003c/a>, biophysicist and post-doctoral fellow Scott Forth \u003ca href=\"http://www.vulture.com/2013/06/biophysicist-assesses-world-war-z.html\">offers a quick fact-checking of the science of \u003cem>World War Z\u003c/em>\u003c/a>\u003cem>,\u003c/em> saying, “It’s completely unclear how they are able to sense an individual that is infected with some sort of illness. Smell? We see the zombie sniffing intensely at Brad Pitt, but the human olfactory system isn’t terribly sensitive. Maybe the zombies have rapidly developed super-smell abilities? Any other form of sensing the presence of infected prey, unless they just kind of know it preternaturally or something, would require methods we're not currently aware of.”\u003c/p>\n\u003cp>The science of \u003cem>Contagion\u003c/em> got a warmer reception because it was closer to actual science. Yes, there is a scene where a researcher tries out a potential vaccine on herself, but the context is very different, and the film itself is concerned with how actual viruses travel the globe, how they are found and researched by the scientific community, and how the scientific process is the best (and maybe only) hope for stopping a future pandemic. \u003ca href=\"http://www.theguardian.com/science/2011/oct/22/contagion-film-truth-viral-pandemic\">Screenwriter Burns worked with Dr. Ian Lipkin\u003c/a>, a professor of epidemiology, neurology, and pathology, to consider how that process could contribute to plot, as opposed to how an action/adventure plot might work a little science into it.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/GibtO8lMTnU'\n title='//www.youtube.com/embed/GibtO8lMTnU'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003cem>Contagion\u003c/em> isn’t very action-based at all, but boy, it is absolutely terrifying. Every hand that lingers on a metal surface transferring possible germs, every cough and sneeze, is scarier than any of the snorting zombies chasing Brad Pitt.\u003c/p>\n\u003cp>How each movie treats relationships is different too. In \u003cem>WWZ\u003c/em>, the only relationship that really matters is between Brad Pitt and his family -- he, too, promises to return to them -- and solving the worldwide zombie war is simply the thing he has to do before getting back to his wife and kids. There are plenty of other characters in the movie, including a young soldier who plays the role of surrogate daughter for the movie’s middle act (\u003ca href=\"http://i.imgur.com/wN9Obkx.png\">also \u003cem>Doctor Who’s\u003c/em> Peter Capaldi, playing a W.H.O. Doctor … !\u003c/a>), but they barely have names, much less motivations beyond \u003cem>don’t become a zombie. \u003c/em>The stakes are high in \u003cem>Contagion, \u003c/em>but, with fully realized characters like these, it would be just as interesting to watch what happens to them one year (or one decade) before or after the virus spreads.\u003c/p>\n\u003cfigure id=\"attachment_14139\" class=\"wp-caption alignright\" style=\"max-width: 400px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/11/02_interstellar.jpeg\">\u003cimg class=\"size-thumbnail wp-image-14139\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/11/02_interstellar-400x266.jpeg\" alt=\"Photo: Paramount Pictures\" width=\"400\" height=\"266\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/11/02_interstellar-400x266.jpeg 400w, https://ww2.kqed.org/app/uploads/sites/12/2014/11/02_interstellar-800x533.jpeg 800w, https://ww2.kqed.org/app/uploads/sites/12/2014/11/02_interstellar-1440x960.jpeg 1440w\" sizes=\"(max-width: 400px) 100vw, 400px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: Paramount Pictures\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cem>Interstellar\u003c/em> comes from a similar place. Theoretical physicist \u003ca href=\"http://www.its.caltech.edu/~kip/\">Kip Thorne\u003c/a> has been interviewed and mentioned nearly as much as Christopher Nolan and co-screenwriter Jonathan Nolan when it comes to the movie, and with good reason. As Dr. Lipkin helped shape \u003cem>Contagion\u003c/em>, so did Dr. Thorne help shape \u003cem>Interstellar\u003c/em>, if not moreso. Thorne worked with Jonathan Nolan on the screenplay for several years before Christopher came on to direct, and he was on set to discuss the science with actors Matthew McConaughey, Anne Hathaway, and Michael Caine.\u003c/p>\n\u003cp>In the same \u003cem>Wired\u003c/em> article mentioned above, Christopher Nolan related that his brother “says that through working with Kip, he finally grasped relativity for a couple of weeks, and then the writers’ strike happened and he had to stop writing, and it was gone. I know exactly what he means. It’s like a little window opening up. That’s why the relationship between storytelling and the scientific method fascinates me. It wasn’t really about an intellectual understanding. It was a feeling of grasping something.”\u003c/p>\n\u003cp>\u003cem>A feeling of grasping something\u003c/em>. That’s what it is. Good science -- operating within the realm of what we understand, consistent logic and rules -- engaging relationships, good storytelling. More than convey truth or an accurate understanding of physics, good science allows the audience to feel like they’ve grasped something, even if it slips away after. \u003cem>Jaws\u003c/em> isn’t great because sharks are terrifying. \u003cem>Jaws \u003c/em>is great because sometimes you’re out in the ocean before you realize, \u003cem>We’re gonna need a bigger boat.\u003c/em>\u003c/p>\n\u003cp>Cooper tries to tell himself to stay both early and late in \u003cem>Interstellar’s\u003c/em> story, and it’s consistent with how the movie presents time travel. \u003ca href=\"http://youtu.be/waojxR20oRk?t=41s\">When Marty McFly starts to fade away in \u003cem>Back to the Future\u003c/em>\u003c/a>, it’s not good science -- not even in a time travel movie. But the moment when George dances with Lorraine and Marty springs back to existence? That’s \u003cem>a feeling of grasping something\u003c/em>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Grasping a feeling is hard to quantify or explain with science. But when it’s done right, you know it. That’s why they call it movie magic.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/pop/14138/from-interstellar-to-world-war-z-how-much-does-scientific-accuracy-matter","authors":["3228"],"categories":["pop_51"],"tags":["pop_2708","pop_385","pop_274","pop_648"],"featImg":"pop_14143","label":"pop"},"pop_7365":{"type":"posts","id":"pop_7365","meta":{"index":"posts_1591205157","site":"pop","id":"7365","score":null,"sort":[1375898451000]},"guestAuthors":[],"slug":"why-you-should-care-about-the-new-cosmos","title":"Why You Should Care About the New Cosmos","publishDate":1375898451,"format":"aside","headTitle":"KQED Pop | KQED Arts","labelTerm":{"site":"pop"},"content":"\u003ch4>Post by contributor Ninna Gaensler-Debs\u003c/h4>\n\u003cp>Maybe you didn't watch public television in the '80s. And maybe you're not wildly curious about all of the complex machineries of the universe. But chances are you’ve probably heard of Carl Sagan's 13 episode journey through space and time entitled \u003cem>Cosmos: A Personal Voyage\u003c/em>. Since its production in 1978, \u003cem>Cosmos \u003c/em>has been broadcast in more than 60 countries and viewed by at least 500 million people. And now, thanks to Seth MacFarlane (of all people!), the series is getting rebooted with a new host: the stupendous Neil deGrasse Tyson. Fox released the trailer last week, and the show is set to premiere in 2014.\u003c/p>\n\u003cdiv class=\"single-video\">\u003ciframe src=\"//www.youtube.com/embed/NeVCR1qfMaU\" frameborder=\"0\" width=\"560\" height=\"315\">\u003c/iframe>\u003c/div>\n\u003cp>If you weren’t one of those 500 million viewers, let me give you a quick overview of the original \u003cem>Cosmos\u003c/em> series, starting with the host. Carl Sagan was a brilliant astronomer, astrophysicist and cosmologist. His best-known scientific contributions are his discoveries about the physical properties of other planets, and his extensive research on extraterrestrial life. Sagan also penned such best-selling books as \u003cem>Dragons of Eden\u003c/em> and \u003cem>Planets\u003c/em>, you know, in all his spare time. \u003cem>Cosmos\u003c/em> covered a wide range of material from the origin of the universe to the inner workings of the human brain. The show is chiefly adored for Sagan’s unending passion and eloquent illuminations of all things scientific. Quoth Sagan, “For me, it is far better to grasp the Universe as it really is than to persist in delusion, however satisfying and reassuring.”\u003c/p>\n\u003cp>So here’s the part where I tell you why you must watch the new \u003cem>Cosmos\u003c/em>.\u003c/p>\n\u003cp>\u003cstrong>\u003cem>1. You’ll learn something\u003c/em>\u003c/strong>\u003cstrong>. \u003c/strong>The best part of Sagan’s \u003cem>Cosmos\u003c/em> was that even hopelessly unscientific folks could appreciate the concepts he illustrated. If you’ve ever heard Neil deGrasse Tyson talk about anything, you’ll know that he is a) smart as hell and b) charming and understandable -- essential qualities for explaining complicated science to those of us without PhD's in astrophysics.\u003c/p>\n\u003cp>\u003cstrong>\u003cem>2. It’s being produced by good people. \u003c/em>\u003c/strong>Carl Sagan’s widow Ann Druyan helped produce the former \u003cem>Cosmos\u003c/em>, and there’s every reason to believe she’ll do a wonderful job with its descendant -- particularly because this time, she has more resources. Her co-producer, Seth MacFarlane, is the reason she got those resources, but is also the reason many are skeptical about the new \u003cem>Cosmos\u003c/em>. While I’m not MacFarlane’s biggest fan (please kindly do not ever host an awards ceremony again, sir), his dedication to the project is impressive, and he clearly reveres Sagan. It was MacFarlane who provided funding for the donation of much of Carl Sagan’s personal writing to the Library of Congress. Apparently, Seth’s a space nerd.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cstrong>\u003cem>3. This Cosmos will have modern animation and special effects\u003c/em>\u003c/strong>\u003cstrong>. \u003c/strong>At first, I was skeptical about the decision to incorporate cartoon representations of history, but then I realized that the right animations decrease the likelihood of awkward over-dramatized historical re-enactments. Computer graphics lacking taste (this will air on Fox, after all) would weaken the content of the show. However, as we established in the 1\u003csup>st\u003c/sup> point, the show is in good hands. And let’s face it people, space on TV is best done with hurtling objects and (tasteful) big explosions.\u003c/p>\n\u003cp>\u003cstrong>\u003cem>4. Neil deGrasse Tyson is a genius.\u003c/em>\u003c/strong> I really really think you would be hard pressed to find anybody in this world smarter than this man. In fact, when Carl Sagan discovered that Tyson had applied to Cornell for his undergraduate degree, Sagan began an aggressive campaign to convince Tyson to attend the university. Ultimately, Tyson chose to attend Harvard, and then went on to become one of the most respected and renowned scientists in the world. But now that he’s hosting \u003cem>Cosmos\u003c/em>, I think we can probably call it square.\u003c/p>\n\u003cp>\u003cstrong>\u003cem>5. Neil deGrasse Tyson is a champion ballroom dancer. \u003c/em>\u003c/strong>Without having done sufficient research to make this claim, I will tell you there are very few, if any, scientists who have won gold at a Latin Ballroom competition. Ladies and gentleman, this dude can \u003cem>dance\u003c/em>. See proof below:\u003c/p>\n\u003cdiv class=\"single-video\">\u003ciframe src=\"//www.youtube.com/embed/6vdLM5gMJN0\" frameborder=\"0\" width=\"420\" height=\"315\">\u003c/iframe>\u003c/div>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong>\u003cem>6. This is an important reminder that financing science is important.\u003c/em>\u003c/strong>\u003cstrong> \u003c/strong>Not to get on my soapbox (but I’m gonna get on my soapbox): shows like \u003cem>Cosmos\u003c/em> really demonstrate, in an entertaining and digestible format, why scientific exploration and discovery are so very important. One of Tyson’s biggest concerns is dwindling financial support for NASA (currently its funding only accounts for 0.48% of the national budget). Science funding is universally in a state of crisis right now; from cancer research to studies on Amazonian tree frogs’ reproductive habits when fed a strict diet of Four Loko (fine, I made that one up). But seriously: science is important. As Sagan once said, “somewhere, something incredible is waiting to be known.”\u003c/p>\n\n","blocks":[],"excerpt":"Carl Sagan's Cosmos is being rebooted with a new host, brilliant astrophysicist Neil deGrasse Tyson. Here's why you should care.","status":"publish","parent":0,"modified":1382053868,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":11,"wordCount":843},"headData":{"title":"Why You Should Care About the New Cosmos | KQED","description":"Carl Sagan's Cosmos is being rebooted with a new host, brilliant astrophysicist Neil deGrasse Tyson. Here's why you should care.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Why You Should Care About the New Cosmos","datePublished":"2013-08-07T18:00:51.000Z","dateModified":"2013-10-17T23:51:08.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"disqusIdentifier":"7365 http://blogs.kqed.org/pop/?p=7365","disqusUrl":"https://ww2.kqed.org/pop/2013/08/07/why-you-should-care-about-the-new-cosmos/","disqusTitle":"Why You Should Care About the New Cosmos","path":"/pop/7365/why-you-should-care-about-the-new-cosmos","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003ch4>Post by contributor Ninna Gaensler-Debs\u003c/h4>\n\u003cp>Maybe you didn't watch public television in the '80s. And maybe you're not wildly curious about all of the complex machineries of the universe. But chances are you’ve probably heard of Carl Sagan's 13 episode journey through space and time entitled \u003cem>Cosmos: A Personal Voyage\u003c/em>. Since its production in 1978, \u003cem>Cosmos \u003c/em>has been broadcast in more than 60 countries and viewed by at least 500 million people. And now, thanks to Seth MacFarlane (of all people!), the series is getting rebooted with a new host: the stupendous Neil deGrasse Tyson. Fox released the trailer last week, and the show is set to premiere in 2014.\u003c/p>\n\u003cdiv class=\"single-video\">\u003ciframe src=\"//www.youtube.com/embed/NeVCR1qfMaU\" frameborder=\"0\" width=\"560\" height=\"315\">\u003c/iframe>\u003c/div>\n\u003cp>If you weren’t one of those 500 million viewers, let me give you a quick overview of the original \u003cem>Cosmos\u003c/em> series, starting with the host. Carl Sagan was a brilliant astronomer, astrophysicist and cosmologist. His best-known scientific contributions are his discoveries about the physical properties of other planets, and his extensive research on extraterrestrial life. Sagan also penned such best-selling books as \u003cem>Dragons of Eden\u003c/em> and \u003cem>Planets\u003c/em>, you know, in all his spare time. \u003cem>Cosmos\u003c/em> covered a wide range of material from the origin of the universe to the inner workings of the human brain. The show is chiefly adored for Sagan’s unending passion and eloquent illuminations of all things scientific. Quoth Sagan, “For me, it is far better to grasp the Universe as it really is than to persist in delusion, however satisfying and reassuring.”\u003c/p>\n\u003cp>So here’s the part where I tell you why you must watch the new \u003cem>Cosmos\u003c/em>.\u003c/p>\n\u003cp>\u003cstrong>\u003cem>1. You’ll learn something\u003c/em>\u003c/strong>\u003cstrong>. \u003c/strong>The best part of Sagan’s \u003cem>Cosmos\u003c/em> was that even hopelessly unscientific folks could appreciate the concepts he illustrated. If you’ve ever heard Neil deGrasse Tyson talk about anything, you’ll know that he is a) smart as hell and b) charming and understandable -- essential qualities for explaining complicated science to those of us without PhD's in astrophysics.\u003c/p>\n\u003cp>\u003cstrong>\u003cem>2. It’s being produced by good people. \u003c/em>\u003c/strong>Carl Sagan’s widow Ann Druyan helped produce the former \u003cem>Cosmos\u003c/em>, and there’s every reason to believe she’ll do a wonderful job with its descendant -- particularly because this time, she has more resources. Her co-producer, Seth MacFarlane, is the reason she got those resources, but is also the reason many are skeptical about the new \u003cem>Cosmos\u003c/em>. While I’m not MacFarlane’s biggest fan (please kindly do not ever host an awards ceremony again, sir), his dedication to the project is impressive, and he clearly reveres Sagan. It was MacFarlane who provided funding for the donation of much of Carl Sagan’s personal writing to the Library of Congress. Apparently, Seth’s a space nerd.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>\u003cem>3. This Cosmos will have modern animation and special effects\u003c/em>\u003c/strong>\u003cstrong>. \u003c/strong>At first, I was skeptical about the decision to incorporate cartoon representations of history, but then I realized that the right animations decrease the likelihood of awkward over-dramatized historical re-enactments. Computer graphics lacking taste (this will air on Fox, after all) would weaken the content of the show. However, as we established in the 1\u003csup>st\u003c/sup> point, the show is in good hands. And let’s face it people, space on TV is best done with hurtling objects and (tasteful) big explosions.\u003c/p>\n\u003cp>\u003cstrong>\u003cem>4. Neil deGrasse Tyson is a genius.\u003c/em>\u003c/strong> I really really think you would be hard pressed to find anybody in this world smarter than this man. In fact, when Carl Sagan discovered that Tyson had applied to Cornell for his undergraduate degree, Sagan began an aggressive campaign to convince Tyson to attend the university. Ultimately, Tyson chose to attend Harvard, and then went on to become one of the most respected and renowned scientists in the world. But now that he’s hosting \u003cem>Cosmos\u003c/em>, I think we can probably call it square.\u003c/p>\n\u003cp>\u003cstrong>\u003cem>5. Neil deGrasse Tyson is a champion ballroom dancer. \u003c/em>\u003c/strong>Without having done sufficient research to make this claim, I will tell you there are very few, if any, scientists who have won gold at a Latin Ballroom competition. Ladies and gentleman, this dude can \u003cem>dance\u003c/em>. See proof below:\u003c/p>\n\u003cdiv class=\"single-video\">\u003ciframe src=\"//www.youtube.com/embed/6vdLM5gMJN0\" frameborder=\"0\" width=\"420\" height=\"315\">\u003c/iframe>\u003c/div>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong>\u003cem>6. This is an important reminder that financing science is important.\u003c/em>\u003c/strong>\u003cstrong> \u003c/strong>Not to get on my soapbox (but I’m gonna get on my soapbox): shows like \u003cem>Cosmos\u003c/em> really demonstrate, in an entertaining and digestible format, why scientific exploration and discovery are so very important. One of Tyson’s biggest concerns is dwindling financial support for NASA (currently its funding only accounts for 0.48% of the national budget). Science funding is universally in a state of crisis right now; from cancer research to studies on Amazonian tree frogs’ reproductive habits when fed a strict diet of Four Loko (fine, I made that one up). But seriously: science is important. As Sagan once said, “somewhere, something incredible is waiting to be known.”\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/pop/7365/why-you-should-care-about-the-new-cosmos","authors":["2421"],"categories":["pop_3"],"tags":["pop_1087","pop_1086","pop_1088","pop_274","pop_1089","pop_266"],"featImg":"pop_7373","label":"pop"},"pop_2007":{"type":"posts","id":"pop_2007","meta":{"index":"posts_1591205157","site":"pop","id":"2007","score":null,"sort":[1362091371000]},"guestAuthors":[],"slug":"the-idea-channel-meteorites-and-dash-cams","title":"The Idea Channel: Meteorites and Dash Cams","publishDate":1362091371,"format":"aside","headTitle":"KQED Pop | KQED Arts","labelTerm":{"site":"pop"},"content":"\u003cp>Dash cams are making everyday people the surveilers. What does it all MEAN??\u003c/p>\n\u003cdiv class=\"single-video\">[youtube http://www.youtube.com/watch?v=Cjlb3Iu071M]\u003c/div>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n","blocks":[],"excerpt":"Dash cams are making everyday people the surveilers. What does it all MEAN??","status":"publish","parent":0,"modified":1362091371,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":3,"wordCount":25},"headData":{"title":"The Idea Channel: Meteorites and Dash Cams | KQED","description":"Dash cams are making everyday people the surveilers. What does it all MEAN??","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"The Idea Channel: Meteorites and Dash Cams","datePublished":"2013-02-28T22:42:51.000Z","dateModified":"2013-02-28T22:42:51.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"disqusIdentifier":"2007 http://blogs.kqed.org/pop/?p=2007","disqusUrl":"https://ww2.kqed.org/pop/2013/02/28/the-idea-channel-meteorites-and-dash-cams/","disqusTitle":"The Idea Channel: Meteorites and Dash Cams","path":"/pop/2007/the-idea-channel-meteorites-and-dash-cams","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Dash cams are making everyday people the surveilers. What does it all MEAN??\u003c/p>\n\u003cdiv class=\"single-video\">\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/Cjlb3Iu071M'\n title='//www.youtube.com/embed/Cjlb3Iu071M'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/div>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/pop/2007/the-idea-channel-meteorites-and-dash-cams","authors":["2130"],"categories":["pop_5"],"tags":["pop_272","pop_273","pop_274","pop_23"],"featImg":"pop_2009","label":"pop"}},"programsReducer":{"possible":{"id":"possible","title":"Possible","info":"Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. 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You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg","imageAlt":"KQED MindShift: How We Will Learn","officialWebsiteLink":"/mindshift/","meta":{"site":"news","source":"kqed","order":"2"},"link":"/podcasts/mindshift","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/mindshift-podcast/id1078765985","google":"https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5","npr":"https://www.npr.org/podcasts/464615685/mind-shift-podcast","stitcher":"https://www.stitcher.com/podcast/kqed/stories-teachers-share","spotify":"https://open.spotify.com/show/0MxSpNYZKNprFLCl7eEtyx"}},"morning-edition":{"id":"morning-edition","title":"Morning Edition","info":"\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.","airtime":"MON-FRI 3am-9am","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Morning-Edition-Podcast-Tile-360x360-1.jpg","officialWebsiteLink":"https://www.npr.org/programs/morning-edition/","meta":{"site":"news","source":"npr"},"link":"/radio/program/morning-edition"},"onourwatch":{"id":"onourwatch","title":"On Our Watch","tagline":"Police secrets, unsealed","info":"For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg","imageAlt":"On Our Watch from NPR and KQED","officialWebsiteLink":"/podcasts/onourwatch","meta":{"site":"news","source":"kqed","order":"1"},"link":"/podcasts/onourwatch","subscribe":{"apple":"https://podcasts.apple.com/podcast/id1567098962","google":"https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM2MC9wb2RjYXN0LnhtbD9zYz1nb29nbGVwb2RjYXN0cw","npr":"https://rpb3r.app.goo.gl/onourwatch","spotify":"https://open.spotify.com/show/0OLWoyizopu6tY1XiuX70x","tuneIn":"https://tunein.com/radio/On-Our-Watch-p1436229/","stitcher":"https://www.stitcher.com/show/on-our-watch","rss":"https://feeds.npr.org/510360/podcast.xml"}},"on-the-media":{"id":"on-the-media","title":"On The Media","info":"Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us","airtime":"SUN 2pm-3pm, MON 12am-1am","imageSrc":"https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/onTheMedia.png","officialWebsiteLink":"https://www.wnycstudios.org/shows/otm","meta":{"site":"news","source":"wnyc"},"link":"/radio/program/on-the-media","subscribe":{"apple":"https://itunes.apple.com/us/podcast/on-the-media/id73330715?mt=2","tuneIn":"https://tunein.com/radio/On-the-Media-p69/","rss":"http://feeds.wnyc.org/onthemedia"}},"our-body-politic":{"id":"our-body-politic","title":"Our Body Politic","info":"Presented by KQED, KCRW and KPCC, and created and hosted by award-winning journalist Farai Chideya, Our Body Politic is unapologetically centered on reporting on not just how women of color experience the major political events of today, but how they’re impacting those very issues.","airtime":"SAT 6pm-7pm, SUN 1am-2am","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Our-Body-Politic-Podcast-Tile-360x360-1.jpg","officialWebsiteLink":"https://our-body-politic.simplecast.com/","meta":{"site":"news","source":"kcrw"},"link":"/radio/program/our-body-politic","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/our-body-politic/id1533069868","google":"https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5zaW1wbGVjYXN0LmNvbS9feGFQaHMxcw","spotify":"https://open.spotify.com/show/4ApAiLT1kV153TttWAmqmc","rss":"https://feeds.simplecast.com/_xaPhs1s","tuneIn":"https://tunein.com/podcasts/News--Politics-Podcasts/Our-Body-Politic-p1369211/"}},"pbs-newshour":{"id":"pbs-newshour","title":"PBS NewsHour","info":"Analysis, background reports and updates from the PBS NewsHour putting today's news in context.","airtime":"MON-FRI 3pm-4pm","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/PBS-News-Hour-Podcast-Tile-360x360-1.jpg","officialWebsiteLink":"https://www.pbs.org/newshour/","meta":{"site":"news","source":"pbs"},"link":"/radio/program/pbs-newshour","subscribe":{"apple":"https://itunes.apple.com/us/podcast/pbs-newshour-full-show/id394432287?mt=2","tuneIn":"https://tunein.com/radio/PBS-NewsHour---Full-Show-p425698/","rss":"https://www.pbs.org/newshour/feeds/rss/podcasts/show"}},"perspectives":{"id":"perspectives","title":"Perspectives","tagline":"KQED's series of of daily listener commentaries since 1991","info":"KQED's series of of daily listener commentaries since 1991.","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Perspectives-Podcast-Tile-703x703-1.jpg","officialWebsiteLink":"/perspectives/","meta":{"site":"radio","source":"kqed","order":"15"},"link":"/perspectives","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/id73801135","npr":"https://www.npr.org/podcasts/432309616/perspectives","rss":"https://ww2.kqed.org/perspectives/category/perspectives/feed/","google":"https://podcasts.google.com/feed/aHR0cHM6Ly93dzIua3FlZC5vcmcvcGVyc3BlY3RpdmVzL2NhdGVnb3J5L3BlcnNwZWN0aXZlcy9mZWVkLw"}},"planet-money":{"id":"planet-money","title":"Planet Money","info":"The economy explained. 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