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In 2023, Rae was awarded an SPJ Excellence in Journalism Award for Arts & Culture.","avatar":"https://secure.gravatar.com/avatar/d5ef3d663d9adae1345d06932a3951de?s=600&d=blank&r=g","twitter":"raemondjjjj","facebook":null,"instagram":null,"linkedin":null,"sites":[{"site":"arts","roles":["editor"]},{"site":"news","roles":["editor"]},{"site":"pop","roles":["editor"]},{"site":"bayareabites","roles":["editor"]},{"site":"science","roles":["editor"]}],"headData":{"title":"Rae Alexandra | KQED","description":"Staff Writer","ogImgSrc":"https://secure.gravatar.com/avatar/d5ef3d663d9adae1345d06932a3951de?s=600&d=blank&r=g","twImgSrc":"https://secure.gravatar.com/avatar/d5ef3d663d9adae1345d06932a3951de?s=600&d=blank&r=g"},"isLoading":false,"link":"/author/ralexandra"}},"breakingNewsReducer":{},"campaignFinanceReducer":{},"firebase":{"requesting":{},"requested":{},"timestamps":{},"data":{},"ordered":{},"auth":{"isLoaded":false,"isEmpty":true},"authError":null,"profile":{"isLoaded":false,"isEmpty":true},"listeners":{"byId":{},"allIds":[]},"isInitializing":false,"errors":[]},"navBarReducer":{"navBarId":"arts","fullView":true,"showPlayer":false},"navMenuReducer":{"menus":[{"key":"menu1","items":[{"name":"News","link":"/","type":"title"},{"name":"Politics","link":"/politics"},{"name":"Science","link":"/science"},{"name":"Education","link":"/educationnews"},{"name":"Housing","link":"/housing"},{"name":"Immigration","link":"/immigration"},{"name":"Criminal Justice","link":"/criminaljustice"},{"name":"Silicon Valley","link":"/siliconvalley"},{"name":"Forum","link":"/forum"},{"name":"The California Report","link":"/californiareport"}]},{"key":"menu2","items":[{"name":"Arts & Culture","link":"/arts","type":"title"},{"name":"Critics’ Picks","link":"/thedolist"},{"name":"Cultural Commentary","link":"/artscommentary"},{"name":"Food & Drink","link":"/food"},{"name":"Bay Area Hip-Hop","link":"/bayareahiphop"},{"name":"Rebel Girls","link":"/rebelgirls"},{"name":"Arts Video","link":"/artsvideos"}]},{"key":"menu3","items":[{"name":"Podcasts","link":"/podcasts","type":"title"},{"name":"Bay Curious","link":"/podcasts/baycurious"},{"name":"Rightnowish","link":"/podcasts/rightnowish"},{"name":"The Bay","link":"/podcasts/thebay"},{"name":"On Our Watch","link":"/podcasts/onourwatch"},{"name":"Mindshift","link":"/podcasts/mindshift"},{"name":"Consider This","link":"/podcasts/considerthis"},{"name":"Political Breakdown","link":"/podcasts/politicalbreakdown"}]},{"key":"menu4","items":[{"name":"Live Radio","link":"/radio","type":"title"},{"name":"TV","link":"/tv","type":"title"},{"name":"Events","link":"/events","type":"title"},{"name":"For Educators","link":"/education","type":"title"},{"name":"Support KQED","link":"/support","type":"title"},{"name":"About","link":"/about","type":"title"},{"name":"Help Center","link":"https://kqed-helpcenter.kqed.org/s","type":"title"}]}]},"pagesReducer":{},"postsReducer":{"stream_live":{"type":"live","id":"stream_live","audioUrl":"https://streams.kqed.org/kqedradio","title":"Live Stream","excerpt":"Live Stream information currently unavailable.","link":"/radio","featImg":"","label":{"name":"KQED Live","link":"/"}},"stream_kqedNewscast":{"type":"posts","id":"stream_kqedNewscast","audioUrl":"https://www.kqed.org/.stream/anon/radio/RDnews/newscast.mp3?_=1","title":"KQED Newscast","featImg":"","label":{"name":"88.5 FM","link":"/"}},"pop_112955":{"type":"posts","id":"pop_112955","meta":{"index":"posts_1591205157","site":"pop","id":"112955","score":null,"sort":[1564103056000]},"guestAuthors":[],"slug":"creepy-photographers-are-a-well-documented-fashion-industry-problem","title":"Creepy Photographers Are a Well-Documented Fashion Industry Problem","publishDate":1564103056,"format":"standard","headTitle":"KQED Pop | KQED Arts","labelTerm":{"site":"pop"},"content":"\u003cp>After stories hit social media this week accusing celebrity photographer Marcus Hyde of \u003ca href=\"https://twitter.com/thedevilsoftly/status/1153201699349131264\" target=\"_blank\" rel=\"noopener\">sexual harassment\u003c/a> and \u003ca href=\"https://twitter.com/thedevilsoftly\" target=\"_blank\" rel=\"noopener\">assault\u003c/a>, one of his most famous subjects, Ariana Grande,\u003ca href=\"https://www.wmagazine.com/story/ariana-grande-marcus-hyde\" target=\"_blank\" rel=\"noopener\"> responded\u003c/a> via Instagram Stories with a message that smacked of victim-blaming.\u003c/p>\n\u003cp>The floodgates opened after 20-year-old model \u003ca href=\"https://twitter.com/thedevilsoftly\">Sunnaya Nash\u003c/a> published screenshots of Hyde pressuring her for nude photos, telling her a non-nude photoshoot would cost $2,000, and finally descending into verbal abuse when she objected. Many other young models followed suit, sharing allegations about Hyde that were either incredibly similar to Nash's or even worse.\u003c/p>\n\u003cp>Despite the horrifying details, Grande's response focused more on the models' decisions than on the alleged behavior of a man worked with. \"i hate that this is a conversation,\" her message stated, in part. \"but. please do not shoot with photographers who make you uncomfortable or make you feel like you need to take your clothing off if you don’t want to.\"\u003c/p>\n\u003cp>[pullquote size='large']Until there are real repercussions for the perpetrators, there can be no doubt that models of all genders will be left vulnerable to exploitation at the hands of creeps with cameras.[/pullquote]\u003c/p>\n\u003cp>This is not the first time a famous photographer accused of disgusting deeds has received a celebrity shrug. Many celebs don't seem to understand the gulf between how unknown models are handled on photo shoots versus how they themselves are treated. Furthermore, photographers' predatory behavior towards models has been excused as a professional hazard for decades. It doesn't help that most media outlets have been historically disinterested in exposing the problem.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>In April, designer Tom Ford declared his \"love\" for Terry Richardson, despite two decades of \u003ca href=\"https://www.marieclaire.com.au/terry-richardson-every-sexual-harassment-and-assault-allegation\" target=\"_blank\" rel=\"noopener\">sexual misconduct and assault allegations\u003c/a> against the photographer. \"I have to say that I never in my entire life saw any of that,\" Ford told \u003cem>\u003ca href=\"https://www.nytimes.com/2019/04/20/style/tom-ford-maureen-dowd.html\" target=\"_blank\" rel=\"noopener\">The New York Times\u003c/a>\u003c/em>. \"One of my assistants went out with Terry for two years and he was the kindest, gentlest person.” [aside postid='pop_112725']\u003c/p>\n\u003cp>Though \u003ca href=\"https://time.com/4995670/terry-richardson-conde-nast-vogue-gq/\" target=\"_blank\" rel=\"noopener\">Condé Nast cut ties\u003c/a> with Richardson in 2017, it took the company \u003ca href=\"https://www.thedailybeast.com/terry-richardsons-a-list-feminist-enablers-lady-gaga-beyonce-and-more\" target=\"_blank\" rel=\"noopener\">15 years\u003c/a> after the first complaint emerged about him to do so. Beyoncé, Miley Cyrus and Lady Gaga all made music videos with him in the midst of alarming rumors. Sky Ferreira even defended Richardson in a 2014 Facebook post. \"I have never felt uncomfortable with Terry,\" \u003ca href=\"https://www.facebook.com/skyferreira/posts/10152969333974115\">she wrote\u003c/a>. \"The media ... can paint any picture they want of you. They never have the full details.\"\u003c/p>\n\u003cp>By their nature, one-on-one photo shoots are ripe for exploitation. Photographers sit in the power position, directing their subjects, who are frequently younger and more physically vulnerable. The risk of exploitation increases when a successful \"name\" photographer is shooting an ambitious young person who's trying to stand out from the vast, competitive sea of other models. That power dynamic is so deeply rooted in the fashion world, it can cross over into how photographers react to misconduct allegations.\u003c/p>\n\u003cp>https://www.instagram.com/p/BzM698pAsfL/?utm_source=ig_web_copy_link\u003c/p>\n\u003cp>Where famous actors and comedians routinely apologize, the photographers accused of predation are almost always unrepentant. \u003ca href=\"https://www.nytimes.com/2018/03/03/style/sexual-harassment-in-fashion.html\" target=\"_blank\" rel=\"noopener\">Greg Kadel\u003c/a> of Victoria's Secret, and one-time \u003cem>Vogue\u003c/em> favorite \u003ca href=\"https://www.vogue.com/article/patrick-demarchelier-sexual-misconduct-allegations\" target=\"_blank\" rel=\"noopener\">Patrick Demarchelier\u003c/a>, have both publicly suggested their accusers are lying. When\u003cem> \u003ca href=\"https://www.nytimes.com/2018/01/13/style/mario-testino-bruce-weber-harassment.html?module=inline\" target=\"_blank\" rel=\"noopener\">The New York Times\u003c/a>\u003c/em> detailed sexual assault allegations from 15 male models against Bruce Weber—a photographer who has worked prominently for Calvin Klein and Abercrombie & Fitch—Weber responded with an \"absolute\" denial. After 18 male models and assistants spoke out\u003ca href=\"https://www.nytimes.com/2018/01/13/style/mario-testino-bruce-weber-harassment.html?module=inline\" target=\"_blank\" rel=\"noopener\">\u003cem> \u003c/em>\u003c/a>about alleged sexual exploitation at the hands of Mario Testino last year, the photographer responded by having his lawyers call into question the \"character and credibility\" of the men who had spoken out.\u003c/p>\n\u003cp>An industry culture where alleged bad behavior often goes unchecked creates a multitude of problems for models. Last year, in an effort to combat current conditions, one anonymously posted a Google doc of 300 names she had been warned about in the course of doing her job. She was quickly forced to take the list offline \"\u003ca href=\"https://wwd.com/business-news/business-features/next-steps-how-cure-fashions-model-scandal-1202610366/\">due to concerns over her well-being and her family’s safety\u003c/a>.\"\u003c/p>\n\u003cp>Despite individuals taking steps to get these kinds of #MeToo allegations out into the world, the mainstream press has been significantly less interested in what happens in fashion than it has been in what happens in the film and TV industry. [aside postid='pop_108956']\u003c/p>\n\u003cp>\u003cem>The Guardian\u003c/em>'s Hadley Freeman has suggested the widespread unwillingness to hold photographers accountable is related to their stature in the industry. \"For reasons I’ve never understood,\" \u003ca href=\"https://www.theguardian.com/fashion/2018/jan/17/are-there-any-fashion-photographers-not-accused-of-sexual-harassment\" target=\"_blank\" rel=\"noopener\">she wrote\u003c/a> last year, \"photographers are treated like gods in the fashion world.\" By contrast, all but the most famous of models are treated as disposable.\u003c/p>\n\u003cp>In the past, the risks always seemed greatest for amateur models working with no-name photographers: serial killers \u003ca href=\"https://www.vice.com/en_asia/article/vdpn9j/the-haunting-photography-of-a-serial-killer\">Rodney Alcala\u003c/a>, \u003ca href=\"https://en.wikipedia.org/wiki/William_Bradford_(murderer)\">William Bradford\u003c/a> and \u003ca href=\"https://en.wikipedia.org/wiki/Harvey_Glatman\">Harvey Glatman\u003c/a> all posed as fashion photographers to lure their victims to private places. But the rash of big-name photographers accused of misconduct in the last few years suggests that fashion isn't even safe at the highest echelons.\u003c/p>\n\u003cp>Last year, following the example of LVMH, Tapestry Inc.—the parent company of Coach and Kate Spade—drew up \u003ca href=\"https://wwd.com/business-news/business-features/next-steps-how-cure-fashions-model-scandal-1202610366/\">a detailed charter\u003c/a> designed to protect models that included the prohibition of closed sets and the requirement for models under 18 to bring a chaperone to work. That's a good start, but it doesn't help models looking for jobs online, like the ones Marcus Hyde allegedly targeted for abuse via social media.\u003c/p>\n\u003cp>Instagram took swift action against Hyde, \u003ca href=\"https://www.buzzfeednews.com/article/briannasacks/instagram-takes-down-marcus-hyde-account\">suspending his account\u003c/a> “for violating our sexual solicitation policies.” And after reading the many stories about Hyde that came out after Sunnaya Nash had come forward, Kim Kardashian released a \u003ca href=\"https://www.huffpost.com/entry/kim-kardashian-photographer-marcus-hyde-nude-photos_n_5d37630fe4b020cd994af55f?guccounter=1&guce_referrer=aHR0cHM6Ly93d3cuZ29vZ2xlLmNvbS8&guce_referrer_sig=AQAAABJy3fM0-f5SzmYGRiF-MKSdknV3EHy9uzG9MsiLv1mL7lyyVX5gLeiD4hJfZ7XJ5fmkBQ1nLbWHsxfRsGsi61silfuoxFBmBoQb_icw2F8iMZuZ4nYndFRK0PC97nvyJiNqjCQzAFx2dQ-0-XRaVav6bO68EIDhBMidWIJfP7gd\">statement\u003c/a> condemning her one-time friend and collaborator, and applauding the women for speaking out.\u003c/p>\n\u003cp>So far, most celebrities who have worked with Hyde—including Chance the Rapper, Kanye West and Donald Glover—have stayed frustratingly silent on the matter. But until there are bigger, louder and angrier responses to these kinds of incidents, and until there are real repercussions for the perpetrators, there can be no doubt that models of all genders will be left vulnerable to exploitation at the hands of creeps with cameras.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>Marcus Hyde isn't the first photographer to do this. It's frustrating to be so sure that he won't be the last.\u003c/p>\n\n","blocks":[],"excerpt":"Marcus Hyde is the latest celebrity photographer accused of sexual harassment. The list of his unrepentant peers is seemingly endless. ","status":"publish","parent":0,"modified":1564119681,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":19,"wordCount":1099},"headData":{"title":"Creepy Photographers Are a Well-Documented Fashion Industry Problem | KQED","description":"Marcus Hyde is the latest celebrity photographer accused of sexual harassment. The list of his unrepentant peers is seemingly endless. ","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"disqusIdentifier":"112955 https://ww2.kqed.org/pop/?p=112955","disqusUrl":"https://ww2.kqed.org/pop/2019/07/25/creepy-photographers-are-a-well-documented-fashion-industry-problem/","disqusTitle":"Creepy Photographers Are a Well-Documented Fashion Industry Problem","templateType":"standard","featuredImageType":"standard","path":"/pop/112955/creepy-photographers-are-a-well-documented-fashion-industry-problem","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>After stories hit social media this week accusing celebrity photographer Marcus Hyde of \u003ca href=\"https://twitter.com/thedevilsoftly/status/1153201699349131264\" target=\"_blank\" rel=\"noopener\">sexual harassment\u003c/a> and \u003ca href=\"https://twitter.com/thedevilsoftly\" target=\"_blank\" rel=\"noopener\">assault\u003c/a>, one of his most famous subjects, Ariana Grande,\u003ca href=\"https://www.wmagazine.com/story/ariana-grande-marcus-hyde\" target=\"_blank\" rel=\"noopener\"> responded\u003c/a> via Instagram Stories with a message that smacked of victim-blaming.\u003c/p>\n\u003cp>The floodgates opened after 20-year-old model \u003ca href=\"https://twitter.com/thedevilsoftly\">Sunnaya Nash\u003c/a> published screenshots of Hyde pressuring her for nude photos, telling her a non-nude photoshoot would cost $2,000, and finally descending into verbal abuse when she objected. Many other young models followed suit, sharing allegations about Hyde that were either incredibly similar to Nash's or even worse.\u003c/p>\n\u003cp>Despite the horrifying details, Grande's response focused more on the models' decisions than on the alleged behavior of a man worked with. \"i hate that this is a conversation,\" her message stated, in part. \"but. please do not shoot with photographers who make you uncomfortable or make you feel like you need to take your clothing off if you don’t want to.\"\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"Until there are real repercussions for the perpetrators, there can be no doubt that models of all genders will be left vulnerable to exploitation at the hands of creeps with cameras.","name":"pullquote","attributes":{"named":{"size":"large","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>This is not the first time a famous photographer accused of disgusting deeds has received a celebrity shrug. Many celebs don't seem to understand the gulf between how unknown models are handled on photo shoots versus how they themselves are treated. Furthermore, photographers' predatory behavior towards models has been excused as a professional hazard for decades. It doesn't help that most media outlets have been historically disinterested in exposing the problem.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>In April, designer Tom Ford declared his \"love\" for Terry Richardson, despite two decades of \u003ca href=\"https://www.marieclaire.com.au/terry-richardson-every-sexual-harassment-and-assault-allegation\" target=\"_blank\" rel=\"noopener\">sexual misconduct and assault allegations\u003c/a> against the photographer. \"I have to say that I never in my entire life saw any of that,\" Ford told \u003cem>\u003ca href=\"https://www.nytimes.com/2019/04/20/style/tom-ford-maureen-dowd.html\" target=\"_blank\" rel=\"noopener\">The New York Times\u003c/a>\u003c/em>. \"One of my assistants went out with Terry for two years and he was the kindest, gentlest person.” \u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"pop_112725","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Though \u003ca href=\"https://time.com/4995670/terry-richardson-conde-nast-vogue-gq/\" target=\"_blank\" rel=\"noopener\">Condé Nast cut ties\u003c/a> with Richardson in 2017, it took the company \u003ca href=\"https://www.thedailybeast.com/terry-richardsons-a-list-feminist-enablers-lady-gaga-beyonce-and-more\" target=\"_blank\" rel=\"noopener\">15 years\u003c/a> after the first complaint emerged about him to do so. Beyoncé, Miley Cyrus and Lady Gaga all made music videos with him in the midst of alarming rumors. Sky Ferreira even defended Richardson in a 2014 Facebook post. \"I have never felt uncomfortable with Terry,\" \u003ca href=\"https://www.facebook.com/skyferreira/posts/10152969333974115\">she wrote\u003c/a>. \"The media ... can paint any picture they want of you. They never have the full details.\"\u003c/p>\n\u003cp>By their nature, one-on-one photo shoots are ripe for exploitation. Photographers sit in the power position, directing their subjects, who are frequently younger and more physically vulnerable. The risk of exploitation increases when a successful \"name\" photographer is shooting an ambitious young person who's trying to stand out from the vast, competitive sea of other models. That power dynamic is so deeply rooted in the fashion world, it can cross over into how photographers react to misconduct allegations.\u003c/p>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"instagramLink","attributes":{"named":{"instagramId":"BzM698pAsfL"},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Where famous actors and comedians routinely apologize, the photographers accused of predation are almost always unrepentant. \u003ca href=\"https://www.nytimes.com/2018/03/03/style/sexual-harassment-in-fashion.html\" target=\"_blank\" rel=\"noopener\">Greg Kadel\u003c/a> of Victoria's Secret, and one-time \u003cem>Vogue\u003c/em> favorite \u003ca href=\"https://www.vogue.com/article/patrick-demarchelier-sexual-misconduct-allegations\" target=\"_blank\" rel=\"noopener\">Patrick Demarchelier\u003c/a>, have both publicly suggested their accusers are lying. When\u003cem> \u003ca href=\"https://www.nytimes.com/2018/01/13/style/mario-testino-bruce-weber-harassment.html?module=inline\" target=\"_blank\" rel=\"noopener\">The New York Times\u003c/a>\u003c/em> detailed sexual assault allegations from 15 male models against Bruce Weber—a photographer who has worked prominently for Calvin Klein and Abercrombie & Fitch—Weber responded with an \"absolute\" denial. After 18 male models and assistants spoke out\u003ca href=\"https://www.nytimes.com/2018/01/13/style/mario-testino-bruce-weber-harassment.html?module=inline\" target=\"_blank\" rel=\"noopener\">\u003cem> \u003c/em>\u003c/a>about alleged sexual exploitation at the hands of Mario Testino last year, the photographer responded by having his lawyers call into question the \"character and credibility\" of the men who had spoken out.\u003c/p>\n\u003cp>An industry culture where alleged bad behavior often goes unchecked creates a multitude of problems for models. Last year, in an effort to combat current conditions, one anonymously posted a Google doc of 300 names she had been warned about in the course of doing her job. She was quickly forced to take the list offline \"\u003ca href=\"https://wwd.com/business-news/business-features/next-steps-how-cure-fashions-model-scandal-1202610366/\">due to concerns over her well-being and her family’s safety\u003c/a>.\"\u003c/p>\n\u003cp>Despite individuals taking steps to get these kinds of #MeToo allegations out into the world, the mainstream press has been significantly less interested in what happens in fashion than it has been in what happens in the film and TV industry. \u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"pop_108956","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cem>The Guardian\u003c/em>'s Hadley Freeman has suggested the widespread unwillingness to hold photographers accountable is related to their stature in the industry. \"For reasons I’ve never understood,\" \u003ca href=\"https://www.theguardian.com/fashion/2018/jan/17/are-there-any-fashion-photographers-not-accused-of-sexual-harassment\" target=\"_blank\" rel=\"noopener\">she wrote\u003c/a> last year, \"photographers are treated like gods in the fashion world.\" By contrast, all but the most famous of models are treated as disposable.\u003c/p>\n\u003cp>In the past, the risks always seemed greatest for amateur models working with no-name photographers: serial killers \u003ca href=\"https://www.vice.com/en_asia/article/vdpn9j/the-haunting-photography-of-a-serial-killer\">Rodney Alcala\u003c/a>, \u003ca href=\"https://en.wikipedia.org/wiki/William_Bradford_(murderer)\">William Bradford\u003c/a> and \u003ca href=\"https://en.wikipedia.org/wiki/Harvey_Glatman\">Harvey Glatman\u003c/a> all posed as fashion photographers to lure their victims to private places. But the rash of big-name photographers accused of misconduct in the last few years suggests that fashion isn't even safe at the highest echelons.\u003c/p>\n\u003cp>Last year, following the example of LVMH, Tapestry Inc.—the parent company of Coach and Kate Spade—drew up \u003ca href=\"https://wwd.com/business-news/business-features/next-steps-how-cure-fashions-model-scandal-1202610366/\">a detailed charter\u003c/a> designed to protect models that included the prohibition of closed sets and the requirement for models under 18 to bring a chaperone to work. That's a good start, but it doesn't help models looking for jobs online, like the ones Marcus Hyde allegedly targeted for abuse via social media.\u003c/p>\n\u003cp>Instagram took swift action against Hyde, \u003ca href=\"https://www.buzzfeednews.com/article/briannasacks/instagram-takes-down-marcus-hyde-account\">suspending his account\u003c/a> “for violating our sexual solicitation policies.” And after reading the many stories about Hyde that came out after Sunnaya Nash had come forward, Kim Kardashian released a \u003ca href=\"https://www.huffpost.com/entry/kim-kardashian-photographer-marcus-hyde-nude-photos_n_5d37630fe4b020cd994af55f?guccounter=1&guce_referrer=aHR0cHM6Ly93d3cuZ29vZ2xlLmNvbS8&guce_referrer_sig=AQAAABJy3fM0-f5SzmYGRiF-MKSdknV3EHy9uzG9MsiLv1mL7lyyVX5gLeiD4hJfZ7XJ5fmkBQ1nLbWHsxfRsGsi61silfuoxFBmBoQb_icw2F8iMZuZ4nYndFRK0PC97nvyJiNqjCQzAFx2dQ-0-XRaVav6bO68EIDhBMidWIJfP7gd\">statement\u003c/a> condemning her one-time friend and collaborator, and applauding the women for speaking out.\u003c/p>\n\u003cp>So far, most celebrities who have worked with Hyde—including Chance the Rapper, Kanye West and Donald Glover—have stayed frustratingly silent on the matter. But until there are bigger, louder and angrier responses to these kinds of incidents, and until there are real repercussions for the perpetrators, there can be no doubt that models of all genders will be left vulnerable to exploitation at the hands of creeps with cameras.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Marcus Hyde isn't the first photographer to do this. It's frustrating to be so sure that he won't be the last.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/pop/112955/creepy-photographers-are-a-well-documented-fashion-industry-problem","authors":["11242"],"categories":["pop_7","pop_56"],"tags":["pop_3788","pop_3341","pop_3789","pop_3787","pop_3126","pop_3790","pop_120","pop_3786"],"featImg":"pop_112957","label":"pop"},"pop_108008":{"type":"posts","id":"pop_108008","meta":{"index":"posts_1591205157","site":"pop","id":"108008","score":null,"sort":[1544492929000]},"guestAuthors":[],"slug":"meet-the-groundbreaking-photographer-who-escaped-nazi-germany-and-married-arthur-miller","title":"Meet the Groundbreaking Photographer Who Escaped Nazi Germany and Married Arthur Miller","publishDate":1544492929,"format":"standard","headTitle":"KQED Pop | KQED Arts","labelTerm":{"site":"pop"},"content":"\u003cp>\"I'm fascinated by the necessity of quick decisions,\" Inge Morath told me more than 30 years ago, when she came to NPR for an interview. Morath was in the business of quick decisions—as a photographer and photojournalist she was the first woman to be accepted as a full member of the Magnum photo agency.\u003c/p>\n\u003cp>Now, her life is the subject of a new biography by Linda Gordon. It recounts Morath's escape from Nazi Germany, her boundary-breaking career, and her marriage to playwright Arthur Miller.\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe src=\"https://www.npr.org/player/embed/674579667/675210475\" width=\"100%\" height=\"290\" frameborder=\"0\" scrolling=\"no\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>Morath met Miller—and his then-wife Marilyn Monroe—in 1960 while she was \u003ca href=\"https://pro.magnumphotos.com/C.aspx?VP3=SearchResult&ALID=2K7O3R1PHUYD\">taking publicity stills\u003c/a> on the set of the film \u003cem>The Misfits\u003c/em>. It was Monroe's last film, and Miller had written it for his wife.\u003c/p>\n\u003cp>\"Inge took some very, very beautiful and sympathetic photographs of Marilyn Monroe,\" Gordon says. \"But Miller had struck her as intensely interesting—and he was quite impressed,\" Gordon says.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Miller and Monroe's relationship had been on the rocks for some time. He and Morath had an affair and the two married in 1962. They were together for 40 years, until Inge's death in 2002.\u003c/p>\n\u003cp>In our 1987 interview, I asked Morath about whether she wished she'd paid more attention to Monroe, as Miller's first wife. In a marriage, \"you have to be yourself,\" she said. \"Even if you are the first, the second, or the third wife—if you try to take over anything, or imitate anything, I think it'd be a disaster.\"\u003c/p>\n\u003cfigure id=\"attachment_108019\" class=\"wp-caption alignright\" style=\"max-width: 260px\">\u003cimg class=\"size-full wp-image-108019\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2018/12/61jU7omiHgL._SX258_BO1204203200_.jpg\" alt=\"‘Inge Morath: An Illustrated Biography’ by Linda Gordon\" width=\"260\" height=\"299\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2018/12/61jU7omiHgL._SX258_BO1204203200_.jpg 260w, https://ww2.kqed.org/app/uploads/sites/12/2018/12/61jU7omiHgL._SX258_BO1204203200_-160x184.jpg 160w, https://ww2.kqed.org/app/uploads/sites/12/2018/12/61jU7omiHgL._SX258_BO1204203200_-240x276.jpg 240w\" sizes=\"(max-width: 260px) 100vw, 260px\">\u003cfigcaption class=\"wp-caption-text\">‘Inge Morath: An Illustrated Biography’ by Linda Gordon\u003c/figcaption>\u003c/figure>\n\u003cp>\"She was a woman of extraordinary self-confidence,\" says Gordon. \"One sees that throughout her life ... self-confidence as a photographer, as a person, but also as her own sexual being.\"\u003c/p>\n\u003cp>Morath had a magnetic personality—and plenty of affairs.\u003c/p>\n\u003cp>\"She was just a person who drew you in,\" says Gordon.\u003c/p>\n\u003cp>As a young woman, Morath had a rough time in Germany during the war.\u003c/p>\n\u003cp>\"After Allied bombs started falling heavily on Berlin—and landing very near the munitions factory where she was a forced worker—she joined columns of hundreds, probably thousands, of people on foot just leaving Berlin,\" Gordon explains.\u003c/p>\n\u003cp>The biographer says Morath walked 455 miles to her parents in Salzburg, Austria. They were Nazi sympathizers—she was not. In Paris after the war, Morath got a job at Magnum, the elite photo agency founded by the great pioneers of photojournalism, Robert Capa and Henri Cartier-Bresson.\u003c/p>\n\u003cp>There, she did everything from secretarial work, to working with contact sheets, to cleaning the office, Gordon says, all the while honing her skills in photography. In 1955, she became Magnum's first full female member.\u003c/p>\n\u003cp>With her camera, Morath followed her passion for travel. In Spain, she wangled her way into the dressing room of the great toreador Antonio Ordóñez. Her 1954 photo shows him preparing for combat: his muscled chest is bare, and he's wearing skin-tight, sequin-embroidered pants.\u003c/p>\n\u003cp>It took chutzpah to get into his dressing room, where women were considered bad luck. \"To get into that space she half jokingly made a completely outrageous argument,\" Gordon says. \"She said, 'I'm wearing pants when I work, therefore I'm neither man nor woman.' \"\u003c/p>\n\u003cp>In Seville, Morath put on a flamenco outfit and climbed up onto a chair to shoot dancers, whirling to the music in their layered red and white skirts and petticoats. \"You only see these people from the waist down ...\" Gordon says. \"She has captured the movement—but with a camera just slow enough so that some of the picture is blurred as you see the skirts whirling around.\"\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=N3FCU3keGc4\u003c/p>\n\u003cp>Outside of photography circles, Morath is known more for her marriage than for her work. \"I do not like the fact that many people only know her as a wife of Arthur Miller—and, of course, the wife immediately after Marilyn Monroe—but my impression is that she was pretty copacetic about it,\" Gordon says.\u003c/p>\n\u003cp>There are trade-offs to familiarity, Morath told me in 1987. For example, when working on a portrait, she said she didn't necessarily want to meet her subject first.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>There is a \"wonderful element to a new meeting,\" she explained. Being strangers, the photographer and the subject are placed into a \"sparring\" position. \"That's interesting,\" she said. \"You kind of show more of yourself.\"\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2018 NPR. To see more, visit https://www.npr.org.\u003cimg src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Biography+Captures+The+Charisma+And+Confidence+Of+Photographer+Inge+Morath&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n","blocks":[],"excerpt":"An impressive new biography about Inge Morath is a close look at her fascinating life and career.","status":"publish","parent":0,"modified":1544492929,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":22,"wordCount":768},"headData":{"title":"Meet the Groundbreaking Photographer Who Escaped Nazi Germany and Married Arthur Miller | KQED","description":"An impressive new biography about Inge Morath is a close look at her fascinating life and career.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"disqusIdentifier":"108008 https://ww2.kqed.org/pop/?p=108008","disqusUrl":"https://ww2.kqed.org/pop/2018/12/10/meet-the-groundbreaking-photographer-who-escaped-nazi-germany-and-married-arthur-miller/","disqusTitle":"Meet the Groundbreaking Photographer Who Escaped Nazi Germany and Married Arthur Miller","nprImageCredit":"Lefevre","nprImageAgency":"AP","path":"/pop/108008/meet-the-groundbreaking-photographer-who-escaped-nazi-germany-and-married-arthur-miller","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\"I'm fascinated by the necessity of quick decisions,\" Inge Morath told me more than 30 years ago, when she came to NPR for an interview. Morath was in the business of quick decisions—as a photographer and photojournalist she was the first woman to be accepted as a full member of the Magnum photo agency.\u003c/p>\n\u003cp>Now, her life is the subject of a new biography by Linda Gordon. It recounts Morath's escape from Nazi Germany, her boundary-breaking career, and her marriage to playwright Arthur Miller.\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe src=\"https://www.npr.org/player/embed/674579667/675210475\" width=\"100%\" height=\"290\" frameborder=\"0\" scrolling=\"no\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>Morath met Miller—and his then-wife Marilyn Monroe—in 1960 while she was \u003ca href=\"https://pro.magnumphotos.com/C.aspx?VP3=SearchResult&ALID=2K7O3R1PHUYD\">taking publicity stills\u003c/a> on the set of the film \u003cem>The Misfits\u003c/em>. It was Monroe's last film, and Miller had written it for his wife.\u003c/p>\n\u003cp>\"Inge took some very, very beautiful and sympathetic photographs of Marilyn Monroe,\" Gordon says. \"But Miller had struck her as intensely interesting—and he was quite impressed,\" Gordon says.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Miller and Monroe's relationship had been on the rocks for some time. He and Morath had an affair and the two married in 1962. They were together for 40 years, until Inge's death in 2002.\u003c/p>\n\u003cp>In our 1987 interview, I asked Morath about whether she wished she'd paid more attention to Monroe, as Miller's first wife. In a marriage, \"you have to be yourself,\" she said. \"Even if you are the first, the second, or the third wife—if you try to take over anything, or imitate anything, I think it'd be a disaster.\"\u003c/p>\n\u003cfigure id=\"attachment_108019\" class=\"wp-caption alignright\" style=\"max-width: 260px\">\u003cimg class=\"size-full wp-image-108019\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2018/12/61jU7omiHgL._SX258_BO1204203200_.jpg\" alt=\"‘Inge Morath: An Illustrated Biography’ by Linda Gordon\" width=\"260\" height=\"299\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2018/12/61jU7omiHgL._SX258_BO1204203200_.jpg 260w, https://ww2.kqed.org/app/uploads/sites/12/2018/12/61jU7omiHgL._SX258_BO1204203200_-160x184.jpg 160w, https://ww2.kqed.org/app/uploads/sites/12/2018/12/61jU7omiHgL._SX258_BO1204203200_-240x276.jpg 240w\" sizes=\"(max-width: 260px) 100vw, 260px\">\u003cfigcaption class=\"wp-caption-text\">‘Inge Morath: An Illustrated Biography’ by Linda Gordon\u003c/figcaption>\u003c/figure>\n\u003cp>\"She was a woman of extraordinary self-confidence,\" says Gordon. \"One sees that throughout her life ... self-confidence as a photographer, as a person, but also as her own sexual being.\"\u003c/p>\n\u003cp>Morath had a magnetic personality—and plenty of affairs.\u003c/p>\n\u003cp>\"She was just a person who drew you in,\" says Gordon.\u003c/p>\n\u003cp>As a young woman, Morath had a rough time in Germany during the war.\u003c/p>\n\u003cp>\"After Allied bombs started falling heavily on Berlin—and landing very near the munitions factory where she was a forced worker—she joined columns of hundreds, probably thousands, of people on foot just leaving Berlin,\" Gordon explains.\u003c/p>\n\u003cp>The biographer says Morath walked 455 miles to her parents in Salzburg, Austria. They were Nazi sympathizers—she was not. In Paris after the war, Morath got a job at Magnum, the elite photo agency founded by the great pioneers of photojournalism, Robert Capa and Henri Cartier-Bresson.\u003c/p>\n\u003cp>There, she did everything from secretarial work, to working with contact sheets, to cleaning the office, Gordon says, all the while honing her skills in photography. In 1955, she became Magnum's first full female member.\u003c/p>\n\u003cp>With her camera, Morath followed her passion for travel. In Spain, she wangled her way into the dressing room of the great toreador Antonio Ordóñez. Her 1954 photo shows him preparing for combat: his muscled chest is bare, and he's wearing skin-tight, sequin-embroidered pants.\u003c/p>\n\u003cp>It took chutzpah to get into his dressing room, where women were considered bad luck. \"To get into that space she half jokingly made a completely outrageous argument,\" Gordon says. \"She said, 'I'm wearing pants when I work, therefore I'm neither man nor woman.' \"\u003c/p>\n\u003cp>In Seville, Morath put on a flamenco outfit and climbed up onto a chair to shoot dancers, whirling to the music in their layered red and white skirts and petticoats. \"You only see these people from the waist down ...\" Gordon says. \"She has captured the movement—but with a camera just slow enough so that some of the picture is blurred as you see the skirts whirling around.\"\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/N3FCU3keGc4'\n title='//www.youtube.com/embed/N3FCU3keGc4'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Outside of photography circles, Morath is known more for her marriage than for her work. \"I do not like the fact that many people only know her as a wife of Arthur Miller—and, of course, the wife immediately after Marilyn Monroe—but my impression is that she was pretty copacetic about it,\" Gordon says.\u003c/p>\n\u003cp>There are trade-offs to familiarity, Morath told me in 1987. For example, when working on a portrait, she said she didn't necessarily want to meet her subject first.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>There is a \"wonderful element to a new meeting,\" she explained. Being strangers, the photographer and the subject are placed into a \"sparring\" position. \"That's interesting,\" she said. \"You kind of show more of yourself.\"\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2018 NPR. To see more, visit https://www.npr.org.\u003cimg src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Biography+Captures+The+Charisma+And+Confidence+Of+Photographer+Inge+Morath&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/pop/108008/meet-the-groundbreaking-photographer-who-escaped-nazi-germany-and-married-arthur-miller","authors":["2421"],"categories":["pop_1537","pop_1548"],"tags":["pop_3377","pop_3376","pop_120"],"featImg":"pop_108021","label":"pop"},"pop_26237":{"type":"posts","id":"pop_26237","meta":{"index":"posts_1591205157","site":"pop","id":"26237","score":null,"sort":[1465499132000]},"guestAuthors":[],"slug":"before-the-selfie-a-brief-history-of-looking-at-ourselves","title":"Before the Selfie: A Brief History of Looking at Ourselves","publishDate":1465499132,"format":"standard","headTitle":"KQED Pop | KQED Arts","labelTerm":{"site":"pop"},"content":"\u003cp>\u003cem>\u003cstrong>FYI: This piece is drawn from the latest episode of The Cooler podcast, which you can listen to here!\u003c/strong>\u003c/em>\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe width=\"100%\" height=\"166\" scrolling=\"no\" frameborder=\"no\" src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/268267481&color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>Is there anyone with access to a cameraphone and a WiFi connection who can honestly say they've never taken a photo of their own face? \u003cspan style=\"font-weight: 400\">In our brave digital age where selfies seem to constitute a staggering portion of all posts on social media (at the moment of writing, there are 301 million posts tagged \"#selfie\" on Instagram), it’s hard to imagine a time when people didn’t compulsively record what they looked like -- or at least care about it deeply. \u003c/span>\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>Mirrors: The Original Front-Facing Cameras\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_26241\" class=\"wp-caption aligncenter\" style=\"max-width: 536px\">\u003cimg class=\"size-full wp-image-26241\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/06/Screenshot-2016-06-08-at-9.40.34-PM.png\" alt=\"Detail from an Ancient Greek Attic red-figure lekythos depicting a Seated woman holding a mirror, c. 470–460 BC, National Archaeological Museum, Athens \" width=\"536\" height=\"316\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/06/Screenshot-2016-06-08-at-9.40.34-PM.png 536w, https://ww2.kqed.org/app/uploads/sites/12/2016/06/Screenshot-2016-06-08-at-9.40.34-PM-400x236.png 400w\" sizes=\"(max-width: 536px) 100vw, 536px\">\u003cfigcaption class=\"wp-caption-text\">Detail from an Ancient Greek Attic red-figure lekythos depicting a seated woman holding a mirror, c. 470–460 BC, National Archaeological Museum, Athens\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-weight: 400\">Before it was possible to immortalize one's own images on screen or on canvas, people had to make do with mirrors, right? Not exactly, or at least not everyone. \u003c/span>\u003cspan style=\"font-weight: 400\">As inconceivable as it seems today, had you been born in the 12th century rather than the 20th, you probably wouldn’t have known exactly what your own face looked like unless you were wealthy. Mirrors -- those ever-present reflectors of our faces and ourselves, on our walls and in our pockets (and now, in our front-facing cameras) -- didn’t become mass-produced or remotely affordable until the Renaissance. \u003c/span>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">You know that feeling of undignified horror when you discover you’ve had a piece of spinach between your teeth or mascara coating your under-eyes all day because you had no access to a mirror? Well, try imagining that feeling being your reality every day for the rest of your short, indentured, antibiotic-free life.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">The question of how lacking any concrete impression of one’s own features must have affected 99% of the population’s sense of identity -- not to mention self-worth and place in the world -- is a mammoth one for another time; let’s instead ask what your regular peasant \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">could\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> do about that spinach. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">The earliest Average Joes were left to improvise with assessing their own reflections in dark pools of water or, if they were lucky, polished stones like obsidian (a naturally occurring volcanic glass). Polished precious metals also worked well, but were decidedly less wallet-friendly.\u003c/span>\u003c/p>\n\u003cfigure id=\"attachment_26291\" class=\"wp-caption aligncenter\" style=\"max-width: 2190px\">\u003cimg class=\"size-full wp-image-26291\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/06/narcissus.jpg\" alt=\"Echo and Narcissus, 1903 by John William Waterhouse\" width=\"2190\" height=\"1274\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/06/narcissus.jpg 2190w, https://ww2.kqed.org/app/uploads/sites/12/2016/06/narcissus-400x233.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/06/narcissus-800x465.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/06/narcissus-768x447.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2016/06/narcissus-1440x838.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/12/2016/06/narcissus-1920x1117.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/12/2016/06/narcissus-1180x686.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2016/06/narcissus-960x558.jpg 960w\" sizes=\"(max-width: 2190px) 100vw, 2190px\">\u003cfigcaption class=\"wp-caption-text\">What's a guy without a mirror to do? Echo and Narcissus, 1903 by John William Waterhouse\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">Metal-coated glass mirrors are said to have been invented in modern-day Lebanon in the first century AD, and glass mirrors backed with gold leaf were apparently kicking around Ancient Rome. But even if you had one of these prized items, the low reflectivity of polished metal resulted in a frustratingly dark image, especially when used indoors. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">In China, people began making mirrors with the use of silver-mercury amalgams as early as 500 AD, but it wasn’t until the early Renaissance that European manufacturers got their act together and discovered a superior method of coating glass with a tin-mercury amalgam. In the 16th century, the Italian city of Venice -- already famed as a hub of glass-making know-how -- became a center of mirror production and used this new technique to produce a near-perfect and undistorted reflection for the first time. (Think of it as the iPhone 6 of mirrors: shiny, coveted and super-spendy.) \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Despite these innovations -- which really only impacted the wealthy -- it wasn’t until centuries later, in 1835, that true mass manufacture of mirrors came about with the invention of the silvered-glass mirror, credited to a German chemist, that was swiftly adapted for the masses. Hello, greater availability of affordable mirrors! Goodbye, spinach!\u003c/span>\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>The Rise of Self-Portraits\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_26298\" class=\"wp-caption alignnone\" style=\"max-width: 865px\">\u003cimg class=\"size-full wp-image-26298\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/06/titian.jpg\" alt=\"Titian's Venus With a Mirror, 1555.\" width=\"865\" height=\"538\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/06/titian.jpg 865w, https://ww2.kqed.org/app/uploads/sites/12/2016/06/titian-400x249.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/06/titian-800x498.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/06/titian-768x478.jpg 768w\" sizes=\"(max-width: 865px) 100vw, 865px\">\u003cfigcaption class=\"wp-caption-text\">Titian's Venus With a Mirror, 1555.\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-weight: 400\">We don’t know when the very first bona fide self-portrait was created, but images of artists at work are encountered in Ancient Egyptian paintings and sculpture and also on Ancient Greek vases. Ancient Greek sculptor Phidias also apparently sneaked a number of selfies onto the “Battle of the Amazons” on the \u003ca href=\"https://en.wikipedia.org/wiki/Parthenon\">Parthenon\u003c/a>, which is an act of artistic license so brazen that it rivals \u003ca href=\"https://twitter.com/robwhisman/status/670868975291645953\">that guy who confessed to enlarging Missouri on the United States’ Wikipedia page every time he gets tipsy\u003c/a>.\u003c/span>\u003c/p>\n\u003cp>The traditional self-portrait as we know it didn’t come around until relatively recently. The first painted selfies were super-practical. Artists would use themselves as models in historical, Biblical or mythical scenes, which presumably also had the pleasant effect of saving a few pennies on actual models. Artists also playfully sneaked themselves into paintings in a kind of pre-Enlightenment \u003ci>Where’s Waldo\u003c/i>: in the margins of illuminated manuscripts, or in a reflection on a knight’s armor, or in a crowd of onlookers.\u003c/p>\n\u003cfigure id=\"attachment_26293\" class=\"wp-caption alignnone\" style=\"max-width: 736px\">\u003cimg class=\"size-full wp-image-26293\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/06/Botticelli_-_Adoration_of_the_Magi_Zanobi_Altar_-_Uffizi.jpg\" alt=\"Crafty (or cheap?) old Botticelli, sneaking himself into his Adoration of the Magi (ca.1475), far left\" width=\"736\" height=\"600\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/06/Botticelli_-_Adoration_of_the_Magi_Zanobi_Altar_-_Uffizi.jpg 736w, https://ww2.kqed.org/app/uploads/sites/12/2016/06/Botticelli_-_Adoration_of_the_Magi_Zanobi_Altar_-_Uffizi-400x326.jpg 400w\" sizes=\"(max-width: 736px) 100vw, 736px\">\u003cfigcaption class=\"wp-caption-text\">Crafty (or cheap?) old Botticelli, sneaking himself into his Adoration of the Magi (ca.1475), far left\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-weight: 400\">If we’re in the business of picking favorites here, then all hail the selfie king of the 15th century:\u003c/span> \u003cspan style=\"font-weight: 400\">German painter, printmaker and certified hottie \u003ca href=\"http://www.metmuseum.org/toah/hd/durr/hd_durr.htm\">Albrecht Dürer\u003c/a>. Something of an artistic superstar by contemporary standards, the hard-hustling Dürer was highly conscious of his public image and reputation, and is thought to have depicted his own image more often than any artist before him. (Think: your teenage cousin on \u003ca href=\"http://ww2.kqed.org/pop/2016/03/03/are-you-too-old-for-snapchat/\">a Snap streak\u003c/a>.) His \u003ca href=\"https://commons.wikimedia.org/wiki/Albrecht_D%C3%BCrer#/media/File:Self-portrait_at_13_by_Albrecht_D%C3%BCrer.jpg\">first selfie\u003c/a> was at at the tender age of 13 in 1484. Once of age, Dürer indulged in what official selfie experts now recognize as “thirst traps”: at 22, he painted \u003ca href=\"https://en.wikipedia.org/wiki/Portrait_of_the_Artist_Holding_a_Thistle\">a longing self-portrait\u003c/a> that was almost certainly intended for his new fiancée.\u003c/span>\u003c/p>\n\u003cp>In another specimen we’d today file under “#feelingmylook #blessed”, the \u003ca href=\"https://commons.wikimedia.org/wiki/Albrecht_D%C3%BCrer#/media/File:Selbstportr%C3%A4t,_by_Albrecht_D%C3%BCrer,_from_Prado_in_Google_Earth.jpg\">Madrid self-portrait (1498) \u003c/a>depicts Dürer, then at the top of his art game, as a dandy in fashionable Italian dress. And of course, let’s not forget his \u003ca href=\"https://commons.wikimedia.org/wiki/Albrecht_D%C3%BCrer#/media/File:Nude_self-portrait_by_Albrecht_D%C3%BCrer.jpg\">nude selfies\u003c/a> or his \u003ca href=\"https://commons.wikimedia.org/wiki/Albrecht_D%C3%BCrer#/media/File:D%C3%BCrer_-_Selbstbildnis_im_Pelzrock_-_Alte_Pinakothek.jpg\">last-ever self-portrait\u003c/a> depicting him as -- who else? -- Jesus.\u003c/p>\n\u003cfigure id=\"attachment_26296\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-26296 size-full\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/06/D%C3%BCrer_-_Selbstbildnis_im_Pelzrock_-_Alte_Pinakothek.jpg\" alt=\"Dürer_-_Selbstbildnis_im_Pelzrock_-_Alte_Pinakothek\" width=\"800\" height=\"1107\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/06/Dürer_-_Selbstbildnis_im_Pelzrock_-_Alte_Pinakothek.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/06/Dürer_-_Selbstbildnis_im_Pelzrock_-_Alte_Pinakothek-400x554.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/06/Dürer_-_Selbstbildnis_im_Pelzrock_-_Alte_Pinakothek-768x1063.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Albrecht Dürer's Self-portrait with Fur-trimmed Robe, ca 1500.No Messiah complex here, right?\u003c/figcaption>\u003c/figure>\n\u003cp>As self-portraiture became increasingly common in the art world over the ensuing centuries, it's not until the 19th century that a new reigning prolific selfie addict truly emerged: Vincent van Gogh, who drew and painted himself more than 43 times in just three years between 1886 and 1889.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>The Photographic Selfie Emerges\u003c/strong>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Even with a vague awareness of the invention and explosion of photography during the 19th century, it’s still always jolting to remember that the first photographic self-portrait was taken in \u003c/span>\u003cspan style=\"font-weight: 400\">1839\u003c/span>\u003cspan style=\"font-weight: 400\">. For context, that was a mere year after\u003ca href=\"http://mashable.com/2014/11/05/first-photograph-of-a-human/#9Tp9LS3IZkq2\"> the first photograph taken of a human\u003c/a> (by Louis Daguerre), and only a decade after \u003ca href=\"http://www.hrc.utexas.edu/exhibitions/permanent/firstphotograph/\">the first photograph taken in a camera, ever \u003c/a>-- which is to say, it didn’t take long for the human desire for self-capture to elbow its way into a shockingly new medium.\u003c/span>\u003c/p>\n\u003cfigure id=\"attachment_26301\" class=\"wp-caption aligncenter\" style=\"max-width: 457px\">\u003cimg class=\"size-full wp-image-26301\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/06/457px-RobertCornelius.jpg\" alt=\"Self-Portrait by Robert Cornelius, 1839\" width=\"457\" height=\"600\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/06/457px-RobertCornelius.jpg 457w, https://ww2.kqed.org/app/uploads/sites/12/2016/06/457px-RobertCornelius-400x525.jpg 400w\" sizes=\"(max-width: 457px) 100vw, 457px\">\u003cfigcaption class=\"wp-caption-text\">Self-Portrait by Robert Cornelius, 1839\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-weight: 400\">The face of \u003ca href=\"http://mashable.com/2014/11/07/first-selfie/\">the first selfie\u003c/a> was \u003ca href=\"https://en.wikipedia.org/wiki/Robert_Cornelius\">Robert Cornelius\u003c/a> (1809-1983), a son of Dutch immigrants to Philadelphia who became a photography pioneer. He immortalized himself in daguerreotype -- one of the very first forms of photography, wherein a sheet of silver-plated copper was polished to a mirror finish, treated with fumes that made its surface light-sensitive and then exposed in a camera, making the resulting latent image on it visible by fuming it with mercury vapor. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">If this all sounds incredibly time-consuming, it was, but this is what allowed Cornelius to make selfie history in the first place. In the time it took to expose the image, he was able to uncover the lens, run into the shot for over a minute and then replace the lens cap. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Think about \u003cem>that\u003c/em> the next time you get irritated when your iPhone camera takes a ninth of a second to focus!\u003c/span>\u003c/p>\n\u003cp>\u003cstrong>For even more history of the selfie, from the origin of the word itself to the arrival of the front-facing camera, Kim Kardashian and “death by selfie\", listen to this episode of \u003cem>The Cooler\u003c/em>!\u003c/strong>\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe width=\"100%\" height=\"166\" scrolling=\"no\" frameborder=\"no\" src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/268267481&color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\n","blocks":[],"excerpt":"Our centuries-long fascination with looking at our own faces.","status":"publish","parent":0,"modified":1465499551,"stats":{"hasAudio":true,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":23,"wordCount":1409},"headData":{"title":"Before the Selfie: A Brief History of Looking at Ourselves | KQED","description":"Our centuries-long fascination with looking at our own faces.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"disqusIdentifier":"26237 http://ww2.kqed.org/pop/?p=26237","disqusUrl":"https://ww2.kqed.org/pop/2016/06/09/before-the-selfie-a-brief-history-of-looking-at-ourselves/","disqusTitle":"Before the Selfie: A Brief History of Looking at Ourselves","path":"/pop/26237/before-the-selfie-a-brief-history-of-looking-at-ourselves","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>\u003cstrong>FYI: This piece is drawn from the latest episode of The Cooler podcast, which you can listen to here!\u003c/strong>\u003c/em>\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe width=\"100%\" height=\"166\" scrolling=\"no\" frameborder=\"no\" src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/268267481&color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>Is there anyone with access to a cameraphone and a WiFi connection who can honestly say they've never taken a photo of their own face? \u003cspan style=\"font-weight: 400\">In our brave digital age where selfies seem to constitute a staggering portion of all posts on social media (at the moment of writing, there are 301 million posts tagged \"#selfie\" on Instagram), it’s hard to imagine a time when people didn’t compulsively record what they looked like -- or at least care about it deeply. \u003c/span>\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>Mirrors: The Original Front-Facing Cameras\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_26241\" class=\"wp-caption aligncenter\" style=\"max-width: 536px\">\u003cimg class=\"size-full wp-image-26241\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/06/Screenshot-2016-06-08-at-9.40.34-PM.png\" alt=\"Detail from an Ancient Greek Attic red-figure lekythos depicting a Seated woman holding a mirror, c. 470–460 BC, National Archaeological Museum, Athens \" width=\"536\" height=\"316\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/06/Screenshot-2016-06-08-at-9.40.34-PM.png 536w, https://ww2.kqed.org/app/uploads/sites/12/2016/06/Screenshot-2016-06-08-at-9.40.34-PM-400x236.png 400w\" sizes=\"(max-width: 536px) 100vw, 536px\">\u003cfigcaption class=\"wp-caption-text\">Detail from an Ancient Greek Attic red-figure lekythos depicting a seated woman holding a mirror, c. 470–460 BC, National Archaeological Museum, Athens\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-weight: 400\">Before it was possible to immortalize one's own images on screen or on canvas, people had to make do with mirrors, right? Not exactly, or at least not everyone. \u003c/span>\u003cspan style=\"font-weight: 400\">As inconceivable as it seems today, had you been born in the 12th century rather than the 20th, you probably wouldn’t have known exactly what your own face looked like unless you were wealthy. Mirrors -- those ever-present reflectors of our faces and ourselves, on our walls and in our pockets (and now, in our front-facing cameras) -- didn’t become mass-produced or remotely affordable until the Renaissance. \u003c/span>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">You know that feeling of undignified horror when you discover you’ve had a piece of spinach between your teeth or mascara coating your under-eyes all day because you had no access to a mirror? Well, try imagining that feeling being your reality every day for the rest of your short, indentured, antibiotic-free life.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">The question of how lacking any concrete impression of one’s own features must have affected 99% of the population’s sense of identity -- not to mention self-worth and place in the world -- is a mammoth one for another time; let’s instead ask what your regular peasant \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">could\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> do about that spinach. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">The earliest Average Joes were left to improvise with assessing their own reflections in dark pools of water or, if they were lucky, polished stones like obsidian (a naturally occurring volcanic glass). Polished precious metals also worked well, but were decidedly less wallet-friendly.\u003c/span>\u003c/p>\n\u003cfigure id=\"attachment_26291\" class=\"wp-caption aligncenter\" style=\"max-width: 2190px\">\u003cimg class=\"size-full wp-image-26291\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/06/narcissus.jpg\" alt=\"Echo and Narcissus, 1903 by John William Waterhouse\" width=\"2190\" height=\"1274\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/06/narcissus.jpg 2190w, https://ww2.kqed.org/app/uploads/sites/12/2016/06/narcissus-400x233.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/06/narcissus-800x465.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/06/narcissus-768x447.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2016/06/narcissus-1440x838.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/12/2016/06/narcissus-1920x1117.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/12/2016/06/narcissus-1180x686.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2016/06/narcissus-960x558.jpg 960w\" sizes=\"(max-width: 2190px) 100vw, 2190px\">\u003cfigcaption class=\"wp-caption-text\">What's a guy without a mirror to do? Echo and Narcissus, 1903 by John William Waterhouse\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-weight: 400\">\u003cbr>\n\u003c/span>\u003cspan style=\"font-weight: 400\">Metal-coated glass mirrors are said to have been invented in modern-day Lebanon in the first century AD, and glass mirrors backed with gold leaf were apparently kicking around Ancient Rome. But even if you had one of these prized items, the low reflectivity of polished metal resulted in a frustratingly dark image, especially when used indoors. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">In China, people began making mirrors with the use of silver-mercury amalgams as early as 500 AD, but it wasn’t until the early Renaissance that European manufacturers got their act together and discovered a superior method of coating glass with a tin-mercury amalgam. In the 16th century, the Italian city of Venice -- already famed as a hub of glass-making know-how -- became a center of mirror production and used this new technique to produce a near-perfect and undistorted reflection for the first time. (Think of it as the iPhone 6 of mirrors: shiny, coveted and super-spendy.) \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Despite these innovations -- which really only impacted the wealthy -- it wasn’t until centuries later, in 1835, that true mass manufacture of mirrors came about with the invention of the silvered-glass mirror, credited to a German chemist, that was swiftly adapted for the masses. Hello, greater availability of affordable mirrors! Goodbye, spinach!\u003c/span>\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>The Rise of Self-Portraits\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_26298\" class=\"wp-caption alignnone\" style=\"max-width: 865px\">\u003cimg class=\"size-full wp-image-26298\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/06/titian.jpg\" alt=\"Titian's Venus With a Mirror, 1555.\" width=\"865\" height=\"538\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/06/titian.jpg 865w, https://ww2.kqed.org/app/uploads/sites/12/2016/06/titian-400x249.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/06/titian-800x498.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/06/titian-768x478.jpg 768w\" sizes=\"(max-width: 865px) 100vw, 865px\">\u003cfigcaption class=\"wp-caption-text\">Titian's Venus With a Mirror, 1555.\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-weight: 400\">We don’t know when the very first bona fide self-portrait was created, but images of artists at work are encountered in Ancient Egyptian paintings and sculpture and also on Ancient Greek vases. Ancient Greek sculptor Phidias also apparently sneaked a number of selfies onto the “Battle of the Amazons” on the \u003ca href=\"https://en.wikipedia.org/wiki/Parthenon\">Parthenon\u003c/a>, which is an act of artistic license so brazen that it rivals \u003ca href=\"https://twitter.com/robwhisman/status/670868975291645953\">that guy who confessed to enlarging Missouri on the United States’ Wikipedia page every time he gets tipsy\u003c/a>.\u003c/span>\u003c/p>\n\u003cp>The traditional self-portrait as we know it didn’t come around until relatively recently. The first painted selfies were super-practical. Artists would use themselves as models in historical, Biblical or mythical scenes, which presumably also had the pleasant effect of saving a few pennies on actual models. Artists also playfully sneaked themselves into paintings in a kind of pre-Enlightenment \u003ci>Where’s Waldo\u003c/i>: in the margins of illuminated manuscripts, or in a reflection on a knight’s armor, or in a crowd of onlookers.\u003c/p>\n\u003cfigure id=\"attachment_26293\" class=\"wp-caption alignnone\" style=\"max-width: 736px\">\u003cimg class=\"size-full wp-image-26293\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/06/Botticelli_-_Adoration_of_the_Magi_Zanobi_Altar_-_Uffizi.jpg\" alt=\"Crafty (or cheap?) old Botticelli, sneaking himself into his Adoration of the Magi (ca.1475), far left\" width=\"736\" height=\"600\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/06/Botticelli_-_Adoration_of_the_Magi_Zanobi_Altar_-_Uffizi.jpg 736w, https://ww2.kqed.org/app/uploads/sites/12/2016/06/Botticelli_-_Adoration_of_the_Magi_Zanobi_Altar_-_Uffizi-400x326.jpg 400w\" sizes=\"(max-width: 736px) 100vw, 736px\">\u003cfigcaption class=\"wp-caption-text\">Crafty (or cheap?) old Botticelli, sneaking himself into his Adoration of the Magi (ca.1475), far left\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-weight: 400\">If we’re in the business of picking favorites here, then all hail the selfie king of the 15th century:\u003c/span> \u003cspan style=\"font-weight: 400\">German painter, printmaker and certified hottie \u003ca href=\"http://www.metmuseum.org/toah/hd/durr/hd_durr.htm\">Albrecht Dürer\u003c/a>. Something of an artistic superstar by contemporary standards, the hard-hustling Dürer was highly conscious of his public image and reputation, and is thought to have depicted his own image more often than any artist before him. (Think: your teenage cousin on \u003ca href=\"http://ww2.kqed.org/pop/2016/03/03/are-you-too-old-for-snapchat/\">a Snap streak\u003c/a>.) His \u003ca href=\"https://commons.wikimedia.org/wiki/Albrecht_D%C3%BCrer#/media/File:Self-portrait_at_13_by_Albrecht_D%C3%BCrer.jpg\">first selfie\u003c/a> was at at the tender age of 13 in 1484. Once of age, Dürer indulged in what official selfie experts now recognize as “thirst traps”: at 22, he painted \u003ca href=\"https://en.wikipedia.org/wiki/Portrait_of_the_Artist_Holding_a_Thistle\">a longing self-portrait\u003c/a> that was almost certainly intended for his new fiancée.\u003c/span>\u003c/p>\n\u003cp>In another specimen we’d today file under “#feelingmylook #blessed”, the \u003ca href=\"https://commons.wikimedia.org/wiki/Albrecht_D%C3%BCrer#/media/File:Selbstportr%C3%A4t,_by_Albrecht_D%C3%BCrer,_from_Prado_in_Google_Earth.jpg\">Madrid self-portrait (1498) \u003c/a>depicts Dürer, then at the top of his art game, as a dandy in fashionable Italian dress. And of course, let’s not forget his \u003ca href=\"https://commons.wikimedia.org/wiki/Albrecht_D%C3%BCrer#/media/File:Nude_self-portrait_by_Albrecht_D%C3%BCrer.jpg\">nude selfies\u003c/a> or his \u003ca href=\"https://commons.wikimedia.org/wiki/Albrecht_D%C3%BCrer#/media/File:D%C3%BCrer_-_Selbstbildnis_im_Pelzrock_-_Alte_Pinakothek.jpg\">last-ever self-portrait\u003c/a> depicting him as -- who else? -- Jesus.\u003c/p>\n\u003cfigure id=\"attachment_26296\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-26296 size-full\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/06/D%C3%BCrer_-_Selbstbildnis_im_Pelzrock_-_Alte_Pinakothek.jpg\" alt=\"Dürer_-_Selbstbildnis_im_Pelzrock_-_Alte_Pinakothek\" width=\"800\" height=\"1107\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/06/Dürer_-_Selbstbildnis_im_Pelzrock_-_Alte_Pinakothek.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2016/06/Dürer_-_Selbstbildnis_im_Pelzrock_-_Alte_Pinakothek-400x554.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2016/06/Dürer_-_Selbstbildnis_im_Pelzrock_-_Alte_Pinakothek-768x1063.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Albrecht Dürer's Self-portrait with Fur-trimmed Robe, ca 1500.No Messiah complex here, right?\u003c/figcaption>\u003c/figure>\n\u003cp>As self-portraiture became increasingly common in the art world over the ensuing centuries, it's not until the 19th century that a new reigning prolific selfie addict truly emerged: Vincent van Gogh, who drew and painted himself more than 43 times in just three years between 1886 and 1889.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>The Photographic Selfie Emerges\u003c/strong>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Even with a vague awareness of the invention and explosion of photography during the 19th century, it’s still always jolting to remember that the first photographic self-portrait was taken in \u003c/span>\u003cspan style=\"font-weight: 400\">1839\u003c/span>\u003cspan style=\"font-weight: 400\">. For context, that was a mere year after\u003ca href=\"http://mashable.com/2014/11/05/first-photograph-of-a-human/#9Tp9LS3IZkq2\"> the first photograph taken of a human\u003c/a> (by Louis Daguerre), and only a decade after \u003ca href=\"http://www.hrc.utexas.edu/exhibitions/permanent/firstphotograph/\">the first photograph taken in a camera, ever \u003c/a>-- which is to say, it didn’t take long for the human desire for self-capture to elbow its way into a shockingly new medium.\u003c/span>\u003c/p>\n\u003cfigure id=\"attachment_26301\" class=\"wp-caption aligncenter\" style=\"max-width: 457px\">\u003cimg class=\"size-full wp-image-26301\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2016/06/457px-RobertCornelius.jpg\" alt=\"Self-Portrait by Robert Cornelius, 1839\" width=\"457\" height=\"600\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2016/06/457px-RobertCornelius.jpg 457w, https://ww2.kqed.org/app/uploads/sites/12/2016/06/457px-RobertCornelius-400x525.jpg 400w\" sizes=\"(max-width: 457px) 100vw, 457px\">\u003cfigcaption class=\"wp-caption-text\">Self-Portrait by Robert Cornelius, 1839\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-weight: 400\">The face of \u003ca href=\"http://mashable.com/2014/11/07/first-selfie/\">the first selfie\u003c/a> was \u003ca href=\"https://en.wikipedia.org/wiki/Robert_Cornelius\">Robert Cornelius\u003c/a> (1809-1983), a son of Dutch immigrants to Philadelphia who became a photography pioneer. He immortalized himself in daguerreotype -- one of the very first forms of photography, wherein a sheet of silver-plated copper was polished to a mirror finish, treated with fumes that made its surface light-sensitive and then exposed in a camera, making the resulting latent image on it visible by fuming it with mercury vapor. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">If this all sounds incredibly time-consuming, it was, but this is what allowed Cornelius to make selfie history in the first place. In the time it took to expose the image, he was able to uncover the lens, run into the shot for over a minute and then replace the lens cap. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Think about \u003cem>that\u003c/em> the next time you get irritated when your iPhone camera takes a ninth of a second to focus!\u003c/span>\u003c/p>\n\u003cp>\u003cstrong>For even more history of the selfie, from the origin of the word itself to the arrival of the front-facing camera, Kim Kardashian and “death by selfie\", listen to this episode of \u003cem>The Cooler\u003c/em>!\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe width=\"100%\" height=\"166\" scrolling=\"no\" frameborder=\"no\" src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/268267481&color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/pop/26237/before-the-selfie-a-brief-history-of-looking-at-ourselves","authors":["3243"],"categories":["pop_1041"],"tags":["pop_1100","pop_120","pop_128"],"featImg":"pop_26319","label":"pop"},"pop_9357":{"type":"posts","id":"pop_9357","meta":{"index":"posts_1591205157","site":"pop","id":"9357","score":null,"sort":[1382991304000]},"guestAuthors":[],"slug":"adele-enersens-dreamy-yet-disturbing-baby-art","title":"Adele Enersen's Dreamy Yet Disturbing Baby Art","publishDate":1382991304,"format":"aside","headTitle":"KQED Pop | KQED Arts","labelTerm":{"site":"pop"},"content":"\u003cfigure class=\"wp-caption aligncenter\" style=\"max-width: 400px\">\u003ca href=\"www.adeleenersen.com\">\u003cimg class=\"size-full \" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/10/20131028-091803.jpg\" alt=\"20131028-091803.jpg\" width=\"400\" height=\"296\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Images via Adele Enersen\u003c/figcaption>\u003c/figure>\n\u003cp>The internet has gifted us with another beaut! For those of you out there that have ever said to yourselves, \"I love Anne Geddes' anthropomorphized dog photos: why isn't there something equivocal with infants?\" this is the post for you!\u003c/p>\n\u003cp>Behold author, illustrator, blogger, photographer and mommy Adele Enersen's new book: \"When My Baby Dreams.\" Yes, that's Enersen's baby Mila featured in a number of cloth tableaux looking very much like a character on a living felt board.\u003c/p>\n\u003cp>\"I started making the pictures in June, 2010, when Mila was just 2 weeks old.\" Enersen explains on her website of the genesis of her series. \"I think all new parents go crazy with baby photos of their first child—maybe we were just a little bit crazier!\" Perhaps, but who are we to judge? \"I often found myself staring at my sleeping baby instead of sleeping myself. We wanted to capture our memories in photos but we realized that we just had a lot of pictures of Mila sleeping. One night, she fell asleep on a blanket on the floor in a funny position, with her arm stretched out, and she looked like a little fencer. My husband, Lasse, and I were laughing that she was probably dreaming about exactly that, so Lasse, who’s a film composer, placed his conductor’s baton in her hand and we took the very first 'daydream' picture.\"\u003c/p>\n\u003cp style=\"text-align: center\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/10/20131028-091433.jpg\">\u003cimg class=\" aligncenter\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/10/20131028-091433.jpg\" alt=\"20131028-091433.jpg\" width=\"300\" height=\"225\">\u003c/a>\u003c/p>\n\u003cp>Can't. Look. Away.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>I thought it was important to run these photos by some parents of small children for their thoughts on the series. Do they think the shots are exploitive? Beautiful? Creepy? The overall reaction can be summed up by one friend who is the proud and exhausted father of a two-year-old.\u003c/p>\n\u003cp>Yes.\u003c/p>\n\u003cp>Also, this:\u003c/p>\n\u003cp>\"I think she gave that baby cough medicine: there's no way I could have ever got Sammy into any of those costumes unscathed and then posed him so meticulously without him waking up. Either that is the most relaxed baby in the world or she gave Mila a drop of brandy in her bottle.\"\u003c/p>\n\u003cp>Enersen is clearly a mother with some time on her hands. Say what you will but at least they're not foodiegrams.\u003c/p>\n\u003cp>For more images from \"When My Baby Dreams\" or to order the book please visit Eneresen's website: \u003ca href=\"http://www.adeleenersen.com\">www.adeleenersen.com\u003c/a>. Below are some more of our favorites:\u003c/p>\n\u003cp style=\"text-align: center\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/10/20131028-091750.jpg\">\u003cimg class=\" aligncenter\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/10/20131028-091750.jpg\" alt=\"20131028-091750.jpg\" width=\"300\" height=\"225\">\u003c/a>\u003c/p>\n\u003cp>Oh no, baby snail! I may be an invasive pest in the minds of gardeners and an appetizer to the French but to mom I'm just an adorable prop.\u003c/p>\n\u003cp style=\"text-align: center\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/10/20131028-091841.jpg\">\u003cimg class=\" aligncenter\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/10/20131028-091841.jpg\" alt=\"20131028-091841.jpg\" width=\"300\" height=\"241\">\u003c/a>\u003c/p>\n\u003cp>Once upon a mattress. Or several, in this case.\u003c/p>\n\u003cp style=\"text-align: center\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/10/20131028-091815.jpg\">\u003cimg class=\"size-full aligncenter\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/10/20131028-091815.jpg\" alt=\"20131028-091815.jpg\" width=\"300\" height=\"248\">\u003c/a>\u003c/p>\n\u003cp>Look at me! I'm Michelle Kwan! Or Johnny Weir! Boycott the antigay Russian Olympics!\u003c/p>\n\u003cp style=\"text-align: center\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/10/20131028-091822.jpg\">\u003cimg class=\" aligncenter\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/10/20131028-091822.jpg\" alt=\"20131028-091822.jpg\" width=\"300\" height=\"201\">\u003c/a>\u003c/p>\n\u003cp>I thought you were going to take care of the check? I'm just a baby!\u003c/p>\n\u003cp style=\"text-align: center\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/10/20131028-091851.jpg\">\u003cimg class=\"size-full aligncenter\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/10/20131028-091851.jpg\" alt=\"20131028-091851.jpg\" width=\"298\" height=\"224\">\u003c/a>\u003c/p>\n\u003cp>Ah! How did I get all the way up here, isn't there any parental supervision in my house? You think someone would have noticed I was gone long enough to travel to the moon! I feel like Sandra Bullock in \"Gravity\" which I am not yet old enough to see!\u003c/p>\n\u003cp style=\"text-align: center\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/10/20131028-091858.jpg\">\u003cimg class=\" aligncenter\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/10/20131028-091858.jpg\" alt=\"20131028-091858.jpg\" width=\"300\" height=\"225\">\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>When I said I was wet I meant you should change me, not hang me out to dry.\u003c/p>\n\n","blocks":[],"excerpt":"For those of you out there that have ever said to yourselves, \"I love Anne Gedes' anthropomorphized dog photos: why isn't there something equivocal with infants?\" this is the post for you!","status":"publish","parent":0,"modified":1382996051,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":18,"wordCount":550},"headData":{"title":"Adele Enersen's Dreamy Yet Disturbing Baby Art | KQED","description":"For those of you out there that have ever said to yourselves, "I love Anne Gedes' anthropomorphized dog photos: why isn't there something equivocal with infants?" this is the post for you!","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"disqusIdentifier":"9357 http://blogs.kqed.org/pop/?p=9357","disqusUrl":"https://ww2.kqed.org/pop/2013/10/28/adele-enersens-dreamy-yet-disturbing-baby-art/","disqusTitle":"Adele Enersen's Dreamy Yet Disturbing Baby Art","path":"/pop/9357/adele-enersens-dreamy-yet-disturbing-baby-art","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cfigure class=\"wp-caption aligncenter\" style=\"max-width: 400px\">\u003ca href=\"www.adeleenersen.com\">\u003cimg class=\"size-full \" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/10/20131028-091803.jpg\" alt=\"20131028-091803.jpg\" width=\"400\" height=\"296\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Images via Adele Enersen\u003c/figcaption>\u003c/figure>\n\u003cp>The internet has gifted us with another beaut! For those of you out there that have ever said to yourselves, \"I love Anne Geddes' anthropomorphized dog photos: why isn't there something equivocal with infants?\" this is the post for you!\u003c/p>\n\u003cp>Behold author, illustrator, blogger, photographer and mommy Adele Enersen's new book: \"When My Baby Dreams.\" Yes, that's Enersen's baby Mila featured in a number of cloth tableaux looking very much like a character on a living felt board.\u003c/p>\n\u003cp>\"I started making the pictures in June, 2010, when Mila was just 2 weeks old.\" Enersen explains on her website of the genesis of her series. \"I think all new parents go crazy with baby photos of their first child—maybe we were just a little bit crazier!\" Perhaps, but who are we to judge? \"I often found myself staring at my sleeping baby instead of sleeping myself. We wanted to capture our memories in photos but we realized that we just had a lot of pictures of Mila sleeping. One night, she fell asleep on a blanket on the floor in a funny position, with her arm stretched out, and she looked like a little fencer. My husband, Lasse, and I were laughing that she was probably dreaming about exactly that, so Lasse, who’s a film composer, placed his conductor’s baton in her hand and we took the very first 'daydream' picture.\"\u003c/p>\n\u003cp style=\"text-align: center\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/10/20131028-091433.jpg\">\u003cimg class=\" aligncenter\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/10/20131028-091433.jpg\" alt=\"20131028-091433.jpg\" width=\"300\" height=\"225\">\u003c/a>\u003c/p>\n\u003cp>Can't. Look. Away.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>I thought it was important to run these photos by some parents of small children for their thoughts on the series. Do they think the shots are exploitive? Beautiful? Creepy? The overall reaction can be summed up by one friend who is the proud and exhausted father of a two-year-old.\u003c/p>\n\u003cp>Yes.\u003c/p>\n\u003cp>Also, this:\u003c/p>\n\u003cp>\"I think she gave that baby cough medicine: there's no way I could have ever got Sammy into any of those costumes unscathed and then posed him so meticulously without him waking up. Either that is the most relaxed baby in the world or she gave Mila a drop of brandy in her bottle.\"\u003c/p>\n\u003cp>Enersen is clearly a mother with some time on her hands. Say what you will but at least they're not foodiegrams.\u003c/p>\n\u003cp>For more images from \"When My Baby Dreams\" or to order the book please visit Eneresen's website: \u003ca href=\"http://www.adeleenersen.com\">www.adeleenersen.com\u003c/a>. Below are some more of our favorites:\u003c/p>\n\u003cp style=\"text-align: center\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/10/20131028-091750.jpg\">\u003cimg class=\" aligncenter\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/10/20131028-091750.jpg\" alt=\"20131028-091750.jpg\" width=\"300\" height=\"225\">\u003c/a>\u003c/p>\n\u003cp>Oh no, baby snail! I may be an invasive pest in the minds of gardeners and an appetizer to the French but to mom I'm just an adorable prop.\u003c/p>\n\u003cp style=\"text-align: center\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/10/20131028-091841.jpg\">\u003cimg class=\" aligncenter\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/10/20131028-091841.jpg\" alt=\"20131028-091841.jpg\" width=\"300\" height=\"241\">\u003c/a>\u003c/p>\n\u003cp>Once upon a mattress. Or several, in this case.\u003c/p>\n\u003cp style=\"text-align: center\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/10/20131028-091815.jpg\">\u003cimg class=\"size-full aligncenter\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/10/20131028-091815.jpg\" alt=\"20131028-091815.jpg\" width=\"300\" height=\"248\">\u003c/a>\u003c/p>\n\u003cp>Look at me! I'm Michelle Kwan! Or Johnny Weir! Boycott the antigay Russian Olympics!\u003c/p>\n\u003cp style=\"text-align: center\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/10/20131028-091822.jpg\">\u003cimg class=\" aligncenter\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/10/20131028-091822.jpg\" alt=\"20131028-091822.jpg\" width=\"300\" height=\"201\">\u003c/a>\u003c/p>\n\u003cp>I thought you were going to take care of the check? I'm just a baby!\u003c/p>\n\u003cp style=\"text-align: center\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/10/20131028-091851.jpg\">\u003cimg class=\"size-full aligncenter\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/10/20131028-091851.jpg\" alt=\"20131028-091851.jpg\" width=\"298\" height=\"224\">\u003c/a>\u003c/p>\n\u003cp>Ah! How did I get all the way up here, isn't there any parental supervision in my house? You think someone would have noticed I was gone long enough to travel to the moon! I feel like Sandra Bullock in \"Gravity\" which I am not yet old enough to see!\u003c/p>\n\u003cp style=\"text-align: center\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/10/20131028-091858.jpg\">\u003cimg class=\" aligncenter\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/10/20131028-091858.jpg\" alt=\"20131028-091858.jpg\" width=\"300\" height=\"225\">\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>When I said I was wet I meant you should change me, not hang me out to dry.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/pop/9357/adele-enersens-dreamy-yet-disturbing-baby-art","authors":["2436"],"categories":["pop_56","pop_5","pop_1041"],"tags":["pop_1320","pop_321","pop_1317","pop_120","pop_1318","pop_1319","pop_1321"],"featImg":"pop_9385","label":"pop"},"pop_812":{"type":"posts","id":"pop_812","meta":{"index":"posts_1591205157","site":"pop","id":"812","score":null,"sort":[1360176874000]},"guestAuthors":[],"slug":"the-consciousness-of-pinterest","title":"The Consciousness of Pinterest","publishDate":1360176874,"format":"aside","headTitle":"KQED Pop | KQED Arts","labelTerm":{"site":"pop"},"content":"\u003cfigure id=\"attachment_814\" class=\"wp-caption aligncenter\" style=\"max-width: 500px\">\u003ca href=\"http://pinterest.com/pin/198721402277970474/\" rel=\"attachment wp-att-814\">\u003cimg class=\"size-full wp-image-814 \" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/02/consciousness.jpg\" alt=\"Image found via Pinterest.\" width=\"500\" height=\"479\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2013/02/consciousness.jpg 500w, https://ww2.kqed.org/app/uploads/sites/12/2013/02/consciousness-400x383.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2013/02/consciousness-32x32.jpg 32w\" sizes=\"(max-width: 500px) 100vw, 500px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Image found via Pinterest.\u003c/figcaption>\u003c/figure>\n\u003cp>Oh, the possibilities and failings of \u003ca href=\"http://www.theatlantic.com/technology/archive/2012/02/know-your-internet-what-is-pinterest-and-why-should-i-care/252835/\" target=\"_blank\">Pinterest\u003c/a>. It could be a collective revelation, a cool-girl feminist extravaganza of history, fashion, culture, art, magic, icons, inspiration and aesthetic. It could be a desert-gemstone-vintage-ballerina-cosmic-wild west-delirious-vision quest whirlwind. But sometimes I worry it’s merely a regurgitation of culture, a platform where women advertise to themselves and each other. Is it possible to subvert some versions of Pinterest and strengthen the compelling ones? What is the value and impact of even the most ideal interpretations and participation?\u003c/p>\n\u003cp>For the non-pinners out there, Pinterest consists of virtual boards where users can “pin” and organize images (mostly gathered from the internet or other users). You can follow people and “re-pin” their images or add your own.\u003c/p>\n\u003cp>To simplify, there are two general approaches people seem to take with this endeavor of pinning. One approach is a curation of outfits, \u003ca href=\"http://pinterest.com/search/pins/?q=workouts\" target=\"_blank\">workouts\u003c/a>, inspirational quotes, wedding plans, recipes, and \u003ca href=\"http://pinterest.com/pin/148900331401981248/\" target=\"_blank\">décor\u003c/a> that all add up to a dream life. There’s a distinct mix of aspiration and consumerism that could make even the savviest person wish they lived inside an \u003ca href=\"http://pinterest.com/anthropologie/\" target=\"_blank\">Anthropologie\u003c/a> catalogue. Pinterest notably sends \u003ca href=\"http://techcrunch.com/2012/09/06/report-pinterest-beats-yahoo-organic-traffic-making-it-4th-largest-traffic-driver-worldwide/\" target=\"_blank\">a ton of traffic\u003c/a> to retailers. The second approach is also curated, but with arguably more inventive and intriguing results. Instead of sorting potential purchases, this approach creates mood boards, personal collections, virtual scrapbooks, stories, experiments, and diaries. There are explorations of \u003ca href=\"http://pinterest.com/siriah/photography-colour-continued/\" target=\"_blank\">color,\u003c/a> texture, personality, and atmosphere. There are boards documenting dreams, and \u003ca href=\"http://pinterest.com/siriah/nightmares-or-memories/\" target=\"_blank\">nightmares\u003c/a>, \u003ca href=\"http://pinterest.com/BellJar/revolution/\" target=\"_blank\">creating narratives\u003c/a>, delving into language and image, and drawing connections through exploration and expression.\u003c/p>\n\u003cfigure id=\"attachment_813\" class=\"wp-caption aligncenter\" style=\"max-width: 470px\">\u003ca href=\"http://pinterest.com/pin/118360296427069785/\" rel=\"attachment wp-att-813\">\u003cimg class=\"size-full wp-image-813 \" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/02/cosmos.png\" alt=\"by Justin Gabbord (found via Pinterest)\" width=\"470\" height=\"448\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2013/02/cosmos.png 470w, https://ww2.kqed.org/app/uploads/sites/12/2013/02/cosmos-400x381.png 400w, https://ww2.kqed.org/app/uploads/sites/12/2013/02/cosmos-32x32.png 32w\" sizes=\"(max-width: 470px) 100vw, 470px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">by Justin Gabbord (found via Pinterest)\u003c/figcaption>\u003c/figure>\n\u003cp>One fascinating aspect of Pinterest is the \u003ca href=\"http://www.thefrisky.com/2012-10-02/the-soapbox-oh-please-pinterest-isnt-killing-feminism/\" target=\"_blank\">feminist\u003c/a>/\u003ca href=\"http://www.buzzfeed.com/amyodell/how-pinterest-is-killing-feminism\" target=\"_blank\">anti-feminist\u003c/a> concerns surrounding it. The \u003ca href=\"http://www.huffingtonpost.com/2012/03/01/facts-about-pinterest-users_n_1312935.html\" target=\"_blank\">high percentage\u003c/a> of female users (anywhere from 60% to 90% depending on your source) is often discussed as a curiosity to discredit the site, or phenomenon to remedy. Yet I find something of \u003ca href=\"http://prospect.org/article/social-network-ones-own\" target=\"_blank\">its power\u003c/a> lies in that fact, in the prevalence of Clara Bow, Amelia Earhart, Frida Kahlo, Anna Karina, Gloria Anzaldua, and Angela Davis. Not to mention the range of interests and pursuits represented, from letterpress to Italian film to the Guerilla Girls to owning a business.\u003c/p>\n\u003cfigure id=\"attachment_816\" class=\"wp-caption aligncenter\" style=\"max-width: 500px\">\u003ca href=\"http://pinterest.com/pin/118430665170748540/\" rel=\"attachment wp-att-816\">\u003cimg class=\"size-full wp-image-816 \" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/02/anna-karina.jpg\" alt=\"Anna Karina. Found via Pinterest.\" width=\"500\" height=\"581\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2013/02/anna-karina.jpg 500w, https://ww2.kqed.org/app/uploads/sites/12/2013/02/anna-karina-400x464.jpg 400w\" sizes=\"(max-width: 500px) 100vw, 500px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Anna Karina. Found via Pinterest.\u003c/figcaption>\u003c/figure>\n\u003cp>The feminist theories of \u003ca href=\"http://rebeccahquist.wordpress.com/2012/12/15/final-project-pinterest-and-feminism/\" target=\"_blank\">dominance vs. difference\u003c/a> line up with the contrasts inherent to Pinterest. We are either to critique that a patriarchal society and capitalist system created the context in which a site like Pinterest even exists, or we can argue that there’s power in a place where women’s voices seem to be manifesting so strongly, no matter the range and tone of content. The latter is an exciting idea, and perhaps the mere culling of images might have more impact than we imagine. In a culture where the male voice still counts as the universal and the female is the other, doesn’t Pinterest have some ground-breaking potential? If so, and I realize that’s likely an overstatement, how might we be using it differently? In his amazing book, \u003ca href=\"http://www.alphabetvsgoddess.com/\" target=\"_blank\">The Alphabet Vs. The Goddess\u003c/a> Leonard Shlain asserts that before the advent of the alphabet, women had real social and cultural power, and that it was the dominance of the image that celebrated holistic thinking, the right brain, intuition, creativity, and a host of other positive “feminine” qualities. While reading it, I couldn’t help but think of Pinterest.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Through the women I follow, I’ve discovered and re-discovered a lot that captivates me and I use my boards as a means to consider this ephemera. A very small sampling of my notably female discoveries include \u003ca href=\"http://pinterest.com/pin/141511613263017416/\" target=\"_blank\">Anne Brigman\u003c/a>, \u003ca href=\"http://www.poetryfoundation.org/bio/marina-tsvetaeva\" target=\"_blank\">Marina Tsvetaeva\u003c/a>, and \u003ca href=\"http://www.jessicatremp.com/\" target=\"_blank\">Jessica Tremp\u003c/a>. Searching, collecting, and saving these images helps me streamline and pinpoint my fixations and obsessions. It gives them shape and tangible representation. I can watch my habits and trains of thought as they reveal my virtual (un)conscious. I return again and again to mull over these traces. They’re like the \u003ca href=\"http://pinterest.com/laurlia/pivotal/\" target=\"_blank\">collages\u003c/a> on my high school bedroom walls, something comforting, expressive and revealing about them. And there’s the crux of this cognitive dissonance: what am I saying about myself here? What’s the nature of this version of my identity and what do I hope to reveal with a stream of images not my own? What do these collections speak to, and how are our desires, tastes, and interests best manifested?\u003c/p>\n\u003cfigure id=\"attachment_823\" class=\"wp-caption aligncenter\" style=\"max-width: 500px\">\u003ca href=\"http://pinterest.com/pin/217017275765547054/\" rel=\"attachment wp-att-823\">\u003cimg class=\"size-full wp-image-823 \" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/02/collage.jpg\" alt=\"Image found via Pinterest.\" width=\"500\" height=\"602\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2013/02/collage.jpg 500w, https://ww2.kqed.org/app/uploads/sites/12/2013/02/collage-400x481.jpg 400w\" sizes=\"(max-width: 500px) 100vw, 500px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Image found via Pinterest.\u003c/figcaption>\u003c/figure>\n\u003cp>Let’s assume for a moment our usage is engaged, critical, and aware. Even then, it’s key our participation is the precursor to some artistic, productive, or dynamic offline action. At the very least we must interact with the format in a way that’s specific to us and isn’t merely a \u003ca href=\"http://marketingland.com/study-70-percent-pinterest-shopping-inspiration-24146\" target=\"_blank\">shopping list\u003c/a>, our possessions speaking for who we are. There’s no way around the fact that the medium influences the way information is produced, received and interpreted. The form guides the content, and “pinning” reinforces certain cultural standards and directions. \u003ca href=\"http://en.wikipedia.org/wiki/False_consciousness\" target=\"_blank\">Who is served\u003c/a> and who participates are relevant, potentially problematic factors. That pinners tend toward \u003ca href=\"http://betabeat.com/2012/07/pinterest-is-79-percent-white/\" target=\"_blank\">being white\u003c/a>, and \u003ca href=\"http://www.huffingtonpost.com/2012/03/01/facts-about-pinterest-users_n_1312935.html\" target=\"_blank\">upper-ish-class\u003c/a>, brings up a whole host of complex issues on voice, perspective, representation and relevance, just for starters. I frequently see the same image pinned over and over (supposedly the majority of images are gathered \u003ca href=\"http://www.huffingtonpost.com/2012/03/01/facts-about-pinterest-users_n_1312935.html\" target=\"_blank\">from within the site itself\u003c/a>). The collective unconscious is represented on Pinterest in no uncertain terms and I often wish it was a lot weirder and deeper than it seems to be.\u003c/p>\n\u003cfigure id=\"attachment_815\" class=\"wp-caption aligncenter\" style=\"max-width: 500px\">\u003ca href=\"http://gypsymess.tumblr.com/post/40463445090#\" rel=\"attachment wp-att-815\">\u003cimg class=\"size-full wp-image-815 \" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/02/i-am-free.jpg\" alt=\"Found via Pinterest.\" width=\"500\" height=\"340\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2013/02/i-am-free.jpg 500w, https://ww2.kqed.org/app/uploads/sites/12/2013/02/i-am-free-400x272.jpg 400w\" sizes=\"(max-width: 500px) 100vw, 500px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Image found via Pinterest via Gypsy Mess.\u003c/figcaption>\u003c/figure>\n\u003cp>What is \u003cem>almost\u003c/em> happening in certain subsets of Pinterest is the creation of a language, a collaborative, collective, cumulative sense of meaning that is perhaps transformative in ways we haven’t yet harnessed. Here is what we are looking at, and what we care about. It’s a constant sea of images hurtling and scrolling toward us, but they’re also coming from us, chosen by us, and \u003ca href=\"http://msmagazine.com/blog/2012/05/21/the-pinterest-problem/\" target=\"_blank\">how could that work in our favor?\u003c/a> Because I want to stick around. I want to use Pinterest in a way that feeds my preoccupations, pastimes and intrigues. It feels worthwhile to meditate on what these preoccupations include, to search for them, and separate them from all the other million things I see every day. I can leave behind what doesn’t feel right, or is trying too hard to persuade me. Ultimately it’s about that balance, one that each pinner needs to strike for themselves as they navigate these strange, confusing, and inspiring spaces. There are perhaps not just two ways to use Pinterest, but countless variations on a spectrum. While I feel critical, what interests me is the potential and capacity for meaning, both individual and collective, that clearly exists. The problems rest perhaps in how deeply we live within our virtual identities, yet how cursory we are in our consideration of them and what they really mean for our living, breathing selves.\u003c/p>\n\u003cp>P.S. Here are a few of my favorite pinners!\u003c/p>\n\u003cp>-\u003ca href=\"http://pinterest.com/KimKimKim/\" target=\"_blank\">Kim Kiwi\u003c/a>\u003c/p>\n\u003cp>-\u003ca href=\"http://pinterest.com/BellJar/\" target=\"_blank\">Bell Jar\u003c/a>\u003c/p>\n\u003cp>-\u003ca href=\"http://pinterest.com/sugarpieproject/\" target=\"_blank\">sugarpie project\u003c/a>\u003c/p>\n\u003cp>-\u003ca href=\"http://pinterest.com/siriah/?d\" target=\"_blank\">siriah\u003c/a>\u003c/p>\n\u003cp>-\u003ca href=\"http://pinterest.com/psychicsiamese/\" target=\"_blank\">Psychic Siamese Dream\u003c/a>\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>-\u003ca href=\"http://pinterest.com/clairelindsay/\" target=\"_blank\">Claire Lindsay\u003c/a>\u003c/p>\n\n","blocks":[],"excerpt":"Pinterest could be a collective revelation, a cool-girl feminist extravaganza of history, fashion, culture, magic, inspiration and aesthetic. But is it instead just a regurgitation of culture?","status":"publish","parent":0,"modified":1360188526,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":17,"wordCount":1218},"headData":{"title":"The Consciousness of Pinterest | KQED","description":"Pinterest could be a collective revelation, a cool-girl feminist extravaganza of history, fashion, culture, magic, inspiration and aesthetic. But is it instead just a regurgitation of culture?","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":""},"disqusIdentifier":"812 http://blogs.kqed.org/pop/?p=812","disqusUrl":"https://ww2.kqed.org/pop/2013/02/06/the-consciousness-of-pinterest/","disqusTitle":"The Consciousness of Pinterest","path":"/pop/812/the-consciousness-of-pinterest","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_814\" class=\"wp-caption aligncenter\" style=\"max-width: 500px\">\u003ca href=\"http://pinterest.com/pin/198721402277970474/\" rel=\"attachment wp-att-814\">\u003cimg class=\"size-full wp-image-814 \" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/02/consciousness.jpg\" alt=\"Image found via Pinterest.\" width=\"500\" height=\"479\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2013/02/consciousness.jpg 500w, https://ww2.kqed.org/app/uploads/sites/12/2013/02/consciousness-400x383.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2013/02/consciousness-32x32.jpg 32w\" sizes=\"(max-width: 500px) 100vw, 500px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Image found via Pinterest.\u003c/figcaption>\u003c/figure>\n\u003cp>Oh, the possibilities and failings of \u003ca href=\"http://www.theatlantic.com/technology/archive/2012/02/know-your-internet-what-is-pinterest-and-why-should-i-care/252835/\" target=\"_blank\">Pinterest\u003c/a>. It could be a collective revelation, a cool-girl feminist extravaganza of history, fashion, culture, art, magic, icons, inspiration and aesthetic. It could be a desert-gemstone-vintage-ballerina-cosmic-wild west-delirious-vision quest whirlwind. But sometimes I worry it’s merely a regurgitation of culture, a platform where women advertise to themselves and each other. Is it possible to subvert some versions of Pinterest and strengthen the compelling ones? What is the value and impact of even the most ideal interpretations and participation?\u003c/p>\n\u003cp>For the non-pinners out there, Pinterest consists of virtual boards where users can “pin” and organize images (mostly gathered from the internet or other users). You can follow people and “re-pin” their images or add your own.\u003c/p>\n\u003cp>To simplify, there are two general approaches people seem to take with this endeavor of pinning. One approach is a curation of outfits, \u003ca href=\"http://pinterest.com/search/pins/?q=workouts\" target=\"_blank\">workouts\u003c/a>, inspirational quotes, wedding plans, recipes, and \u003ca href=\"http://pinterest.com/pin/148900331401981248/\" target=\"_blank\">décor\u003c/a> that all add up to a dream life. There’s a distinct mix of aspiration and consumerism that could make even the savviest person wish they lived inside an \u003ca href=\"http://pinterest.com/anthropologie/\" target=\"_blank\">Anthropologie\u003c/a> catalogue. Pinterest notably sends \u003ca href=\"http://techcrunch.com/2012/09/06/report-pinterest-beats-yahoo-organic-traffic-making-it-4th-largest-traffic-driver-worldwide/\" target=\"_blank\">a ton of traffic\u003c/a> to retailers. The second approach is also curated, but with arguably more inventive and intriguing results. Instead of sorting potential purchases, this approach creates mood boards, personal collections, virtual scrapbooks, stories, experiments, and diaries. There are explorations of \u003ca href=\"http://pinterest.com/siriah/photography-colour-continued/\" target=\"_blank\">color,\u003c/a> texture, personality, and atmosphere. There are boards documenting dreams, and \u003ca href=\"http://pinterest.com/siriah/nightmares-or-memories/\" target=\"_blank\">nightmares\u003c/a>, \u003ca href=\"http://pinterest.com/BellJar/revolution/\" target=\"_blank\">creating narratives\u003c/a>, delving into language and image, and drawing connections through exploration and expression.\u003c/p>\n\u003cfigure id=\"attachment_813\" class=\"wp-caption aligncenter\" style=\"max-width: 470px\">\u003ca href=\"http://pinterest.com/pin/118360296427069785/\" rel=\"attachment wp-att-813\">\u003cimg class=\"size-full wp-image-813 \" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/02/cosmos.png\" alt=\"by Justin Gabbord (found via Pinterest)\" width=\"470\" height=\"448\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2013/02/cosmos.png 470w, https://ww2.kqed.org/app/uploads/sites/12/2013/02/cosmos-400x381.png 400w, https://ww2.kqed.org/app/uploads/sites/12/2013/02/cosmos-32x32.png 32w\" sizes=\"(max-width: 470px) 100vw, 470px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">by Justin Gabbord (found via Pinterest)\u003c/figcaption>\u003c/figure>\n\u003cp>One fascinating aspect of Pinterest is the \u003ca href=\"http://www.thefrisky.com/2012-10-02/the-soapbox-oh-please-pinterest-isnt-killing-feminism/\" target=\"_blank\">feminist\u003c/a>/\u003ca href=\"http://www.buzzfeed.com/amyodell/how-pinterest-is-killing-feminism\" target=\"_blank\">anti-feminist\u003c/a> concerns surrounding it. The \u003ca href=\"http://www.huffingtonpost.com/2012/03/01/facts-about-pinterest-users_n_1312935.html\" target=\"_blank\">high percentage\u003c/a> of female users (anywhere from 60% to 90% depending on your source) is often discussed as a curiosity to discredit the site, or phenomenon to remedy. Yet I find something of \u003ca href=\"http://prospect.org/article/social-network-ones-own\" target=\"_blank\">its power\u003c/a> lies in that fact, in the prevalence of Clara Bow, Amelia Earhart, Frida Kahlo, Anna Karina, Gloria Anzaldua, and Angela Davis. Not to mention the range of interests and pursuits represented, from letterpress to Italian film to the Guerilla Girls to owning a business.\u003c/p>\n\u003cfigure id=\"attachment_816\" class=\"wp-caption aligncenter\" style=\"max-width: 500px\">\u003ca href=\"http://pinterest.com/pin/118430665170748540/\" rel=\"attachment wp-att-816\">\u003cimg class=\"size-full wp-image-816 \" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/02/anna-karina.jpg\" alt=\"Anna Karina. Found via Pinterest.\" width=\"500\" height=\"581\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2013/02/anna-karina.jpg 500w, https://ww2.kqed.org/app/uploads/sites/12/2013/02/anna-karina-400x464.jpg 400w\" sizes=\"(max-width: 500px) 100vw, 500px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Anna Karina. Found via Pinterest.\u003c/figcaption>\u003c/figure>\n\u003cp>The feminist theories of \u003ca href=\"http://rebeccahquist.wordpress.com/2012/12/15/final-project-pinterest-and-feminism/\" target=\"_blank\">dominance vs. difference\u003c/a> line up with the contrasts inherent to Pinterest. We are either to critique that a patriarchal society and capitalist system created the context in which a site like Pinterest even exists, or we can argue that there’s power in a place where women’s voices seem to be manifesting so strongly, no matter the range and tone of content. The latter is an exciting idea, and perhaps the mere culling of images might have more impact than we imagine. In a culture where the male voice still counts as the universal and the female is the other, doesn’t Pinterest have some ground-breaking potential? If so, and I realize that’s likely an overstatement, how might we be using it differently? In his amazing book, \u003ca href=\"http://www.alphabetvsgoddess.com/\" target=\"_blank\">The Alphabet Vs. The Goddess\u003c/a> Leonard Shlain asserts that before the advent of the alphabet, women had real social and cultural power, and that it was the dominance of the image that celebrated holistic thinking, the right brain, intuition, creativity, and a host of other positive “feminine” qualities. While reading it, I couldn’t help but think of Pinterest.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Through the women I follow, I’ve discovered and re-discovered a lot that captivates me and I use my boards as a means to consider this ephemera. A very small sampling of my notably female discoveries include \u003ca href=\"http://pinterest.com/pin/141511613263017416/\" target=\"_blank\">Anne Brigman\u003c/a>, \u003ca href=\"http://www.poetryfoundation.org/bio/marina-tsvetaeva\" target=\"_blank\">Marina Tsvetaeva\u003c/a>, and \u003ca href=\"http://www.jessicatremp.com/\" target=\"_blank\">Jessica Tremp\u003c/a>. Searching, collecting, and saving these images helps me streamline and pinpoint my fixations and obsessions. It gives them shape and tangible representation. I can watch my habits and trains of thought as they reveal my virtual (un)conscious. I return again and again to mull over these traces. They’re like the \u003ca href=\"http://pinterest.com/laurlia/pivotal/\" target=\"_blank\">collages\u003c/a> on my high school bedroom walls, something comforting, expressive and revealing about them. And there’s the crux of this cognitive dissonance: what am I saying about myself here? What’s the nature of this version of my identity and what do I hope to reveal with a stream of images not my own? What do these collections speak to, and how are our desires, tastes, and interests best manifested?\u003c/p>\n\u003cfigure id=\"attachment_823\" class=\"wp-caption aligncenter\" style=\"max-width: 500px\">\u003ca href=\"http://pinterest.com/pin/217017275765547054/\" rel=\"attachment wp-att-823\">\u003cimg class=\"size-full wp-image-823 \" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/02/collage.jpg\" alt=\"Image found via Pinterest.\" width=\"500\" height=\"602\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2013/02/collage.jpg 500w, https://ww2.kqed.org/app/uploads/sites/12/2013/02/collage-400x481.jpg 400w\" sizes=\"(max-width: 500px) 100vw, 500px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Image found via Pinterest.\u003c/figcaption>\u003c/figure>\n\u003cp>Let’s assume for a moment our usage is engaged, critical, and aware. Even then, it’s key our participation is the precursor to some artistic, productive, or dynamic offline action. At the very least we must interact with the format in a way that’s specific to us and isn’t merely a \u003ca href=\"http://marketingland.com/study-70-percent-pinterest-shopping-inspiration-24146\" target=\"_blank\">shopping list\u003c/a>, our possessions speaking for who we are. There’s no way around the fact that the medium influences the way information is produced, received and interpreted. The form guides the content, and “pinning” reinforces certain cultural standards and directions. \u003ca href=\"http://en.wikipedia.org/wiki/False_consciousness\" target=\"_blank\">Who is served\u003c/a> and who participates are relevant, potentially problematic factors. That pinners tend toward \u003ca href=\"http://betabeat.com/2012/07/pinterest-is-79-percent-white/\" target=\"_blank\">being white\u003c/a>, and \u003ca href=\"http://www.huffingtonpost.com/2012/03/01/facts-about-pinterest-users_n_1312935.html\" target=\"_blank\">upper-ish-class\u003c/a>, brings up a whole host of complex issues on voice, perspective, representation and relevance, just for starters. I frequently see the same image pinned over and over (supposedly the majority of images are gathered \u003ca href=\"http://www.huffingtonpost.com/2012/03/01/facts-about-pinterest-users_n_1312935.html\" target=\"_blank\">from within the site itself\u003c/a>). The collective unconscious is represented on Pinterest in no uncertain terms and I often wish it was a lot weirder and deeper than it seems to be.\u003c/p>\n\u003cfigure id=\"attachment_815\" class=\"wp-caption aligncenter\" style=\"max-width: 500px\">\u003ca href=\"http://gypsymess.tumblr.com/post/40463445090#\" rel=\"attachment wp-att-815\">\u003cimg class=\"size-full wp-image-815 \" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/02/i-am-free.jpg\" alt=\"Found via Pinterest.\" width=\"500\" height=\"340\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2013/02/i-am-free.jpg 500w, https://ww2.kqed.org/app/uploads/sites/12/2013/02/i-am-free-400x272.jpg 400w\" sizes=\"(max-width: 500px) 100vw, 500px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Image found via Pinterest via Gypsy Mess.\u003c/figcaption>\u003c/figure>\n\u003cp>What is \u003cem>almost\u003c/em> happening in certain subsets of Pinterest is the creation of a language, a collaborative, collective, cumulative sense of meaning that is perhaps transformative in ways we haven’t yet harnessed. Here is what we are looking at, and what we care about. It’s a constant sea of images hurtling and scrolling toward us, but they’re also coming from us, chosen by us, and \u003ca href=\"http://msmagazine.com/blog/2012/05/21/the-pinterest-problem/\" target=\"_blank\">how could that work in our favor?\u003c/a> Because I want to stick around. I want to use Pinterest in a way that feeds my preoccupations, pastimes and intrigues. It feels worthwhile to meditate on what these preoccupations include, to search for them, and separate them from all the other million things I see every day. I can leave behind what doesn’t feel right, or is trying too hard to persuade me. Ultimately it’s about that balance, one that each pinner needs to strike for themselves as they navigate these strange, confusing, and inspiring spaces. There are perhaps not just two ways to use Pinterest, but countless variations on a spectrum. While I feel critical, what interests me is the potential and capacity for meaning, both individual and collective, that clearly exists. The problems rest perhaps in how deeply we live within our virtual identities, yet how cursory we are in our consideration of them and what they really mean for our living, breathing selves.\u003c/p>\n\u003cp>P.S. Here are a few of my favorite pinners!\u003c/p>\n\u003cp>-\u003ca href=\"http://pinterest.com/KimKimKim/\" target=\"_blank\">Kim Kiwi\u003c/a>\u003c/p>\n\u003cp>-\u003ca href=\"http://pinterest.com/BellJar/\" target=\"_blank\">Bell Jar\u003c/a>\u003c/p>\n\u003cp>-\u003ca href=\"http://pinterest.com/sugarpieproject/\" target=\"_blank\">sugarpie project\u003c/a>\u003c/p>\n\u003cp>-\u003ca href=\"http://pinterest.com/siriah/?d\" target=\"_blank\">siriah\u003c/a>\u003c/p>\n\u003cp>-\u003ca href=\"http://pinterest.com/psychicsiamese/\" target=\"_blank\">Psychic Siamese Dream\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>-\u003ca href=\"http://pinterest.com/clairelindsay/\" target=\"_blank\">Claire Lindsay\u003c/a>\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/pop/812/the-consciousness-of-pinterest","authors":["2415"],"categories":["pop_56","pop_5"],"tags":["pop_121","pop_120","pop_119"],"featImg":"pop_830","label":"pop"}},"programsReducer":{"possible":{"id":"possible","title":"Possible","info":"Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.","airtime":"SUN 2pm","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2023/08/possible-5gxfizEbKOJ-pbF5ASgxrs_.1400x1400.jpg","officialWebsiteLink":"https://www.possible.fm/","meta":{"site":"news","source":"Possible"},"link":"/radio/program/possible","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/possible/id1677184070","spotify":"https://open.spotify.com/show/730YpdUSNlMyPQwNnyjp4k"}},"1a":{"id":"1a","title":"1A","info":"1A is home to the national conversation. 1A brings on great guests and frames the best debate in ways that make you think, share and engage.","airtime":"MON-THU 11pm-12am","imageSrc":"https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/1a.jpg","officialWebsiteLink":"https://the1a.org/","meta":{"site":"news","source":"npr"},"link":"/radio/program/1a","subscribe":{"npr":"https://rpb3r.app.goo.gl/RBrW","apple":"https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=1188724250&at=11l79Y&ct=nprdirectory","tuneIn":"https://tunein.com/radio/1A-p947376/","rss":"https://feeds.npr.org/510316/podcast.xml"}},"all-things-considered":{"id":"all-things-considered","title":"All Things Considered","info":"Every weekday, \u003cem>All Things Considered\u003c/em> hosts Robert Siegel, Audie Cornish, Ari Shapiro, and Kelly McEvers present the program's trademark mix of news, interviews, commentaries, reviews, and offbeat features. Michel Martin hosts on the weekends.","airtime":"MON-FRI 1pm-2pm, 4:30pm-6:30pm\u003cbr />SAT-SUN 5pm-6pm","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2021/10/ATC_1400.jpg","officialWebsiteLink":"https://www.npr.org/programs/all-things-considered/","meta":{"site":"news","source":"npr"},"link":"/radio/program/all-things-considered"},"american-suburb-podcast":{"id":"american-suburb-podcast","title":"American Suburb: The Podcast","tagline":"The flip side of gentrification, told through one town","info":"Gentrification is changing cities across America, forcing people from neighborhoods they have long called home. Call them the displaced. Now those priced out of the Bay Area are looking for a better life in an unlikely place. American Suburb follows this migration to one California town along the Delta, 45 miles from San Francisco. But is this once sleepy suburb ready for them?","imageSrc":"https://ww2.kqed.org/news/wp-content/uploads/sites/10/powerpress/1440_0018_AmericanSuburb_iTunesTile_01.jpg","officialWebsiteLink":"/news/series/american-suburb-podcast","meta":{"site":"news","source":"kqed","order":"13"},"link":"/news/series/american-suburb-podcast/","subscribe":{"npr":"https://rpb3r.app.goo.gl/RBrW","apple":"https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?mt=2&id=1287748328","tuneIn":"https://tunein.com/radio/American-Suburb-p1086805/","rss":"https://ww2.kqed.org/news/series/american-suburb-podcast/feed/podcast","google":"https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkMzMDExODgxNjA5"}},"baycurious":{"id":"baycurious","title":"Bay Curious","tagline":"Exploring the Bay Area, one question at a time","info":"KQED’s new podcast, Bay Curious, gets to the bottom of the mysteries — both profound and peculiar — that give the Bay Area its unique identity. And we’ll do it with your help! You ask the questions. You decide what Bay Curious investigates. And you join us on the journey to find the answers.","imageSrc":"https://ww2.kqed.org/news/wp-content/uploads/sites/10/powerpress/1440_0017_BayCurious_iTunesTile_01.jpg","imageAlt":"\"KQED Bay Curious","officialWebsiteLink":"/news/series/baycurious","meta":{"site":"news","source":"kqed","order":"4"},"link":"/podcasts/baycurious","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/bay-curious/id1172473406","npr":"https://www.npr.org/podcasts/500557090/bay-curious","rss":"https://ww2.kqed.org/news/category/bay-curious-podcast/feed/podcast","google":"https://podcasts.google.com/feed/aHR0cHM6Ly93dzIua3FlZC5vcmcvbmV3cy9jYXRlZ29yeS9iYXktY3VyaW91cy1wb2RjYXN0L2ZlZWQvcG9kY2FzdA","stitcher":"https://www.stitcher.com/podcast/kqed/bay-curious","spotify":"https://open.spotify.com/show/6O76IdmhixfijmhTZLIJ8k"}},"bbc-world-service":{"id":"bbc-world-service","title":"BBC World Service","info":"The day's top stories from BBC News compiled twice daily in the week, once at weekends.","airtime":"MON-FRI 9pm-10pm, TUE-FRI 1am-2am","imageSrc":"https://ww2.kqed.org/app/uploads/2021/10/BBC_1400.jpg","officialWebsiteLink":"https://www.bbc.co.uk/sounds/play/live:bbc_world_service","meta":{"site":"news","source":"BBC World Service"},"link":"/radio/program/bbc-world-service","subscribe":{"apple":"https://itunes.apple.com/us/podcast/global-news-podcast/id135067274?mt=2","tuneIn":"https://tunein.com/radio/BBC-World-Service-p455581/","rss":"https://podcasts.files.bbci.co.uk/p02nq0gn.rss"}},"code-switch-life-kit":{"id":"code-switch-life-kit","title":"Code Switch / Life Kit","info":"\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />","airtime":"SUN 9pm-10pm","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2021/12/CodeSwitchLifeKit_StationGraphics_300x300EmailGraphic.png","meta":{"site":"radio","source":"npr"},"link":"/radio/program/code-switch-life-kit","subscribe":{"apple":"https://podcasts.apple.com/podcast/1112190608?mt=2&at=11l79Y&ct=nprdirectory","google":"https://podcasts.google.com/feed/aHR0cHM6Ly93d3cubnByLm9yZy9yc3MvcG9kY2FzdC5waHA_aWQ9NTEwMzEy","spotify":"https://open.spotify.com/show/3bExJ9JQpkwNhoHvaIIuyV","rss":"https://feeds.npr.org/510312/podcast.xml"}},"commonwealth-club":{"id":"commonwealth-club","title":"Commonwealth Club of California Podcast","info":"The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.","airtime":"THU 10pm, FRI 1am","imageSrc":"https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2019/07/commonwealthclub.jpg","officialWebsiteLink":"https://www.commonwealthclub.org/podcasts","meta":{"site":"news","source":"Commonwealth Club of California"},"link":"/radio/program/commonwealth-club","subscribe":{"apple":"https://itunes.apple.com/us/podcast/commonwealth-club-of-california-podcast/id976334034?mt=2","google":"https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw","tuneIn":"https://tunein.com/radio/Commonwealth-Club-of-California-p1060/"}},"considerthis":{"id":"considerthis","title":"Consider This","tagline":"Make sense of the day","info":"Make sense of the day. Every weekday afternoon, Consider This helps you consider the major stories of the day in less than 15 minutes, featuring the reporting and storytelling resources of NPR. Plus, KQED’s Bianca Taylor brings you the local KQED news you need to know.","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2022/02/Consider-This_3000_V3-copy-scaled-1.jpg","imageAlt":"Consider This from NPR and KQED","officialWebsiteLink":"/podcasts/considerthis","meta":{"site":"news","source":"kqed","order":"7"},"link":"/podcasts/considerthis","subscribe":{"apple":"https://podcasts.apple.com/podcast/id1503226625?mt=2&at=11l79Y&ct=nprdirectory","npr":"https://rpb3r.app.goo.gl/coronavirusdaily","google":"https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM1NS9wb2RjYXN0LnhtbA","spotify":"https://open.spotify.com/show/3Z6JdCS2d0eFEpXHKI6WqH"}},"forum":{"id":"forum","title":"Forum","tagline":"The conversation starts here","info":"KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.","airtime":"MON-FRI 9am-11am, 10pm-11pm","imageSrc":"https://ww2.kqed.org/app/uploads/2022/06/forum-logo-900x900tile-1.gif","imageAlt":"KQED Forum with Mina Kim and Alexis Madrigal","officialWebsiteLink":"/forum","meta":{"site":"news","source":"kqed","order":"8"},"link":"/forum","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/kqeds-forum/id73329719","google":"https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5NTU3MzgxNjMz","npr":"https://www.npr.org/podcasts/432307980/forum","stitcher":"https://www.stitcher.com/podcast/kqedfm-kqeds-forum-podcast","rss":"https://feeds.megaphone.fm/KQINC9557381633"}},"freakonomics-radio":{"id":"freakonomics-radio","title":"Freakonomics Radio","info":"Freakonomics Radio is a one-hour award-winning podcast and public-radio project hosted by Stephen Dubner, with co-author Steve Levitt as a regular guest. It is produced in partnership with WNYC.","imageSrc":"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/freakonomicsRadio.png","officialWebsiteLink":"http://freakonomics.com/","airtime":"SUN 1am-2am, SAT 3pm-4pm","meta":{"site":"radio","source":"WNYC"},"link":"/radio/program/freakonomics-radio","subscribe":{"npr":"https://rpb3r.app.goo.gl/4s8b","apple":"https://itunes.apple.com/us/podcast/freakonomics-radio/id354668519","tuneIn":"https://tunein.com/podcasts/WNYC-Podcasts/Freakonomics-Radio-p272293/","rss":"https://feeds.feedburner.com/freakonomicsradio"}},"fresh-air":{"id":"fresh-air","title":"Fresh Air","info":"Hosted by Terry Gross, \u003cem>Fresh Air from WHYY\u003c/em> is the Peabody Award-winning weekday magazine of contemporary arts and issues. One of public radio's most popular programs, Fresh Air features intimate conversations with today's biggest luminaries.","airtime":"MON-FRI 7pm-8pm","imageSrc":"https://ww2.kqed.org/app/uploads/2021/10/FreshAir_1400.jpg","officialWebsiteLink":"https://www.npr.org/programs/fresh-air/","meta":{"site":"radio","source":"npr"},"link":"/radio/program/fresh-air","subscribe":{"npr":"https://rpb3r.app.goo.gl/4s8b","apple":"https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=214089682&at=11l79Y&ct=nprdirectory","tuneIn":"https://tunein.com/radio/Fresh-Air-p17/","rss":"https://feeds.npr.org/381444908/podcast.xml"}},"here-and-now":{"id":"here-and-now","title":"Here & Now","info":"A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. 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