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He is a regular contributor to The Bold Italic and the San Francisco Chronicle's Style section.","avatar":"https://secure.gravatar.com/avatar/dbf4e1ca0ae547c324ab218b5b01c466?s=600&d=blank&r=g","twitter":"velvetgoldminer","facebook":null,"instagram":null,"linkedin":null,"sites":[{"site":"pop","roles":["contributor"]}],"headData":{"title":"Tony Bravo | KQED","description":null,"ogImgSrc":"https://secure.gravatar.com/avatar/dbf4e1ca0ae547c324ab218b5b01c466?s=600&d=blank&r=g","twImgSrc":"https://secure.gravatar.com/avatar/dbf4e1ca0ae547c324ab218b5b01c466?s=600&d=blank&r=g"},"isLoading":false,"link":"/author/tonybravo"},"tanya":{"type":"authors","id":"2520","meta":{"index":"authors_1591205172","id":"2520","found":true},"name":"Tanya Feldman","firstName":"Tanya","lastName":"Feldman","slug":"tanya","email":"sunsetgun@gmail.com","display_author_email":false,"staff_mastheads":[],"title":null,"bio":"Tanya Feldman is a Bay Area pop culture blogger and podcaster who loves movies, museum meandering, mixology, and lots of other things that don't all start with the letter M. She has written for Flavorpill and Coilhouse. In her spare time, she edits a blog on critical analysis of geek pop culture, writes about her favorite cult movies, and takes too many pictures of her food.","avatar":"https://secure.gravatar.com/avatar/a73e1499cafb209c0fa81506920a4217?s=600&d=blank&r=g","twitter":null,"facebook":null,"instagram":null,"linkedin":null,"sites":[{"site":"pop","roles":["contributor"]}],"headData":{"title":"Tanya Feldman | KQED","description":null,"ogImgSrc":"https://secure.gravatar.com/avatar/a73e1499cafb209c0fa81506920a4217?s=600&d=blank&r=g","twImgSrc":"https://secure.gravatar.com/avatar/a73e1499cafb209c0fa81506920a4217?s=600&d=blank&r=g"},"isLoading":false,"link":"/author/tanya"},"mariajudnick":{"type":"authors","id":"3218","meta":{"index":"authors_1591205172","id":"3218","found":true},"name":"Maria Judnick","firstName":null,"lastName":null,"slug":"mariajudnick","email":"mjudnick@gmail.com","display_author_email":false,"staff_mastheads":[],"title":null,"bio":"Maria Judnick is a proud Bay Area native. With a MA in English from SJSU and a MFA in Creative Nonfiction from St. Mary's College of California, Maria spends much of her time talking about John Steinbeck and writing a young adult mystery novel. She teaches at a local college.","avatar":"https://secure.gravatar.com/avatar/b18d95a26826a4361f8b5e20e2c5b241?s=600&d=blank&r=g","twitter":null,"facebook":null,"instagram":null,"linkedin":null,"sites":[{"site":"pop","roles":["contributor"]}],"headData":{"title":"Maria Judnick | KQED","description":null,"ogImgSrc":"https://secure.gravatar.com/avatar/b18d95a26826a4361f8b5e20e2c5b241?s=600&d=blank&r=g","twImgSrc":"https://secure.gravatar.com/avatar/b18d95a26826a4361f8b5e20e2c5b241?s=600&d=blank&r=g"},"isLoading":false,"link":"/author/mariajudnick"},"meganbrown":{"type":"authors","id":"3221","meta":{"index":"authors_1591205172","id":"3221","found":true},"name":"Megan Brown","firstName":"Megan","lastName":"Brown","slug":"meganbrown","email":"meganb77@gmail.com","display_author_email":false,"staff_mastheads":[],"title":null,"bio":"In 2014, Megan Brown earned an MFA in Creative Writing from Mills College where she blogged about food and mentored other writers. She wonders if she’s the only KQED Pop contributor who doesn’t own a television. Megan likes grammar and rhetoric and when she’s not correcting herself or others, she’s slowly riding a bike or thinking about what raising a green baby takes, given our global economy.","avatar":"https://secure.gravatar.com/avatar/f92ce7ed9c5fe65a8ca36745c2f13efb?s=600&d=blank&r=g","twitter":null,"facebook":null,"instagram":null,"linkedin":null,"sites":[{"site":"pop","roles":["contributor"]}],"headData":{"title":"Megan Brown | KQED","description":null,"ogImgSrc":"https://secure.gravatar.com/avatar/f92ce7ed9c5fe65a8ca36745c2f13efb?s=600&d=blank&r=g","twImgSrc":"https://secure.gravatar.com/avatar/f92ce7ed9c5fe65a8ca36745c2f13efb?s=600&d=blank&r=g"},"isLoading":false,"link":"/author/meganbrown"}},"breakingNewsReducer":{},"campaignFinanceReducer":{},"firebase":{"requesting":{},"requested":{},"timestamps":{},"data":{},"ordered":{},"auth":{"isLoaded":false,"isEmpty":true},"authError":null,"profile":{"isLoaded":false,"isEmpty":true},"listeners":{"byId":{},"allIds":[]},"isInitializing":false,"errors":[]},"navBarReducer":{"navBarId":"arts","fullView":true,"showPlayer":false},"navMenuReducer":{"menus":[{"key":"menu1","items":[{"name":"News","link":"/","type":"title"},{"name":"Politics","link":"/politics"},{"name":"Science","link":"/science"},{"name":"Education","link":"/educationnews"},{"name":"Housing","link":"/housing"},{"name":"Immigration","link":"/immigration"},{"name":"Criminal Justice","link":"/criminaljustice"},{"name":"Silicon Valley","link":"/siliconvalley"},{"name":"Forum","link":"/forum"},{"name":"The California Report","link":"/californiareport"}]},{"key":"menu2","items":[{"name":"Arts & Culture","link":"/arts","type":"title"},{"name":"Critics’ Picks","link":"/thedolist"},{"name":"Cultural Commentary","link":"/artscommentary"},{"name":"Food & Drink","link":"/food"},{"name":"Bay Area Hip-Hop","link":"/bayareahiphop"},{"name":"Rebel Girls","link":"/rebelgirls"},{"name":"Arts Video","link":"/artsvideos"}]},{"key":"menu3","items":[{"name":"Podcasts","link":"/podcasts","type":"title"},{"name":"Bay Curious","link":"/podcasts/baycurious"},{"name":"Rightnowish","link":"/podcasts/rightnowish"},{"name":"The Bay","link":"/podcasts/thebay"},{"name":"On Our Watch","link":"/podcasts/onourwatch"},{"name":"Mindshift","link":"/podcasts/mindshift"},{"name":"Consider This","link":"/podcasts/considerthis"},{"name":"Political Breakdown","link":"/podcasts/politicalbreakdown"}]},{"key":"menu4","items":[{"name":"Live Radio","link":"/radio","type":"title"},{"name":"TV","link":"/tv","type":"title"},{"name":"Events","link":"/events","type":"title"},{"name":"For Educators","link":"/education","type":"title"},{"name":"Support KQED","link":"/support","type":"title"},{"name":"About","link":"/about","type":"title"},{"name":"Help Center","link":"https://kqed-helpcenter.kqed.org/s","type":"title"}]}]},"pagesReducer":{},"postsReducer":{"stream_live":{"type":"live","id":"stream_live","audioUrl":"https://streams.kqed.org/kqedradio","title":"Live Stream","excerpt":"Live Stream information currently unavailable.","link":"/radio","featImg":"","label":{"name":"KQED Live","link":"/"}},"stream_kqedNewscast":{"type":"posts","id":"stream_kqedNewscast","audioUrl":"https://www.kqed.org/.stream/anon/radio/RDnews/newscast.mp3?_=1","title":"KQED Newscast","featImg":"","label":{"name":"88.5 FM","link":"/"}},"pop_13523":{"type":"posts","id":"pop_13523","meta":{"index":"posts_1591205157","site":"pop","id":"13523","score":null,"sort":[1412104046000]},"guestAuthors":[],"slug":"body-language-what-tattoos-can-say-about-us","title":"Body Language: What Tattoos Can Say About Us","publishDate":1412104046,"format":"aside","headTitle":"KQED Pop | KQED Arts","labelTerm":{"site":"pop"},"content":"\u003cfigure id=\"attachment_13752\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg class=\"wp-image-13752\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/09/Tattoo_PSF-1024x946.png\" alt=\"Photo: Wiki Commons\" width=\"640\" height=\"591\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/09/Tattoo_PSF-1024x946.png 1024w, https://ww2.kqed.org/app/uploads/sites/12/2014/09/Tattoo_PSF-360x332.png 360w, https://ww2.kqed.org/app/uploads/sites/12/2014/09/Tattoo_PSF-300x277.png 300w, https://ww2.kqed.org/app/uploads/sites/12/2014/09/Tattoo_PSF.png 1985w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Photo: \u003ca href=\"http://commons.wikimedia.org/wiki/File:Tattoo_(PSF).svg\">Wiki Commons\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cp>You need only flip through a fashion magazine or greet your mustached techie-neighbor during Movember to be reminded that the body is a vehicle for art. Personal taste depending, the handlebar mustache or ruffled couture gown is either gorgeous or gauche. But both types of fashion are temporary. We can quickly change clothes, cut or grow out bad hair and say something different about ourselves. It’s a kind of body art and language that doesn’t stick.\u003c/p>\n\u003cp>Not so for tattoos. This is part of why we get them -- to say something enduring, to memorialize an event or laud a loved one, to affiliate with a group, to wax philosophical in a foreign language, to ensure the constant companionship of mermaids or pinups or spirit animals, or our musical or political idols, living or dead.\u003c/p>\n\u003cp>For many, the desire to be tattooed comes first. The image to be inked comes next. There might be some planning. After an hour or so in the tattoo chair, it’s a done deal.\u003c/p>\n\u003cfigure id=\"attachment_13704\" class=\"wp-caption alignright\" style=\"max-width: 215px\">\u003cimg class=\"wp-image-13704 size-full\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/09/Jens-tatoo.jpeg\" alt=\"Jen's tatoo\" width=\"215\" height=\"320\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/09/Jens-tatoo.jpeg 215w, https://ww2.kqed.org/app/uploads/sites/12/2014/09/Jens-tatoo-201x300.jpeg 201w\" sizes=\"(max-width: 215px) 100vw, 215px\">\u003cfigcaption class=\"wp-caption-text\">Jen's tattoo\u003c/figcaption>\u003c/figure>\n\u003cp>San Francisco resident Jen’s (a fictional name) recent inking experience was anything but in and out. Her first and only tattoo, a scapula-to-elbow white dogwood tree in seasonal shift was completed over the course of 18 months and took 40 hours in the chair. That’s an entire work week!\u003c/p>\n\u003cp>Oakland-based artist Marie Brennan of \u003ca href=\"http://www.divingswallow.com/\">Diving Swallow Tattoo\u003c/a> specializes in flora and fauna and designed and inked Jen’s tattoo, which represents Jen’s family roots in the Southeast and “the beautiful, absurd, and tragic cycle of life.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>When I first met Jen a few years ago, she was shy; I couldn’t have pictured her with a 26-inch-long tattoo on her thin arm. Red roots extend down below the elbow. “Some people have asked if they’re supposed to be veins,” she said. “Imagine getting your insides tattooed on your outsides.” This didn’t appeal to either of us.\u003c/p>\n\u003cp>Having met Jen’s family, I had to ask her about their reaction. She said that when she told her mother the plan, her mother didn’t want anything to do with the tattoo, however meaningful the art was to Jen. This is evidence that we take other peoples’ tattoos personally and we shouldn’t.\u003c/p>\n\u003cp>Or let me just say that \u003cem>I\u003c/em> shouldn’t. Lately, I’ve been reading peoples’ tattoos and judging the person. “Would you date someone with a huge crow tattooed on their back? What about a winged bat on the bicep? That crown of thorns around the upper arm? That’s so ten years ago.”\u003c/p>\n\u003cp>While I love the way tattoos look on some people, with other tattoos, I ask myself if I could stand to look at it for the rest of my life. Usually, the answer is \u003cem>no\u003c/em> before I’ve even gotten to know the person, often just a passerby on the street who probably could care less what I think.\u003c/p>\n\u003cp>But I care. I care about that teen in juvenile hall whose gang-tattoo a potential employer -- and, well, everyone -- will judge. I care about that baggage clerk with a tattoo on the back of his shaved head. I even care about Jen’s boyfriend who doesn’t like tattoos in general. But he loves her, her individuality; they’ve been together for over ten solid years. In effect, when Jen said “I do” to the body art, so did her boyfriend.\u003c/p>\n\u003cp>I said “I do” to ink on my body ten years ago, and I find myself ambivalent about it. After passing up every sketch in the tattoo parlor’s notebook, I finally selected a fleur-de-lys design with Celtic knots. I’m of French and Irish descent -- and a native of New Orleans -- so this made sense.\u003c/p>\n\u003cp>It’s on my shoulder and, though it’s not that big, people comment on it all the time. They assume it’s the Boy Scouts emblem or a nod to the New Orleans Saints football team. And after Hurricane Katrina, the tattoo must have come off as part of a trend. I don’t enjoy these questions from people; I’d rather hear praise or nothing.\u003c/p>\n\u003cfigure id=\"attachment_13705\" class=\"wp-caption alignleft\" style=\"max-width: 320px\">\u003cimg class=\"wp-image-13705 size-full\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/09/my-Tattoo-after.jpeg\" alt=\"my Tattoo after\" width=\"320\" height=\"214\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/09/my-Tattoo-after.jpeg 320w, https://ww2.kqed.org/app/uploads/sites/12/2014/09/my-Tattoo-after-300x200.jpeg 300w\" sizes=\"(max-width: 320px) 100vw, 320px\">\u003cfigcaption class=\"wp-caption-text\">Fleur-de-lis 2.0\u003c/figcaption>\u003c/figure>\n\u003cp>Last summer, though, after years of thinking my tattoo looked like a mere stamp on my body, I had it filled in with different colors to make it look more like a flower. But I’m still not happy with it all the time. I finally realize why. I see my tattoo more as text and less as image. To be happy with it, I need to appreciate the shading of the petals, the tiny piston and stamen embellishment, the steadfastness of the color over the years.\u003c/p>\n\u003cp>As text, what my tattoo says to me is that I’m never happy with anything (being a writer, of course this is true). As image, my tattoo says to admire the flower on my own body. A flower that can be made bigger and better or even taken away, an image with an evolving narrative.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Most of us agree that any permanent fashion on the body should be meaningful. Some of us tweak the narrative as we go.\u003c/p>\n\n","blocks":[],"excerpt":null,"status":"publish","parent":0,"modified":1420765784,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":17,"wordCount":936},"headData":{"title":"Body Language: What Tattoos Can Say About Us | KQED","description":"You need only flip through a fashion magazine or greet your mustached techie-neighbor during Movember to be reminded that the body is a vehicle for art. Personal taste depending, the handlebar mustache or ruffled couture gown is either gorgeous or gauche. But both types of fashion are temporary. We can quickly change clothes, cut or","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Body Language: What Tattoos Can Say About Us","datePublished":"2014-09-30T19:07:26.000Z","dateModified":"2015-01-09T01:09:44.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"disqusIdentifier":"13523 http://blogs.kqed.org/pop/?p=13523","disqusUrl":"https://ww2.kqed.org/pop/2014/09/30/body-language-what-tattoos-can-say-about-us/","disqusTitle":"Body Language: What Tattoos Can Say About Us","path":"/pop/13523/body-language-what-tattoos-can-say-about-us","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_13752\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg class=\"wp-image-13752\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/09/Tattoo_PSF-1024x946.png\" alt=\"Photo: Wiki Commons\" width=\"640\" height=\"591\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/09/Tattoo_PSF-1024x946.png 1024w, https://ww2.kqed.org/app/uploads/sites/12/2014/09/Tattoo_PSF-360x332.png 360w, https://ww2.kqed.org/app/uploads/sites/12/2014/09/Tattoo_PSF-300x277.png 300w, https://ww2.kqed.org/app/uploads/sites/12/2014/09/Tattoo_PSF.png 1985w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Photo: \u003ca href=\"http://commons.wikimedia.org/wiki/File:Tattoo_(PSF).svg\">Wiki Commons\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cp>You need only flip through a fashion magazine or greet your mustached techie-neighbor during Movember to be reminded that the body is a vehicle for art. Personal taste depending, the handlebar mustache or ruffled couture gown is either gorgeous or gauche. But both types of fashion are temporary. We can quickly change clothes, cut or grow out bad hair and say something different about ourselves. It’s a kind of body art and language that doesn’t stick.\u003c/p>\n\u003cp>Not so for tattoos. This is part of why we get them -- to say something enduring, to memorialize an event or laud a loved one, to affiliate with a group, to wax philosophical in a foreign language, to ensure the constant companionship of mermaids or pinups or spirit animals, or our musical or political idols, living or dead.\u003c/p>\n\u003cp>For many, the desire to be tattooed comes first. The image to be inked comes next. There might be some planning. After an hour or so in the tattoo chair, it’s a done deal.\u003c/p>\n\u003cfigure id=\"attachment_13704\" class=\"wp-caption alignright\" style=\"max-width: 215px\">\u003cimg class=\"wp-image-13704 size-full\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/09/Jens-tatoo.jpeg\" alt=\"Jen's tatoo\" width=\"215\" height=\"320\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/09/Jens-tatoo.jpeg 215w, https://ww2.kqed.org/app/uploads/sites/12/2014/09/Jens-tatoo-201x300.jpeg 201w\" sizes=\"(max-width: 215px) 100vw, 215px\">\u003cfigcaption class=\"wp-caption-text\">Jen's tattoo\u003c/figcaption>\u003c/figure>\n\u003cp>San Francisco resident Jen’s (a fictional name) recent inking experience was anything but in and out. Her first and only tattoo, a scapula-to-elbow white dogwood tree in seasonal shift was completed over the course of 18 months and took 40 hours in the chair. That’s an entire work week!\u003c/p>\n\u003cp>Oakland-based artist Marie Brennan of \u003ca href=\"http://www.divingswallow.com/\">Diving Swallow Tattoo\u003c/a> specializes in flora and fauna and designed and inked Jen’s tattoo, which represents Jen’s family roots in the Southeast and “the beautiful, absurd, and tragic cycle of life.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>When I first met Jen a few years ago, she was shy; I couldn’t have pictured her with a 26-inch-long tattoo on her thin arm. Red roots extend down below the elbow. “Some people have asked if they’re supposed to be veins,” she said. “Imagine getting your insides tattooed on your outsides.” This didn’t appeal to either of us.\u003c/p>\n\u003cp>Having met Jen’s family, I had to ask her about their reaction. She said that when she told her mother the plan, her mother didn’t want anything to do with the tattoo, however meaningful the art was to Jen. This is evidence that we take other peoples’ tattoos personally and we shouldn’t.\u003c/p>\n\u003cp>Or let me just say that \u003cem>I\u003c/em> shouldn’t. Lately, I’ve been reading peoples’ tattoos and judging the person. “Would you date someone with a huge crow tattooed on their back? What about a winged bat on the bicep? That crown of thorns around the upper arm? That’s so ten years ago.”\u003c/p>\n\u003cp>While I love the way tattoos look on some people, with other tattoos, I ask myself if I could stand to look at it for the rest of my life. Usually, the answer is \u003cem>no\u003c/em> before I’ve even gotten to know the person, often just a passerby on the street who probably could care less what I think.\u003c/p>\n\u003cp>But I care. I care about that teen in juvenile hall whose gang-tattoo a potential employer -- and, well, everyone -- will judge. I care about that baggage clerk with a tattoo on the back of his shaved head. I even care about Jen’s boyfriend who doesn’t like tattoos in general. But he loves her, her individuality; they’ve been together for over ten solid years. In effect, when Jen said “I do” to the body art, so did her boyfriend.\u003c/p>\n\u003cp>I said “I do” to ink on my body ten years ago, and I find myself ambivalent about it. After passing up every sketch in the tattoo parlor’s notebook, I finally selected a fleur-de-lys design with Celtic knots. I’m of French and Irish descent -- and a native of New Orleans -- so this made sense.\u003c/p>\n\u003cp>It’s on my shoulder and, though it’s not that big, people comment on it all the time. They assume it’s the Boy Scouts emblem or a nod to the New Orleans Saints football team. And after Hurricane Katrina, the tattoo must have come off as part of a trend. I don’t enjoy these questions from people; I’d rather hear praise or nothing.\u003c/p>\n\u003cfigure id=\"attachment_13705\" class=\"wp-caption alignleft\" style=\"max-width: 320px\">\u003cimg class=\"wp-image-13705 size-full\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/09/my-Tattoo-after.jpeg\" alt=\"my Tattoo after\" width=\"320\" height=\"214\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/09/my-Tattoo-after.jpeg 320w, https://ww2.kqed.org/app/uploads/sites/12/2014/09/my-Tattoo-after-300x200.jpeg 300w\" sizes=\"(max-width: 320px) 100vw, 320px\">\u003cfigcaption class=\"wp-caption-text\">Fleur-de-lis 2.0\u003c/figcaption>\u003c/figure>\n\u003cp>Last summer, though, after years of thinking my tattoo looked like a mere stamp on my body, I had it filled in with different colors to make it look more like a flower. But I’m still not happy with it all the time. I finally realize why. I see my tattoo more as text and less as image. To be happy with it, I need to appreciate the shading of the petals, the tiny piston and stamen embellishment, the steadfastness of the color over the years.\u003c/p>\n\u003cp>As text, what my tattoo says to me is that I’m never happy with anything (being a writer, of course this is true). As image, my tattoo says to admire the flower on my own body. A flower that can be made bigger and better or even taken away, an image with an evolving narrative.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Most of us agree that any permanent fashion on the body should be meaningful. Some of us tweak the narrative as we go.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/pop/13523/body-language-what-tattoos-can-say-about-us","authors":["3221"],"categories":["pop_1537","pop_1041"],"tags":["pop_321","pop_10"],"featImg":"pop_13752","label":"pop"},"pop_13205":{"type":"posts","id":"pop_13205","meta":{"index":"posts_1591205157","site":"pop","id":"13205","score":null,"sort":[1410208455000]},"guestAuthors":[],"slug":"love-art-love-books-the-best-of-the-art-novels","title":"Love Art? Love Books? The Best of the Art Novels","publishDate":1410208455,"format":"aside","headTitle":"KQED Pop | KQED Arts","labelTerm":{"site":"pop"},"content":"\u003cp>\u003cstrong>\u003cimg class=\"aligncenter wp-image-13394 size-full\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/art-novels.jpg\" alt=\"art-novels\" width=\"640\" height=\"360\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/08/art-novels.jpg 640w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/art-novels-400x225.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">By Maria Judnick\u003c/strong>\u003c/p>\n\u003cp>Donna Tartt’s recent 775 page novel \u003cem>The Goldfinch\u003c/em> earned widespread critical -- and reader -- acclaim for its inventive plot that involved a painting stolen from the Museum of Modern Art. But she’s not the only author who has slipped more than a little art into their plots. Here are some of our favorite books that blend fiction with the art world.\u003c/p>\n\u003ch3 style=\"text-align: center\">\u003cstrong>For the Child At Heart: \u003c/strong>\u003c/h3>\n\u003cp>\u003cstrong>\u003cem>\u003cimg class=\"alignleft wp-image-13400\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/files-basil.jpg\" alt=\"files-basil\" width=\"200\" height=\"270\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/08/files-basil.jpg 449w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/files-basil-400x539.jpg 400w\" sizes=\"(max-width: 200px) 100vw, 200px\">The Mixed-Up Files of Mrs. Basil E. Frankweiler \u003c/em>\u003c/strong>\u003cstrong>by E. L. Konigsburg\u003c/strong>\u003c/p>\n\u003cp>No matter how old you are, it’s never too late to read this 1967 children’s classic. Two children run away to the Metropolitan Museum of Art in New York City. After many enchanting stories of how they settle into their new home, the kids take note of an exhibit featuring a statue of an angel that may or may not have been carved by Michelangelo. The resourceful siblings do their research and visit the benefactor who sold the angel at auction for a measly $225 to find out the secret of the statue, and, in the process, discover they’ve met their match in this smart but eccentric older woman.\u003c/p>\n\u003cp> \u003c/p>\n\u003ch3 style=\"text-align: center\">\u003cstrong>For the Serious “Artiste”:\u003c/strong>\u003c/h3>\n\u003cp>\u003cstrong>\u003cem>\u003cimg class=\"alignright wp-image-13402\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/an-object-of-beauty.jpg\" alt=\"an-object-of-beauty\" width=\"250\" height=\"222\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/08/an-object-of-beauty.jpg 947w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/an-object-of-beauty-400x354.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/an-object-of-beauty-800x709.jpg 800w\" sizes=\"(max-width: 250px) 100vw, 250px\">An Object of Beauty\u003c/em>\u003c/strong>\u003cstrong> by Steve Martin\u003c/strong>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Steve Martin is much more than just a comedian; particularly in recent years, he has brought his other talents to light: banjo player, author, and serious art collector. His 2010 novel follows the meteoric career of Lacey Yeager, a young, smart and ambitious art seller in the 1990s and 2000s. Martin's intricate, knowing details based on his personal insights of the art market will make any reader feel like the ultimate insider at places like Christie’s and Sotheby’s.\u003c/p>\n\u003cp> \u003c/p>\n\u003ch3 style=\"text-align: center\">\u003cstrong>For the Historical Romance, Colin-Firth-Swooning Fans: \u003c/strong>\u003c/h3>\n\u003cp>\u003cstrong>\u003cem>\u003cimg class=\"alignleft wp-image-13401\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/girl-with-a-pearl-earring.jpg\" alt=\"girl-with-a-pearl-earring\" width=\"220\" height=\"343\">Girl with a Pearl Earring \u003c/em>\u003c/strong>\u003cstrong>By Tracy Chevalier\u003c/strong>\u003c/p>\n\u003cp>This 1999 novel was popular for a reason: it offers a compelling fictional backstory to the famous painting “Girl with a Pearl Earring” (1665) by the mysterious and methodical Dutch painter Johannes Vermeer. A young maid, Griet, enters the Vermeer household, where the painter gradually discovers she has an eye for art. Griet spends much of her time fighting off suitors in the book -- from the local butcher’s son Pieter to Vermeer’s lecherous patron, Van Ruijven -- all while seemingly pining for the married painter. Will the title painting commissioned by Van Ruijven get finished without Vermeer’s jealous wife interfering? Will Griet and Johannes give in to their urges? Best of all, when readers finish the book, there’s \u003ca href=\"http://youtu.be/46E3xUTR6A0\">a 2003 film\u003c/a> starring a young Scarlett Johansson and -- of course -- a smoldering Colin Firth.\u003c/p>\n\u003cp> \u003c/p>\n\u003ch3 style=\"text-align: center\">\u003cstrong>For the Heart-Pounding Mystery Enthusiast:\u003c/strong>\u003c/h3>\n\u003cp>\u003cstrong>\u003cem>\u003cimg class=\"alignright wp-image-13392\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/123744.jpg\" alt=\"123744\" width=\"220\" height=\"326\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/08/123744.jpg 432w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/123744-400x592.jpg 400w\" sizes=\"(max-width: 220px) 100vw, 220px\">The Maltese Falcon \u003c/em>by Dashiell Hammett\u003c/strong>\u003c/p>\n\u003cp>Forget all about Dan Brown’s \u003cem>Da Vinci Code. \u003c/em>Hammett’s 1929 novel, which introduced the world to hard-boiled detective Sam Spade, offers readers more than just a plot summary for the famous 1941 film starring Humphrey Bogart. Listed 56\u003csup>th\u003c/sup> by the Modern Library on their list of the 100 best English-language novels of the 20\u003csup>th\u003c/sup> century, Hammett’s writing brings a noir-like, gritty quality to San Francisco life. Of course, once readers finish the book there’s always a literary trip to Hammett’s home (891 Post Street #401), John’s Grill (63 Ellis Street – also home to the Dashiell Hammett society), and the Flood Building to stare at the Falcon itself displayed behind glass (870 Market Street).\u003c/p>\n\u003cp> \u003c/p>\n\u003ch3 style=\"text-align: center\">\u003cstrong>For the Literary Reader:\u003c/strong>\u003c/h3>\n\u003cp>\u003cstrong> \u003cimg class=\"alignleft wp-image-13393\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/1f58fe-737x1024.jpg\" alt=\"virginia woolf to the lighthouse\" width=\"250\" height=\"347\">\u003cem>To the Lighthouse \u003c/em>by Virginia Woolf\u003c/strong>\u003c/p>\n\u003cp>No matter how many times you read Virginia Woolf, there’s always another layer to peel back in her books. Her 1927 novel \u003cem>To The Lighthouse\u003c/em> is no exception. Often cited as one of the best English-language novels of the 20\u003csup>th\u003c/sup> century, this three-part work muses on the meaning of time and loss, but involves very little actual plot. Mrs. Ramsey and her family have a summer house on the Isle of Skye where they try to visit the local titular lighthouse on separate occasions, while Lily Briscoe, a visiting artist, attempts to figure out how to finish a painting. What matters more -- leaving a legacy or an execution of a vision? While Woolf’s readers are often entranced by her point-of-view shifts, this novel also offers juicy morsels of autobiographical elements tucked into the text.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Other Texts Worth A Read: \u003c/strong>\u003cem>Girl in Hyacinth Blue\u003c/em> by Susan Vreeland; \u003cem>Chasing Vermeer\u003c/em> by Blue Balliett; \u003cem>The Name of the Rose\u003c/em> by Umberto Eco; \u003cem>The Lacuna\u003c/em> by Barbara Kingsolver; and \u003cem>The Birth of Venus\u003c/em> by Sarah Dunant.\u003c/p>\n\n","blocks":[],"excerpt":"With the success of Donna Tartt's The Goldfinch, we decided to take a look at the best novels that blend fiction and the art world.","status":"publish","parent":0,"modified":1418162648,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":15,"wordCount":815},"headData":{"title":"Love Art? Love Books? The Best of the Art Novels | KQED","description":"With the success of Donna Tartt's The Goldfinch, we decided to take a look at the best novels that blend fiction and the art world.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Love Art? Love Books? The Best of the Art Novels","datePublished":"2014-09-08T20:34:15.000Z","dateModified":"2014-12-09T22:04:08.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"disqusIdentifier":"13205 http://blogs.kqed.org/pop/?p=13205","disqusUrl":"https://ww2.kqed.org/pop/2014/09/08/love-art-love-books-the-best-of-the-art-novels/","disqusTitle":"Love Art? Love Books? The Best of the Art Novels","path":"/pop/13205/love-art-love-books-the-best-of-the-art-novels","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cstrong>\u003cimg class=\"aligncenter wp-image-13394 size-full\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/art-novels.jpg\" alt=\"art-novels\" width=\"640\" height=\"360\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/08/art-novels.jpg 640w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/art-novels-400x225.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">By Maria Judnick\u003c/strong>\u003c/p>\n\u003cp>Donna Tartt’s recent 775 page novel \u003cem>The Goldfinch\u003c/em> earned widespread critical -- and reader -- acclaim for its inventive plot that involved a painting stolen from the Museum of Modern Art. But she’s not the only author who has slipped more than a little art into their plots. Here are some of our favorite books that blend fiction with the art world.\u003c/p>\n\u003ch3 style=\"text-align: center\">\u003cstrong>For the Child At Heart: \u003c/strong>\u003c/h3>\n\u003cp>\u003cstrong>\u003cem>\u003cimg class=\"alignleft wp-image-13400\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/files-basil.jpg\" alt=\"files-basil\" width=\"200\" height=\"270\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/08/files-basil.jpg 449w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/files-basil-400x539.jpg 400w\" sizes=\"(max-width: 200px) 100vw, 200px\">The Mixed-Up Files of Mrs. Basil E. Frankweiler \u003c/em>\u003c/strong>\u003cstrong>by E. L. Konigsburg\u003c/strong>\u003c/p>\n\u003cp>No matter how old you are, it’s never too late to read this 1967 children’s classic. Two children run away to the Metropolitan Museum of Art in New York City. After many enchanting stories of how they settle into their new home, the kids take note of an exhibit featuring a statue of an angel that may or may not have been carved by Michelangelo. The resourceful siblings do their research and visit the benefactor who sold the angel at auction for a measly $225 to find out the secret of the statue, and, in the process, discover they’ve met their match in this smart but eccentric older woman.\u003c/p>\n\u003cp> \u003c/p>\n\u003ch3 style=\"text-align: center\">\u003cstrong>For the Serious “Artiste”:\u003c/strong>\u003c/h3>\n\u003cp>\u003cstrong>\u003cem>\u003cimg class=\"alignright wp-image-13402\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/an-object-of-beauty.jpg\" alt=\"an-object-of-beauty\" width=\"250\" height=\"222\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/08/an-object-of-beauty.jpg 947w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/an-object-of-beauty-400x354.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/an-object-of-beauty-800x709.jpg 800w\" sizes=\"(max-width: 250px) 100vw, 250px\">An Object of Beauty\u003c/em>\u003c/strong>\u003cstrong> by Steve Martin\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Steve Martin is much more than just a comedian; particularly in recent years, he has brought his other talents to light: banjo player, author, and serious art collector. His 2010 novel follows the meteoric career of Lacey Yeager, a young, smart and ambitious art seller in the 1990s and 2000s. Martin's intricate, knowing details based on his personal insights of the art market will make any reader feel like the ultimate insider at places like Christie’s and Sotheby’s.\u003c/p>\n\u003cp> \u003c/p>\n\u003ch3 style=\"text-align: center\">\u003cstrong>For the Historical Romance, Colin-Firth-Swooning Fans: \u003c/strong>\u003c/h3>\n\u003cp>\u003cstrong>\u003cem>\u003cimg class=\"alignleft wp-image-13401\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/girl-with-a-pearl-earring.jpg\" alt=\"girl-with-a-pearl-earring\" width=\"220\" height=\"343\">Girl with a Pearl Earring \u003c/em>\u003c/strong>\u003cstrong>By Tracy Chevalier\u003c/strong>\u003c/p>\n\u003cp>This 1999 novel was popular for a reason: it offers a compelling fictional backstory to the famous painting “Girl with a Pearl Earring” (1665) by the mysterious and methodical Dutch painter Johannes Vermeer. A young maid, Griet, enters the Vermeer household, where the painter gradually discovers she has an eye for art. Griet spends much of her time fighting off suitors in the book -- from the local butcher’s son Pieter to Vermeer’s lecherous patron, Van Ruijven -- all while seemingly pining for the married painter. Will the title painting commissioned by Van Ruijven get finished without Vermeer’s jealous wife interfering? Will Griet and Johannes give in to their urges? Best of all, when readers finish the book, there’s \u003ca href=\"http://youtu.be/46E3xUTR6A0\">a 2003 film\u003c/a> starring a young Scarlett Johansson and -- of course -- a smoldering Colin Firth.\u003c/p>\n\u003cp> \u003c/p>\n\u003ch3 style=\"text-align: center\">\u003cstrong>For the Heart-Pounding Mystery Enthusiast:\u003c/strong>\u003c/h3>\n\u003cp>\u003cstrong>\u003cem>\u003cimg class=\"alignright wp-image-13392\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/123744.jpg\" alt=\"123744\" width=\"220\" height=\"326\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/08/123744.jpg 432w, https://ww2.kqed.org/app/uploads/sites/12/2014/08/123744-400x592.jpg 400w\" sizes=\"(max-width: 220px) 100vw, 220px\">The Maltese Falcon \u003c/em>by Dashiell Hammett\u003c/strong>\u003c/p>\n\u003cp>Forget all about Dan Brown’s \u003cem>Da Vinci Code. \u003c/em>Hammett’s 1929 novel, which introduced the world to hard-boiled detective Sam Spade, offers readers more than just a plot summary for the famous 1941 film starring Humphrey Bogart. Listed 56\u003csup>th\u003c/sup> by the Modern Library on their list of the 100 best English-language novels of the 20\u003csup>th\u003c/sup> century, Hammett’s writing brings a noir-like, gritty quality to San Francisco life. Of course, once readers finish the book there’s always a literary trip to Hammett’s home (891 Post Street #401), John’s Grill (63 Ellis Street – also home to the Dashiell Hammett society), and the Flood Building to stare at the Falcon itself displayed behind glass (870 Market Street).\u003c/p>\n\u003cp> \u003c/p>\n\u003ch3 style=\"text-align: center\">\u003cstrong>For the Literary Reader:\u003c/strong>\u003c/h3>\n\u003cp>\u003cstrong> \u003cimg class=\"alignleft wp-image-13393\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/08/1f58fe-737x1024.jpg\" alt=\"virginia woolf to the lighthouse\" width=\"250\" height=\"347\">\u003cem>To the Lighthouse \u003c/em>by Virginia Woolf\u003c/strong>\u003c/p>\n\u003cp>No matter how many times you read Virginia Woolf, there’s always another layer to peel back in her books. Her 1927 novel \u003cem>To The Lighthouse\u003c/em> is no exception. Often cited as one of the best English-language novels of the 20\u003csup>th\u003c/sup> century, this three-part work muses on the meaning of time and loss, but involves very little actual plot. Mrs. Ramsey and her family have a summer house on the Isle of Skye where they try to visit the local titular lighthouse on separate occasions, while Lily Briscoe, a visiting artist, attempts to figure out how to finish a painting. What matters more -- leaving a legacy or an execution of a vision? While Woolf’s readers are often entranced by her point-of-view shifts, this novel also offers juicy morsels of autobiographical elements tucked into the text.\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Other Texts Worth A Read: \u003c/strong>\u003cem>Girl in Hyacinth Blue\u003c/em> by Susan Vreeland; \u003cem>Chasing Vermeer\u003c/em> by Blue Balliett; \u003cem>The Name of the Rose\u003c/em> by Umberto Eco; \u003cem>The Lacuna\u003c/em> by Barbara Kingsolver; and \u003cem>The Birth of Venus\u003c/em> by Sarah Dunant.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/pop/13205/love-art-love-books-the-best-of-the-art-novels","authors":["3218"],"categories":["pop_1537","pop_1548"],"tags":["pop_321","pop_108","pop_516"],"featImg":"pop_13394","label":"pop"},"pop_11743":{"type":"posts","id":"pop_11743","meta":{"index":"posts_1591205157","site":"pop","id":"11743","score":null,"sort":[1397223011000]},"guestAuthors":[],"slug":"nicolas-cage-themed-art-show-debuts-in-san-francisco-because-why-not","title":"Nicolas Cage Themed Art Show Debuts in San Francisco","publishDate":1397223011,"format":"aside","headTitle":"KQED Pop | KQED Arts","labelTerm":{"site":"pop"},"content":"\u003cfigure id=\"attachment_11757\" class=\"wp-caption aligncenter\" style=\"max-width: 432px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/04/Marguerite-Kalhor-Nic-Cage-Painting.jpg\">\u003cimg class=\"wp-image-11757 \" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/04/Marguerite-Kalhor-Nic-Cage-Painting.jpg\" alt=\"Marguerite Kalhor Nic Cage Painting\" width=\"432\" height=\"557\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/04/Marguerite-Kalhor-Nic-Cage-Painting.jpg 1002w, https://ww2.kqed.org/app/uploads/sites/12/2014/04/Marguerite-Kalhor-Nic-Cage-Painting-400x515.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2014/04/Marguerite-Kalhor-Nic-Cage-Painting-800x1031.jpg 800w\" sizes=\"(max-width: 432px) 100vw, 432px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Artist: Marguerite Kalhor\u003c/figcaption>\u003c/figure>\n\u003cp>It's probably no startling revelation that a lot of us are fascinated by pop culture icons, their performances and their eccentricities. This curiosity ranges from simply having favorite actors and musicians, whose work we follow and whose occasional creative failures we might forgive, to a more addictive fascination with their private lives, if popularity of magazines like \u003cem>OK!\u003c/em> or bloggers like Perez Hilton is any indication. The more artistically inclined among fans turn to their craft to express their fascination with entertainment icons. (LA based \u003ca href=\"http://nineteeneightyeight.com/\" target=\"_blank\">Gallery1988\u003c/a>, for instance, has made its stock-in-trade to showcase art remixing and riffing on pop culture iconography.)\u003c/p>\n\u003cp>To my knowledge, however, there hasn't been a show quite as massive and solely focused on one celebrity as the upcoming tribute to Nicolas Cage -- he of the snakeskin jacket, but definitely not the bees -- taking place at \u003ca href=\"http://balancoiresf.com/\" target=\"_blank\">Balançoire\u003c/a> this weekend. What started as a cheeky idea and an online call for submissions has since snowballed into an event that currently has over a thousand RSVPs and seems to have \u003ca href=\"http://www.sfgate.com/movies/article/Nicolas-Cage-s-daring-as-actor-brings-out-best-5375053.php\" target=\"_blank\">reached the ears\u003c/a> of the actor himself.\u003c/p>\n\u003cfigure id=\"attachment_11759\" class=\"wp-caption alignleft\" style=\"max-width: 240px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/04/TabithaLahr.jpg\">\u003cimg class=\"wp-image-11759 \" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/04/TabithaLahr.jpg\" alt=\"Artist: Tabitha Lahr\" width=\"240\" height=\"360\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/04/TabithaLahr.jpg 640w, https://ww2.kqed.org/app/uploads/sites/12/2014/04/TabithaLahr-400x600.jpg 400w\" sizes=\"(max-width: 240px) 100vw, 240px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Artist: Tabitha Lahr\u003c/figcaption>\u003c/figure>\n\u003cp>Nicolas Cage has had quite a career, and I certainly appreciate how relentless he is in the pursuit of his craft, oscillating wildly between critically acclaimed roles and questionable, eyebrow-raising choices. Cage wowed us in \u003cem>Wild at Heart\u003c/em>, \u003cem>Moonstruck\u003c/em>, and \u003cem>Matchstick Men\u003c/em>, left our jaws and hearts on the floor in \u003cem>Leaving Las Vegas\u003c/em>, and then left us grimacing with some, uh, less than stellar projects (\u003cem>Season of the Witch\u003c/em>, anyone?). Sometimes his intensity simmers under the surface, and sometimes he \u003ca href=\"https://www.youtube.com/watch?v=xP1-oquwoL8\" target=\"_blank\">lets it all out\u003c/a>. The point is, even though I am not a fan with capital F, Nicolas Cage is very much a part of my pop culture knowledge. This is clearly something I share with Ezra Croft, the curator of the upcoming exhibit, who felt there was something to be mined in our collective fascination with the actor.\u003c/p>\n\u003cp>I've been acquainted with Ezra for a number of years, and he's always had a mischievous, irreverent sense of humor. Although our paths haven't crossed in quite a while, when I learned about the show, I knew I had to pick his brain a little bit, and so we caught up via e-mail.\u003c/p>\n\u003cfigure id=\"attachment_11756\" class=\"wp-caption alignright\" style=\"max-width: 240px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/04/Miriam-Dinkens.jpg\">\u003cimg class=\"wp-image-11756 \" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/04/Miriam-Dinkens.jpg\" alt=\"Miriam Dinkens\" width=\"240\" height=\"373\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/04/Miriam-Dinkens.jpg 618w, https://ww2.kqed.org/app/uploads/sites/12/2014/04/Miriam-Dinkens-400x621.jpg 400w\" sizes=\"(max-width: 240px) 100vw, 240px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Artist: Miriam Dinkens\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>KQED Pop: I know your idea for the event was to host an art show that was playful and fun, but why Nicolas Cage, specifically? \u003c/strong>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cstrong>Ezra Croft:\u003c/strong> I chose Nicolas Cage specifically because of the gamut of strange emotions he evokes. He's been ingrained in our culture through his movies and personal antics, and I think that someone with such eccentric status easily proves an excellent study into the iconic and strange. His choices to take roles in more cheesy movies I think admirably show his nonconformist nature, as this art show is reflecting. It embraces the needlessly dramatic. In this, he has fallen from the \"A-list's\" good graces, but still continues to thrive in the movie industry. He's had such dramatic highs and abysmal lows!\u003c/p>\n\u003cp>\u003cstrong>Were you considering any other theme?\u003c/strong>\u003c/p>\n\u003cp>Before I settled on this, I had considered other subjects, such as Christopher Walken, \u003cem>Law and Order\u003c/em>, and Bill Murray. I am planning a dramatically awesome event called \"The Murray Affair\" for autumn, so be ready for that.\u003c/p>\n\u003cp>\u003cstrong>Would you say the show is a parody or a tribute?\u003c/strong>\u003c/p>\n\u003cp>Many people first thought this show was a parody show, only reflecting internet memes, but it's far beyond that. Many of [Cage's] true fans and haters have stepped forward and made art, both at his expense and [paying tribute] to his legendary status. As his film career over the years has shown with the public, it's dramatic, serious, silly and true to Cage's nature -- irresistible with a hint of madness.\u003c/p>\n\u003cfigure id=\"attachment_11761\" class=\"wp-caption alignleft\" style=\"max-width: 240px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/04/timothytang.jpg\">\u003cimg class=\"wp-image-11761 \" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/04/timothytang.jpg\" alt=\"Artist: Timothy Tang\" width=\"240\" height=\"370\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/04/timothytang.jpg 560w, https://ww2.kqed.org/app/uploads/sites/12/2014/04/timothytang-400x617.jpg 400w\" sizes=\"(max-width: 240px) 100vw, 240px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Artist: Timothy Tang\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Sounds like the reception has been overwhelmingly positive. Any negative feedback?\u003c/strong>\u003c/p>\n\u003cp>I've received some small criticism, one writer calling it a \"hipster art show,\" but I'm not phased by it.\u003c/p>\n\u003cp>\u003cstrong>You've received countless submissions. What mediums are people using to pay homage?\u003c/strong>\u003c/p>\n\u003cp>Most works will be done in traditional paint, but there will be a sculpture comprised of hundreds off little cage faces, video projection art and some digital art.\u003c/p>\n\u003cp>\u003cstrong>What do you think Nic Cage himself would say about the art show?\u003c/strong>\u003c/p>\n\u003cp>I hope that if Nicolas Cage attended the show, he would have a good time and feel that his true fans were roasting him. It is an homage at heart, and we hope he would know that we enjoy the fantastic situations he embraces on screen.\u003c/p>\n\u003cp>\u003cstrong>This is your first major art show. What's next?\u003c/strong>\u003c/p>\n\u003cp>This show is going to New York and Los Angeles, all scheduling permitting. I have several other events in the making, but I'm keeping them secret for now.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>The Nicolas Cage Art Show and Musical Shenanigans party takes place Saturday, April 12 at Balançoire. Full event details can be found on \u003ca href=\"https://www.facebook.com/events/262169750625120/\">the event page\u003c/a> on Facebook.\u003c/em>\u003c/p>\n\n","blocks":[],"excerpt":"What started as a cheeky idea has since snowballed into an event that currently has over a thousand RSVPs and seems to have reached the ears of the actor himself.","status":"publish","parent":0,"modified":1397234808,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":21,"wordCount":861},"headData":{"title":"Nicolas Cage Themed Art Show Debuts in San Francisco | KQED","description":"What started as a cheeky idea has since snowballed into an event that currently has over a thousand RSVPs and seems to have reached the ears of the actor himself.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Nicolas Cage Themed Art Show Debuts in San Francisco","datePublished":"2014-04-11T13:30:11.000Z","dateModified":"2014-04-11T16:46:48.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"disqusIdentifier":"11743 http://blogs.kqed.org/pop/?p=11743","disqusUrl":"https://ww2.kqed.org/pop/2014/04/11/nicolas-cage-themed-art-show-debuts-in-san-francisco-because-why-not/","disqusTitle":"Nicolas Cage Themed Art Show Debuts in San Francisco","path":"/pop/11743/nicolas-cage-themed-art-show-debuts-in-san-francisco-because-why-not","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_11757\" class=\"wp-caption aligncenter\" style=\"max-width: 432px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/04/Marguerite-Kalhor-Nic-Cage-Painting.jpg\">\u003cimg class=\"wp-image-11757 \" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/04/Marguerite-Kalhor-Nic-Cage-Painting.jpg\" alt=\"Marguerite Kalhor Nic Cage Painting\" width=\"432\" height=\"557\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/04/Marguerite-Kalhor-Nic-Cage-Painting.jpg 1002w, https://ww2.kqed.org/app/uploads/sites/12/2014/04/Marguerite-Kalhor-Nic-Cage-Painting-400x515.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2014/04/Marguerite-Kalhor-Nic-Cage-Painting-800x1031.jpg 800w\" sizes=\"(max-width: 432px) 100vw, 432px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Artist: Marguerite Kalhor\u003c/figcaption>\u003c/figure>\n\u003cp>It's probably no startling revelation that a lot of us are fascinated by pop culture icons, their performances and their eccentricities. This curiosity ranges from simply having favorite actors and musicians, whose work we follow and whose occasional creative failures we might forgive, to a more addictive fascination with their private lives, if popularity of magazines like \u003cem>OK!\u003c/em> or bloggers like Perez Hilton is any indication. The more artistically inclined among fans turn to their craft to express their fascination with entertainment icons. (LA based \u003ca href=\"http://nineteeneightyeight.com/\" target=\"_blank\">Gallery1988\u003c/a>, for instance, has made its stock-in-trade to showcase art remixing and riffing on pop culture iconography.)\u003c/p>\n\u003cp>To my knowledge, however, there hasn't been a show quite as massive and solely focused on one celebrity as the upcoming tribute to Nicolas Cage -- he of the snakeskin jacket, but definitely not the bees -- taking place at \u003ca href=\"http://balancoiresf.com/\" target=\"_blank\">Balançoire\u003c/a> this weekend. What started as a cheeky idea and an online call for submissions has since snowballed into an event that currently has over a thousand RSVPs and seems to have \u003ca href=\"http://www.sfgate.com/movies/article/Nicolas-Cage-s-daring-as-actor-brings-out-best-5375053.php\" target=\"_blank\">reached the ears\u003c/a> of the actor himself.\u003c/p>\n\u003cfigure id=\"attachment_11759\" class=\"wp-caption alignleft\" style=\"max-width: 240px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/04/TabithaLahr.jpg\">\u003cimg class=\"wp-image-11759 \" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/04/TabithaLahr.jpg\" alt=\"Artist: Tabitha Lahr\" width=\"240\" height=\"360\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/04/TabithaLahr.jpg 640w, https://ww2.kqed.org/app/uploads/sites/12/2014/04/TabithaLahr-400x600.jpg 400w\" sizes=\"(max-width: 240px) 100vw, 240px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Artist: Tabitha Lahr\u003c/figcaption>\u003c/figure>\n\u003cp>Nicolas Cage has had quite a career, and I certainly appreciate how relentless he is in the pursuit of his craft, oscillating wildly between critically acclaimed roles and questionable, eyebrow-raising choices. Cage wowed us in \u003cem>Wild at Heart\u003c/em>, \u003cem>Moonstruck\u003c/em>, and \u003cem>Matchstick Men\u003c/em>, left our jaws and hearts on the floor in \u003cem>Leaving Las Vegas\u003c/em>, and then left us grimacing with some, uh, less than stellar projects (\u003cem>Season of the Witch\u003c/em>, anyone?). Sometimes his intensity simmers under the surface, and sometimes he \u003ca href=\"https://www.youtube.com/watch?v=xP1-oquwoL8\" target=\"_blank\">lets it all out\u003c/a>. The point is, even though I am not a fan with capital F, Nicolas Cage is very much a part of my pop culture knowledge. This is clearly something I share with Ezra Croft, the curator of the upcoming exhibit, who felt there was something to be mined in our collective fascination with the actor.\u003c/p>\n\u003cp>I've been acquainted with Ezra for a number of years, and he's always had a mischievous, irreverent sense of humor. Although our paths haven't crossed in quite a while, when I learned about the show, I knew I had to pick his brain a little bit, and so we caught up via e-mail.\u003c/p>\n\u003cfigure id=\"attachment_11756\" class=\"wp-caption alignright\" style=\"max-width: 240px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/04/Miriam-Dinkens.jpg\">\u003cimg class=\"wp-image-11756 \" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/04/Miriam-Dinkens.jpg\" alt=\"Miriam Dinkens\" width=\"240\" height=\"373\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/04/Miriam-Dinkens.jpg 618w, https://ww2.kqed.org/app/uploads/sites/12/2014/04/Miriam-Dinkens-400x621.jpg 400w\" sizes=\"(max-width: 240px) 100vw, 240px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Artist: Miriam Dinkens\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>KQED Pop: I know your idea for the event was to host an art show that was playful and fun, but why Nicolas Cage, specifically? \u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Ezra Croft:\u003c/strong> I chose Nicolas Cage specifically because of the gamut of strange emotions he evokes. He's been ingrained in our culture through his movies and personal antics, and I think that someone with such eccentric status easily proves an excellent study into the iconic and strange. His choices to take roles in more cheesy movies I think admirably show his nonconformist nature, as this art show is reflecting. It embraces the needlessly dramatic. In this, he has fallen from the \"A-list's\" good graces, but still continues to thrive in the movie industry. He's had such dramatic highs and abysmal lows!\u003c/p>\n\u003cp>\u003cstrong>Were you considering any other theme?\u003c/strong>\u003c/p>\n\u003cp>Before I settled on this, I had considered other subjects, such as Christopher Walken, \u003cem>Law and Order\u003c/em>, and Bill Murray. I am planning a dramatically awesome event called \"The Murray Affair\" for autumn, so be ready for that.\u003c/p>\n\u003cp>\u003cstrong>Would you say the show is a parody or a tribute?\u003c/strong>\u003c/p>\n\u003cp>Many people first thought this show was a parody show, only reflecting internet memes, but it's far beyond that. Many of [Cage's] true fans and haters have stepped forward and made art, both at his expense and [paying tribute] to his legendary status. As his film career over the years has shown with the public, it's dramatic, serious, silly and true to Cage's nature -- irresistible with a hint of madness.\u003c/p>\n\u003cfigure id=\"attachment_11761\" class=\"wp-caption alignleft\" style=\"max-width: 240px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/04/timothytang.jpg\">\u003cimg class=\"wp-image-11761 \" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/04/timothytang.jpg\" alt=\"Artist: Timothy Tang\" width=\"240\" height=\"370\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/04/timothytang.jpg 560w, https://ww2.kqed.org/app/uploads/sites/12/2014/04/timothytang-400x617.jpg 400w\" sizes=\"(max-width: 240px) 100vw, 240px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Artist: Timothy Tang\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Sounds like the reception has been overwhelmingly positive. Any negative feedback?\u003c/strong>\u003c/p>\n\u003cp>I've received some small criticism, one writer calling it a \"hipster art show,\" but I'm not phased by it.\u003c/p>\n\u003cp>\u003cstrong>You've received countless submissions. What mediums are people using to pay homage?\u003c/strong>\u003c/p>\n\u003cp>Most works will be done in traditional paint, but there will be a sculpture comprised of hundreds off little cage faces, video projection art and some digital art.\u003c/p>\n\u003cp>\u003cstrong>What do you think Nic Cage himself would say about the art show?\u003c/strong>\u003c/p>\n\u003cp>I hope that if Nicolas Cage attended the show, he would have a good time and feel that his true fans were roasting him. It is an homage at heart, and we hope he would know that we enjoy the fantastic situations he embraces on screen.\u003c/p>\n\u003cp>\u003cstrong>This is your first major art show. What's next?\u003c/strong>\u003c/p>\n\u003cp>This show is going to New York and Los Angeles, all scheduling permitting. I have several other events in the making, but I'm keeping them secret for now.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>The Nicolas Cage Art Show and Musical Shenanigans party takes place Saturday, April 12 at Balançoire. Full event details can be found on \u003ca href=\"https://www.facebook.com/events/262169750625120/\">the event page\u003c/a> on Facebook.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/pop/11743/nicolas-cage-themed-art-show-debuts-in-san-francisco-because-why-not","authors":["2520"],"categories":["pop_1537","pop_51"],"tags":["pop_321","pop_1542"],"featImg":"pop_11820","label":"pop"},"pop_11441":{"type":"posts","id":"pop_11441","meta":{"index":"posts_1591205157","site":"pop","id":"11441","score":null,"sort":[1394561625000]},"guestAuthors":[],"slug":"first-kiss-tatia-pilieva-20-strangers-asked-to-make-out-entire-internet-goes-awww","title":"First Kiss: 20 Strangers Asked to Make Out, Entire Internet Goes Awww","publishDate":1394561625,"format":"aside","headTitle":"KQED Pop | KQED Arts","labelTerm":{"site":"pop"},"content":"\u003cdiv class=\"single-video\">\u003ciframe src=\"//www.youtube.com/embed/IpbDHxCV29A\" frameborder=\"0\" width=\"560\" height=\"315\">\u003c/iframe>\u003c/div>\n\u003cp>The \u003ca href=\"https://www.youtube.com/watch?v=IUyTcpvTPu0\">first cinematic kiss\u003c/a> appeared in 1896, there are scientific theories on \u003ca href=\"http://www.npr.org/2011/02/11/133686008/The-Science-Of-Kissing\">why we all started kissing each other in the first place\u003c/a>, and there's \u003ca href=\"http://www.literaryramblings.com/wp-content/uploads/2013/08/romeo_juliet.jpg\">this\u003c/a>. And today we have Tatia Pilieva's \u003ca href=\"http://www.independent.co.uk/news/weird-news/first-kiss-filmmaker-gets-20-strangers-to-make-out-on-youtube-with-awkward-results-9183472.html\">\u003cem>First Kiss\u003c/em> video\u003c/a> making the rounds! I don't always get swept away in these moments of collective Internet unconscious, but this one is too charming to ignore. It is very reminiscent of Miranda July's \u003cem>Learning to Love You More\u003c/em> assignment to \u003ca href=\"http://www.learningtoloveyoumore.com/reports/30/30.php\">take a photo of strangers holding hands\u003c/a>. Something so human, vulnerable and intimate is immediately revealed, a part of ourselves usually kept guarded as we walk around the world most days.\u003c/p>\n\u003cp>At a performance of July's that I went to once, we were instructed to hold the arm of the person beside us. After this, she said (something along the lines of), \"Your best friend might meet this stranger at a rock show and they might sit in a parked car talking for hours and when they break up, 10 years later, the stranger, the one whose arm you're holding right now, might call you sobbing at odd hours of the night, asking What did I do wrong? And you will say, You did nothing wrong. Practice this now, say: \"You did nothing wrong,\" to the stranger.\" We then turned to the person beside us and said this. The man whose arm I was touching suddenly seemed very dear to me in this startling way. I wanted to comfort him, and felt very close to him, despite his being a total stranger, despite the fact that in any other circumstance I would have ignored his presence there one inch from me.\u003c/p>\n\u003cp>What Miranda July's projects illuminate and what is at the heart of this \u003cem>First Kiss\u003c/em> video is that we don't even know how close we are to each other, we don't always feel our full capacity for connection. Half the time we ignore it entirely for all sorts of practical and psychological reasons. But our lives are full of serendipitous moments we should pay full attention to. And within the context of these spaces that artists construct for us, our abilities and desires to connect are nearly immediate and entirely genuine. A thought I often entertained as a teenager (and still do, actually) is that everyone we love now, everyone we feel we could never live without, everyone who is our friend, the person we would call sobbing at odd hours of the night, the person we would grab close to us and kiss passionately, was once a complete stranger.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n","blocks":[],"excerpt":"By featuring strangers kissing, Tatia Pilieva's First Kiss reminds us of our full capacity for connection and that everyone we love now was once a complete stranger.","status":"publish","parent":0,"modified":1394561625,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":5,"wordCount":442},"headData":{"title":"First Kiss: 20 Strangers Asked to Make Out, Entire Internet Goes Awww | KQED","description":"By featuring strangers kissing, Tatia Pilieva's First Kiss reminds us of our full capacity for connection and that everyone we love now was once a complete stranger.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"First Kiss: 20 Strangers Asked to Make Out, Entire Internet Goes Awww","datePublished":"2014-03-11T18:13:45.000Z","dateModified":"2014-03-11T18:13:45.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"disqusIdentifier":"11441 http://blogs.kqed.org/pop/?p=11441","disqusUrl":"https://ww2.kqed.org/pop/2014/03/11/first-kiss-tatia-pilieva-20-strangers-asked-to-make-out-entire-internet-goes-awww/","disqusTitle":"First Kiss: 20 Strangers Asked to Make Out, Entire Internet Goes Awww","path":"/pop/11441/first-kiss-tatia-pilieva-20-strangers-asked-to-make-out-entire-internet-goes-awww","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cdiv class=\"single-video\">\u003ciframe src=\"//www.youtube.com/embed/IpbDHxCV29A\" frameborder=\"0\" width=\"560\" height=\"315\">\u003c/iframe>\u003c/div>\n\u003cp>The \u003ca href=\"https://www.youtube.com/watch?v=IUyTcpvTPu0\">first cinematic kiss\u003c/a> appeared in 1896, there are scientific theories on \u003ca href=\"http://www.npr.org/2011/02/11/133686008/The-Science-Of-Kissing\">why we all started kissing each other in the first place\u003c/a>, and there's \u003ca href=\"http://www.literaryramblings.com/wp-content/uploads/2013/08/romeo_juliet.jpg\">this\u003c/a>. And today we have Tatia Pilieva's \u003ca href=\"http://www.independent.co.uk/news/weird-news/first-kiss-filmmaker-gets-20-strangers-to-make-out-on-youtube-with-awkward-results-9183472.html\">\u003cem>First Kiss\u003c/em> video\u003c/a> making the rounds! I don't always get swept away in these moments of collective Internet unconscious, but this one is too charming to ignore. It is very reminiscent of Miranda July's \u003cem>Learning to Love You More\u003c/em> assignment to \u003ca href=\"http://www.learningtoloveyoumore.com/reports/30/30.php\">take a photo of strangers holding hands\u003c/a>. Something so human, vulnerable and intimate is immediately revealed, a part of ourselves usually kept guarded as we walk around the world most days.\u003c/p>\n\u003cp>At a performance of July's that I went to once, we were instructed to hold the arm of the person beside us. After this, she said (something along the lines of), \"Your best friend might meet this stranger at a rock show and they might sit in a parked car talking for hours and when they break up, 10 years later, the stranger, the one whose arm you're holding right now, might call you sobbing at odd hours of the night, asking What did I do wrong? And you will say, You did nothing wrong. Practice this now, say: \"You did nothing wrong,\" to the stranger.\" We then turned to the person beside us and said this. The man whose arm I was touching suddenly seemed very dear to me in this startling way. I wanted to comfort him, and felt very close to him, despite his being a total stranger, despite the fact that in any other circumstance I would have ignored his presence there one inch from me.\u003c/p>\n\u003cp>What Miranda July's projects illuminate and what is at the heart of this \u003cem>First Kiss\u003c/em> video is that we don't even know how close we are to each other, we don't always feel our full capacity for connection. Half the time we ignore it entirely for all sorts of practical and psychological reasons. But our lives are full of serendipitous moments we should pay full attention to. And within the context of these spaces that artists construct for us, our abilities and desires to connect are nearly immediate and entirely genuine. A thought I often entertained as a teenager (and still do, actually) is that everyone we love now, everyone we feel we could never live without, everyone who is our friend, the person we would call sobbing at odd hours of the night, the person we would grab close to us and kiss passionately, was once a complete stranger.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/pop/11441/first-kiss-tatia-pilieva-20-strangers-asked-to-make-out-entire-internet-goes-awww","authors":["2415"],"categories":["pop_5"],"tags":["pop_321","pop_1504","pop_1505"],"featImg":"pop_11449","label":"pop"},"pop_11372":{"type":"posts","id":"pop_11372","meta":{"index":"posts_1591205157","site":"pop","id":"11372","score":null,"sort":[1394200865000]},"guestAuthors":[],"slug":"the-7-best-pop-music-contemporary-art-collaborations","title":"The 7 Best Pop Music / Contemporary Art Collaborations","publishDate":1394200865,"format":"aside","headTitle":"KQED Pop | KQED Arts","labelTerm":{"site":"pop"},"content":"\u003cfigure id=\"attachment_11417\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003ca href=\"http://blogs.kqed.org/pop/?attachment_id=11417\" rel=\"attachment wp-att-11417\">\u003cimg class=\"size-full wp-image-11417\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/03/vamp-grace-jones-haring.jpg\" alt=\"Grace Jones in Keith Haring body paint for the movie Vamp. Photo: New World Pictures\" width=\"640\" height=\"360\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/03/vamp-grace-jones-haring.jpg 640w, https://ww2.kqed.org/app/uploads/sites/12/2014/03/vamp-grace-jones-haring-400x225.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Grace Jones in Keith Haring body paint for the movie \u003cem>Vamp\u003c/em>. Photo: New World Pictures\u003c/figcaption>\u003c/figure>\n\u003cp>Collaborations between the art and music worlds are nothing new. See, for example, the relationship between impressionist painting and impressionist music. Seriously: download some Debussy, then go to the Legion of Honor and stare at a Monet and you'll have a much better understanding of the relationship. The dialogue between the two worlds has been especially strong in recent years (see my KQED Pop colleague's recent \u003ca href=\"http://blogs.kqed.org/pop/2014/02/05/miley-abramovic-the-artist-came-in-like-a-wrecking-ball/\">Miley Abramovic post\u003c/a>).\u003c/p>\n\u003cp>For some pop stars and artists, these collaborations are nothing more than an interesting footnote, but, for others, they go on to become high points in their careers and come to define both artists in that particular moment. These worlds have melded into everything from concept albums, the lost art of cover art and some of the most avant-garde stage shows and music videos of all time. Here are some of our favorite pairings from the worlds of contemporary art and pop through the years, from Mick Jagger and Kenneth Anger's \"devilish\" rapport during the '70s to the present day Miley Cyrus presented by Terry Richardson situation.\u003c/p>\n\u003cp>\u003cstrong>Bette Midler: The Divine Miss New Wave\u003c/strong>\u003c/p>\n\u003cdiv class=\"single-video\">\u003ciframe src=\"//www.youtube.com/embed/PktFO6-iJYs\" frameborder=\"0\" width=\"420\" height=\"315\">\u003c/iframe>\u003c/div>\n\u003cp>\"Disco was dead, and the body count would be high,\" Bette Midler said of the early 1980s music industry. Rather then get left behind in the dimming reflection of the glitter ball, the Divine Miss M, always one to embrace spectacle and big performance values, threw herself head first in the New Wave and performance art scenes that were beginning to emerge in Los Angeles at the time. The result was triple fold: a performance art television special (\"The Mondo Beyondo Show\" in 1982), an album (\"No Frills\" released in 1983), and a tour/televised concert (\"De Tour\" a.k.a. \"Art or Bust\" in 1984). The album featured New Wave-y synthesizer riffs, plenty of nouveau electronica and collaborations with Bob Dylan and Mick Jagger, which led to it becoming Midler's top selling LP in Europe. And the television special and tour feature the kind of over-the-top Memphis era stage design and conceptual performance art touches that were so of the moment and are great documents of the look and sound of the scene. Is it any wonder Midler's dive into the New Wave also coincided with her marriage to Martin von Hasleberg, a.k.a. one half of performance art duo \"The Kipper Kids?\"\u003c/p>\n\u003cp>\u003cstrong>Grace Jones: A Living Keith Haring Object\u003c/strong>\u003c/p>\n\u003cdiv class=\"single-video\">\u003ciframe src=\"//www.youtube.com/embed/uqZpPDc-k-M\" frameborder=\"0\" width=\"420\" height=\"315\">\u003c/iframe>\u003c/div>\n\u003cp>If ever there was a case of a perfectly matched artist and subject duo, Grace Jones and Keith Haring were it. Jones was made for Haring's art; she could be a grown \"\u003ca href=\"http://en.wikipedia.org/wiki/Radiant_Baby\">Radiant Baby\u003c/a>\" with her long limbs, chiseled cheek points and architectural body. Haring took advantage of the statuesque canvas by literally painting her in a few famous instances. Jones and Haring collaborated most famously on the music video for \"I'm Not Perfect\" (which also features an Andy Warhol cameo), where Haring's body paint was featured as well as a completely \u003cem>cray\u003c/em> gown for Jones. For extra credit, see Jones dance in more Haring graffiti'd flesh in the 1986 horror film \u003cem>Vamp\u003c/em>.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cstrong>Madonna Mapplethorpe-Beecroft-Carrington-Etc.\u003c/strong>\u003c/p>\n\u003cdiv class=\"single-video\">\u003ciframe src=\"//www.youtube.com/embed/CSaFgAwnRSc\" frameborder=\"0\" width=\"420\" height=\"315\">\u003c/iframe>\u003c/div>\n\u003cp>The Madonna of Reinvention (as we call her) has created and recreated herself so many times she was bound to have picked up some high art reference points along the way. The pop star's 1992 coffee table book/photo essay \u003cem>Sex\u003c/em> was the start of a certain kind of highly-sexualized \"Mapplethorpe\" persona the diva adopted for her album \u003cem>Erotica\u003c/em>. She's since gone on to reference everyone from surrealists Leonora Carrington and Frida Kahlo in her \"Bedtime Story\" music video, photographer Horst P. Horst in her music video for \"Vogue\" and high priestess of high art Vanessa Beecroft in her very Beecroftian presentation of \"Frozen.\"\u003c/p>\n\u003cp>\u003cstrong>Terry Richardson Presents Miley Cyrus\u003c/strong>\u003c/p>\n\u003cdiv class=\"single-video\">\u003ciframe src=\"//www.youtube.com/embed/My2FRPA3Gf8\" frameborder=\"0\" width=\"560\" height=\"315\">\u003c/iframe>\u003c/div>\n\u003cp>\u003ca href=\"http://blogs.kqed.org/pop/2014/02/05/miley-abramovic-the-artist-came-in-like-a-wrecking-ball/\">Abramovic aspects aside\u003c/a>, the 2013 music video for Miley Cyrus's \"Wrecking Ball\" has the fingerprints of director/photographer Terry Richardson all over it. The intercuts of women crying/licking tools, the...shall we just say Nabokovian allusions, the washed-out white on white scheme, and the juxtaposition of female nudity and acts of destruction are touches that reek of the controversial Richardson. As Miley's persona has grown from her new video aesthetic, Richardson is the invisible hand that guides the star's self-presentation.\u003c/p>\n\u003cp>\u003cstrong>Swizz Beatz Meets Damien Hirst\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_11410\" class=\"wp-caption aligncenter\" style=\"max-width: 434px\">\u003ca href=\"http://blogs.kqed.org/pop/?attachment_id=11410\" rel=\"attachment wp-att-11410\">\u003cimg class=\" wp-image-11410 \" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/03/swizz.jpg\" alt=\"Photo: Instagram\" width=\"434\" height=\"434\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/03/swizz.jpg 620w, https://ww2.kqed.org/app/uploads/sites/12/2014/03/swizz-400x400.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2014/03/swizz-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/12/2014/03/swizz-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/12/2014/03/swizz-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/12/2014/03/swizz-128x128.jpg 128w, https://ww2.kqed.org/app/uploads/sites/12/2014/03/swizz-75x75.jpg 75w\" sizes=\"(max-width: 434px) 100vw, 434px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: \u003ca href=\"http://instagram.com/therealswizzz\">Instagram\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cp>Producer Swizz Beatz, who has worked with everyone from DMX to Jay Z and T.I., set the Instagramosphere abuzz this past June when he published a photo of himself making a spin painting with artist Damien Hirst. A week later, Beatz announced plans to open a gallery that would feature Hirst, among other friends in the art world, that would be a new kind of exhibition venue and collaboration between the senses. Beatz is still searching for a space for the future gallery, but we look forward to seeing how this producer provides another bridge between the two worlds.\u003c/p>\n\u003cp>\u003cstrong>Kenneth Anger Made Mick Jagger Do It!\u003c/strong>\u003c/p>\n\u003cdiv class=\"single-video\">\u003ciframe src=\"//www.youtube.com/embed/1gD9mC7u8cE\" frameborder=\"0\" width=\"560\" height=\"315\">\u003c/iframe>\u003c/div>\n\u003cp>Among the more interesting revelations to come from the recent \u003cem>Esquire UK\u003c/em> interview with Hollywood \"historian\" and experimental filmmaker Kenneth Anger was the story of \u003ca href=\"http://www.esquire.co.uk/culture/features/5483/kenneth-anger/\">Mick Jagger's near collaboration with Anger on a film in the early '70s, in which the Rolling Stone would have played Lucifer\u003c/a>. Although Jagger declined the offer, \"Sympathy for the Devil\" was inspired by the satanic subject matter of \u003cem>The Master and Margarita\u003c/em>, a book Anger gave to the singer while they contemplated the Lucifer film.\u003c/p>\n\u003cp>\u003cstrong>Matthew Barney Gets Bjorked!\u003c/strong>\u003c/p>\n\u003cdiv class=\"single-video\">\u003ciframe src=\"//www.youtube.com/embed/GKvf6llROK8\" frameborder=\"0\" width=\"420\" height=\"315\">\u003c/iframe>\u003c/div>\n\u003cp>\u003c/p>\n\u003cp>Do you think there were fireworks when Matthew Barney met his future wife, Bjork? Throat-singing, plasma textured, abstract fireworks? In another example of perfect artist pairings (and this one reproduced!), the 2006 art film \u003cem>Drawing Restraint 9\u003c/em> (starring Barney and Bjork with a soundtrack by the singer) was exactly what we hoped the famous pair's home life would be like. The above scene with Bjork as a geisha is one of the most famous from the film (the cutting of the legs scene with the pair is the most infamous).\u003c/p>\n\n","blocks":[],"excerpt":"Here are some of our favorite pairings from the worlds of contemporary art and pop through the years.","status":"publish","parent":0,"modified":1394150585,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":18,"wordCount":1035},"headData":{"title":"The 7 Best Pop Music / Contemporary Art Collaborations | KQED","description":"Here are some of our favorite pairings from the worlds of contemporary art and pop through the years.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"The 7 Best Pop Music / Contemporary Art Collaborations","datePublished":"2014-03-07T14:01:05.000Z","dateModified":"2014-03-07T00:03:05.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"disqusIdentifier":"11372 http://blogs.kqed.org/pop/?p=11372","disqusUrl":"https://ww2.kqed.org/pop/2014/03/07/the-7-best-pop-music-contemporary-art-collaborations/","disqusTitle":"The 7 Best Pop Music / Contemporary Art Collaborations","path":"/pop/11372/the-7-best-pop-music-contemporary-art-collaborations","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_11417\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003ca href=\"http://blogs.kqed.org/pop/?attachment_id=11417\" rel=\"attachment wp-att-11417\">\u003cimg class=\"size-full wp-image-11417\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/03/vamp-grace-jones-haring.jpg\" alt=\"Grace Jones in Keith Haring body paint for the movie Vamp. Photo: New World Pictures\" width=\"640\" height=\"360\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/03/vamp-grace-jones-haring.jpg 640w, https://ww2.kqed.org/app/uploads/sites/12/2014/03/vamp-grace-jones-haring-400x225.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Grace Jones in Keith Haring body paint for the movie \u003cem>Vamp\u003c/em>. Photo: New World Pictures\u003c/figcaption>\u003c/figure>\n\u003cp>Collaborations between the art and music worlds are nothing new. See, for example, the relationship between impressionist painting and impressionist music. Seriously: download some Debussy, then go to the Legion of Honor and stare at a Monet and you'll have a much better understanding of the relationship. The dialogue between the two worlds has been especially strong in recent years (see my KQED Pop colleague's recent \u003ca href=\"http://blogs.kqed.org/pop/2014/02/05/miley-abramovic-the-artist-came-in-like-a-wrecking-ball/\">Miley Abramovic post\u003c/a>).\u003c/p>\n\u003cp>For some pop stars and artists, these collaborations are nothing more than an interesting footnote, but, for others, they go on to become high points in their careers and come to define both artists in that particular moment. These worlds have melded into everything from concept albums, the lost art of cover art and some of the most avant-garde stage shows and music videos of all time. Here are some of our favorite pairings from the worlds of contemporary art and pop through the years, from Mick Jagger and Kenneth Anger's \"devilish\" rapport during the '70s to the present day Miley Cyrus presented by Terry Richardson situation.\u003c/p>\n\u003cp>\u003cstrong>Bette Midler: The Divine Miss New Wave\u003c/strong>\u003c/p>\n\u003cdiv class=\"single-video\">\u003ciframe src=\"//www.youtube.com/embed/PktFO6-iJYs\" frameborder=\"0\" width=\"420\" height=\"315\">\u003c/iframe>\u003c/div>\n\u003cp>\"Disco was dead, and the body count would be high,\" Bette Midler said of the early 1980s music industry. Rather then get left behind in the dimming reflection of the glitter ball, the Divine Miss M, always one to embrace spectacle and big performance values, threw herself head first in the New Wave and performance art scenes that were beginning to emerge in Los Angeles at the time. The result was triple fold: a performance art television special (\"The Mondo Beyondo Show\" in 1982), an album (\"No Frills\" released in 1983), and a tour/televised concert (\"De Tour\" a.k.a. \"Art or Bust\" in 1984). The album featured New Wave-y synthesizer riffs, plenty of nouveau electronica and collaborations with Bob Dylan and Mick Jagger, which led to it becoming Midler's top selling LP in Europe. And the television special and tour feature the kind of over-the-top Memphis era stage design and conceptual performance art touches that were so of the moment and are great documents of the look and sound of the scene. Is it any wonder Midler's dive into the New Wave also coincided with her marriage to Martin von Hasleberg, a.k.a. one half of performance art duo \"The Kipper Kids?\"\u003c/p>\n\u003cp>\u003cstrong>Grace Jones: A Living Keith Haring Object\u003c/strong>\u003c/p>\n\u003cdiv class=\"single-video\">\u003ciframe src=\"//www.youtube.com/embed/uqZpPDc-k-M\" frameborder=\"0\" width=\"420\" height=\"315\">\u003c/iframe>\u003c/div>\n\u003cp>If ever there was a case of a perfectly matched artist and subject duo, Grace Jones and Keith Haring were it. Jones was made for Haring's art; she could be a grown \"\u003ca href=\"http://en.wikipedia.org/wiki/Radiant_Baby\">Radiant Baby\u003c/a>\" with her long limbs, chiseled cheek points and architectural body. Haring took advantage of the statuesque canvas by literally painting her in a few famous instances. Jones and Haring collaborated most famously on the music video for \"I'm Not Perfect\" (which also features an Andy Warhol cameo), where Haring's body paint was featured as well as a completely \u003cem>cray\u003c/em> gown for Jones. For extra credit, see Jones dance in more Haring graffiti'd flesh in the 1986 horror film \u003cem>Vamp\u003c/em>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Madonna Mapplethorpe-Beecroft-Carrington-Etc.\u003c/strong>\u003c/p>\n\u003cdiv class=\"single-video\">\u003ciframe src=\"//www.youtube.com/embed/CSaFgAwnRSc\" frameborder=\"0\" width=\"420\" height=\"315\">\u003c/iframe>\u003c/div>\n\u003cp>The Madonna of Reinvention (as we call her) has created and recreated herself so many times she was bound to have picked up some high art reference points along the way. The pop star's 1992 coffee table book/photo essay \u003cem>Sex\u003c/em> was the start of a certain kind of highly-sexualized \"Mapplethorpe\" persona the diva adopted for her album \u003cem>Erotica\u003c/em>. She's since gone on to reference everyone from surrealists Leonora Carrington and Frida Kahlo in her \"Bedtime Story\" music video, photographer Horst P. Horst in her music video for \"Vogue\" and high priestess of high art Vanessa Beecroft in her very Beecroftian presentation of \"Frozen.\"\u003c/p>\n\u003cp>\u003cstrong>Terry Richardson Presents Miley Cyrus\u003c/strong>\u003c/p>\n\u003cdiv class=\"single-video\">\u003ciframe src=\"//www.youtube.com/embed/My2FRPA3Gf8\" frameborder=\"0\" width=\"560\" height=\"315\">\u003c/iframe>\u003c/div>\n\u003cp>\u003ca href=\"http://blogs.kqed.org/pop/2014/02/05/miley-abramovic-the-artist-came-in-like-a-wrecking-ball/\">Abramovic aspects aside\u003c/a>, the 2013 music video for Miley Cyrus's \"Wrecking Ball\" has the fingerprints of director/photographer Terry Richardson all over it. The intercuts of women crying/licking tools, the...shall we just say Nabokovian allusions, the washed-out white on white scheme, and the juxtaposition of female nudity and acts of destruction are touches that reek of the controversial Richardson. As Miley's persona has grown from her new video aesthetic, Richardson is the invisible hand that guides the star's self-presentation.\u003c/p>\n\u003cp>\u003cstrong>Swizz Beatz Meets Damien Hirst\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_11410\" class=\"wp-caption aligncenter\" style=\"max-width: 434px\">\u003ca href=\"http://blogs.kqed.org/pop/?attachment_id=11410\" rel=\"attachment wp-att-11410\">\u003cimg class=\" wp-image-11410 \" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2014/03/swizz.jpg\" alt=\"Photo: Instagram\" width=\"434\" height=\"434\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2014/03/swizz.jpg 620w, https://ww2.kqed.org/app/uploads/sites/12/2014/03/swizz-400x400.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2014/03/swizz-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/12/2014/03/swizz-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/12/2014/03/swizz-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/12/2014/03/swizz-128x128.jpg 128w, https://ww2.kqed.org/app/uploads/sites/12/2014/03/swizz-75x75.jpg 75w\" sizes=\"(max-width: 434px) 100vw, 434px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: \u003ca href=\"http://instagram.com/therealswizzz\">Instagram\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cp>Producer Swizz Beatz, who has worked with everyone from DMX to Jay Z and T.I., set the Instagramosphere abuzz this past June when he published a photo of himself making a spin painting with artist Damien Hirst. A week later, Beatz announced plans to open a gallery that would feature Hirst, among other friends in the art world, that would be a new kind of exhibition venue and collaboration between the senses. Beatz is still searching for a space for the future gallery, but we look forward to seeing how this producer provides another bridge between the two worlds.\u003c/p>\n\u003cp>\u003cstrong>Kenneth Anger Made Mick Jagger Do It!\u003c/strong>\u003c/p>\n\u003cdiv class=\"single-video\">\u003ciframe src=\"//www.youtube.com/embed/1gD9mC7u8cE\" frameborder=\"0\" width=\"560\" height=\"315\">\u003c/iframe>\u003c/div>\n\u003cp>Among the more interesting revelations to come from the recent \u003cem>Esquire UK\u003c/em> interview with Hollywood \"historian\" and experimental filmmaker Kenneth Anger was the story of \u003ca href=\"http://www.esquire.co.uk/culture/features/5483/kenneth-anger/\">Mick Jagger's near collaboration with Anger on a film in the early '70s, in which the Rolling Stone would have played Lucifer\u003c/a>. Although Jagger declined the offer, \"Sympathy for the Devil\" was inspired by the satanic subject matter of \u003cem>The Master and Margarita\u003c/em>, a book Anger gave to the singer while they contemplated the Lucifer film.\u003c/p>\n\u003cp>\u003cstrong>Matthew Barney Gets Bjorked!\u003c/strong>\u003c/p>\n\u003cdiv class=\"single-video\">\u003ciframe src=\"//www.youtube.com/embed/GKvf6llROK8\" frameborder=\"0\" width=\"420\" height=\"315\">\u003c/iframe>\u003c/div>\n\u003cp>\u003c/p>\n\u003cp>Do you think there were fireworks when Matthew Barney met his future wife, Bjork? Throat-singing, plasma textured, abstract fireworks? In another example of perfect artist pairings (and this one reproduced!), the 2006 art film \u003cem>Drawing Restraint 9\u003c/em> (starring Barney and Bjork with a soundtrack by the singer) was exactly what we hoped the famous pair's home life would be like. The above scene with Bjork as a geisha is one of the most famous from the film (the cutting of the legs scene with the pair is the most infamous).\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/pop/11372/the-7-best-pop-music-contemporary-art-collaborations","authors":["2436"],"categories":["pop_4"],"tags":["pop_321","pop_25"],"featImg":"pop_11417","label":"pop"},"pop_9715":{"type":"posts","id":"pop_9715","meta":{"index":"posts_1591205157","site":"pop","id":"9715","score":null,"sort":[1384455233000]},"guestAuthors":[],"slug":"check-out-west-coast-craft-at-fort-mason-this-weekend","title":"Check Out West Coast Craft at Fort Mason This Weekend","publishDate":1384455233,"format":"aside","headTitle":"KQED Pop | KQED Arts","labelTerm":{"site":"pop"},"content":"\u003cfigure id=\"attachment_9717\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003ca href=\"http://blogs.kqed.org/pop/2013/11/14/check-out-west-coast-craft-at-fort-mason-this-weekend/tumblr_mvxd41kgcb1sgza05o1_1280/\" rel=\"attachment wp-att-9717\">\u003cimg class=\"size-full wp-image-9717\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/11/tumblr_mvxd41KgCB1sgza05o1_1280.jpg\" alt=\"tumblr_mvxd41KgCB1sgza05o1_1280\" width=\"640\" height=\"640\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2013/11/tumblr_mvxd41KgCB1sgza05o1_1280.jpg 640w, https://ww2.kqed.org/app/uploads/sites/12/2013/11/tumblr_mvxd41KgCB1sgza05o1_1280-400x400.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2013/11/tumblr_mvxd41KgCB1sgza05o1_1280-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/12/2013/11/tumblr_mvxd41KgCB1sgza05o1_1280-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/12/2013/11/tumblr_mvxd41KgCB1sgza05o1_1280-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/12/2013/11/tumblr_mvxd41KgCB1sgza05o1_1280-128x128.jpg 128w, https://ww2.kqed.org/app/uploads/sites/12/2013/11/tumblr_mvxd41KgCB1sgza05o1_1280-75x75.jpg 75w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">The type of booth you’re likely to see at WCC, like this one from Eric Trine\u003c/figcaption>\u003c/figure>\n\u003cp>I won’t deny feeling a bit self-satisfied whenever I do a good job picking the perfect gift for a loved one – something I can truly tell they’re excited about and can’t wait to read/use/wear/look at in their home. Especially if they’re impossibly hard to shop for because they always just get stuff for themselves before I get the chance. I’ve given my share of duds (mostly, gift certificates and bath salts) and they were usually the result of running out of time and inspiration, but when I do well, I might pull a Liz Lemon and high five myself.\u003c/p>\n\u003cp>While buying things online certainly is easy and makes global shopping accessible, I still prefer any opportunity to shop in person and locally. San Francisco is a great city for that, especially if you’re looking for something unique, given a number of great craft and gift fairs that take place throughout the year, from Renegade to the monthly antique fair in Alameda. Making their debut on the scene this coming weekend (November 16-17) are \u003ca href=\"http://westcoastcraft.com/\" target=\"_blank\">West Coast Craft\u003c/a>, who will take over Fort Mason Center Festival Pavilion with over 150 vendors. Founded by Nick Sarno and Paulina Nassar (co-owners of \u003ca href=\"http://pressworksonpaper.com/\" target=\"_blank\">Press\u003c/a>) and local furniture builder and designer Sergio Traverso, the aim of WCC is to find a balance between craft and fine art. When I asked Nick to describe the theme for the fair in three adjectives he chose “innovative,” “bright” and “cool” (but not, he pointed out, “the aloof kind of cool”). Among the vendors assembled, there are clothes makers, perfumers, jewelers, and crafters and builders working with reclaimed wood, clay, leather, glass and hand woven fabrics. A sense of pride in careful craftsmanship, and the use of warm textures and colors seem to be common elements between many of the vendors. The fair is free to attend, and there will also be food by \u003ca href=\"http://batchmadesf.com/\" target=\"_blank\">ForageSF’s Batchmade Market\u003c/a> and cocktails from \u003ca href=\"http://www.bonvivants-sf.com\" target=\"_blank\">The Bon Vivants\u003c/a>, the team behind many of the city’s cocktail menus, including Trick Dog's. DJ Andy Cabic (Vetiver) will provide music, and if color and texture overload from all the wares might not be enough, artists like Tahiti Pehrson and Kindah Khalidy are setting up installations to add to the ambiance of the design show.\u003c/p>\n\u003cp>\u003ca href=\"http://westcoastcraft.com/\" target=\"_blank\">West Coast Craft\u003c/a> takes place at Fort Mason Center Festival Pavilion on November 16 and 17th, from 10am to 6pm. Admission is free.\u003c/p>\n\u003cp>\u003ca href=\"http://blogs.kqed.org/pop/2013/11/14/check-out-west-coast-craft-at-fort-mason-this-weekend/wcc_poster_11x17-blue-01/\" rel=\"attachment wp-att-9716\">\u003cimg class=\"aligncenter size-full wp-image-9716\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/11/wcc_poster_11x17-blue-01.jpeg\" alt=\"wcc_poster_11x17-blue-01\" width=\"415\" height=\"640\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2013/11/wcc_poster_11x17-blue-01.jpeg 415w, https://ww2.kqed.org/app/uploads/sites/12/2013/11/wcc_poster_11x17-blue-01-400x616.jpeg 400w\" sizes=\"(max-width: 415px) 100vw, 415px\">\u003c/a>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n","blocks":[],"excerpt":"Making their debut on the Bay Area craft fair scene this coming weekend (November 16-17) are West Coast Craft, who will take over Fort Mason Center Festival Pavilion with over 150 vendors.","status":"publish","parent":0,"modified":1392072915,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":6,"wordCount":454},"headData":{"title":"Check Out West Coast Craft at Fort Mason This Weekend | KQED","description":"Making their debut on the Bay Area craft fair scene this coming weekend (November 16-17) are West Coast Craft, who will take over Fort Mason Center Festival Pavilion with over 150 vendors.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Check Out West Coast Craft at Fort Mason This Weekend","datePublished":"2013-11-14T18:53:53.000Z","dateModified":"2014-02-10T22:55:15.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"disqusIdentifier":"9715 http://blogs.kqed.org/pop/?p=9715","disqusUrl":"https://ww2.kqed.org/pop/2013/11/14/check-out-west-coast-craft-at-fort-mason-this-weekend/","disqusTitle":"Check Out West Coast Craft at Fort Mason This Weekend","path":"/pop/9715/check-out-west-coast-craft-at-fort-mason-this-weekend","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_9717\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003ca href=\"http://blogs.kqed.org/pop/2013/11/14/check-out-west-coast-craft-at-fort-mason-this-weekend/tumblr_mvxd41kgcb1sgza05o1_1280/\" rel=\"attachment wp-att-9717\">\u003cimg class=\"size-full wp-image-9717\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/11/tumblr_mvxd41KgCB1sgza05o1_1280.jpg\" alt=\"tumblr_mvxd41KgCB1sgza05o1_1280\" width=\"640\" height=\"640\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2013/11/tumblr_mvxd41KgCB1sgza05o1_1280.jpg 640w, https://ww2.kqed.org/app/uploads/sites/12/2013/11/tumblr_mvxd41KgCB1sgza05o1_1280-400x400.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2013/11/tumblr_mvxd41KgCB1sgza05o1_1280-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/12/2013/11/tumblr_mvxd41KgCB1sgza05o1_1280-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/12/2013/11/tumblr_mvxd41KgCB1sgza05o1_1280-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/12/2013/11/tumblr_mvxd41KgCB1sgza05o1_1280-128x128.jpg 128w, https://ww2.kqed.org/app/uploads/sites/12/2013/11/tumblr_mvxd41KgCB1sgza05o1_1280-75x75.jpg 75w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">The type of booth you’re likely to see at WCC, like this one from Eric Trine\u003c/figcaption>\u003c/figure>\n\u003cp>I won’t deny feeling a bit self-satisfied whenever I do a good job picking the perfect gift for a loved one – something I can truly tell they’re excited about and can’t wait to read/use/wear/look at in their home. Especially if they’re impossibly hard to shop for because they always just get stuff for themselves before I get the chance. I’ve given my share of duds (mostly, gift certificates and bath salts) and they were usually the result of running out of time and inspiration, but when I do well, I might pull a Liz Lemon and high five myself.\u003c/p>\n\u003cp>While buying things online certainly is easy and makes global shopping accessible, I still prefer any opportunity to shop in person and locally. San Francisco is a great city for that, especially if you’re looking for something unique, given a number of great craft and gift fairs that take place throughout the year, from Renegade to the monthly antique fair in Alameda. Making their debut on the scene this coming weekend (November 16-17) are \u003ca href=\"http://westcoastcraft.com/\" target=\"_blank\">West Coast Craft\u003c/a>, who will take over Fort Mason Center Festival Pavilion with over 150 vendors. Founded by Nick Sarno and Paulina Nassar (co-owners of \u003ca href=\"http://pressworksonpaper.com/\" target=\"_blank\">Press\u003c/a>) and local furniture builder and designer Sergio Traverso, the aim of WCC is to find a balance between craft and fine art. When I asked Nick to describe the theme for the fair in three adjectives he chose “innovative,” “bright” and “cool” (but not, he pointed out, “the aloof kind of cool”). Among the vendors assembled, there are clothes makers, perfumers, jewelers, and crafters and builders working with reclaimed wood, clay, leather, glass and hand woven fabrics. A sense of pride in careful craftsmanship, and the use of warm textures and colors seem to be common elements between many of the vendors. The fair is free to attend, and there will also be food by \u003ca href=\"http://batchmadesf.com/\" target=\"_blank\">ForageSF’s Batchmade Market\u003c/a> and cocktails from \u003ca href=\"http://www.bonvivants-sf.com\" target=\"_blank\">The Bon Vivants\u003c/a>, the team behind many of the city’s cocktail menus, including Trick Dog's. DJ Andy Cabic (Vetiver) will provide music, and if color and texture overload from all the wares might not be enough, artists like Tahiti Pehrson and Kindah Khalidy are setting up installations to add to the ambiance of the design show.\u003c/p>\n\u003cp>\u003ca href=\"http://westcoastcraft.com/\" target=\"_blank\">West Coast Craft\u003c/a> takes place at Fort Mason Center Festival Pavilion on November 16 and 17th, from 10am to 6pm. Admission is free.\u003c/p>\n\u003cp>\u003ca href=\"http://blogs.kqed.org/pop/2013/11/14/check-out-west-coast-craft-at-fort-mason-this-weekend/wcc_poster_11x17-blue-01/\" rel=\"attachment wp-att-9716\">\u003cimg class=\"aligncenter size-full wp-image-9716\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/11/wcc_poster_11x17-blue-01.jpeg\" alt=\"wcc_poster_11x17-blue-01\" width=\"415\" height=\"640\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2013/11/wcc_poster_11x17-blue-01.jpeg 415w, https://ww2.kqed.org/app/uploads/sites/12/2013/11/wcc_poster_11x17-blue-01-400x616.jpeg 400w\" sizes=\"(max-width: 415px) 100vw, 415px\">\u003c/a>\u003c/p>\n\u003cp> \u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/pop/9715/check-out-west-coast-craft-at-fort-mason-this-weekend","authors":["2520"],"categories":["pop_6","pop_56"],"tags":["pop_321","pop_664","pop_1360","pop_1362","pop_317","pop_1361"],"featImg":"pop_9718","label":"pop"},"pop_9357":{"type":"posts","id":"pop_9357","meta":{"index":"posts_1591205157","site":"pop","id":"9357","score":null,"sort":[1382991304000]},"guestAuthors":[],"slug":"adele-enersens-dreamy-yet-disturbing-baby-art","title":"Adele Enersen's Dreamy Yet Disturbing Baby Art","publishDate":1382991304,"format":"aside","headTitle":"KQED Pop | KQED Arts","labelTerm":{"site":"pop"},"content":"\u003cfigure class=\"wp-caption aligncenter\" style=\"max-width: 400px\">\u003ca href=\"www.adeleenersen.com\">\u003cimg class=\"size-full \" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/10/20131028-091803.jpg\" alt=\"20131028-091803.jpg\" width=\"400\" height=\"296\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Images via Adele Enersen\u003c/figcaption>\u003c/figure>\n\u003cp>The internet has gifted us with another beaut! For those of you out there that have ever said to yourselves, \"I love Anne Geddes' anthropomorphized dog photos: why isn't there something equivocal with infants?\" this is the post for you!\u003c/p>\n\u003cp>Behold author, illustrator, blogger, photographer and mommy Adele Enersen's new book: \"When My Baby Dreams.\" Yes, that's Enersen's baby Mila featured in a number of cloth tableaux looking very much like a character on a living felt board.\u003c/p>\n\u003cp>\"I started making the pictures in June, 2010, when Mila was just 2 weeks old.\" Enersen explains on her website of the genesis of her series. \"I think all new parents go crazy with baby photos of their first child—maybe we were just a little bit crazier!\" Perhaps, but who are we to judge? \"I often found myself staring at my sleeping baby instead of sleeping myself. We wanted to capture our memories in photos but we realized that we just had a lot of pictures of Mila sleeping. One night, she fell asleep on a blanket on the floor in a funny position, with her arm stretched out, and she looked like a little fencer. My husband, Lasse, and I were laughing that she was probably dreaming about exactly that, so Lasse, who’s a film composer, placed his conductor’s baton in her hand and we took the very first 'daydream' picture.\"\u003c/p>\n\u003cp style=\"text-align: center\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/10/20131028-091433.jpg\">\u003cimg class=\" aligncenter\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/10/20131028-091433.jpg\" alt=\"20131028-091433.jpg\" width=\"300\" height=\"225\">\u003c/a>\u003c/p>\n\u003cp>Can't. Look. Away.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>I thought it was important to run these photos by some parents of small children for their thoughts on the series. Do they think the shots are exploitive? Beautiful? Creepy? The overall reaction can be summed up by one friend who is the proud and exhausted father of a two-year-old.\u003c/p>\n\u003cp>Yes.\u003c/p>\n\u003cp>Also, this:\u003c/p>\n\u003cp>\"I think she gave that baby cough medicine: there's no way I could have ever got Sammy into any of those costumes unscathed and then posed him so meticulously without him waking up. Either that is the most relaxed baby in the world or she gave Mila a drop of brandy in her bottle.\"\u003c/p>\n\u003cp>Enersen is clearly a mother with some time on her hands. Say what you will but at least they're not foodiegrams.\u003c/p>\n\u003cp>For more images from \"When My Baby Dreams\" or to order the book please visit Eneresen's website: \u003ca href=\"http://www.adeleenersen.com\">www.adeleenersen.com\u003c/a>. Below are some more of our favorites:\u003c/p>\n\u003cp style=\"text-align: center\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/10/20131028-091750.jpg\">\u003cimg class=\" aligncenter\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/10/20131028-091750.jpg\" alt=\"20131028-091750.jpg\" width=\"300\" height=\"225\">\u003c/a>\u003c/p>\n\u003cp>Oh no, baby snail! I may be an invasive pest in the minds of gardeners and an appetizer to the French but to mom I'm just an adorable prop.\u003c/p>\n\u003cp style=\"text-align: center\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/10/20131028-091841.jpg\">\u003cimg class=\" aligncenter\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/10/20131028-091841.jpg\" alt=\"20131028-091841.jpg\" width=\"300\" height=\"241\">\u003c/a>\u003c/p>\n\u003cp>Once upon a mattress. Or several, in this case.\u003c/p>\n\u003cp style=\"text-align: center\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/10/20131028-091815.jpg\">\u003cimg class=\"size-full aligncenter\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/10/20131028-091815.jpg\" alt=\"20131028-091815.jpg\" width=\"300\" height=\"248\">\u003c/a>\u003c/p>\n\u003cp>Look at me! I'm Michelle Kwan! Or Johnny Weir! Boycott the antigay Russian Olympics!\u003c/p>\n\u003cp style=\"text-align: center\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/10/20131028-091822.jpg\">\u003cimg class=\" aligncenter\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/10/20131028-091822.jpg\" alt=\"20131028-091822.jpg\" width=\"300\" height=\"201\">\u003c/a>\u003c/p>\n\u003cp>I thought you were going to take care of the check? I'm just a baby!\u003c/p>\n\u003cp style=\"text-align: center\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/10/20131028-091851.jpg\">\u003cimg class=\"size-full aligncenter\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/10/20131028-091851.jpg\" alt=\"20131028-091851.jpg\" width=\"298\" height=\"224\">\u003c/a>\u003c/p>\n\u003cp>Ah! How did I get all the way up here, isn't there any parental supervision in my house? You think someone would have noticed I was gone long enough to travel to the moon! I feel like Sandra Bullock in \"Gravity\" which I am not yet old enough to see!\u003c/p>\n\u003cp style=\"text-align: center\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/10/20131028-091858.jpg\">\u003cimg class=\" aligncenter\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/10/20131028-091858.jpg\" alt=\"20131028-091858.jpg\" width=\"300\" height=\"225\">\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>When I said I was wet I meant you should change me, not hang me out to dry.\u003c/p>\n\n","blocks":[],"excerpt":"For those of you out there that have ever said to yourselves, \"I love Anne Gedes' anthropomorphized dog photos: why isn't there something equivocal with infants?\" this is the post for you!","status":"publish","parent":0,"modified":1382996051,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":18,"wordCount":550},"headData":{"title":"Adele Enersen's Dreamy Yet Disturbing Baby Art | KQED","description":"For those of you out there that have ever said to yourselves, "I love Anne Gedes' anthropomorphized dog photos: why isn't there something equivocal with infants?" this is the post for you!","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Adele Enersen's Dreamy Yet Disturbing Baby Art","datePublished":"2013-10-28T20:15:04.000Z","dateModified":"2013-10-28T21:34:11.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"disqusIdentifier":"9357 http://blogs.kqed.org/pop/?p=9357","disqusUrl":"https://ww2.kqed.org/pop/2013/10/28/adele-enersens-dreamy-yet-disturbing-baby-art/","disqusTitle":"Adele Enersen's Dreamy Yet Disturbing Baby Art","path":"/pop/9357/adele-enersens-dreamy-yet-disturbing-baby-art","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cfigure class=\"wp-caption aligncenter\" style=\"max-width: 400px\">\u003ca href=\"www.adeleenersen.com\">\u003cimg class=\"size-full \" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/10/20131028-091803.jpg\" alt=\"20131028-091803.jpg\" width=\"400\" height=\"296\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Images via Adele Enersen\u003c/figcaption>\u003c/figure>\n\u003cp>The internet has gifted us with another beaut! For those of you out there that have ever said to yourselves, \"I love Anne Geddes' anthropomorphized dog photos: why isn't there something equivocal with infants?\" this is the post for you!\u003c/p>\n\u003cp>Behold author, illustrator, blogger, photographer and mommy Adele Enersen's new book: \"When My Baby Dreams.\" Yes, that's Enersen's baby Mila featured in a number of cloth tableaux looking very much like a character on a living felt board.\u003c/p>\n\u003cp>\"I started making the pictures in June, 2010, when Mila was just 2 weeks old.\" Enersen explains on her website of the genesis of her series. \"I think all new parents go crazy with baby photos of their first child—maybe we were just a little bit crazier!\" Perhaps, but who are we to judge? \"I often found myself staring at my sleeping baby instead of sleeping myself. We wanted to capture our memories in photos but we realized that we just had a lot of pictures of Mila sleeping. One night, she fell asleep on a blanket on the floor in a funny position, with her arm stretched out, and she looked like a little fencer. My husband, Lasse, and I were laughing that she was probably dreaming about exactly that, so Lasse, who’s a film composer, placed his conductor’s baton in her hand and we took the very first 'daydream' picture.\"\u003c/p>\n\u003cp style=\"text-align: center\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/10/20131028-091433.jpg\">\u003cimg class=\" aligncenter\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/10/20131028-091433.jpg\" alt=\"20131028-091433.jpg\" width=\"300\" height=\"225\">\u003c/a>\u003c/p>\n\u003cp>Can't. Look. Away.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>I thought it was important to run these photos by some parents of small children for their thoughts on the series. Do they think the shots are exploitive? Beautiful? Creepy? The overall reaction can be summed up by one friend who is the proud and exhausted father of a two-year-old.\u003c/p>\n\u003cp>Yes.\u003c/p>\n\u003cp>Also, this:\u003c/p>\n\u003cp>\"I think she gave that baby cough medicine: there's no way I could have ever got Sammy into any of those costumes unscathed and then posed him so meticulously without him waking up. Either that is the most relaxed baby in the world or she gave Mila a drop of brandy in her bottle.\"\u003c/p>\n\u003cp>Enersen is clearly a mother with some time on her hands. Say what you will but at least they're not foodiegrams.\u003c/p>\n\u003cp>For more images from \"When My Baby Dreams\" or to order the book please visit Eneresen's website: \u003ca href=\"http://www.adeleenersen.com\">www.adeleenersen.com\u003c/a>. Below are some more of our favorites:\u003c/p>\n\u003cp style=\"text-align: center\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/10/20131028-091750.jpg\">\u003cimg class=\" aligncenter\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/10/20131028-091750.jpg\" alt=\"20131028-091750.jpg\" width=\"300\" height=\"225\">\u003c/a>\u003c/p>\n\u003cp>Oh no, baby snail! I may be an invasive pest in the minds of gardeners and an appetizer to the French but to mom I'm just an adorable prop.\u003c/p>\n\u003cp style=\"text-align: center\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/10/20131028-091841.jpg\">\u003cimg class=\" aligncenter\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/10/20131028-091841.jpg\" alt=\"20131028-091841.jpg\" width=\"300\" height=\"241\">\u003c/a>\u003c/p>\n\u003cp>Once upon a mattress. Or several, in this case.\u003c/p>\n\u003cp style=\"text-align: center\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/10/20131028-091815.jpg\">\u003cimg class=\"size-full aligncenter\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/10/20131028-091815.jpg\" alt=\"20131028-091815.jpg\" width=\"300\" height=\"248\">\u003c/a>\u003c/p>\n\u003cp>Look at me! I'm Michelle Kwan! Or Johnny Weir! Boycott the antigay Russian Olympics!\u003c/p>\n\u003cp style=\"text-align: center\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/10/20131028-091822.jpg\">\u003cimg class=\" aligncenter\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/10/20131028-091822.jpg\" alt=\"20131028-091822.jpg\" width=\"300\" height=\"201\">\u003c/a>\u003c/p>\n\u003cp>I thought you were going to take care of the check? I'm just a baby!\u003c/p>\n\u003cp style=\"text-align: center\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/10/20131028-091851.jpg\">\u003cimg class=\"size-full aligncenter\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/10/20131028-091851.jpg\" alt=\"20131028-091851.jpg\" width=\"298\" height=\"224\">\u003c/a>\u003c/p>\n\u003cp>Ah! How did I get all the way up here, isn't there any parental supervision in my house? You think someone would have noticed I was gone long enough to travel to the moon! I feel like Sandra Bullock in \"Gravity\" which I am not yet old enough to see!\u003c/p>\n\u003cp style=\"text-align: center\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/10/20131028-091858.jpg\">\u003cimg class=\" aligncenter\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/10/20131028-091858.jpg\" alt=\"20131028-091858.jpg\" width=\"300\" height=\"225\">\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>When I said I was wet I meant you should change me, not hang me out to dry.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/pop/9357/adele-enersens-dreamy-yet-disturbing-baby-art","authors":["2436"],"categories":["pop_56","pop_5","pop_1041"],"tags":["pop_1320","pop_321","pop_1317","pop_120","pop_1318","pop_1319","pop_1321"],"featImg":"pop_9385","label":"pop"},"pop_4908":{"type":"posts","id":"pop_4908","meta":{"index":"posts_1591205157","site":"pop","id":"4908","score":null,"sort":[1368709235000]},"guestAuthors":[],"slug":"go-behind-the-scenes-at-currency-from-sfai-at-the-old-mint","title":"Meet the MFA Grads Who Make Us Believe in Art Again","publishDate":1368709235,"format":"aside","headTitle":"KQED Pop | KQED Arts","labelTerm":{"site":"pop"},"content":"\u003cfigure id=\"attachment_4946\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003ca href=\"http://blogs.kqed.org/pop/2013/05/16/go-behind-the-scenes-at-currency-from-sfai-at-the-old-mint/dimitra/\" rel=\"attachment wp-att-4946\">\u003cimg src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/05/dimitra.jpg\" alt=\"Dimitra Skandali, one of our favorite SFAI grads\" width=\"640\" height=\"360\" class=\"size-full wp-image-4946\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2013/05/dimitra.jpg 640w, https://ww2.kqed.org/app/uploads/sites/12/2013/05/dimitra-400x225.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">\u003ca href=\"http://dimitraskandali.com/home.html\">Dimitra Skandali\u003c/a>, one of our favorite SFAI grads\u003c/figcaption>\u003c/figure>\n\u003cp>Every spring art schools around the Bay have final shows to highlight the work of the year's graduating Masters of Fine Arts (in visual arts). If you live here, you know there are a LOT of Masters and a lot of art projects. In San Francisco alone there are shows for the \u003ca href=\"http://www.sfai.edu/event/currency\" target=\"_blank\">San Francisco Art Institute\u003c/a>, \u003ca href=\"http://www.cca.edu/calendar/2013/2013-mfa-thesis-exhibition\" target=\"_blank\">California College of the Arts\u003c/a> and \u003ca href=\"http://art.sfsu.edu/events/2013/04/27/4906\" target=\"_blank\">San Francisco State University\u003c/a>, not to mention \u003ca href=\"http://mcam.mills.edu/exhibitions/current1.php\" target=\"_blank\">Mills\u003c/a> across the Bay in Oakland and don't forget \u003ca href=\"http://art.stanford.edu/galleries-spaces/stanford-art-gallery/\" target=\"_blank\">Stanford\u003c/a> and \u003ca href=\"http://events.berkeley.edu/index.php/calendar/sn/art.html?event_ID=63973\" target=\"_blank\">Berkeley\u003c/a>.\u003c/p>\n\u003cp>This means a lot of work, a lot of artist statements and a whole lot of nervous grads entering a pretty competitive job market. KQED Pop had the chance to head to the Old Mint where SFAI's final show, Currency, is being held from May 15 to 19. While the grads installed their work, we walked around and talked to some of them about why they make art and why we should care. Spoiler: we were impressed and we are hard to impress. Watch the video below and regain a bit of hope for the future of art in America.\u003c/p>\n\u003cdiv class=\"single-video\">[youtube http://www.youtube.com/watch?v=1yGAJXw1myE&w=560&h=315]\u003c/div>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n","blocks":[],"excerpt":"As visual artists around the Bay prepare to ascend to rank of Master of Fine Arts, KQED Pop went to the Old Mint to meet the future of the art world.","status":"publish","parent":0,"modified":1368743840,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":4,"wordCount":210},"headData":{"title":"Meet the MFA Grads Who Make Us Believe in Art Again | KQED","description":"As visual artists around the Bay prepare to ascend to rank of Master of Fine Arts, KQED Pop went to the Old Mint to meet the future of the art world.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Meet the MFA Grads Who Make Us Believe in Art Again","datePublished":"2013-05-16T13:00:35.000Z","dateModified":"2013-05-16T22:37:20.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"disqusIdentifier":"4908 http://blogs.kqed.org/pop/?p=4908","disqusUrl":"https://ww2.kqed.org/pop/2013/05/16/go-behind-the-scenes-at-currency-from-sfai-at-the-old-mint/","disqusTitle":"Meet the MFA Grads Who Make Us Believe in Art Again","path":"/pop/4908/go-behind-the-scenes-at-currency-from-sfai-at-the-old-mint","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_4946\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003ca href=\"http://blogs.kqed.org/pop/2013/05/16/go-behind-the-scenes-at-currency-from-sfai-at-the-old-mint/dimitra/\" rel=\"attachment wp-att-4946\">\u003cimg src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/05/dimitra.jpg\" alt=\"Dimitra Skandali, one of our favorite SFAI grads\" width=\"640\" height=\"360\" class=\"size-full wp-image-4946\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2013/05/dimitra.jpg 640w, https://ww2.kqed.org/app/uploads/sites/12/2013/05/dimitra-400x225.jpg 400w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">\u003ca href=\"http://dimitraskandali.com/home.html\">Dimitra Skandali\u003c/a>, one of our favorite SFAI grads\u003c/figcaption>\u003c/figure>\n\u003cp>Every spring art schools around the Bay have final shows to highlight the work of the year's graduating Masters of Fine Arts (in visual arts). If you live here, you know there are a LOT of Masters and a lot of art projects. In San Francisco alone there are shows for the \u003ca href=\"http://www.sfai.edu/event/currency\" target=\"_blank\">San Francisco Art Institute\u003c/a>, \u003ca href=\"http://www.cca.edu/calendar/2013/2013-mfa-thesis-exhibition\" target=\"_blank\">California College of the Arts\u003c/a> and \u003ca href=\"http://art.sfsu.edu/events/2013/04/27/4906\" target=\"_blank\">San Francisco State University\u003c/a>, not to mention \u003ca href=\"http://mcam.mills.edu/exhibitions/current1.php\" target=\"_blank\">Mills\u003c/a> across the Bay in Oakland and don't forget \u003ca href=\"http://art.stanford.edu/galleries-spaces/stanford-art-gallery/\" target=\"_blank\">Stanford\u003c/a> and \u003ca href=\"http://events.berkeley.edu/index.php/calendar/sn/art.html?event_ID=63973\" target=\"_blank\">Berkeley\u003c/a>.\u003c/p>\n\u003cp>This means a lot of work, a lot of artist statements and a whole lot of nervous grads entering a pretty competitive job market. KQED Pop had the chance to head to the Old Mint where SFAI's final show, Currency, is being held from May 15 to 19. While the grads installed their work, we walked around and talked to some of them about why they make art and why we should care. Spoiler: we were impressed and we are hard to impress. Watch the video below and regain a bit of hope for the future of art in America.\u003c/p>\n\u003cdiv class=\"single-video\">\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/1yGAJXw1myE'\n title='//www.youtube.com/embed/1yGAJXw1myE'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003c/div>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/pop/4908/go-behind-the-scenes-at-currency-from-sfai-at-the-old-mint","authors":["2421"],"categories":["pop_6"],"tags":["pop_782","pop_321","pop_777","pop_774","pop_779","pop_292","pop_778","pop_775","pop_781","pop_773","pop_772","pop_780","pop_776","pop_21","pop_636"],"featImg":"pop_4946","label":"pop"},"pop_2358":{"type":"posts","id":"pop_2358","meta":{"index":"posts_1591205157","site":"pop","id":"2358","score":null,"sort":[1363100434000]},"guestAuthors":[],"slug":"twitter-vine-and-the-world-of-social-media-art","title":"Twitter, Vine and the World of Social Media Art","publishDate":1363100434,"format":"aside","headTitle":"KQED Pop | KQED Arts","labelTerm":{"site":"pop"},"content":"\u003cp>Occasionally I find myself defending Twitter from its detractors. I think a great deal of people still think of Twitter as just a place where P. Diddy and Ashton Kutcher post about mundane things like what they had for lunch, and it’s not. It’s also a place where non-celebrities post about what they had for lunch.\u003c/p>\n\u003cp>Seriously, though, Twitter—along with every other major social media website—has been host to weird, fascinating art and poetry for years. No matter how intrinsically banal a platform may seem, someone in this talented world manages to do something worthwhile with it.\u003c/p>\n\u003cp>I feel inclined to defend Twitter specifically because of people like John Moe, who I’ve written about here \u003ca href=\"http://blogs.kqed.org/pop/2013/02/19/six-podcasts-you-really-should-be-listening-to/\">before\u003c/a>, as well as Jon Hendren (@fart)—people who have mastered the 140-word joke form.\u003c/p>\n\u003cblockquote class=\"twitter-tweet\">\u003cp>The real tragedy is not that they call him Lowly Worm, it's that no one in Busytown even sees that as a pejorative — John Moe (@johnmoe) \u003ca href=\"https://twitter.com/johnmoe/status/310760618401599490\">March 10, 2013\u003c/a>\u003c/p>\u003c/blockquote>\n\u003cblockquote class=\"twitter-tweet\">\u003cp>“Google Glass, please find a salon or barber shop that can repair haircut damage from multiple simultaneous noogies” -the future — jon hendren (@fart) \u003ca href=\"https://twitter.com/fart/status/310158991114252289\">March 8, 2013\u003c/a>\u003c/p>\u003c/blockquote>\n\u003cp>Others are worth following for what they retweet, such as \u003ca href=\"http://www.buzzfeed.com/katienotopoulos/this-man-is-not-a-burrito\">internet archivist Katie Notopolous\u003c/a>, and, if you want to be exposed to the depressing side of Twitter, the user @boring_as_heck, who catalogues \u003ca href=\"http://tweetpairing.tumblr.com/\">pairings of tweets by ignorant conspiracy theorists.\u003c/a> A Twitter account like that of \u003ca href=\"https://twitter.com/dril/status/309014923948744705\">@dril\u003c/a> could be considered an extended Dadaist performance piece. Many \u003ca href=\"https://twitter.com/diaper_wolf/status/228708326836428800\">other accounts\u003c/a> use \u003ca href=\"https://twitter.com/hell_homer/status/310848394409177088\">similarly absurd humor \u003c/a>but frequently break character, often to hint at personal woes or to take stands on politics—a process I’d compare to that of a comedian riffing in front of an audience until he or she finds something funny.\u003c/p>\n\u003cp>What about Facebook? Isn’t that just where your friends’ moms write long screeds about the need for better gun control in this country, and where bad local bands invite you to come see them? No! It’s also where \u003ca href=\"http://www.newyorker.com/talk/2011/07/04/110704ta_talk_mead\">Princeton professor Jeff Nunokawa\u003c/a> posts deep and sometimes moving meditations on literature. If you add him as a friend, you can get these notes on your feed, and he will also wish you a happy birthday on your birthday.\u003c/p>\n\u003cfigure class=\"wp-caption alignnone\" style=\"max-width: 480px\">\u003cimg src=\"http://i1.kym-cdn.com/photos/images/original/000/341/114/7dc.jpg\" alt=\"\" width=\"480\" height=\"337\">\u003cfigcaption class=\"wp-caption-text\">Via \u003ca href=\"http://knowyourmeme.com/photos/341114-poofed-audi-guy\">Know Your Meme.\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cp>Instagram remains mostly a wasteland of brunches and cats, despite the fact that photography is definitely a legitimate art form and not just a hobby for dads and pretty girls. However, you guys, \u003cem>Ai Weiwei\u003c/em>, an artist famous for being persecuted by the Chinese government, is now on Instagram at \u003ca href=\"http://instagram.com/aiww/\">@aiww\u003c/a>. The account is decidedly non-controversial—it’s mostly starkly beautiful images of people around him, his cats, and even the occasional \u003ca href=\"http://www.urbandictionary.com/define.php?term=selfie\">selfie\u003c/a>. His technical skill and his backstory are what make the images poignant.\u003c/p>\n\u003cfigure id=\"attachment_2362\" class=\"wp-caption alignnone\" style=\"max-width: 598px\">\u003ca href=\"http://blogs.kqed.org/pop/?attachment_id=2362\" rel=\"attachment wp-att-2362\">\u003cimg class=\"size-full wp-image-2362\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/03/aiweiwei.png\" alt=\"Via Ai Weiwei on Instagram\" width=\"598\" height=\"568\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2013/03/aiweiwei.png 598w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/aiweiwei-400x379.png 400w\" sizes=\"(max-width: 598px) 100vw, 598px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Via \u003ca href=\"http://instagram.com/aiww\">Ai Weiwei on Instagram.\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cp>You should also check out The New Yorker Instagram feed at \u003ca href=\"http://instagram.com/newyorkermag\">@newyorkermag\u003c/a>, where New Yorker photographers post images while on assignment—right now they’re documenting the 55\u003csup>th\u003c/sup>annual Rattlesnake Round-Up in Sweetwater, Texas.\u003c/p>\n\u003cfigure id=\"attachment_2363\" class=\"wp-caption alignnone\" style=\"max-width: 574px\">\u003ca href=\"http://blogs.kqed.org/pop/?attachment_id=2363\" rel=\"attachment wp-att-2363\">\u003cimg class=\"size-full wp-image-2363\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/03/gators.png\" alt=\"Via The New Yorker on Instagram.\" width=\"574\" height=\"573\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2013/03/gators.png 574w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/gators-400x399.png 400w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/gators-32x32.png 32w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/gators-64x64.png 64w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/gators-96x96.png 96w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/gators-128x128.png 128w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/gators-75x75.png 75w\" sizes=\"(max-width: 574px) 100vw, 574px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Via \u003ca href=\"http://instagram.com/newyorkermag\">The New Yorker on Instagram.\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cp>Recently Twitter unveiled Vine, an app that allows users to post and share six-second looping videos. I’m interested in this app because it is one of the first social networking platforms (can I say “social networking platforms” enough times in this article to make people jump off the Golden Gate Bridge?) made expressly for the purpose of making art, (with the exception of Instagram, which is photography, and photography is totally art). Not only art, but an art form on which people spend years and millions of dollars: the movies!\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>It’s already been established that while Twitter great John Moe is only decent at Vine, actor James Urbaniak—who is only \u003ca href=\"https://twitter.com/JamesUrbaniak/status/305904344648253440\">decent at coming up with funny jokes on Twitter\u003c/a>—is an absolute champion on Vine. His six-second videos are short films with beginnings, middles, ends, special effects, and costumes:\u003c/p>\n\u003cp>\u003ca href=\"https://twitter.com/JamesUrbaniak/status/305195980012285952\">Oscar Party '76\u003c/a>\u003c/p>\n\u003cp>\u003ca href=\"https://vine.co/v/b6qd6pjmi3i\">Bowie at Home\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Is art still best left to the pros, even when it's free online or on an app? Twitter is telling me no, but Vine is telling me yes. Who else is great that I’ve left out?\u003c/p>\n\n","blocks":[],"excerpt":"Is it possible to make art on social media?","status":"publish","parent":0,"modified":1363100567,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":16,"wordCount":726},"headData":{"title":"Twitter, Vine and the World of Social Media Art | KQED","description":"Is it possible to make art on social media?","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Twitter, Vine and the World of Social Media Art","datePublished":"2013-03-12T15:00:34.000Z","dateModified":"2013-03-12T15:02:47.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"disqusIdentifier":"2358 http://blogs.kqed.org/pop/?p=2358","disqusUrl":"https://ww2.kqed.org/pop/2013/03/12/twitter-vine-and-the-world-of-social-media-art/","disqusTitle":"Twitter, Vine and the World of Social Media Art","path":"/pop/2358/twitter-vine-and-the-world-of-social-media-art","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Occasionally I find myself defending Twitter from its detractors. I think a great deal of people still think of Twitter as just a place where P. Diddy and Ashton Kutcher post about mundane things like what they had for lunch, and it’s not. It’s also a place where non-celebrities post about what they had for lunch.\u003c/p>\n\u003cp>Seriously, though, Twitter—along with every other major social media website—has been host to weird, fascinating art and poetry for years. No matter how intrinsically banal a platform may seem, someone in this talented world manages to do something worthwhile with it.\u003c/p>\n\u003cp>I feel inclined to defend Twitter specifically because of people like John Moe, who I’ve written about here \u003ca href=\"http://blogs.kqed.org/pop/2013/02/19/six-podcasts-you-really-should-be-listening-to/\">before\u003c/a>, as well as Jon Hendren (@fart)—people who have mastered the 140-word joke form.\u003c/p>\n\u003cblockquote class=\"twitter-tweet\">\u003cp>The real tragedy is not that they call him Lowly Worm, it's that no one in Busytown even sees that as a pejorative — John Moe (@johnmoe) \u003ca href=\"https://twitter.com/johnmoe/status/310760618401599490\">March 10, 2013\u003c/a>\u003c/p>\u003c/blockquote>\n\u003cblockquote class=\"twitter-tweet\">\u003cp>“Google Glass, please find a salon or barber shop that can repair haircut damage from multiple simultaneous noogies” -the future — jon hendren (@fart) \u003ca href=\"https://twitter.com/fart/status/310158991114252289\">March 8, 2013\u003c/a>\u003c/p>\u003c/blockquote>\n\u003cp>Others are worth following for what they retweet, such as \u003ca href=\"http://www.buzzfeed.com/katienotopoulos/this-man-is-not-a-burrito\">internet archivist Katie Notopolous\u003c/a>, and, if you want to be exposed to the depressing side of Twitter, the user @boring_as_heck, who catalogues \u003ca href=\"http://tweetpairing.tumblr.com/\">pairings of tweets by ignorant conspiracy theorists.\u003c/a> A Twitter account like that of \u003ca href=\"https://twitter.com/dril/status/309014923948744705\">@dril\u003c/a> could be considered an extended Dadaist performance piece. Many \u003ca href=\"https://twitter.com/diaper_wolf/status/228708326836428800\">other accounts\u003c/a> use \u003ca href=\"https://twitter.com/hell_homer/status/310848394409177088\">similarly absurd humor \u003c/a>but frequently break character, often to hint at personal woes or to take stands on politics—a process I’d compare to that of a comedian riffing in front of an audience until he or she finds something funny.\u003c/p>\n\u003cp>What about Facebook? Isn’t that just where your friends’ moms write long screeds about the need for better gun control in this country, and where bad local bands invite you to come see them? No! It’s also where \u003ca href=\"http://www.newyorker.com/talk/2011/07/04/110704ta_talk_mead\">Princeton professor Jeff Nunokawa\u003c/a> posts deep and sometimes moving meditations on literature. If you add him as a friend, you can get these notes on your feed, and he will also wish you a happy birthday on your birthday.\u003c/p>\n\u003cfigure class=\"wp-caption alignnone\" style=\"max-width: 480px\">\u003cimg src=\"http://i1.kym-cdn.com/photos/images/original/000/341/114/7dc.jpg\" alt=\"\" width=\"480\" height=\"337\">\u003cfigcaption class=\"wp-caption-text\">Via \u003ca href=\"http://knowyourmeme.com/photos/341114-poofed-audi-guy\">Know Your Meme.\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cp>Instagram remains mostly a wasteland of brunches and cats, despite the fact that photography is definitely a legitimate art form and not just a hobby for dads and pretty girls. However, you guys, \u003cem>Ai Weiwei\u003c/em>, an artist famous for being persecuted by the Chinese government, is now on Instagram at \u003ca href=\"http://instagram.com/aiww/\">@aiww\u003c/a>. The account is decidedly non-controversial—it’s mostly starkly beautiful images of people around him, his cats, and even the occasional \u003ca href=\"http://www.urbandictionary.com/define.php?term=selfie\">selfie\u003c/a>. His technical skill and his backstory are what make the images poignant.\u003c/p>\n\u003cfigure id=\"attachment_2362\" class=\"wp-caption alignnone\" style=\"max-width: 598px\">\u003ca href=\"http://blogs.kqed.org/pop/?attachment_id=2362\" rel=\"attachment wp-att-2362\">\u003cimg class=\"size-full wp-image-2362\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/03/aiweiwei.png\" alt=\"Via Ai Weiwei on Instagram\" width=\"598\" height=\"568\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2013/03/aiweiwei.png 598w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/aiweiwei-400x379.png 400w\" sizes=\"(max-width: 598px) 100vw, 598px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Via \u003ca href=\"http://instagram.com/aiww\">Ai Weiwei on Instagram.\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cp>You should also check out The New Yorker Instagram feed at \u003ca href=\"http://instagram.com/newyorkermag\">@newyorkermag\u003c/a>, where New Yorker photographers post images while on assignment—right now they’re documenting the 55\u003csup>th\u003c/sup>annual Rattlesnake Round-Up in Sweetwater, Texas.\u003c/p>\n\u003cfigure id=\"attachment_2363\" class=\"wp-caption alignnone\" style=\"max-width: 574px\">\u003ca href=\"http://blogs.kqed.org/pop/?attachment_id=2363\" rel=\"attachment wp-att-2363\">\u003cimg class=\"size-full wp-image-2363\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/03/gators.png\" alt=\"Via The New Yorker on Instagram.\" width=\"574\" height=\"573\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2013/03/gators.png 574w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/gators-400x399.png 400w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/gators-32x32.png 32w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/gators-64x64.png 64w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/gators-96x96.png 96w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/gators-128x128.png 128w, https://ww2.kqed.org/app/uploads/sites/12/2013/03/gators-75x75.png 75w\" sizes=\"(max-width: 574px) 100vw, 574px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Via \u003ca href=\"http://instagram.com/newyorkermag\">The New Yorker on Instagram.\u003c/a>\u003c/figcaption>\u003c/figure>\n\u003cp>Recently Twitter unveiled Vine, an app that allows users to post and share six-second looping videos. I’m interested in this app because it is one of the first social networking platforms (can I say “social networking platforms” enough times in this article to make people jump off the Golden Gate Bridge?) made expressly for the purpose of making art, (with the exception of Instagram, which is photography, and photography is totally art). Not only art, but an art form on which people spend years and millions of dollars: the movies!\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>It’s already been established that while Twitter great John Moe is only decent at Vine, actor James Urbaniak—who is only \u003ca href=\"https://twitter.com/JamesUrbaniak/status/305904344648253440\">decent at coming up with funny jokes on Twitter\u003c/a>—is an absolute champion on Vine. His six-second videos are short films with beginnings, middles, ends, special effects, and costumes:\u003c/p>\n\u003cp>\u003ca href=\"https://twitter.com/JamesUrbaniak/status/305195980012285952\">Oscar Party '76\u003c/a>\u003c/p>\n\u003cp>\u003ca href=\"https://vine.co/v/b6qd6pjmi3i\">Bowie at Home\u003c/a>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Is art still best left to the pros, even when it's free online or on an app? Twitter is telling me no, but Vine is telling me yes. Who else is great that I’ve left out?\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/pop/2358/twitter-vine-and-the-world-of-social-media-art","authors":["2422"],"categories":["pop_7","pop_51","pop_5"],"tags":["pop_321","pop_360","pop_363","pop_245","pop_362"],"featImg":"pop_2403","label":"pop"}},"programsReducer":{"possible":{"id":"possible","title":"Possible","info":"Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. 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