Slender Man: Why You Should Be Afraid of The Internet Bogeyman

| June 24, 2014
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Photo: mdl70, via Flickr

Photo: mdl70, via Flickr

Modern mysteries abound online. There were the 77,000 videos of colored rectangles and tones which appeared on YouTube this year. BBC and others compared it to “numbers station” spy communications. Someone on NPR even suggested aliens (turns out it was just Google). Then there was the disappearance of Malaysian Airlines Flight 370; the world watched, rapt, as the mystery unfolded and numerous hypotheses were put forth. CNN suggested aliens.

Conspiracy theories and urban legends, though different forms of storytelling, operate in similar ways, and have a specific relationship to the belief or skepticism of their audience. These days, the meeting ground for the development of these stories is the internet, the new campground we all sit around. One contemporary urban legend, Slender Man, has lurked in the virtual realms since 2009, but finally made national headlines when life tragically imitated art. With multiple violent attacks earlier this month connected to Slender Man, the mysterious bogeyman of online horror fiction is now firmly in the zeitgeist (expect imitations of him to pop up in next season’s horror films and crime drama TV shows).

Folklore often presents a facade of having always existed, or originating mysteriously in some ambiguous earlier time. Yet, digging beneath the surface, one finds that bogeymen such as Cropsey, recently documented lurker of Staten Island, and Bunny Man, the axe-wielding legend of my own hometown, have origins in actual events. Today, online haunts replace the real world, and myths are no longer localized but related to online subcultures. Folktales have jumped from the campfire to the screens of our computers and phones.

The paranoia over this new threat is reminiscent of the heavy metal, Dungeons & Dragons, slasher flick, Satanism scares of the 1980s, in which a handful of fatal incidents were sensationally reported. There were over-the-top headlines, court cases, TV exposés; books were sold, and movies were made. It’s a long road to that level of national panic, and though Slender Man has just started, he has the internet to help him. Slender Man is a pastiche of folkloric monsters, and his stories are crowd-sourced fan fiction.

But the problem is not just disturbed kids confusing fantasy with reality; for those looking to share extremist views, the internet becomes a great equalizer of fact and fiction. One of the Las Vegas shooting perpetrators was apparently a fan of Slender Man; neighbors claim to have occasionally seen him dressed in a Slender Man costume. Both shooters were members of the so-called “Patriot” movement, and also attended a rally at notorious racist Cliven Bundy’s ranch. So here we have a tacit connection between two prominent contemporary folklore: fan fiction and conspiracy theories, both facilitated by online subcultures before then leaking out into the real world in the worst of ways.

The Las Vegas incident was one of an alarming number of shootings, widely attributed to stripped regulation of guns, and fueled by the fantasy that the federal government wants to repeal the Second Amendment. These are the so-called false flag conspiracies, which purport that each mass shooting is staged by the government, and cast Obama as the bogeyman. It is storytelling in the same way Slender Man is, interpreted widely and varyingly, depending on who the story is being told by and told to.

As urban legends once thrived at slumber parties and conspiracy theories at clandestine basement meetings, there is now the web with its cultures, regions and territories. Unfortunately, the darker corners provide a space for commonly unacceptable beliefs to coalesce. There has never been a tool such as the internet to provide a forum for developing and fermenting ideas among the similarly-minded. Beliefs can be more extreme, because there is no existing social fabric in those realms to hold them in place.

Is truth stranger than fiction? In the online sphere, it is increasingly difficult to discern the two, if even a difference still exists. We watch events transpire in real time, and become news; those of us participating in cultural production feed back into the story. Aliens abduct our airplanes, and horror fiction characters demand blood sacrifice from our kids. Meanwhile simple facts, such as more guns means more gun deaths, are obscured as political positions, which shows how far we’ve shifted away from empirical reasoning, and toward superstition. If we allow superstition to lead, we will follow down a dark path. Deep in those woods lurk the ghosts of those who strayed, who were hunted and tried as witches. Or at least those will be the stories we tell.

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About the Author ()

Stephen Shearer is a San Francisco- based artist, musician, and self-appointed critic.
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    I don’t get this article. Should I stab someone? Please let me know.