digital storytelling

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Playing Tag or Digital Games? Why Not Both?

Flickr:Andrew LaParra

Where the Educational Game Industry Went Wrong

The spotlight has been shining on media and gaming in the education innovation scene in recent years. And while many tout the virtues of what games and media can teach kids, we know it’s just as important to give kids enough time to play outside.

In this essay, Andy Russell, co-founder of Launchpad Toys, which created Toontastic (I reviewed the digital storytelling app recently) talks about how the two worlds don’t have to be mutually exclusive. Ideally, inside and outside play build on each other.

By Andy Russell

This past weekend I had the pleasure of helping to organize TEDxSFED and participating in a number of post-conference roundtables about “Re-Imagining Education.” One session on Educational Gaming posed the question: “How would you create a game to teach Natural Selection?” The group tossed out several ideas and seemed quite happy until one insightful teacher dropped the Josh Baskin question of the day: “But why do I need a computer for that? Why not just go outside and play tag?” Eyes averted, crickets chirped… it was beautiful.

Like many adults, kids are less interested in facts and figures and more intrigued by opportunities to investigate, create, and share their voice with the world.

For years, educational software developers have digitized and embedded worksheets and problem sets into interactive games. The practice has known many names — Edutainment, Serious Gaming, and most recently “Gamification” – but all share the common premise (misconception) that learning by itself isn’t fun, that kids need a spoonful of sugar (game mechanics, rewards, etc.) to make the medicine (curriculum) go down.

As several of the roundtable participants struggled to answer this million-dollar question, I found myself thinking about the many kindergartners I’ve had the chance to play with over the years – and the endless barrage of questions that I’ve had to field on topics ranging from weather to ticklishness to the flavor of boogers. Looking back, I don’t think I’ve ever met a 4- or 5-year-old who isn’t naturally curious, who isn’t excited to learn. So why is it that so many 10-year-olds cringe at the sight or sound of the word “education”?

I found myself comparing the questions that kindergarteners ask to the questions/answers often seen in traditional educational media. I noticed a theme: most educational games deal a lot in the “Who?, What?, When?, and Where?” while the questions I hear from young kids are more of the “How?” and “Why?” variety. Not once has a child ever asked me to fill in a blank or select from multiple choices. Like many adults, they’re less interested in facts and figures and more intrigued by opportunities to investigate, create, and share their voice with the world.

The problem is that we’re trying to replace teachers and parents with software rather than giving them complementary tools to help them become facilitators and coaches instead of test administrators.

What’s the difference between a computer simulation and a backyard game of tag? Quite honestly, not much – which is exactly why we, as educational media designers, have failed three decades of curious kids (with some notable exceptions). Interactive quizzes and digital flash cards may make content more exciting than their analog counterparts, but that’s a short-sighted approach that fails to get at the root problem, an extrinsic motivation when kids are already intrinsically motivated to learn. The fundamental problem is not that learning isn’t fun, it’s that we’re answering questions that kids aren’t asking (Who?, What?, When?, Where?) instead of giving them tools to experiment, build on, and share their own ideas. The problem is that we’re trying to replace teachers and parents with software rather than giving them complementary tools to help them become facilitators and coaches instead of test administrators.

A backyard game of tag is an excellent way to demonstrate natural selection. Sure, one might replicate that with a computer game, but why? As educational media designers, our role shouldn’t be to demonstrate these phenomena in action (there are plenty of tools for that), but instead to leverage the incredible power of modern technology to help kids answer the bigger questions: HOW and WHY are these phenomena happening? Our role should be to guide them up Bloom’s Taxonomy to not just memorize and regurgitate, but to synthesize, analyze, and create. To do this, we need to dive deeper – to help kids learn not just by “doing,” but by designing (please see: John Maeda, Laura Seargent Richardson). We need to stop thinking of educational media as fancy content delivery mechanisms (interactive videos and electronic books) and start building tools that help kids design and develop their own understandings of the world through iterative content creation.

Constructionist learning tools like Scratch, NetLogo, and LEGO Mindstorms, empower kids as self-motivated learners to program, build, animate, and design their own creations. NetLogo, for example, would be a perfect tool for the natural selection question. With NetLogo, kids can easily program their own natural selection simulation with millions of independent characters operating in a virtual biosphere under the rules and guidelines they assign – almost like a digital petri dish, but with the ability to scale and fast-forward in real-time and iteratively test many different variables and hypotheses. These tools are the modern equivalent of the five-paragraph-essay:  templates for inventing, testing, and sharing new ideas while developing higher-level critical thinking and analytical skills.

So my answer to the teacher is: We SHOULD go outside and play tag! Then let’s go back into the house or classroom and talk about what just happened and see if we can break those big ideas apart while building, testing, and iterating on our model. Then let’s upload our model to the Web, compare it to others’ ideas, and maybe even collaborate with other kids/students around the world. As educational media designers, let’s re-imagine edutainment as empowerment. Let’s empower children as designers by making concepts and tools accessible to learners and then, above all, let’s give kids megaphones to share their ideas with friends, family, and peers around the world.

What’s the Value of Digital Storytelling?

Toontastic

The ToonTastic app is clearly fun, as I described in the previous post. But is there an educational element to this kind of digital storytelling? What do kids learn when they piece together a plot hatched from their own imagination? I asked Andy Russell, the app’s co-creator, to tell us more. Andy is a graduate of Learning Design programs at Stanford and Northwestern and has worked for companies like Hasbro and Sony PlayStation to design playful learning experiences for kids.

Q. Why do you think story-telling is important in a child’s education?

As educators, we’re challenged to create new opportunities for kids to become producers of creative ideas and not just consumers – and storytelling is a common and underlying theme in most, if not all, creative work. Toontastic enables kids to craft and share their own cartoons, but the core lessons of Character, Setting, Emotion, and Narrative Arc apply to many other mediums from creative writing to filmmaking, music, and art.

“My favorite cartoons are those with custom drawn characters and backgrounds and we’ll be doing our best to encourage original artwork through the online community.”

Our first goal is to help kids become better storytellers. Beyond that, however, we see play as a tool for kids to learn about the world around them. Imaginative play is a social laboratory where kids learn by trying on, testing out, and adapting new ideas just as they might costumes – an experimental theater for practicing the many roles and rules that young children are learning every day. As many parents can attest, it’s not uncommon to see one day’s “real-world” lessons being practiced in the next day’s dress-up session. With that in mind, our ultimate goal is to leverage those stories as lessons themselves – to create a global storytelling network for kids, by kids, where children can share their stories online and learn about the world around them through cartoons made by other kids just like them.

Q. How does Toontastic leverage those storytelling skills?

Toontastic is a constructionist learning tool that empowers kids to create their own cartoons while introducing and guiding key storytelling concepts along the way. Many Constructionist learning tools like Scratch and Logo enable kids to express themselves through computer programming. We like to think of Toontastic as Scratch for storytelling – swapping out formal logic for story structure (Characters, Setting, Story Events, and Narrative Arc) – the “code” of storytelling.
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Digital Media Tool Made Easy for Teachers?

Adobe Rome

By Ifanyi Bell

Educators are an industrious bunch. On a day-to-day basis, they have to make something out of nothing, and that’s especially true when it comes to integrating technology in the classroom.

They’re faced with a slew of barriers preventing a full-scale upgrade of technology—namely funding and an ideological consensus regarding reform, among other challenges. Until those things are sorted, educators will continue to use the vast patchwork of software and hardware available to them from the highly competitive consumer technology market.

Unfortunately, there’s no centralized system — the patchwork is just that: a hodgepodge of technology available to some, but not all. Software will run on this computer, but not that one. This license can be applied to that desktop, but not that laptop. This app can be loaded on an Apple, but not a PC.

There may be some good news — at least in the media-making realm: Project Rome for Education, from Adobe, a suite of media making tools for classroom use, based on the design industry standard, Adobe Creative Suite (CS). Adobe has taken elements of its famous(ly expensive) media creation software (Photoshop, Illustrator, After-Effects, Premiere, etc.) and bundled it into an all-in-one kit for creating slideshows, digital stories, web-pages, presentations, and more. Continue reading