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Posts Tagged ‘pastry’


Baillardran Cannelés

Saturday, May 7th, 2011

Baillardran Canneles

While I was in Paris, I was determined to get my hands of some cannelés. I'd never seen any in the Bay Area and I was intrigued by these little cake-like treats that were cooked in very expensive copper molds (yes, I know you can buy silicon molds, but they don't caramelize the outer shell of the pastry).

Baillardran Canneles

Thankfully, in Paris, cannelés are not in short supply. You can get them at almost any patisserie, including the famous shops, like Pierre Hermé and Ladurée. While I samples cannelés all over Paris, some of the best I had were at tiny hole-in-the-wall pastry shops, where the baked goods were fresh and the patissier beamed proudly over their work.

Still, though, I wanted more. I asked the ladies at Librairie Gourmande where I should go to sample some of the city's best cannelés, and she sent me to Baillardran a chain shop that supposedly sells real Bordeaux cannelés throughout France. As luck would have it, there was a Baillardran just east of Paris, in a little suburb that I could easily access by the Metro. So I made an afternoon of it.

Baillardran Canneles

Baillardran Canneles

I walked into Baillardran and surveyed the goods. There were cannelés everywhere -- piled into mountains, arranged in circles, and patiently waiting in baking trays. They come in three sizes -- small, medium and large -- and you can also buy them at varying levels of "doneness," similar to a steak. I liked the variety, which I wasn't expecting to find in a shop that sells only a single kind of pastry, but the options were exciting. I bought a few cannelés in the "medium" style, browned but not burnt, and then indulged in a handful of aluminum-lined copper cannelé molds, which they were selling for surprisingly cheap.

Baillardran Canneles

Baillardran Canneles

I sat down and took a bite. The texture was what I expected: firm and gently smoky on the outside, tender and luscious on the inside, like little caramelized nuggets of soft bread pudding. These cannelés were more rummy-tasting than the others I'd had, adding a liquory tang to each bite. I ate one, then another, and then the final one that I'd expected to save until the next day. Alas, they were just too good to hold onto for more than a few minutes!


Baillardran
Address: Map
‪2 Boulevard Jean Jaurès‬
‪92100 Boulogne-Billancourt‬
‪France +33 1 55 60 90 07
Phone: 05 56 99 13 75

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A Week at The San Francisco Baking Institute

Tuesday, October 12th, 2010

Learning at San Francisco Baking Institute
The Exploring Ingredients Class at San Francisco Baking Institute

Last week was big for me. I took a week off from work, returned very few emails, and my dogs suffered a severe lack of exercise. Why? I spent all week baking eight hours a day at the San Francisco Baking Institute, brushing up on my skills and learning the "how's" and "why's" behind much of the baking I do at home (How exactly can I make this cookie chewier? Why add potato starch here? What effect does pastry flour have on this recipe?). Each day I came home with boxes of treats to share with family, friends, and coworkers along with copious notes and a head spinning with information on technique and method. After spending the weekend debriefing, I thought I'd share the top ten things I learned from my one week in pastry school. Some of the tips here are relatively basic and fundamental, others are a bit more advanced. Each could certainly use its very own post. But sometimes broad coverage is nice--it's just enough to get you inspired to break out a muffin or cake recipe for the coming week. I'd love to hear any of your own baking tips/revelations, too!

Breakfast Pastries
Making Breakfast Pasties: Day 2

1. Mixing Methods: It's important to understand the different mixing methods when baking. And then to follow them. For example, when using the "Creaming Method" for cookies, you're really just creaming together the sugar and butter until combined. However, when making brownies, you need to integrate a lot of air into your batter when mixing your sugar and butter. This acts as your leavening agent (look at most brownie recipes and you'll notice a lack of chemical leaveners like baking soda or powder). So you'll need to mix on a higher speed for a longer period of time. If you're interested in reading more on mixing methods, The Reluctant Gourmet has done a nice post covering them in more detail.

2. Pay Attention to Your Flours: People use all different kinds of flour in pastry production for a variety of reasons. Cake flour and pastry flour have the lowest amount of protein whereas bread flour and all-purpose flour have the highest. As a general rule, the higher the amount of protein, the more structure the dough will have (think of how many cakes are so light and fluffy while traditional breads are heartier). Once you become familiar with how the various flours change the outcome of your pastries and baked goods, you can begin adapting recipes to create different textures simply by swapping the flours.

3. All About Super-Fine Sugar:
I generally use granulated sugar at home. However, this past week we worked solely with superfine sugar (unless the recipe called for powdered or liquid sugar) and I learned why: superfine sugar melts in moisture more quickly than regular granulated sugar, and is really preferable for fine textured baked goods. Try it--you may just notice a difference.

desserts
From Angel Food Cake to Madelines: A Few of the Desserts

4. Temperature Matters:
Much of what you're doing when mixing various batters is creating a smooth emulsion. We've all made a recipe where the batter turned out a little too chunky or broken looking, haven't we? There are many reasons why this might happen, but the main one is that the ingredients aren't the proper temperature. If you don't have time to bring your eggs up to room temperature, mix them together in a small bowl and microwave them for 20-30 seconds until warm. And for many recipes (not including pie dough, obviously) you want your butter softened but not oily or completely melted. Pay attention to the temperature of your ingredients and you'll have smooth, silky dough more often than not.

5. Take it Slow:
Ah, cakes...a relative cousin to the cookie but with much more moisture. Because of this increased moisture, you'll notice most recipes ask that you alternate between dry and wet ingredients when combining the two together. You don't want to break the emulsion (or bind) between the butter and the eggs or your batter will start to look broken or separated. Slow down. Take your time. If a recipe asks that you alternate between the wet and the dry, there's a reason for that: don't dump your ingredients in all at once.

6. All About Pie Dough: I love making pies and quietly judge people who don't make their own crust. It's just so basic and tastes so much better than boxed pie crust. I was humbled this week though when I learned about the different kinds of pie crusts and why you'd want to choose one over the other depending on your fillings. It would take a few additional posts to cover the different kinds of pie doughs available to you. If you're interested in reading more, I'd check out: The Pie and Pastry Bible by Rose Levy Beranbaum or Joy of Cooking: All About Pies and Tarts by Irma Rombauer and Marion Rombauer Becker. But for now, know that there are flaky and mealy crusts. The basic recipe is the same (a nice butter crust or a butter and lard crust), but a mealy dough is good for cream pies and wet fillings because you're incorporating the butter into the dough more (smaller chunks) thereby creating a coarse almost cornmeal like crust and a tighter dough. A flaky butter crust with large chunks of butter will always absorb more moisture making it much less ideal for cream pies and other wet fillings.

Meringues and Diamond Cookies
Meringues and Diamond Cookies

7. How Do I Make My Cookie ____ ? So you like your chocolate chip cookie crispy on the outside and chewy on the inside? Or maybe you like a tender, cakey cookie? How do you look at a recipe and alter it to fit your needs? A few good pointers: if you like a crispy cookie, you're looking for a recipe with low moisture and high fat and sugar. If you're looking for more of a soft cookie, the recipe will be lower in sugar and fat with a high moisture content. And if you're a chewy cookie fan, your recipe will call for more moisture and sugar and less fat. It'll also call for a stronger flour with more protein (like bread flour). What does this mean for the home baker? Experiment. If you want a chewy cookie and you're using the typical Toll House Recipe, try bread flour instead and use a bit more sugar. Take notes and compare. With the right information, you can have more control over your recipes.

8. Freezing and Storing: A good rule of thumb on this is to think about the moisture in your product. If there's a lot of moisture in something you've made (custards, lemon bars etc.), you generally want to avoid freezing after baking. Something with low moisture and high fat like a cookie is o.k. to freeze whereas a product with high moisture and lower fat like a soft, crumbly muffin really isn't great to freeze once baked.

9. All About Chilling: Have you noticed lately that many cookie recipes ask you to chill your dough in the freezer before baking? What's going on here? The most likely answer is that chilling decreases the probability that your cookies will spread when baked. Another possbility is one the New York Times stands behind with their infamous Chocolate Chip Cookie recipe: that dough tends to develop flavors when allowed to overnight, resulting in a richer, more buttery/toffee-like dough. Try it. You decide.

10. A Few Tips for Working with Chocolate: People spend years studying chocolate and confections, but for the purposes of home baking and simple pastry production, there are a few good things to know. First, when you're melting chocolate in a double boiler, you always want to cover the bowl that the chocolate's in. The second moisture hits the chocolate mixture, you're going to run the risk of grainy chocolate. Second, don't overheat your mixture. This, too, will create lumps. Last, don't let your bowl actually touch the water. You want space in between the bowl and the water below--this is where steam is trapped and this is what's going to melt your chocolate.

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Sandbox Bakery

Saturday, December 19th, 2009

Sandbox Bakery
Bernalites sure eat well there up on the hill. Dawdling along a rolling 8-block strip of commerce, you could go from Avedano's killer Cuban sandwich (and impressive local/sustainable meat selection) to Moki's sushi or Vino Rosso's salume. Or you could nibble Peruvian bolitas de yuca at Piqueo's or momo at Little Nepal, then finish up with ice cream at Maggie Mudd (including non-dairy versions made with soy or coconut milk). There's coffee and bagels at Martha's, eggs and toast at Moonshine, iced tea and wraps on the shady back deck at Progressive Grounds.

All good, but where, where were our Paris-perfect pains au chocolat? Our savory swirls of fluffy bread filled with miso, scallion, and sesame seeds? The Ritual Roasters coffee painstakingly dripped cup by cup? We Hill dwellers may be very busy walking our dogs or itsy-bitsy-spidering our charming offspring, but we have our standards, and our needs. (As well as no patience for schlepping down to the Mission to make our antsy toddlers wait in that endless Tartine line.)

sandbox coissant

Which makes the arrival of Sandbox Bakery, after months of window-peering, a reason for rejoicing up here. Chowhound buzz promised a summer opening; permit processes being what they are, the bakery opened on Cortland on December 7. Charcoal-walled without, white-tiled within, the bakery is sleek, almost a little stark for now, with no seating. But all the better to focus on the pastries, arranged in a glass-fronted case facing the whooshing automatic doors.

sandbox almond coissant

Prices, for now, are very reasonable: croissants $2 to $2.50, scones $2, filled buns $2.25 to $3, cookies .75 cents, muffins $2. Warm pastries come out of the oven in waves. Longing for something flaky and croissant-ish mid-morning, we were sorry to see only rolls, muffins, and scones on offer. But no worries: a few minutes later, owner/pastry chef Mutsumi Takehara emerged from the back with a platter of oven-hot raisin swirls and sweet cheese croissants.

sandbox scone

It's worth hanging around for these; the raisin swirl we tried was ethereally light and barely sweet, shards of a dream that disappeared like snowflakes. A strawberry scone was more earthbound but still light and easy to crumble into mouthfuls, and well larded with sweet fruit.

Beyond croissants, scones, and muffins, Takehara's workhorse is a light, eggy yeast dough, like an airy challah, that she uses to make her version of kashi-pan, the filled buns popular in Japanese bakeries. On the savory side, the dough is rounded into a fat doughnut shape and filled with corn kernels and a splash of creamy bechamel, creating a perfect accompaniment to tomato soup. (You'll have to make your own soup, though, since Sandbox does only pastries for now.) It's braided around an unexpected but rewarding (for you savory-breakfast types) smear of miso and sesame. It's flattened and topped with a tangy, bittersweet gloss of yuzu marmalade.

Takehara has the deft touch of a pro, one who's happy to being doing her own thing at last after years of working around town. Her impressive pastry resume includes stints at La Farine, Chez Panisse, Rubicon, and, for the past 10 years, Slanted Door. These are pastries of delicacy and light, subtle rather than sweet. And for all you groggy new parents starting the day at dawn (they don't call this Maternal Hill for nothing), Sandbox opens at 6am on weekdays, 7am on Saturdays.

Sandbox Bakery, 833 Cortland Ave., San Francisco, CA. (415) 642-8580. Mon-Fri, 6am-3pm; Sat 7am-3pm.
Follow on Twitter: @SandboxBakery

Photos copyright Sandbox Bakery

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State of Pastry in SF

Sunday, December 6th, 2009

Commonwealth Club panel
The Commonwealth Club: The State of Pastry in SF INFORUM panel. Photo by Shing Wong.

It may be hard to believe, but there was a time—call it the 1990s—when people, even suave city folk like yourself, did not want salt in their caramels or bacon in their chocolate.

Indeed, what did the fancy folk want? Having spent most of that decade as a restaurant critic, I can tell you: they wanted crème brûlée. Ginger crème brûlée. Lavender crème brûlée, introduced at Absinthe by then-pastry chef Clare Legas.

Then molten chocolate cake slipped in. First simply warm and a little gooey inside, it morphed slowly into a volcano of bubbling chocolate lava held back by only the thinnests of crusts. Near the end of the decade, the endless forward march of glassy-topped custards was briefly interrupted by a wiggle of panna cottas. (Surely, at Delfina, some bill is paid purely by sales of their buttermilk panna cotta, a dessert that's never been off the menu in ten years.) There were flirtations with Asian flavors, a little green tea there, a spark of yuzu here.

Now, of course, you can't swing a puggle in this town without landing it face-first in someone's salted-caramel-bacon-gingerbread cupcake. Salt and bacon seem here to stay, as does anything cute and bite-sized. Olive oil ice cream (or olive oil over ice cream), curry sabayons, a creeping hint of soy and balsamic vinegar: savory has colonized our sweet, and that's the way we like it.

That was the takeaway from last Tuesday's INFORUM panel at the Commonwealth Club, where four of the city's most innovative pastry chefs gathered to discuss The State of Pastry in SF. On the panel were Luis Villavelasquez (Absinthe), William Werner (Quince), Elizabeth Falkner (Orson, Citizen Cake), and Bill Corbett, recently of Michael Mina. The questions tossed out by moderator Jessica Battalina, associate food editor of 7x7, were marshmallow-soft, but some interesting tidbits did arise.

On NYC vs. SF Pastry Styles:
Corbett: I spent 5 years cooking in New York before I came to California. New York chefs can't rely on getting really excellent produce all the time, so it forces their creativity.

(True: Would Momofuku's Christina Tosi be so obsessed with cereal milk if she had Betty Van Dyke's apricots in her backyard?)

Falkner: Here, we don't have time to screw around with stuff that's only going to be here for a couple of weeks, like elephant-heart plums or Indian red peaches.

On Wooing Diners to Weirdness:
Corbett: It helps to put it into a recognizable form. If I want to use beets, for example, I might use them in a red velvet cake, because everyone knows what that is.
Villavelasquez: In Japan, they use a lot of Okinawa blue potatoes, which are not well know here. But we do have sweet potato pie, so you could use them in something like that.

Of course, as artists as well as artisans, these chefs would love to play to an audience eager and willing for innovation. But then again, restaurants are businesses, and change comes at a price. Unfamiliar flavors tend to sneak via the fine print. At Quince, Werner gives his pear tart a bump with a side of rosemary ice cream. At Absinthe, the earthy sweetness of a carrot reduction plays off the mellow spice of a pumpkin custard, while at Orson, creole cream cheese and Tabasco gives a kick in the shins to sticky toffee pudding. Sometimes, though, two great tastes don't go great together. . .

Epic Fails?
Corbett: When I started at Michael Mina, I had lofty intentions—I was going to be the one to show customers how to break out. I did this chocolate plate that had a basil s'more, a tahini chocolate mousse. . . all that was fine until I put in this perfect cube of devil's food cake with black olives. Now, I love chocolate and olives, I think they go really well together. But I realized that when people saw what they thought was a piece of devil's food cake, they expected one thing. So, you can't make an unfamiliar thing look too familiar.
Werner: Anchovy croissants. It was a humbling experience.
Falkner: Trying to transport an elaborate wedding cake on a hot summer day in the backseat of an old Pinto with no A/C. I got to the Sherman House with the cake melted all over me, and they just looked at me, like, 'What kind of punk-ass are you'?

Current Obsessions?
Falkner: Hydrocolloids! That's what I say to everyone these days. I feel like that guy in The Graduate, telling Dustin Hoffman to get into plastics.
Werner: Persimmons, because I don't really like them. I'm forcing myself to use them and see what I can do.
Corbett: Squash. It's a very autumnal ingredient. You can put it in cake, foams, all kinds of things.
Villavelasquez: Coconut, bourbon, persimmons. I ask my chefs to think about how the season tastes. I'm also very into garam masala right now.

Classic and Perfect, or Provocative but Flawed?
Given the chance to enjoy a perfectly made, perfectly simple pear tart, or to taste a more experimental dish that didn't quite work, which would they pick?
Falkner: Pastry chefs don't eat dessert! Steak or a pizza, that's you want at the end of the day.

What about you, Werner? Do you order dessert?

Werner: Not unless the pastry chef sees me.

Only Villavelasquez admitted to dessert splurges, saving up to eat nothing but desserts—sometimes 4 or 5 in a sitting—at restaurants that intrigue him here or abroad. But all agreed that as creative artists interested in pushing, pulling and poking at the concept of the sweet course, they'd go for the flawed experiment every time.

Corbett: In a classic dessert, there's no tricks, nothing to hide. But for me right now the most exciting desserts are the ones that the most innovative and new.

Inspirations?
Falkner: Song titles or lyrics. We've got a dessert now called "Mesh and Lace." Sometimes the title comes first, like "Burning Down the House": you think, what would that be? Sometimes it's based on a gesture, something sculptural or conceptual, or wanting to create a texture that doesn't exist yet.
Villavelasquez: Asian and Japanese flavors and ingredients. There are a lot of innovative textures, ingredients, and spices that are unfamiliar here. Also, just putting 3 flavors out there and making them work.

So, What's the Next Bacon?
Corbett: Porcini syrup.
Falkner: Deeper salts. Olives.
Werner: Soy and miso.
Villavelasquez: I had a jasmine cupcake somewhere, and that led to a scone we're doing at Arlequin, with quince, jasmine, and earl grey tea. I'm thinking like a bartender these days, thinking about using floral syrups and waters like jasmine, violet, orange blossom. Lavender's used up. But in the end, it comes down to butter all the way.

Slideshow of State of Pastry in SF event: Photos by Shing Wong

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Calling the Pie Therapist

Sunday, November 22nd, 2009

the finished pieRun through your Thanksgiving menu in your head, right now. Something in there is making you nervous. Very nervous. What it is? You can admit it. It's not a phobia, more like an...inadequacy, a fear of never being as good as grandma, a lingering humiliation from that one year you tried and the knife wouldn't even cut through the bottom crust, so rock-like it was. Or when the dough glued itself to the counter in a rebellious mound, refusing to roll and instead sticking to every surface save the pie pan. But yes, it's real. We call it Fear of Pie-ing. And that's why I'm here, your Pie Therapist on call.

Let's get it straight: no one really worries about the filling. They might wonder if the apples should be cut thick or thin, whether to thicken with cornstarch or flour. But inevitably, it's the crust that strikes fear in the heart of grown men and women, even those who can whip out an osso bucco or tom kai gai with aplomb. They hit up the bakery, they settle for those nasty frozen pre-made crusts, they make crisp and cobbler instead. I'm here to tell you: there is NO magic about making pie crust. It takes four ingredients, about 20 minutes or less of hands-on time, and the results are so flaky, so buttery, so sublime, you will amaze your loved ones (and yourself) for life.

Oh, easy for you to say, I hear you muttering. You grew up making pie with Mom, pushing a crumbly handful of dough into a little Pyrex dish so you could dig into your very own pie for dessert. Fair enough. The challenge was this: could two urbanites, one a non-cook, the other a non-baker, turn into confident pie-bakers after a single session with the Pie Therapist?

The first patient was Kevin, a psychotherapist, who lives in the Castro. Although he has a longtime partner, he has what I think of as the bachelor fridge: limes and condiments. When I arrive with my bag of equipment, he tells me that he had to wake up his sick upstairs neighbor to borrow a pie pan. I realize quickly never to assume what someone will have in his kitchen. In this case, what's missing is anything like a mixing bowl. We make do with a small saucepan and a couple of pasta bowls.

First, of course, a little therapeutic assessment. His mom was a busy single working woman with no time for baking. Grandma, on the other hand, was a fantastic cook and a great baker, whose pies were memorable. Unfortunately, her recipes passed on with her, and no one in the family has been able to come close. Kevin's sole kitchen skill? Making a mean margarita, and happily, he demonstrates. We put on the Loretta Lynn and get busy.

First up, the dry ingredients. Flour, a little salt, a little sugar, stirred together in the pot. A glass of ice water, set aside. He's bought fancy butter, a good thing, in this case the high-butterfat, European-style butter from Straus Creamery, Marin's organic dairy. I tell him I've met the Straus family and their happy grass-roaming cows, and we rub up a little locavore glow, helped along by the tequila. Then the butter is cubed and tossed into the flour so that each cube is coated.

making the butter nickels

"Now, hold your hands out in front of you, palms up, like a statue of Jesus," I tell him, and we scoop our fingers, palms up, down and up through the butter-chunked flour. "Now, pick up a butter cube between your thumb and fingertips. Flatten it out to a little butter nickel, and drop it back into the bowl."

Keep scooping, aerating the flour as you go, and flattening out your butter nickels. The trick is to keep everything light and airy--no squeezing, no mashing. You don't want paste, you want a crumbly mixture of flour layered with shards of cold fat. As long as you keep your palms facing up and only your thumb and fingertips working the dough, all is well. Stop when it looks somewhere between peas and rolled oatmeal, chunkier than you might imagine, and definitely before it gets to to the dry-cornmeal stage most cookbooks recommend.

So far, so good. Now, the water to make the dough: four or five tablespoons, mixed in lightly with a fork. Then sprinkled in, a tablespoon at a time, maybe 8 to 10 tablespoons in all. Pick up a handful of dough, and squeeze gently. It should come together in a ball that holds together but isn't wet or gluey. Err on the side of slight crumbliness, if you must.

squeezing the dough

Once the dough holds together, it goes into the pie-baker's friend, the gallon-size resealable bag. Dough firmly pushed down into a round, air pressed out from the bag and sealed, then into the freezer for 20 minutes, or the fridge for an hour (or overnight). While not absolutely necessary, it relaxes the dough and firms up the butter, increasingly flakiness and making it less likely to stick while rolling or shrink during baking.

The dough comes out and is divided in half, with the second half going back in the fridge. Onto a lightly floured board, we press our dough-lump into a roughly round patty. "A rolling pin makes life easier," I tell Kevin as I pick up my wooden pin. "But then again, I've also rolled out a lot of pie crusts with a wine bottle."

I hand him the pin and tell him to think of the dough as a sun, with rays radiating out from the center. "Don't roll back and forth like you're paving a highway. Roll from the center to the edge, around and around so you make an even circle. And after every few rolls, loosen the dough with a spatula, so it doesn't get in the habit of sticking."

He rolls and rolls, and soon we've got a circle a couple of inches bigger than our pan. We loosen the dough, fold in half and in half again, and transfer it into the pan, since it's much easier to move a thick folded triangle of dough than a thin floppy circle. Unfold, press lightly, put in the fridge and repeat with the other half of the dough. The filling goes in--in this case, blueberries, mixed with sugar and a little cornstarch--the top is draped on and crimped, and it goes into the oven. An hour later, his partner is home, and they are two men with a hot pie.

Kevin is happy and amazed that it could be so easy. Scones, he wants to make next, and I tell him it's the same technique: mix the dry ingredients, cut in the butter, add liquid, then roll out and cut.

The next patient is Leslie, a great cook and a longtime cookbook editor and author. What could I possibly teach her? But baking, it turns out, is where she feels out of control. "Bread, cake, pie," is how she describes her hierarchy of baking fears. We decide to start at the bottom, with pie. In this case, she has bowls galore, but no pie pan, since she never makes pies. "I'm a crisp person," she admits. We go through the same steps, and I show her the fluff-it-up, palms-up technique. "Bring it up to God!" she laughs, and we agree. Surely there is pie in heaven, good pie.

Mound the filling high

It's apple this time, and we slice and mound the apples high while the crust chills. This crust is a little crumbly, and wants to crack and stick as we roll. I grab the baker's friend, plastic wrap (waxed paper works well too), and we slap a sheet of plastic between the rolling pin and the dough. Suddenly, everything's easy: the dough stops sticking and the cracks seal up. We fold and drape and crimp, and the pie goes into the oven. Leslie is ecstatic: she has conquered pie! An hour later, her family sits down to steaming slices. Her nieces battle forks for the last piece of crust on the plate. And the Pie Therapist packs up her rolling pin and slips out into the night, another job done.

All Butter Pie Crust
Yes, shortening is easier to work with. But honestly, it's not that hard to use butter, and the taste is so wonderful, there's no reason to bother with anything else. Anyway, if you're going to eat fat, eat honest tasty fat that tastes good.

As for baking times, it depends on the type of filling. Most double-crusted fruit pies can be baked at 375F for about 45 to 55 minutes, until crust in golden brown and filling is just bubbling up. For a single-crust pie, like pumpkin or pecan, bake at 350F for 30-40 minutes, until filling is just set but still a slightly jiggly, since filling will continue to set as it cools.

Equipment:
a large bowl
measuring cups and spoons
a large spoon for mixing
a pie pan (metal, glass, or ceramic)
a rolling pin
resealable plastic bag or plastic wrap

Ingredients:

Makes: Enough for a 9-inch 2-crust pie

2 1/4 cups flour
1/2 tsp salt
1 1/2 tablespoons sugar
2 sticks (8 oz, 1 cup) butter, chilled
8 to 10 tablespoons ice water
extra flour for dusting

Preparation:

1. In a large bowl, sift or whisk together flour, salt, and sugar.

2. Cut butter into 1/2-inch cubes. Toss butter cubes into flour mixture. Rub butter cubes between your thumb and fingertips, palms up, until butter flattens into little flour-covered nickels. Keep scooping up flour and butter cubes and flattening into nickels until all butter is flattened into shards.

3. Lightly stir in half the water. Add the rest in drizzles, stirring and scooping dough until it just holds together; you may not use all the water. Squeeze a handful of dough together; it should hold together without crumbling.

4. Scoop dough into a gallon-size resealable bag. Flatten dough into a thick patty, press air from bag and seal. Chill for at least an hour in the refrigerator, or 20 minutes in the freezer. You can make your dough up to 2 days in advance, keeping it in the refrigerator, or store for up to a month in the freezer.

5. To roll out dough, sprinkle a wide work surface with flour. Divide dough in half and shape into a round. Rub rolling pin with flour and roll out into a thin, even circle, loosening dough frequently with a spatula. If dough is hard to roll or cracks, it may be too cold. Let it warm up for a couple of minutes, then try again. Put a sheet of waxed paper or plastic wrap between your rolling pin and the dough if dough is very sticky.

6. Loosen dough with a spatula. Fold in half, and then in half again. Transfer to pie pan and press lightly into the pan. Trim so dough is nearly flush with edges of pan. Put in the fridge and roll out second half of dough.

7. Put filling into pie pan, top with top crust, and seal edges together, crimping in whatever decorative fashion you like.

Note: For a single crust, use 1 1/4 cups flour, 1/4 tsp salt, 1 tbsp sugar, 8 tbsp butter (4 oz/ 1/2 cup), 3-4 tbsp ice water

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