Guests and host Leslie Sbrocco tape the sixth episode of Season 8 of Check, Please! Bay Area at KQED.
Photo: Wendy Goodfriend

Check, Please! Bay Area’s sixth episode of Season 8 airs on Thursday May 16 at 7:30pm on KQED 9. View other airtimes and channels.

You can watch individual restaurant segments as well as view the entire episode online. The website provides restaurant information not specified on the show and you are free to share your opinions on the restaurants featured. This season, Leslie Sbrocco will continue to share wine (and spirits) tips with each episode.

The sixth episode of Season 8 features these restaurants: Hunan Home’s Restaurant (San Francisco), Radius Restaurant and Café (San Francisco) and Guerilla Café (Berkeley).

Fun in the greenroom after taping the sixth episode of Season 8 of Check, Please! Bay Area at KQED. Lyrics Born autographs Leslie’s foot. Photo: Wendy Goodfriend

Watch Leslie Sbrocco share her Wine Tips about Santa Barbara County Wines:

View more Wine Tips at Check, Please! Bay Area.

Amid the media phenomenon that is Commander Chris Hadfield, you may have overlooked his turn as the International Space Station’s top chef.

The Canadian astronaut, who landed back on Earth Monday along with two other ISS crew members, wasn’t just hamming it up during his five months in space. (Although ham it up he did: In the last couple of days, his rendition of David Bowie’s “Space Oddity,” shot in orbit, has gotten nearly 7 million YouTube views.) While still aboard the space station, Hadfield also took the time to enlighten viewers on the intricacies of meal prep in space.

“In the early days of space exploration,” he informs us in one video, “food was mostly squeezed out of tubes and brought up in dehydrated packets. But today, we can have quite a variety of food. … We just need some minor adaptations.”

Such as swapping tortillas for bread when making sandwiches – mostly, he explains, because bread makes crumbs, and in space, crumbs don’t fall, they float away. Apparently, the tortillas that astronauts eat are specially packaged in an oxygen-free environment, which makes them “good for 18 months.”

Still, dehydrated foods remain a reality of astronaut menus, as Hadfield demonstrates in another video on prepping spinach (just add water). While it’s great to see our space cadets getting in their vegetables, you’d be hard-pressed to call the mushy green concoction that Hadfield displays before the camera appetizing.

So in the scheme of things, perhaps it’s a blessing of sorts that in space, astronauts lose their sense of smell — a key factor in how we experience the flavor of food — and get a hankering for hot sauce. Faced with that spinach dish, we’d probably reach for the Tabasco, too.

Copyright 2013 NPR.

Guests and host Leslie Sbrocco tape the fifth episode of Season 8 of Check, Please! Bay Area at KQED.
Photo: Wendy Goodfriend

Check, Please! Bay Area’s fifth episode of Season 8 airs on Thursday May 9 at 7:30pm on KQED 9. View other airtimes and channels.

You can watch individual restaurant segments as well as view the entire episode online. The website provides restaurant information not specified on the show and you are free to share your opinions on the restaurants featured. This season, Leslie Sbrocco will continue to share wine (and spirits) tips with each episode.

The fifth episode of Season 8 features these restaurants: Bocanova (Oakland), Willi’s Wine Bar (Santa Rosa) and The Rotunda of Neiman Marcus (San Francisco).

Watch Leslie Sbrocco share her Wine Tips about Wines of Washington State:

View more Wine Tips at Check, Please! Bay Area.

Tom Llewellyn, a volunteer with the Proposition 37 campaign, chants at a rally in Santa Cruz on Nov. 4, 2012, two days before the election. Prop 37 lost with 49 percent of the vote. Credit: Gabriela Quirós, KQED

Genetically engineered foods, also referred to as genetically modified organisms (GMO), genetically modified foods or biotech foods, has sparked plenty of debate in recent years. Last November, California voters failed to pass Proposition 37, which would have required all genetically engineered foods to be labeled in the state. But Senator Barbara Boxer and Congressman Peter DeFazio are introducing a bill that would require similar labeling by the FDA. Their joint statement says, “According to surveys, more than 90 percent of Americans support the labeling of genetically engineered foods. In fact, many consumers are surprised to learn that GE foods are not already labeled.”

This rice at UC Davis has been genetically engineered to tolerate the droughts that are already becoming more common with climate change. Credit: Gabriela Quirós, KQED

Gabriela Quirós, the producer of a special half-hour documentary, Next Meal: Engineering Food, commented via email about why this subject generates so much discussion with the public.

“Many people are very interested in knowing where their food comes from and how it’s made. In the particular case of genetically engineered crops, in the past 15 years, U.S. farmers have rapidly started growing genetically engineered crops to the point where about 90 percent of all the soybeans, cotton, corn and sugarbeets grown in the United States are now genetically engineered. But the farmers and the seed companies didn’t ask consumers what they thought about genetically engineered food – these seeds were just adopted like any other farming technology. And so I think that some consumers are wary, in part because there wasn’t much of a discussion before the technology was rolled out.”

In the course of producing Next Meal, which explores how genetically engineered crops are made as well as their benefits and drawbacks, Gabriela discovered more facts about a unique tomato: Flavr Savr.

“The Flavr Savr tomato was the first genetically engineered food to be sold to consumers. A company in Davis flipped a tomato gene around so that tomatoes would stay firm on the vine for longer. The idea was for the tomatoes to get flavorful but not become mushy when they were transported. What I didn’t know was that these tomatoes were very popular with consumers when they were first sold, in 1994. What made them disappear wasn’t opposition to the tomatoes; it was a series of bad business decisions by the company that designed them, and the fact that the genetic engineering didn’t quite work — the tomatoes didn’t stay firm for longer on the vine and ended up requiring careful transportation, just like any other tomato.”

The main challenge of working on the special was the enormous scope of the topic. “I would have liked to have more time. The documentary is 30 minutes long. Genetically engineered crops touch on science, of course, but also on environmental, legal and social issues, just to name a few. We didn’t have time to go as in-depth into some aspects of the story. That said, we did cover a lot of ground!”

UC Berkeley biologist Peggy Lemaux is genetically engineering sorghum to make it more easily digestible. Sorghum, a cereal related to corn, is a staple food for 300 million people in Africa. Credit: Arwen Curry, KQED

Gabriela also noted that one of her favorite moments was filming “the process of genetically engineering a cereal called sorghum, at UC Berkeley. I think viewers will enjoy this scene in the film. You see the little sorghum embryos being plucked out of the immature seeds.”

KQED Science on Google+ is hosting a Hangout on Air about genetically engineered food 5/8 at 11am (PST). Gabriela will be joined by UC Berkeley biologist Peggy Lemaux and UC Davis biologist Eduardo Blumwald. RSVP for the online round table discussion.

Watch the archived Google+ Hangout from 5/8/13:

And Next Meal: Engineering Food will premiere tomorrow night (5/8) on KQED Channel 9 at 7:30pm (PST). Starting on May 9, the program airs on PBS stations throughout California. In October, it airs again on KQED and on five PBS stations nationwide in Seattle, Wisconsin, Cleveland, North Carolina and Nebraska.

Watch Next Meal: Engineering Food online:

Photo by Andria Lo. Pickled vegetables by RicePaperScissors

Maybe you’ve had your fill of friends posting pics of their latest meal on social media. If you are hungry for something more satisfying than pin-ups of perfectly plated pancakes, sundaes dripping rivulets of caramel or lurid lasagna, feast your eyes on the images in Sip. Savor. Share!, a photographic love letter to San Francisco’s food and drink, markets and mixologists, sponsored by the urban art collective Femme Cartel. The show opens May 9 and runs through May 26 at the Mission’s Roll Up Gallery.

The show features the work of local artists:
• Molly DeCoudreaux (head photographer at SF.Eater.com, frequent contributor to Refinery29, The Bold Italic)
• Aleksey Bochkovsky (contemporary art photographer)
• Andria Lo (documentary and editorial photographer, including at 7×7)
• Anna Vignet (SF Chronicle contributing photographer and cookbook artist)
• Sarah Deragon (owner/head photographer of Portraits to the People)
• Flee Kieselhorst (portrait and fine art photographer)
• Gennesis Gastilo (photoblogger at Mother Cerveza)

Femme Cartel food photography show

Femme Cartel is known for showcasing cutting-edge, urban art, from tough to girly. Its founder, Emily Howe, calls herself  “a community organizer at heart.”  ”We started with shows that focused on women artists because they seemed to have second-class citizenship in art world. Now we often include a male artist (who supports feminist ideals),” says Howe. Bay Area Bites interviewed the co-curators of this food photography show and two of the featured artists.

Bay Area Bites: You’ve done graffiti inspired art and a hip take on fashion illustrations.  Why food now? 

Emily Howe: We love San Francisco and Oakland and the food world encompasses social justice, community gardens and feminist foodies. For many years, women were relegated to the kitchen, then they joined the workforce but were  STILL expected in the kitchen as supermoms. Now, there is a return to the domestic arts, but we are reclaiming those domestic arts in new ways: it’s a choice to bottle your own beer or pickle your own vegetables.

BAB: Why a focus on female photographers?

EH: In a perfect world, we wouldn’t have to think about gender, but if you look at who gets in art shows, who wins grants, who are the curators, jurors, art professors, deans of art schools — across the board it’s proportionately more men. The breakdown should be 50/50, but the big names are dudes. One of our goals is to showcase emerging artists and help people get their first show with an exciting launch. Christina Bohn, my co-curator and I  picked images that we loved and would buy ourselves. We also wanted to represent certain themes: coffee culture, cocktail culture, food trucks, Asian food, Mexican food, nightlife.

Christina Bohn: It’s timely now since the Bay Area is so into food and hand-crafted cocktails. And we include a range of images from instagram photos to fine art.

BAB: How did you find the artists for this show?

CB: We have a roster of artists who we’ve worked with in the past, but they represent more fine art, mixed media and collage. Not so much photography. We like to tap into the well of emerging artists. So we hit the Internet hard, Google, Craig’s list. San Francisco is such a beautiful melting pot of people from all walks of life. We wanted to include different threads that make up the whole scene. We pride ourselves on being a launching platform, finding artists who have never had shows and giving them opportunity to get their work out there. We love to connect people. Sometimes we know of a hair salon or pizza place that needs art on their walls and we can match them up with someone from the community.

photo by Molly DeCoudreaux – Bar Tartine

Professional photographer Molly DeCoudreaux grew up in Oakland. “What got me into loving food was the ten years I worked at Baywolf, moving from busser to waitress.” DeCoudreaux enjoys showing food communities, cheese-makers and chefs at work in the kitchen as well as bringing focus to small upstart companies.  ”I can relate to them because I’m scrappy too, I work hard, in a physically strenuous business.”

As for being part of Femme Cartel’s female-focused art show, she says, “Most photographers are men, it’s a gendered profession. There’s a lot of gear and electronics. Sometimes I go into a restaurant with all my bags of gear and some guy still says, ‘Oh, are you here for the waitress position?’ (And I’m 33!)”

DeCoudreaux shoots striking, non-traditional portraits of drag queens, porn people as well as weddings. “Weddings have a certain stress because they only do the ceremony once,” she says. “Food sits still – unless it’s a hollandaise sauce that breaks after 15 seconds.”

She admits the hardest food to photograph is BBQ. “It’s just meat covered in sauce, it can look like a brown mush. You have to light it and garnish it so it isn’t just a plate of brown.” She doesn’t usually work with a food stylist, relying instead on chefs who plate their food artistically. “I like collaborating, being in the kitchen, trying to stay unobtrusive. I like to show real people doing their work.” Instead of a perfect peach tart, for example, DeCoudreaux would prefer something a little lopsided. “It doesn’t have to be perfect to be beautiful,” she says.

photo by Andria Lo – condiments at Chinese restaurant

Andria Lo, documentary and editorial photographer and photo director for Hyphen Magazine, grew up in Anchorage, Alaska, where, she says,  ”There weren’t a lot of Chinese people. We ate Mom’s Chinese cooking at home and didn’t go out to eat at Anchorage’s Chinese restaurants.” When Lo and her family moved to Southern California’s San Gabriel Valley, she experienced culture shock at the plethora of Chinese restaurants.

Lo caught the photography bug as an art student at UC Berkeley. “It was the magic and camaraderie of the darkroom,” she says, “where people are working individually and collectively at same time.”

Although professionally, she photographs products, portraits, weddings and other subjects, Lo says, ”food photography is one of my passions. You get a finger on the pulse of what’s going on in the city. I especially like shooting the great energy at food events — like ForageSF dinners — it’s a challenge to capture the excitement in the air.”

One of the hardest places to shoot, Lo explains, is in professional kitchens. “While the dining room may be gorgeous, the fluorescent lighting, stainless steel counters and dirty dish racks present a challenge. I have so much respect for chefs. I’m visually stunned by the plating they come up with. My favorite perk is getting to eat their dishes. It’s an impetus to work fast, so that the food is still hot.”

photo by Anna Vignet

Anna Vignet: “There’s a huge variety of world flavors in only a handful of miles in the city. I love trying food from different countries with friends and learning about a country’s food and culture.”

photo by Gennesis Gastilo

Gennesis Gastilo: “Mother Cerveza is a love for the art of mixology and as in imbibing, a love for the people with whom you share your drinks. In the spirit of an intensely diverse and welcoming community, Femme Cartel’s show in San Francisco has at the heart of it: Love is indeed a miscible thing. (Peace begins with a beer).”

photo by Aleksey Bochkovsky

Aleksey Bochkovsky: “I’ve always fed off the energy from streets in big cultural cities. I need to be around people to steal moments of interaction and real feelings, however subtle. Food is a social experience and street food, in particular, interests me for its bouquet of demographic gatherings.”

photo by Sarah Deragon

Sarah Deragon: “One of the reasons I adore San Francisco is because of the dynamic foodie/bar culture. Femme Cartel continues to make history with their unique curatorial projects. I’m elated to be part of this show.”

photo by Flee Kieselhorst

Flee Kieselhorst: “I am a professional freelance portrait and event photographer and the key to my heart is food. When Femme Cartel (my favorite lady positive art organization) announced the call for entries for “Sip.Savor.Share!” I thought “Yes! An excuse to EAT!” My work in this show represents a few consecutive Fridays walking around San Francisco, meeting and shooting new folks, and of course…eating too much!”

Information:
Foodie Photography Show runs May 9-26
Opening reception May 9, 6-9 pm, food provided by Pachamama Cookery
Address:
Roll-Up Gallery
161 Erie Street
San Francisco, CA 94103
Twitter: @FemmeCartel
Facebook: Femme Cartel

Guests and host Leslie Sbrocco tape the fourth episode of Season 8 of Check, Please! Bay Area at KQED.

Check, Please! Bay Area’s fourth episode of Season 8 airs on Thursday May 2 at 7:30pm on KQED 9. View other airtimes and channels.

You can watch individual restaurant segments as well as view the entire episode online. The website provides restaurant information not specified on the show and you are free to share your opinions on the restaurants featured. This season, Leslie Sbrocco will continue to share wine (and spirits) tips with each episode.

The fourth episode of Season 8 features these restaurants: Pompei’s Grotto (San Francisco), Lillie Mae’s House of Soul Food (Santa Clara) and SPQR (San Francisco).

Host Leslie Sbrocco and guests from Check, Please! Bay Area relax in KQED’s greenroom

Watch Leslie Sbrocco share her Wine Tips about Napa Valley Wines:

View more Wine Tips at Check, Please! Bay Area.

“What is a ‘tea blend?’” is a Downton Abbey-inspired mix of almond, vanilla and cream teas accented with rose hips.
Photo: Sasha/Adagio Teas

Post by Lydia Zuraw, The Salt at NPR Food (04/29/13)

Apparently, fan fiction and fan art aren’t the only options for expressing your love of Sherlock, Doctor Who and The Hunger Games. There’s also tea.

If you visit the online tea store of Adagio Teas, you’ll find a collection of “Fandom Blends.” They’re the teas that customers have mixed and named after characters in favorite TV shows, books, movies and comics.

“Eleven,” one of Cara McGee’s blends inspired by the new Doctor Who, is described as “quirky and dark.” Amy Pond — a blend in honor of one of the doctor’s recent time-travelling companions — is a fiery orange, cranberry and rooibos vanilla c. Photo: Cara McGee/Adagio Teas

The company started allowing customers to create their own blends on the website in 2008. But the service really didn’t take off until about a year ago, when comic artist Cara McGee decided to blend some Sherlock teas on a whim. She was initially inspired by a Moriar Tea graphic that played on the name of the detective’s archnemesis, Moriarty.

Two of McGee’s teas inspired by the latest BBC incarnation of Sherlock Holmes and his trusty sidekick.
Photo: Cara McGee/Adagio Teas

These days, Adagio’s site offers more than a thousand user-created “fandom teas” that anyone can purchase. McGee herself has made about 150 blends, and she’s designed her own label art for them. So why express your fandom in teas?

McGee calls “Bilbow Brew” — inspired by The Hobbit – her current favorite fandom blend. It combines Irish breakfast, sweet potato and vanilla green teas, and tastes “kind of like breakfast in the Shire,” she says. “Smaug,” on the other hand, has lapsang souchong, candy cane and ginger teas in it. Photo: Cara McGee/Adagio Teas

“It’s not just something that another person can look at on their screen,” McGee says, “but they can actually order it and have it in their hands. And unlike a shirt or other merchandise, you can really experience it.”

“Sellsword Spirits” was inspired by Bronn from Game of Thrones. Photo: Aun-Juli Riddle/Adagio Teas

ThinkGeek is another company selling geeky beverages (specifically, Star Wars-themed), but the flavors aren’t crowdsourced, and there are only three currently for sale: Star: Vader’s Dark Side Roast Coffee, Dagobah Green Tea and Hoth Cocoa.

Ilya Kreymerman, Adagio’s chief technology officer, says he doesn’t know of other food or beverage companies out there that let the consumer design their own flavor — especially not ones based on TV and book characters. “Tea lends itself well to that,” he says. “Historically, people tended to create their own blends and share them.”

We haven’t come across other crowdsourced fan foods like Adagio’s, but if you have, let us know.

Copyright 2013 NPR.

Three women in coffee leading the way: Stephanie Backus of Portland Roasting, coffee farmer Miguelina Villatoro of Guatemala, and coffee exporter/processor Loyreth Sosa. Here they discuss coffee prices as they survey beans ready for milling. Photo: David Gilkey/NPR

Listen to the Story on Morning Edition

Post by Alison Aubrey, The Salt at NPR Food (4/25/13)

The inspiration for NPR’s Coffee Week arrived in an email last summer. I had just reported on the growing Third-Wave Movement in Coffee, and the burgeoning interest in coffee cuppings.

Margaret Swallow co-founded the International Women’s Coffee Alliance a decade ago. Photo: David Gilkey/NPR

Its mission (as the video below helps explain) is to help bolster women in coffee-producing countries — in part, by helping them find ways to start their own businesses and bring more resources back to their communities. Stories like that of these four female coffee growers in Africa, whom we profiled last November, represent the vanguard of change and hope in the industry.

Swallow began her career in 1979. Back then, she was marketing the coffee that lots of us grew up with. Fresh out of Harvard Business School, she was hired by Proctor & Gamble as a brand assistant on Folgers Coffee.

If you listen to my story, you’ll hear how she had an aha moment when she traveled to a coffee farm in Africa. The images she encountered of women and children working long hours in poor conditions, amid crushing poverty, stayed with her. She knew she wanted to make a difference.

The IWCA, now in its 10th year, has grown into a powerful networking organization. But there’s still a long way to go. As the International Trade Centre has documented, women on family-owned coffee plants in African countries take on about 70 percent of maintenance and harvesting work. Yet they tend to have little or no control over their farms’ finances, and they typically do not own land or have easy access to credit.

But change is coming.

Increasingly in Central and South America, women are making progress. On Tuesday, we documented the story of Guatemalan farmer Miguelina Villatoro. In Colombia, 47 percent of the National Federation of Colombian Coffee Growers‘ members are female. In fact, one-fifth of that country’s farms are owned and operated by women, according to the federation.

So what’s next? One new initiative underway is the creation of a Women’s Harvest brand of coffee. Nancy Moore of the Almana Harvest Fund is collaborating with the Costa Rican chapter of the IWCA. They’re hoping to launch a pilot soon.

Related Story at NPR Food:
• Meet 4 African Women Who Are Changing The Face Of Coffee

Copyright 2013 NPR.

Guests and host Leslie Sbrocco tape the third episode of Season 8 of Check, Please! Bay Area at KQED.
Photo: Wendy Goodfriend

Check, Please! Bay Area’s third episode of Season 8 airs on Thursday April 25 at 7:30pm on KQED 9. View other airtimes and channels.

You can watch individual restaurant segments as well as view the entire episode online. The website provides restaurant information not specified on the show and you are free to share your opinions on the restaurants featured. This season, Leslie Sbrocco will continue to share wine (and spirits) tips with each episode.

The third episode of Season 8 features these restaurants: Maverick (San Francisco), Izakaya Yuzuki (San Francisco) and Souk Savanh (Oakland).

Watch Leslie Sbrocco share her Wine & Spirits Tips about Sake:

View more Wine Tips at Check, Please! Bay Area.

Caitlin Freeman. Photo: Charles Villyard

Andy Warhol as Jell-O, Jeff Koons as a gilded white hot chocolate, and Cindy Sherman as a pink ice cream float dusted with glitter are just a few of the edible art concepts cooked up by Caitlin Freeman, an artist who creates confections and fancy snacks based on special exhibitions at SFMOMA. Her new book, “Modern Art Desserts,” details recipes and stories from her self-made dream job: responding to art through food.

Freeman co-owned Miette pastry shops before opening the Blue Bottle Coffee bar at SFMOMA’s rooftop garden with her husband James. From Miette, she brought along artist and pastry chef Leah Rosenberg, and assistant Tess Wilson. The team’s desserts are innovative, creative and sometimes controversial. A cookie plate inspired by Richard Serra’s massive steel sculptures is likely the first dessert to have ever received a cease and desist letter.

Click on any photo to view full-sized images and activate the slideshow

Freeman credits painter Wayne Thiebaud with inspiring her to become a baker, and says the book is a love letter to him. Her favorite cakes to bake are buttercream party cakes, and that’s exactly what Thiebaud is known for painting. The two cake-loving artists haven’t met yet, but Freeman throws a birthday party for him every year at the cafe. Besides her most popular cakes modeled after works by Thiebaud and Piet Mondrian, 70 modern art desserts have been created over the past four years. Textile artist Ruth Laskey’s two-color weavings became conceptual sodas where flavors were assigned to each color, creating combinations like lemon soda with bay ice cubes, and bubblegum soda (made from Dubble Bubble gum concentrate) with violet ice cubes. Freeman was interested in the overlap between colors and flavors, a concept that went through some trial and error when she focused on Andy Warhol’s self portrait in green, blue, red, and yellow. She tried to make a Bloody Mary gelée and explains, “I didn’t want to use food coloring but I figured we could use blue curacao. We made Campbell’s tomato soup Jell-O, celery, horseradish and Worcester Jell-O, and it was revolting. It shouldn’t be a surprise, but that was the one recipe that didn’t really work out.” Her aversion to food coloring had to be overcome for her Mondrian cake, a chocolate ganache grid with primary-colored cake blocks, but she’s not the only one who is wary of unnatural-looking cake dye. She says, “People easily gobble up the yellow and red, but often they’ll leave the blue square on the plate.”

Dessert is based on Garry Winogrand’s “Kerrville, Texas” (1977). Photo: Willa Koerner.

Freeman’s latest concoction, inspired by a Gary Winogrand photograph, is an ambitious multimedia project. As she describes it, “The piece we chose is these two people dancing on a platform that looks just like an ice cream cake. So we’re making this ridiculous multimedia cake that involves Stevie Wonder’s “Sir Duke” playing from an MP3 player inside the plate, which happened to be the number seventeen song the year the photo was taken, and looks exactly like the song they would’ve been dancing to. We’ll have two images laser-cut as cake toppers that will be dancing on the cake.” The desserts are often conceptual, and sometimes literal, like the Jasper Johns-inspired grilled cheese that looks like his piece, Bread. As Freeman describes the project, “The piece is a lead panel with a piece of bread on it, so we made a grilled cheese and served it on a to-scale board painted to look like lead. It was a giant, oversized board people would have to carry back to their table.” She likes that her creations can help make the art more accessible, and says that when she walks into a gallery of California painters, “especially Diebenkorn and Thiebaud,” she often wants to take the paintings home, and says:

“Making desserts is my way of owning something, of really pretending that I’m stealing it, and making it my own.”

“Modern Art Desserts” was released this month by Ten Speed Press. Freeman’s Mondrian cakes will soon be available for purchase online (available for delivery, packed in dry ice). Keep up with her projects at modernartdesserts.com.

Photos of desserts reprinted with permission from Modern Art Desserts: Recipes for Cakes, Cookies, Confections, and Frozen Treats Based on Iconic Works of Art, by Caitlin Freeman, copyright (c) 2013. Published by Ten Speed Press, a division of Random House, Inc. Photo credit: Clay McLachlan (c) 2013