Harvest Time: Robert Sinskey Vineyards

| September 12, 2009 | 0 Comments
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Stephanie Miller, the assistant vineyard manager at Robert Sinskey Vineyards, pulled back the lid of a knee-high wooden bin and plunged her hand wrist-deep in a thick layer of squashed mulberry-colored grapes. Sweeping them back to reveal the bright purple juice below, she dipped in a glass and held out a taste. A little sweet, a little sharp, the cloudy juice was speckled with bits of grape and froth, buoyant and lively with yeasts and natural sugars.

A couple of years from now, this same stuff will be a suave Napa Valley Pinot Noir. But on this warm morning at the beginning of the 2009 harvest, these grapes are just a day or two off the vine, busily fermenting their way from juice to wine.

Surrounding these wooden bins are the hulking stainless-steel vats more typical of a modern winery, into which most of Sinskey’s juice goes. But, as Miller explained, for this small pick, taken from one particular vineyard block that ripened early, letting the grapes ferment the old-fashioned way seemed just fine.

It fits right in with the style of the vineyard, a family-run place where sheep roam as four-footed weed whackers during the winter, munching down the weeds and cover crops before the fruit sets. Around the blocks of grapes are hedgerows and trees dotted with raptor perches and owl boxes, providing habitat for birds and beneficial insects. Hawks soar overhead, keeping hungry eyes on the mice and gophers below. Organic since 2001, the vineyards were certified biodynamic in 2007, following the methods laid out by Austrian philosopher/educator/polymath Rudolf Steiner (1861-1925), under the down-to-earth eye of vineyard manager (and livestock wrangler) Debby Zygielbaum.

Sheep on the farm
Sheep on the farm. Photo by Robert Sinskey

There are many layers to biodynamic farming, but the basic premise involves taking organics one step further to create a holistic, “closed circle” ecosystem whereby all the land’s fertility needs can be met on site. Animals provide manure, for example, manure goes into compost, compost goes into soil that then grows grass to feed the animals.

Hence the sheep, and the on-site composting program that transforms a good portion of the winery’s spent grape pomace into a rich organic soil booster. That’s just the tip of Steiner’s philosophy, however. As a philosopher with a mystical Christian bent, Steiner’s agricultural experiments in the face of industrial, post-WWI devastation blended time-honored Northern European folk traditions (planting by the phases of the moon, assigning the calendar “root days” and “fruit days” based on planetary movements) with his own personal beliefs in astral energy planes and more.

Walking a path between the grapes, Miller quotes a friend and fellow biodynamic farmer as saying, “You can farm on your knees or on your feet.” Meaning that you can follow Steiner’s dictates as a spiritual practice or as a practical how-to; either way, the results speak for themselves. Do you have to believe that a cow’s horn symbolizes a kind of bridge between the earth and the sun, and that adding manure aged for months inside a buried cow’s horn to your compost will energize your plants?

Perhaps, perhaps not. But there’s no denying that building an intimacy with every aspect of a piece of land, from the way the wind moves over it to what weeds grow there, builds an awareness that translates into deep knowledge, informed by care and maybe even love.

Grapes on the vine
Grapes on the vine. Photo by Robert Sinskey

Hanging on the cusp of harvest, the grapes are vividly indigo, green-gold, rose amber or plum black. The land itself feels rich with life, from the bees darting in and out of the flowering weeds below to the birds pecking their portion of the harvest from the ends of the rows.

The Zinfandel grapes are almost comically huge, ripe-to-bursting clusters hanging blue-black in the hot early-autumn sunshine. The Pinot Noir berries are smaller and shyer, almost dainty, the Cabernet Sauvignon vines looking straight out of a Claude Chabrol film. Muscat, clear gold, is unmistakable, the juice sugar sweet with a hint of musk. I remember reading a description of a summer morning in Venice as having “light like pink grapes” and these clusters of rosy Pinot Gris turn the simile suddenly clear.

All well and good. But how do the wines taste? After visiting numerous blocks of Sinskey’s grapes, growing in the Stag’s Leap and Carneros appellations, Miller takes me back to the elegant public tasting room on the Silverado Trail. Here, too, the idea of a self-fufilling ecosystem continues.

Wine is, after all, meant to drunk with food. So there is a small but lovely open kitchen adjoining the tasting room, where house chef Alex Bolduc whips up small complementary palate-teasers to accompany the $20 tasting flights, using produce harvested in the surrounding kitchen garden. The winery also runs special culinary tours ($50 per person, by appointment), in which guests get a guided tour through both the caves and the gardens, followed by a wine, cheese, and charcuterie tasting. It helps, of course, that Sinskey’s culinary director is his wife, Maria Helm Sinskey, well-known cookbook author and formerly the highly acclaimed chef of San Francisco’s PlumpJack restaurant.

The open kitchen in the tasting room
The open kitchen in the tasting room. Photo by Robert Sinskey

The day I visited, Bolduc was simmering a batch of pear butter on the stove, made with green pears harvested from the Sinskeys’ backyard. Once finished, it would jarred and sold in the tasting room or used on the menu of one of the winery’s popular wine-club dinners, held every few months. While wine-club members get first dibs at reservations, interested diners can always call to see if any seats are available. Upcoming dinners include a Fall Equinox Dinner on Sept. 19th, and a Harvest Dinner on Oct. 24th. The price for six courses accompanied by wine is $175 per person.

In the tasting room, I nibbled a bit of aged gouda dotted with homemade plum jam, alongside a buttery mini-quiche filled with tatsoi, roasted onions, and cream, a moist gougere and some delectable slivers of pizza hot from the wood-burning oven. (Pizza Thursdays, a new development, are not to be missed).

And then there were the wines. I’ve long been a fan of Sinskey’s Vin Gris as a elegant summer cooler. But the pours were more autumnal that day, starting with the Vandal Vineyard Pinot Noir. This parcel gets temperatures some 10 to 15 degrees warmer, bringing out the juicy richness and depth of the fruit, with hints of leather and smoke. “It’s a more masculine wine,” suggests sales manager Meg Barkley, and I have to agree: it seems to call out for leg of lamb, deep leather armchairs, dark wood paneling and a roaring fire.

A Pinot Noir from the Three Amigos parcel, some 5 to 7 miles away, is quite different, leaner and lighter, with less smoke and more cherry. “This one’s my duck wine,” says Barkely.

Sinskey only recently started doing single-designation Pinots, and the choice of vineyards changes from year to year, depending on the quality of the fruit.

It’s one more part of the winemaking philosophy espoused by owner Rob and his longtime vintner, Jeff Virdig, who has been working with Sinskey since 1991: bring the fruit to its peak, then get out of the way and let the grapes express their own truth.


For information and reservations for upcoming dinners, call 800.869.2030 or 707.944.9090, ext. 119.

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About the Author ()

Stephanie Rosenbaum Klassen is a longtime local food writer, author, and cook. Her books include The Art of Vintage Cocktails (Egg & Dart Press), World of Doughnuts (Egg & Dart Press); Kids in the Kitchen: Fun Food (Williams Sonoma); Honey from Flower to Table (Chronicle Books) and The Astrology Cookbook: A Cosmic Guide to Feasts of Love (Manic D Press). She has studied organic farming at UCSC and holds a certificate in Ecological Horticulture from the Center for Agroecology and Sustainable Food Systems. She does frequent cooking demonstrations at local farmers’ markets and has taught food writing at Media Alliance in San Francisco and the Continuing Education program at Stanford University. She has been the lead restaurant critic for the San Francisco Bay Guardian as well as for San Francisco magazine. She has been an assistant chef at the Headlands Center for the Arts, an artists' residency program located in the Marin Headlands, and a production cook at the Marin Sun Farms Cafe in Pt Reyes Station. After some 20 years in San Francisco interspersed with stints in Oakland, Santa Cruz, Brooklyn, and Manhattan, she recently moved to Sonoma county but still writes in San Francisco several days a week.